Edward Ruscha - Knowledge

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straightforward, even deadpan, in their depiction of subjects that are not generally thought of as having aesthetic qualities. His "Products" pictures, for example, feature boxes of Sunmaid raisins and Oxydol detergent and a can of Sherwin Williams turpentine in relatively formal still lifes. Mostly devoid of human presence, these photographs emphasize the essential form of the structure and its placement within the built environment. Ruscha's photographic editions are most often based on his conceptual art-books of same or similar name. Ruscha re-worked the negatives of six of the images from his book

1729:. The exhibit, "Ed Ruscha and the Great American West," focuses primarily on how the artist drew inspiration from the American West. In 1956, Ruscha drove from his home in Oklahoma to Los Angeles where he hoped to attend art school. While driving in a 1950 Ford sedan, the 18 year old artist drew inspiration from dilapidated gas stations, billboards, and telephone poles cross the great expanse of the land. This inspiration from the American West across Route 66 stuck with Ruscha his whole life. The artists paintings of the West reflect both symbolic and ironic renditions of how we imagine the West. 1074: 707:(1969) were written as if with liquid spilled, dribbled or sprayed over a flat monochromatic surface. His gunpowder and graphite drawings (made during a period of self-imposed exile from painting from 1967 to 1970) feature single words depicted in a trompe l’oeil technique, as if the words are formed from ribbons of curling paper. Experimenting with humorous sounds and rhyming word plays, Ruscha made a portfolio of seven mixed-media lithographs with the rhyming words, 512: 691:, his East Coast counterparts, Ruscha's artistic training was rooted in commercial art. His interest in words and typography ultimately provided the primary subject of his paintings, prints and photographs. The very first of Ruscha's word paintings were created as oil paintings on paper in Paris in 1961. He began to isolate monosyllables — ACE, BOSS, HONK, OOF — without additional imagery against solid backgrounds. 730:(1988), part of the artist's "Dysfuntional Family" series, Ruscha runs the text over the silhouetted image of a great, listing tall ship; the piece was a collaboration with fellow Los Angeles artist Nancy Reese (she did the painting, he the lettering). In a series of insidious small abstract paintings from 1994 to 1995, words forming threats are rendered as blank widths of contrasting color like 765:(1965) are exemplary works from Ruscha's group of paintings from the mid-1960s that take the strict idea of literal representation into the realm of the absurd. This body of work is characterized by what the artist termed “bouncing objects, floating things,” such as a radically oversized red bird and glass hovering in front of a simple background in the work and have a strong affinity to 749:(1962). Beginning in the mid-1980s, in many of his paintings black or white ‘blanks’ or ‘censor strips’ are included, to suggest where the ‘missing’ words would have been placed. The ‘blanks’ would also feature in his series of Silhouette, Cityscapes or ‘censored’ word works, often made in bleach on canvas, rayon or linen. 663:

In 1985, Ruscha begins a series of "City Lights" paintings, where grids of bright spots on dark grounds suggest aerial views of the city at night. More recently, his "Metro Plots" series chart the various routes that transverse the city of Los Angeles by rendering schematized street maps and blow-ups

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pastel drawings from in the mid-1970s show bright beams of light burst forth from skies with dark clouds. An overall glow is created by the black pastel not being completely opaque, allowing the paper to shine through. In the 1980s, a more subtle motif began to appear, again in a series of drawings,

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acquired over seventy photographs by Ruscha as well as his "Streets of Los Angeles" archive, including thousands of negatives, hundreds of photographic contact sheets, and related documents and ephemera. A portion of the material will go to the Getty as a promised gift from the artist. The "Streets

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Ruscha is married to the former Danica Knego (known as Danna). They met in 1965, wed in 1967, separated in 1972, filed for divorce in 1976, divorced in 1978, and remarried in 1987. The couple has two children, Edward "Eddie" Ruscha Jr., a son, and Sonny Bjornson, a daughter. In the late seventies,

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Since 1964, Ruscha has been experimenting regularly with painting and drawing words and phrases, often oddly comic and satirical sayings alluding to popular culture and life in LA. When asked where he got his inspiration for his paintings, Ruscha responded, “Well, they just occur to me; sometimes

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Photography has played a crucial role throughout Ruscha's career, beginning with images he made during a trip to Europe with his mother and brother in 1961, and most memorably as the imagery for more than a dozen books that present precisely what their titles describe. His photographs are

722:, among others, began using entire phrases in their works, thereby making it a distinctive characteristic of the post-Pop Art generation. During the mid-1970s, he made a series of drawings in pastel using pithy phrases against a field of color. He also congreagated with artists including 1557:

a visual and sensory experience where the visitor saw 360 pieces of paper permeated with chocolate and hung like shingles on the gallery walls. The pavilion in Venice smelled like a chocolate factory. For the Venice Biennale in 1976, Ruscha created an installation entitled

769:, a recurring theme in the artist's career. The fish plays a prominent role throughout the series and appears in nearly half of the paintings. Another frequent element is Ruscha's continuous depiction of a graphite pencil – broken, splintered, melted, transformed. 401:

Ruscha achieved recognition for paintings incorporating words and phrases and for his many photographic books, all influenced by the deadpan irreverence of the Pop Art movement. His textual, flat paintings have been linked with both the Pop Art movement and the

2211:, and includes the original camera-ready three-panel maquette used for the publication. This ongoing project subsequently evolved into a vast photographic archive that spans over four decades and documents many major Los Angeles thoroughfares, including 827:(1970), produced at Editions Alecto, London, rhyming words appear in Gothic typeface, printed in edible substances such as pie fillings, bolognese sauce, caviar, and chocolate syrup. Ruscha has also produced his word paintings with food products on 1689:

featured the first retrospective to focus exclusively on Ruscha's canvases. Entitled "Ed Ruscha: Fifty Years of Painting," the exhibition sheds light on his influences, such as comics, graphic design, and hitchhiking. The exhibition travelled to

1807:(2005) for the Whitney, both of which were part of "The Course of Empire: Paintings by Ed Ruscha" at the Venice Biennale. Ruscha is represented by 33 of his works in the permanent collection of the Museum of Contemporary Art, Los Angeles; the 734:. Later, words appeared on a photorealist mountain-range series which Ruscha started producing in 1998. For these acrylic-on-canvas works, Ruscha pulled his mountain images either from photographs, commercial logos, or from his imagination. 778: 2223:, shot in 1974 and 1975, and more than 25 other Los Angeles streets that Ruscha photographed since 2007. In total, the archive comprises thousands of negatives, hundreds of photographic contact sheets, and related documents and ephemera. 1775:, acquired Ruscha's complete graphic archive of 325 prints and 800 working proofs. The museum bought the archive and negotiated for impressions of future prints for $ 10 million, with funds provided by San Francisco philanthropist 1324:(1968) and enlarged it to the size of a small swimming pool, consisting of 3164 pages the same size as the pages in Ruscha's original book. The pages of this ‘pool on a shelf’ can be detached to create the life-size installation. 991:(SFMOMA)'s 75th anniversary, Ruscha was one of the artists invited to collaborate with the museum on a limited-edition of artist-designed T-shirts. Ruscha is regularly commissioned with works for private persons, among them 4599: 2878: 2086:(1963), a takeoff on the American billboard in which a single word is the subject, was expected to sell for $ 1.5 million to $ 2 million from a private European collection. It was eventually sold for $ 3.5 million at 1562:, consisting of letters written in Vaseline petroleum jelly on a black wall. Ruscha was the United States representative at the 51st Venice Biennale in 2005, showing the site- and occasion-specific a painting cycle 2790: 1389:

contains the essence of the artist's same-named painting, inasmuch as the story is told of a strange day in the life of an auto mechanic, who is magically transformed as he rebuilds the carburetor on a 1965

1655:, a major retrospective of the artist's prints, books, and graphic works, which number well over 300. The show travelled to the LACMA in 2000. Ruscha coauthored the catalogue raisonné with Walker curator 4111: 616:(1959)) this is the most widely known, and exemplifies Ruscha's interests in popular culture, word depictions, and commercial graphics that would continue to inform his work throughout his career. 843:(1972) consists of six screen prints – three on paper, three on paper-backed wood veneer, each showing a lifelike swarm of a different meticulously detailed species. For the April 1972 cover of 3007: 589:(1991) these two words, which comprised the final shot in all black-and-white films, are surrounded by scratches and streaks reminiscent of damaged celluloid. Also, the proportions of the 671:(1998). The paintings are grey and vary in their degrees of light and dark, therefore appearing as they were done by pencil in the stippling technique. A 2003 portfolio of prints called 823:, an editioned portfolio of 75 stained sheets of paper produced and published by Ruscha in 1969, bears the traces of a variety of materials and fluids. In the portfolio of screenprints 4583: 2859: 1755:

In 2003, Ed Ruscha curated "Emerson Woelffer: A Solo Flight", a survey of the work of the late Los Angeles-based Abstract Expressionist, for the inaugural exhibition of the Gallery at

839:(1975) were executed in blackberry juice on moiré. However, these most vibrant and varied organic colorings usually dried to a range of muted greys, mustards and browns. His portfolio 3152: 968:(1983), which is in the museum's collection, to form a spectacular, monumental triptych. For his first public commission in New York in 2014, Ruscha created the hand-painted mural 2234:(2010); notes, photographs, correspondence and contact sheets relating to the creation and publication of his many other artist's books; and materials relating to his short films 4429: 3735: 1791:

acquired more than 300 photographs through a purchase and gift from the artist, making it the principal repository of Ruscha's photographic oevre. The gift, purchased from

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in Austin, Texas presented "Ed Ruscha: Archaeology and Romance," featuring more than 150 objects drawn from the Ransom Center's Edward Ruscha Papers and Art Collection.

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people say them and I write down and then I paint them. Sometimes I use a dictionary.” From 1966 to 1969, Ruscha painted his “liquid word” paintings: Words such as

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in Vienna, the first exhibition in a series for which internationally renowned artists were invited to work with the national art and natural history collections.

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acquired a Ruscha archive comprising five personal journals filled with preliminary sketches and notes; materials related to the making of his artist's book

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of Los Angeles" archive acquired by the Getty Research Institute begins with the photographic and production material for Ruscha's landmark 1966 book

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landscapes contributes to the themes and styles central to much of Ruscha's paintings, drawings, and books. Examples of this include the publication

1337:. The artist then cut and painted directly on the negatives, resulting in photographs that have the appearance of a faded black-and-white film. The 648:

print using a split-fountain printing technique, introducing a gradation of tone in the background of the print, with variations following in 1969 (

4171: 4065: 3576: 2687: 1776: 4576: 2852: 2114:(1964) sold by L.A. collectors Joan and Jack Quinn to an anonymous bidder at Christie's for a record-shattering $ 52.5 million with fees in 2019. 4867:, Ralph Rugoff, Alexandra Schwartz, Bruce Wagner, Ulrich Wilmes, "ED RUSCHA: FIFTY YEARS OF PAINTING," D.A.P./Distributed Art Publishers, 2010. 2513: 880:

some incorporating dried vegetable pigments: a mysterious patch of light cast by an unseen window that serves as background for phrases such as

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as a member of the Department of Art, after having previously received its Hassam, Speicher, Betts, and Symons Purchase Fund Award in 1992'.

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series (1974–75) represents the first instance where the photographic image has been directly used in his graphic work, where Ruscha had

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Alexandra Schwartz, ed. Leave Any Information at the Signal: Writings, Interviews, Bits, Pages by Ed Ruscha. Cambridge: MIT Press, 2002.

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screen (however, to make the word "Hollywood", Ruscha transposed the letters of the sign from their actual location on the slope of the

5040: 4508: 2242:(1971); his portfolios; and several art commissions. Ruscha himself donated a substantial portion of the archive to the Ransom Center. 3357: 3272: 1972:(1972/2008), an audio artwork that transforms the names of famous male artists into a bird song, parroting names such as Artschwager, 3038:

Ed Ruscha's Light: An Exhibition of Works Related to the Artist's Recent Commission for the Getty Center, May 12 - September 13, 1998

2370:, Winter 2005, No. 111, Pages 127-142 (doi:10.1162/0162287053148139) October Magazine, Ltd. and Massachusetts Institute of Technology 1610: 4044: 3062: 2332: 5110: 2773: 916:, designed to be read in the rear-view mirror of a moving car. In 1985 Ruscha was commissioned to design a series of fifty murals, 4156: 3221: 5055: 5045: 5035: 4118: 3394: 2012: 2001: 1881: 1719: 1637: 1622: 4745: 3688: 3374: 3335: 2555: 888:(1983). By the 1990s, Ruscha was creating larger paintings of light projected into empty rooms, some with ironic titles such as 777: 5115: 4143: 2809: 2495: 2465: 5080: 4892: 4882: 4872: 4859: 4849: 3126: 1812: 1759:(Roy and Edna Disney/CalArts Theater). In 2012, Ruscha was invited to curate “The Ancients Stole All Our Great Ideas” at the 1606: 901: 2023:: “Ed Ruscha has the coolest gaze in American art.” Ruscha was elected to a three-year term on the board of trustees of the 344:

In 1961, Ruscha spent seven months traveling through Europe. After graduation, Ruscha took a job as a layout artist for the

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His work is also strongly influenced by the Hollywood film industry: the mountain in his Mountain Series is a play on the

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Notably different from many of Ruscha's works of the same period, most obviously in its exclusion of text, his series of

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and was greatly moved. Ruscha has credited this artist's work as a source of inspiration for his change of interest from

297:. Ruscha's mother was supportive of her son's early signs of artistic skill and interests. Young Ruscha was attracted to 3964: 4687: 3935: 2623: 2220: 2024: 1808: 1772: 1743:

in New York City exhibited the retrospective “ED RUSCHA / NOW THEN” featuring over 200 works across mediums, including

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typeface of his own invention named ”Boy Scout Utility Modern” in which curved letter forms are squared-off (as in the

2019:’s Art + Film gala; in a speech, the museums's director Michal Govan paid tribute to the artist, quoting the novelist 5105: 4839: 4829: 4816: 4803: 3879: 3548: 2067: 791:

In his drawings, prints, and paintings throughout the 1970s, Ruscha experimented with a range of materials including

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by Edward Ruscha, 1971, color silkscreen with apricot and grape jam with Metrecal on paper, accession TCM.1996.51

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in London, his first European exhibition. In 1968, he had his first European solo show in Cologne, Germany, at

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in Sydney mounted a selection of the artist's photographs, paintings, books and drawings that traveled to the

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David Hickey, "Ed Ruscha: La Mirada Distanciada (The Long View)", Dr. Cantz'sche Druckerei, Ostildern, 2006.

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Three board members resign as Desert X announces collaboration with Saudi Arabia, Los Angeles Times reports

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in a mockery of conditions of privilege and recognition given to male artists at that time. The muralist

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has more than 40 works by the artist in their collection. Ruscha also has small collections of books and

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between 1978 and 1987. The mural was preserved until 2006 when it was illegally painted over. The band

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shot at the artist's studio and desert home. Interviews with Ruscha are included in the documentaries

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Virginia Heckert, Ed Ruscha and Some Los Angeles Apartments, Los Angeles: Getty Publications, 2013.

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as a visiting professor for printing and drawing in 1969. He is also a lifelong friend of guitarist

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J. Paul Getty Trust Announces J. Paul Getty Medal to go to Lorna Simpson, Mary Beard and Ed Ruscha

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Apartments, Parking Lots, Palm Trees and others: Films, Photographs and Drawings from 1961 to 1975

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in Los Angeles organized a retrospective solely devoted to Ruscha's works on paper. In 2004, The

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In 1998, Ruscha was commissioned to produce a nearly thirty-foot high vertical painting entitled

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In 2016, there was a large 99 piece exhibit of Ruscha's paintings and prints in San Francisco's

1522:. This exhibition is historically considered one of the first "Pop Art" exhibitions in America. 5090: 4664: 4635: 4049: 4030: 3445: 3287: 2300: 2212: 1345:'s house photographer Malcolm Lubliner make photographs of a range of common domestic objects. 785: 598: 3589: 3441:

Werner Herzog to Speak with Artist Tom Sachs at Frieze L.A. About Their Film 'Paradox Bullets'

3079: 851:-like photograph that spelled out the magazine's title in a salad of squashed foods. Ruscha's 4379: 4212: 4012: 3980:"ArtPremium – 1968 - Sparta Dreaming Athens at Château de Montsoreau-Museum Contemporary Art" 3895: 3256: 3206: 2931: 2916: 1888: 1590: 1362: 905: 338: 322: 203: 4765:

News Release — November 13, 2013: Artist Ed Ruscha's Archive Acquired by Harry Ransom Center

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logo, while the dimensions of this work are reminiscent of a movie screen; in his painting

534:(1966), a book of continuous photographs of a two and one half mile stretch of the 24 mile 457: 3475: 8: 4798:

Yve-Alain Bois, "Edward Ruscha: Romance with Liquids", Rizzoli Publications, Inc., 1993.

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Wells, Walter, Silent Theater: The Art of Edward Hopper, London/New York: Phaidon, 2007.

2058:(2003), chosen for its red, white and blue colors. Obama gave Australian Prime Minister 1675: 4978:

Edward Ruscha: An Inventory of His Papers and Art Collection at the Harry Ransom Center

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The Getty Acquires Ed Ruscha Photographs and Archive, Press Release of October 06, 2011

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The Getty Acquires Ed Ruscha Photographs and Archive, Press Release of October 06, 2011

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stars Ruscha in the role of a hiker lost in the desert and guided only by the voice of

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He has been the subject of numerous museum retrospectives, beginning in 1983 with the

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In any case, "Art has to be something that makes you scratch your head," Ruscha said.

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as part of a survey of American printmaking with an on-site workshop. He constructed

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shows street intersections from San Francisco and LA juxtaposed one over the other.

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At Solid $ 325.3 M. Christie’s Contemporary Art Sale in New York, Ed Ruscha Is King

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from 1956 through 1960. While at Chouinard, Ruscha edited and produced the journal

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Press Release: SFMOMA and GAP partner to create limited edition T-shirt collection

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New York, Works from the Collection of Michael Crichton, 11–12 May 2010, New York.

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publishers in Tysons Corner, Virginia, in 2002. The artist was later asked by the

952:. He produced another site-specific piece, three 13-by-23-foot panels proclaiming 745:) This simple font is radically different from the style he used in works such as 4983:

Edward Ruscha Photographs of Sunset Boulevard and Hollywood Boulevard, 1965–2010.

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Ed Ruscha: The Ancients Stole All Our Great Ideas, 25 September - 2 December 2012

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In the 1970s, Ruscha also made a series of largely unknown short movies, such as

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Ruscha's classic prints, published as multiples, command up to $ 40,000 apiece.

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and would sustain this interest throughout his adolescent years. Though born in

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Oral history interview with Edward Ruscha, Smithsonian Archives of American Art

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SFMOMA Acquires Important Work By Ed Ruscha, Press Release of December 26, 2007

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for $ 30.4 million at a 2014 Christie's auction in New York. His word painting

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Desert X art exhibition heads to Saudi Arabia — and into contentious territory

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to write scripts to be performed by leading actors; Ruscha's contribution was

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Excerpts from a 1965 Artforum interview of Ruscha discussing his artist books

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Auping Michael, Prince Richard, "ED RUSCHA: ROAD TESTED", Hatje Cantz, 2011.

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in 1961, one year after graduating from college. Among his first paintings (

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magazine under the pseudonym “Eddie Russia” from 1965 to 1969 and taught at

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Alexandra Schwartz, "Ed Ruscha's Los Angeles", Cambridge: MIT Press, 2010.

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Mark Francis, "New Drawings", Transcontinental Litho-Acme, Montreal, 2006.

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a similar lithograph during his visit to the White House in 2014. Ruscha's

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Ruscha's artist books have proved to be deeply influential, beginning with

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In 2008, Ruscha was among four text-based artists that were invited by the

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Mary Richards, "Ed Ruscha. Modern Artists series", Tate Publishing, 2008.

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In 1968, Ruscha created the cover design for the catalogue accompanying a

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shots of Ruscha. In 2020, Ruscha produced the cover art and typography of

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Ruscha's first major public commissions include a monumental mural at the

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Christie's Post-War Contemporary Evening Sale, 8 November 2011, New York.

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in Los Angeles. In 1966, Ruscha was included in "Los Angeles Now" at the

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Award of Excellence for Artistic Contributions to the Fight Against AIDS

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Leonardo DiCaprio Buys Ruscha Print to Benefit Sean Penn’s Haiti Charity

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from 1965, which had been shown at Ferus Gallery that year, was sold by

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The Cultural Award of the Deutsche Gesellschaft für Photographie (DGPh)

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exhibited a second Ruscha drawing retrospective, which traveled to the

1234: 1229: 992: 848: 766: 731: 645: 640:(1965–68), Ruscha brought flames into play. In 1966, Ruscha reproduced 298: 4146:". Deutsche Gesellschaft für Photographie e.V.. Accessed 7 March 2017. 3150:

Ed Ruscha features in the Band of Outsiders S/S 2012 polaroid campaign

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In 1989, Ruscha decorated a pool for his brother Paul at his house in

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Artist Ed Ruscha Teams Up With (RED) and Gagosian for COVID-19 Relief

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Between 2006 and 2012, Ruscha served on the board of trustees of the

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In 2006, an exhibition of Ruscha's photographs was organized for the

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Between 1962 and 1978, Ruscha produced sixteen small artist's books:

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Ed Ruscha: 'There's room for saying things in bright shiny colours'

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SFAI Awards Honorary Doctorates at 2009 Commencement, April 9, 2009

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SFAI Awards Honorary Doctorates at 2009 Commencement, April 9, 2009

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VINEGAR, A. (2009), ED RUSCHA, HEIDEGGER, AND DEADPAN PHOTOGRAPHY.

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to create a limited-edition silk twill scarf—featuring his drawing

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Ed Ruscha Treasure Trove to be Auctioned by Christie's (Exclusive)

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in 2013. From 2015 until 2019, Ruscha also served on the board of

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from 1969 and subsequently transformed into a film which features

904:(1966) and a seventy-panel, 360-degree work for the Great Hall of 5006: 4547: 844: 566:

were emulated out of car parts in 2008 by Brazilian photographer

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http://www.guggenheim-venice.it/img/padiglione/5_2005_Ruscha.pdf

2155:

During the time he and Danna were apart, Ruscha dated actresses

1771:

In 2000, the Achenbach Foundation for Graphic Arts, a branch of

908:

in Colorado (1995). Created as part of a public-art commission,

3775:

The Gallery at REDCAT in Walt Disney Concert Hall, Los Angeles.

2071: 2066:(2013) was installed in the entry hall of the residence of the 1840: 1811:

owns 25 Ruscha paintings, works on paper, and photographs; the

1756: 1274: 922: 4131:

Press Release, 11 September 2010: Ed Ruscha hits the Highlands

3616:

Metaphor-Loving Ruscha Remains True to His Word in This Survey

2888:

Post-War Contemporary Evening Sale, 8 November 2011, New York.

2810:

Ed Ruscha: Fifty Years of Painting, May 29 - September 5, 2010

2800:

Post-War Contemporary Evening Sale, 8 November 2011, New York.

2690:

I PLEAD INSANITY BECAUSE I'M JUST CRAZY ABOUT THAT LITTLE GIRL

2496:

Ed Ruscha: Fifty Years of Painting, May 29 - September 5, 2010

2466:

Ed Ruscha: Fifty Years of Painting, May 29 - September 5, 2010

1706:

in Los Angeles prepared an exhibition with Ruscha inspired by

930:(now the Miami Art Museum) in Florida, designed by architects 3355:

Mike Kelley/Edward Ruscha: Photographs, April 3 – May 1, 1999

1985: 1855: 816: 800: 522:

Although Ruscha denies this in interviews, the vernacular of

224: 4993:

Edward Ruscha photographs of Los Angeles streets, 1974-2010.

4493:

Eli Broad Goes Shopping as Sotheby's Art Auction Falls Short

4430:

Barack Obama gives Tony Abbott pop art print, gets surfboard

2418:"Large Trademark with Eight Spotlights | painting by Ruscha" 2054:

presented him with a signed two-color lithograph by Ruscha,

948:, for the lobby of the Harold M. Williams Auditorium of the 2904: 2694: 2653: 2539: 1320:, who re-photographed one of the photographs from Ruscha's 832: 386: 266: 233: 94: 2136:(1965) made $ 4.1 million at Christie's New York in 2011. 2106:

in yellow, which Ruscha painted in 1963, was purchased by

414:

While in school in 1957, Ruscha chanced upon then unknown

230: 4325:

Ed Ruscha joining SFMoMA board a year after quitting MOCA

3113:

Possessed: A Keepsake Of Romance And Travels Close to Hom

1541:

in 1970 and had his first solo exhibition there in 1973.

2917:

Ed Ruscha: Prints and Photographs, May 8 - June 14, 2014

863:

is rendered in apricot and grape jam and the diet drink

351:

By the early 1960s he was well known for his paintings,

4491:

Lindsay Pollock and Philip Boroff (November 12, 2008),

3021:

Why swimming pools are making a splash in the art world

2843:

Berkeley Art Museum and Pacific Film Archive, Berkeley.

1023:. The summer 2012 campaign of L.A.-based fashion label 835:, since they were more stain-absorbent; paintings like 4509:

A Warhol Leads a Night of Soaring Prices at Christie's

2713:

LAmag - Culture, Food, Fashion, News & Los Angeles

2511:

Ed Ruscha: Metro Plots, January 27 - February 27, 1999

2481:

Ed Ruscha: Standard Stations, March 1 — March 29, 2008

1846:

Ruscha's private collectors have in the past included

1369:

a scenario which he first projected in his photo-book

1077:

Ruscha's books on display as part of a 2018 exhibition

1019:

had Ruscha paint the exterior of his private plane, a

4343:

A Desert Biennial Alongside Coachella Is in the Works

3167: 1698:, Stockholm. “Ed Ruscha: Road Tested,” opened at the 1510:, in the historically important and ground-breaking " 4466:

Contemporary-Art Auction Sets Records for 15 Artists

3821:"Fine Arts Museums Acquire Ruscha's Graphic Archive" 3306:, 32: 852–873. doi: 10.1111/j.1467-8365.2009.00708.x 3288:

Ed Ruscha: Books & Co., March 5 - April 27, 2013

1934:

list of the 100 most influential people in the world

1815:

has 21 Ruschas in its permanent collection; and the

1549:

In 1970 Ruscha represented the United States at the

1525:

Ruscha had his first solo exhibition in 1963 at the

570:

as a commentary on Los Angeles and its car culture.

355:, and photographs, and for his association with the 221: 5096:

Members of the American Academy of Arts and Letters

964:to create two large-scale paintings that flank his 227: 2834:Ed Ruscha / MATRIX 134, May 1, 1990 - July 7, 1990 2082:As early as 2002, the oil on canvas word painting 1265:, a volume of Ruscha's writings, was published by 4782:John Coplans, "New Paintings of Common Objects", 4209:Whitney Museum of American Art to Honor Ed Ruscha 489:. Some critics are quick to see the influence of 359:group, which also included artists Robert Irwin, 5022: 4811:, "Ed Ruscha: Paintings", Bowne, Toronto, 2002. 3896:Ruscha's Biennale Works Are Shown at the Whitney 1833:Château de Montsoreau-Museum of Contemporary Art 1398:. In 1984, he accepted a small role in the film 1053:(1986)—to help provide more equitable access to 970:Honey, I Twisted Through More Damn Traffic Today 4702: 3736:"Ed Ruscha's 'Chocolate Room' Still Tantalizes" 3460:LA Suggested By the Art of Edward Ruscha (1981) 2751:Ed Ruscha, November 17, 2012 - January 12, 2013 2090:in New York, a record for the artist. In 2008, 1787:, then worth about $ 1.5 million. In 2004, the 1482:In 1962 Ruscha's work was included, along with 1477: 546:with a motorized camera. Also, paintings like 2774:Ed Ruscha: Painting's maverick man of letters 2366:Jaleh Manor 'Ed Ruscha's One-Way Street'. In 1887:2004: Honorary Royal Academician of London’s 1057:relief. In 2023 he created the cover art for 4677: 4027:Owen Wilson on Iconic SoCal Artist Ed Ruscha 2259:Ed Ruscha: 'California Postcard: Moving Day' 2000:Ruscha's eponymous 1974 painting for their " 4562:Art Auction Highlights a Financial Downfall 3575:) CS1 maint: multiple names: authors list ( 3395:Ed Ruscha's Rare Early Films Visit New York 2132:, New York, in 2010. From the same series, 280: 4719:Artists raise millions for Hillary Clinton 4525:Fall Art Auctions See Significant Declines 4397:Amy Chozik and Kelly Crow (May 22, 2009), 4192:Ed Ruscha, Wang Shu named to Time 100 list 3804:The Restless American: On Ed Ruscha's Road 3571:: CS1 maint: location missing publisher ( 3539:L.), Thornton, Sarah (Sarah (2009-11-02). 3494:The Restless American: On Ed Ruscha's Road 3425:Highway zur Kunst. Interview mit Ed Ruscha 2649:News, Mews, Pews, Brews, Stews, Dues, News 1439:L.A. Suggested by the Art of Edward Ruscha 1348: 709:News, Mews, Pews, Brews, Stews, Dues, News 4399:Changing the Art on the White House Walls 4157:Ed Ruscha Honored at National Arts Awards 2094:acquired Ruscha's "liquid word" painting 2046:. In 2010, during British prime minister 1739:From September 2023 to January 2024, the 1619:Museo Nazionale delle Arti del XXI Secolo 1611:Museo Nacional Centro de Arte Reina Sofia 1296:(1968), for which Nauman burned Ruscha's 918:WORDS WITHOUT THOUGHTS NEVER TO HEAVEN GO 890:An Exhibition of Gasoline Powered Engines 664:of its neighborhood sections, such as in 4791:Nancy Marmer, "Edward Ruscha at Ferus," 4682:. Grand Central Publishing. p. 91. 3947:Jacqueline Trescott (October 30, 2004), 3508:Jacqueline Trescott (October 30, 2004), 2148:Ruscha bought land about ten miles from 2050:'s first visit to Washington, President 1714:, which opened in mid-2011 (traveled to 1072: 776: 638:Los Angeles County Museum of Art on Fire 510: 269:. He is also noted for creating several 249:movement. He has worked in the media of 4633: 4119:amfAR, The Foundation for AIDS Research 4090:American Academy of Arts & Sciences 3675:"Ed Ruscha and the Great American West" 2824:National Galleries of Scotland and Tate 2706: 1720:Museum of Contemporary Art, North Miami 1638:Museum of Contemporary Art, Los Angeles 1623:Scottish National Gallery of Modern Art 542:, he photographed the entire length of 337:became one of the U.S.' first recorded 14: 5023: 4999:, Los Angeles, Accession no. 2012.M.2. 4989:, Los Angeles, Accession no. 2012.M.1. 3977: 3219: 2822:Ed Ruscha, ‘’Crossover Dreams’’ (1991) 2443:"'The Final End', Edward Ruscha, 1992" 2182:(FEC), Ruscha donated $ 12,500 to the 1322:Nine Swimming Pools and a Broken Glass 1138:Nine Swimming Pools and a Broken Glass 506: 499:(1940) in Ruscha's 1963 oil painting, 5086:Honorary members of the Royal Academy 4446:Christopher Bagley (April 27, 2015), 4136: 4025:Maxwell Williams (October 31, 2013), 3818: 3733: 3364:Patrick Painter Gallery, Los Angeles. 3200:Rosemary Feitelberg (12 April 2022), 3173: 2337:, BLOUINARTINFO, 2008, archived from 1938:2013: Honored on the occasion of the 1919:2009: Honorary doctorate degree from 1906:2008: Honorary doctorate degree from 1874:2001: Honorary doctorate degree from 1813:Hirshhorn Museum and Sculpture Garden 1607:Hirshhorn Museum and Sculpture Garden 1394:. The movie features Jim Ganzer and 902:Museum of Contemporary Art, San Diego 895: 606:Large Trademark with Eight Spotlights 579:Large Trademark with Eight Spotlights 114:Large Trademark with Eight Spotlights 5101:Northwest Classen High School alumni 4615:Suzanne Muchnic (January 13, 2006), 4602:Strange Catch for a Fresh Water Fish 4579:Angry Because It’s Plaster, Not Milk 4231:, press release of January 24, 2019. 3844:Suzanne Muchnic (January 13, 2006), 3819:Baker, Kenneth (November 29, 2000). 3689:"Ed Ruscha: Archaeology and Romance" 3529:Peggy Guggenheim Collection, Venice. 3019:Caroline Roux (September 18, 2020), 2953:Honolulu Museum of Art, wall label, 2881:Strange Catch for a Fresh Water Fish 2855:Angry Because It’s Plaster, Not Milk 2607:The Deadpan Laureate of American Art 2315:The Deadpan Laureate of American Art 2289: 2274:Streets # * of Los Angeles Archive 2134:Strange Catch for a Fresh Water Fish 2118:Angry Because It’s Plaster, Not Milk 1869:American Academy of Arts and Letters 972:for a temporary installation at the 825:News, Mews, Pews, Brews, Stews, Dues 763:Strange Catch for a Fresh Water Fish 759:Angry Because It’s Plaster, Not Milk 4523:Scott Reyburn (November 13, 2019), 4307:Peter Haldeman (October 30, 2012), 3765:Roy and Edna Disney/CalArts Theater 3734:Diehl, Travis (September 1, 2023). 3538: 3458:Douglas C. McGill (March 1, 1987), 3423:Claudia Bodin (February 15, 2010), 3176:"Paintings On The Wall - Ed Ruscha" 3089:San Francisco Museum of Modern Art. 2772:Alastair Sooke (February 9, 2008), 1447:Dennis Hopper: The Decisive Moments 1263:Leave Any Information at the Signal 737:From 1980, Ruscha started using an 409: 379:. He worked as layout designer for 348:advertising agency in Los Angeles. 24: 5121:20th-century American male artists 4413:Rachel Cooke (12 September 2010), 4360:Deborah Vankin (October 7, 2019), 4155:Andrew Russeth (October 6, 2009), 4007:Guelda Voien (September 1, 2017), 3936:San Francisco Museum of Modern Art 3439:Jordan Riefe (February 15, 2019), 3315:Suzanne Muchnic (March 30, 2003), 3148:Wanja Ochwada (15 February 2012), 2209:Every Building on the Sunset Strip 2025:San Francisco Museum of Modern Art 1893:2006: The Cultural Award from the 1809:San Francisco Museum of Modern Art 1773:Fine Arts Museums of San Francisco 1583:San Francisco Museum of Modern Art 1310:Twentysix Havana Gasoline Stations 1106:Every Building on the Sunset Strip 989:San Francisco Museum of Modern Art 870: 540:Every Building on the Sunset Strip 538:. In 1973, following the model of 532:Every Building on the Sunset Strip 501:Standard Station, Amarillo, Texas. 120:Every Building on the Sunset Strip 25: 5132: 5041:20th-century American printmakers 4913: 4788:, November, 1962. (Illustrations) 4507:Carol Vogel (November 13, 2014), 4378:Gareth Harris (October 8, 2019), 4341:Jori Finkel (December 31, 2015), 4291:, BLOUINARTINFO, January 23, 2007 3916:, BLOUINARTINFO, January 23, 2007 3894:Carol Vogel (November 11, 2005), 3862:Carol Vogel (December 12, 2003), 3761:"Emerson Woelffer: A Solo Flight" 3591:Edward Ruscha: Editions 1959-1999 3271:Karin Nelson (January 10, 2010), 3111:David Colman (October 19, 2003), 2605:Jason Farago (7 September 2023), 2562:Crown Point Press, San Francisco. 2313:Jason Farago (7 September 2023), 2068:United States Ambassador to Spain 1653:Edward Ruscha: Editions 1959-1999 1544: 1361:(1975). With the assistance of a 1308:in Cuba, producing the portfolio 678: 4758: 4736: 4711: 4705:Current Biography Yearbook, 1989 4696: 4671: 4650: 4634:Tomkins, Calvin (July 1, 2013). 4627: 4609: 4593: 4570: 4554: 4541:Judd Tully (November 14, 2019), 4535: 4517: 4501: 4485: 4474: 4458: 4440: 4423: 4407: 4391: 4372: 4354: 4335: 4317: 4301: 4279: 4258: 4234: 4219: 4202: 4184: 4162: 4149: 4043:Jordan Riefe (August 14, 2019), 3414:, Sprüth Magers Galerie, Berlin. 3380:Kenneth Tyler Collection at the 3257:“Documenta 5” at Specific Object 2440: 2152:; he later built a house there. 2142: 2017:Los Angeles County Museum of Art 1781:Los Angeles County Museum of Art 1718:, Colorado in December 2011 and 1599:Los Angeles County Museum of Art 1251:Los Angeles County Museum of Art 914:Los Angeles County Museum of Art 319:California Institute of the Arts 313:in 1956 where he studied at the 305:, Ruscha lived some 15 years in 217: 168: 5111:People from Venice, Los Angeles 4909:, July 1, 2013, pp. 48–57. 4124: 4102: 4078: 4056: 4037: 4019: 4001: 3978:Sevior, Michelle (2018-11-07). 3971: 3957: 3941: 3926: 3904: 3888: 3872: 3856: 3838: 3812: 3796: 3778: 3753: 3727: 3703: 3681: 3667: 3648: 3626: 3608: 3583: 3532: 3520: 3502: 3486: 3474:John Anderson (June 27, 2007), 3468: 3452: 3433: 3417: 3404: 3393:Andrew Russeth (May 18, 2010), 3387: 3367: 3348: 3326: 3309: 3296: 3281: 3265: 3246: 3213: 3194: 3142: 3120: 3105: 3092: 3073: 3055: 3052:De Young Museum, San Francisco. 3043: 3031: 3013: 3001: 2979: 2960: 2947: 2925: 2910: 2891: 2872: 2846: 2827: 2815: 2803: 2784: 2766: 2744: 2725: 2700: 2681: 2659: 2640: 2617: 2599: 2584: 2565: 2545: 2526: 2504: 2489: 2474: 2459: 2434: 2410: 2257:Dana Goodyear (11 April 2011), 1801:The Old Tool & Die Building 1700:Modern Art Museum of Fort Worth 1259:Modern Art Museum of Fort Worth 654:Cheese Mold Standard with Olive 186: 164: 5056:American contemporary painters 5046:21st-century American painters 5036:20th-century American painters 4590:Phillips de Pury & Company 3802:Amei Wallach (June 24, 2001), 3492:Amei Wallach (June 24, 2001), 3061:Carol Vogel (March 13, 2014), 2974:National Galleries of Scotland 2867:Phillips de Pury & Company 2709:"15 Minutes with George Condo" 2574:Annie, Poured from Maple Syrup 2385: 2373: 2360: 2351: 2325: 2307: 2267: 2251: 2130:Phillips de Pury & Company 2004:" compilation album. The band 1984:painted an 11,000-square-foot 1959: 1951:2024: Honorary doctorate from 1940:Whitney Museum of American Art 1895:German Society for Photography 1876:California College of the Arts 1766: 1727:M. H. de Young Memorial Museum 1634:Whitney Museum of American Art 1587:Whitney Museum of American Art 1512:New Painting of Common Objects 1472: 1467:How to Make a Book with Steidl 1335:Every Building on Sunset Strip 1327: 1277:published Ruscha's version of 962:M. H. de Young Memorial Museum 13: 1: 5116:Photographers from California 4717:Ben Luke (November 3, 2016), 4309:In L.A., Art + Film + Fashion 4269:The Art World’s Space Invader 3949:Ed Ruscha Chosen for Biennale 3878:Carol Vogel (March 5, 2004), 3614:David Pagel (June 05, 2000), 3510:Ed Ruscha Chosen for Biennale 3382:National Gallery of Australia 2635:National Gallery of Australia 2382:Steidl Publishing, Göttingen. 2245: 2077: 1992:to honor Ruscha entitled the 1968:included Ruscha in her piece 1908:Rhode Island School of Design 1805:The Old Trade School Building 1702:, Texas in January 2011. The 1406:, and in 2010, he starred in 1200:Later book projects include: 1041:. In 2022, he teamed up with 752: 5081:Artists from Omaha, Nebraska 4958:Resources in other libraries 4939:Resources in other libraries 4617:LACMA receives Ruscha prints 4560:Carol Vogel (May 13, 2010), 4464:Carol Vogel (May 15, 2002), 4323:David Ng (August 15, 2013), 4242:"Honorary Degree Recipients" 3846:LACMA receives Ruscha prints 3220:Snapes, Laura (2023-10-26). 2591:Ed Ruscha: Boulangerie, 1961 2098:(1969) for $ 2.4 million at 1298:Various Small Fires and Milk 1015:, 2001). In 1987, collector 772: 601:to the crest of the ridge). 273:. Ruscha lives and works in 7: 5051:American conceptual artists 4707:. H.W. Wilson. p. 490. 4190:David Ng (April 18, 2013), 4179:San Francisco Art Institute 4073:San Francisco Art Institute 3593:, June 12-September 5, 1999 3541:Seven days in the art world 2944:Ingleby Gallery, Edinburgh. 2741:, 9 June 1999, Los Angeles. 2380:THEN & NOW by Ed Ruscha 2180:Federal Election Commission 1921:San Francisco Art Institute 1750: 1576:Seven Days in the Art World 1435:American Art in the Sixties 1312:(2008). A recent homage is 1306:Twentysix Gasoline Stations 1100:Some Los Angeles Apartments 1087:Twentysix Gasoline Stations 966:A Particular Kind of Heaven 714:In the 1970s, Ruscha, with 630:Norm’s, La Cienega, on Fire 516:Twentysix Gasoline Stations 456:'s cover illustrations for 10: 5137: 5071:Art in Greater Los Angeles 4776: 4288:MoCA Names Ruscha to Board 3913:MoCA Names Ruscha to Board 3360:November 17, 2018, at the 3102:W Magazine, November 2007. 3063:Traffic Sign For High Line 2812:Moderna Museet, Stockholm. 2756:November 11, 2012, at the 2734:Brave Men Run In My Family 2013:Museum of Contemporary Art 1685:In October 2009, London's 1615:Museum of Contemporary Art 728:Brave Men Run In My Family 440:'s paintings, the work of 436:. He was also impacted by 295:Hartford Insurance Company 4953:Resources in your library 4934:Resources in your library 4174:November 7, 2012, at the 4068:November 7, 2012, at the 3598:January 16, 2015, at the 3127:When Stella met Ed Ruscha 3040:The J. Paul Getty Museum. 2940:28 September 2011 at the 2193: 2112:Hurting the Word Radio #2 1861: 1595:San Antonio Museum of Art 1219:, 2004 (with Sylvia Wolf) 1217:Ed Ruscha and Photography 1154:Real Estate Opportunities 987:(2007). To celebrate the 954:Words In Their Best Order 928:Miami–Dade Public Library 673:Los Francisco San Angeles 593:print seems to mimic the 199: 145: 135: 104: 78: 68: 39: 32: 5106:Painters from California 4997:Getty Research Institute 4987:Getty Research Institute 4703:Moritz, Charles (1990). 3965:"Argus: UMFA Collection" 3790:15 November 2012 at the 3656:In Retrospect: Ed Ruscha 3273:Words by Jack, Art by Ed 3182:. MPL Communications Ltd 2955:Fruit Metrecal Hollywood 2839:January 7, 2013, at the 2284:Getty Research Institute 2204:Getty Research Institute 1825:Utah Museum of Fine Arts 1817:Art Institute of Chicago 1761:Kunsthistorisches Museum 1722:, Florida in May 2012). 1441:, a 1981 documentary by 1068: 853:Fruit Metrecal Hollywood 784:by Edward Ruscha, 1971, 782:Fruit Metrecal Hollywood 620:was quickly followed by 487:Sir John Everett Millais 281:Early life and education 4748:March 15, 2012, at the 4680:The Andy Warhol Diaries 4402:The Wall Street Journal 3338:March 15, 2012, at the 3174:Staff (11 March 2019). 2935:, 21 May - 23 July 2011 2422:Encyclopedia Britannica 2334:Edward Ruscha Biography 2150:Pioneertown, California 2056:Column With Speed Lines 1916:for Artistic Excellence 1642:National Gallery of Art 1603:Centre Georges Pompidou 1452:Sketches of Frank Gehry 1429:Ruscha was featured in 1402:directed by his friend 1349:Films and documentaries 1316:(2013) by Dutch artist 1112:Thirtyfour Parking Lots 396: 315:Chouinard Art Institute 285:Ruscha was born into a 275:Culver City, California 213:Edward Joseph Ruscha IV 73:Chouinard Art Institute 44:Edward Joseph Ruscha IV 5061:American male painters 4050:The Hollywood Reporter 4031:The Hollywood Reporter 3864:Investing in Chocolate 3711:"ED RUSCHA / NOW THEN" 3446:The Hollywood Reporter 3317:Ruscha's Kodak moments 2707:Amadour (2023-02-15). 2516:June 24, 2011, at the 2213:Santa Monica Boulevard 1613:in 2001. In 2004, the 1535:Galerie Rudolf Zwirner 1469:(2010), among others. 1285:in an edition of 350. 1160:Babycakes with Weights 1124:and Patrick Blackwell) 1078: 1051:Science Is Truth Found 926:), for the rotunda of 788: 786:Honolulu Museum of Art 599:Santa Monica Mountains 519: 420:Target with Four Faces 339:alternative newspapers 5076:Artists from Oklahoma 4678:Hackett, Pat (2009). 3255:(September 7, 2007), 3180:www.paulmccartney.com 2221:Pacific Coast Highway 2184:presidential campaign 2128:for $ 3.2 million at 1889:Royal Academy of Arts 1867:2001: Elected to the 1591:Vancouver Art Gallery 1531:Robert Fraser Gallery 1365:, Ruscha arranged in 1363:Guggenheim Fellowship 1076: 956:, for the offices of 946:PICTURE WITHOUT WORDS 910:The Back of Hollywood 906:Denver Public Library 837:A Blvd. Called Sunset 780: 514: 204:Guggenheim Fellowship 5066:American pop artists 3636:. Barnes & Noble 2301:Los Angeles Magazine 2200:J. Paul Getty Museum 2064:Screaming in Spanish 2002:Sand in the Vaseline 1990:Downtown Los Angeles 1942:'s annual gala event 1829:Salt Lake City, Utah 1741:Museum of Modern Art 1630:J. Paul Getty Museum 1539:Leo Castelli Gallery 1537:. Ruscha joined the 1433:'s film documentary 458:New Directions Press 167: 1967; 4902:"Ed Ruscha's L.A.," 4768:Harry Ransom Center 4753:J. Paul Getty Trust 4229:J. Paul Getty Trust 3952:The Washington Post 3514:The Washington Post 3343:J. Paul Getty Trust 3050:Ed Ruscha: Triptych 2778:The Daily Telegraph 2676:Marlborough Gallery 2579:Norton Simon Museum 2304:(January 23, 2018). 2228:Harry Ransom Center 2190:in September 2016. 1947:J. Paul Getty Medal 1914:National Arts Award 1902:Aspen Award for Art 1734:Harry Ransom Center 1644:, Washington, D.C. 1520:Pasadena Art Museum 1304:relocated Ruscha's 1294:Burning Small Fires 1094:Various Small Fires 981:Whitechapel Gallery 886:99% DEVIL, 1% ANGEL 634:Burning Gas Station 581:(1962) depicts the 544:Hollywood Boulevard 528:Southern California 507:Southern California 466:Robert Rauschenberg 4724:2016-11-04 at the 4661:Ruscha’s Landscape 4636:"Ed Ruscha's L.A." 4586:2010-12-20 at the 4565:The New York Times 4529:The New York Times 4512:The New York Times 4469:The New York Times 4348:The New York Times 4312:The New York Times 4216:, October 2, 2013. 4213:Women's Wear Daily 4114:2014-02-26 at the 3899:The New York Times 3883:The New York Times 3867:The New York Times 3807:The New York Times 3740:The New York Times 3693:www.hrc.utexas.edu 3497:The New York Times 3463:The New York Times 3276:The New York Times 3260:The New York Times 3207:Women's Wear Daily 3155:2012-07-31 at the 3132:2011-06-13 at the 3085:2010-12-16 at the 3067:The New York Times 2991:2010-05-25 at the 2862:2010-12-20 at the 2793:Rehab Pump Doctors 2671:2010-12-21 at the 2558:2011-07-19 at the 2279:2012-01-31 at the 2038:In 2009, Ruscha's 1994:Ed Ruscha Monument 1953:Occidental College 1745:The Chocolate Room 1694:, Munich, and the 1640:, and then to the 1621:, Rome and to the 1585:(traveling to the 1478:Birth of "Pop Art" 1418:' 2018 short film 1269:in 2002. In 2010, 1249:exhibition at the 1205:Country Cityscapes 1079: 920:(a quotation from 896:Commissioned works 789: 575:Paramount Pictures 520: 317:(now known as the 4920:Library resources 4893:978-1-60606-138-1 4883:978-3-7757-2810-2 4873:978-1-935202-06-6 4860:978-0-262-01364-2 4850:978-1-85437-623-7 4795:, December, 1964. 4730:The Art Newspaper 4659:(February 1986), 4621:Los Angeles Times 4385:The Art Newspaper 4366:Los Angeles Times 4329:Los Angeles Times 4273:New York Magazine 4196:Los Angeles Times 3850:Los Angeles Times 3654:Douglas, Sarah. " 3620:Los Angeles Times 3603:Walker Art Center 3321:Los Angeles Times 2933:Gravity's Rainbow 2178:According to the 2173:Michelle Phillips 2006:Various Cruelties 1848:Leonardo DiCaprio 1797:Leonard A. Lauder 1716:Denver Art Museum 1665:Kunsthaus Bregenz 1661:Reading Ed Ruscha 1649:Walker Art Center 1609:in 2000, and the 1496:Phillip Hefferton 1437:. He appeared in 1431:Michael Blackwood 1396:Michelle Phillips 1318:Elisabeth Tonnard 1314:One Swimming Pool 1302:Charles Johnstone 1247:Billy Al Bengston 1132:Billy Al Bengston 1025:Band of Outsiders 1017:Frederick Weisman 934:and John Burgee. 847:, he composed an 604:Ruscha completed 518:, 1963, by Ruscha 448:’s 1925 painting 309:before moving to 210: 209: 54:December 16, 1937 16:(Redirected from 5128: 4947:By Edward Ruscha 4771: 4762: 4756: 4740: 4734: 4715: 4709: 4708: 4700: 4694: 4693: 4675: 4669: 4654: 4648: 4647: 4645: 4643: 4631: 4625: 4613: 4607: 4597: 4591: 4574: 4568: 4558: 4552: 4539: 4533: 4521: 4515: 4505: 4499: 4489: 4483: 4478: 4472: 4462: 4456: 4444: 4438: 4437:, July 31, 2014. 4427: 4421: 4411: 4405: 4395: 4389: 4376: 4370: 4358: 4352: 4339: 4333: 4321: 4315: 4305: 4299: 4298: 4297: 4296: 4283: 4277: 4267:(May 25, 2008), 4262: 4256: 4255: 4253: 4252: 4238: 4232: 4223: 4217: 4206: 4200: 4188: 4182: 4166: 4160: 4153: 4147: 4140: 4134: 4128: 4122: 4106: 4100: 4099: 4097: 4096: 4082: 4076: 4060: 4054: 4041: 4035: 4023: 4017: 4005: 3999: 3998: 3996: 3995: 3986:. Archived from 3975: 3969: 3968: 3961: 3955: 3945: 3939: 3938:, San Francisco. 3930: 3924: 3923: 3922: 3921: 3908: 3902: 3892: 3886: 3880:Gift for Whitney 3876: 3870: 3860: 3854: 3842: 3836: 3835: 3833: 3831: 3816: 3810: 3800: 3794: 3782: 3776: 3774: 3772: 3771: 3757: 3751: 3750: 3748: 3746: 3731: 3725: 3724: 3722: 3721: 3707: 3701: 3700: 3695:. Archived from 3685: 3679: 3678: 3671: 3665: 3652: 3646: 3645: 3643: 3641: 3630: 3624: 3612: 3606: 3587: 3581: 3580: 3570: 3562: 3536: 3530: 3524: 3518: 3506: 3500: 3490: 3484: 3472: 3466: 3456: 3450: 3437: 3431: 3421: 3415: 3408: 3402: 3391: 3385: 3371: 3365: 3352: 3346: 3330: 3324: 3313: 3307: 3300: 3294: 3291:Gagosian Gallery 3285: 3279: 3269: 3263: 3250: 3244: 3243: 3241: 3240: 3217: 3211: 3198: 3192: 3191: 3189: 3187: 3171: 3165: 3146: 3140: 3137:Stella McCartney 3124: 3118: 3109: 3103: 3096: 3090: 3077: 3071: 3059: 3053: 3047: 3041: 3035: 3029: 3017: 3011: 3010:Tate Collection. 3005: 2999: 2983: 2977: 2964: 2958: 2951: 2945: 2929: 2923: 2920:Gagosian Gallery 2914: 2908: 2895: 2889: 2876: 2870: 2850: 2844: 2831: 2825: 2819: 2813: 2807: 2801: 2788: 2782: 2770: 2764: 2761:Gagosian Gallery 2748: 2742: 2729: 2723: 2722: 2720: 2719: 2704: 2698: 2685: 2679: 2663: 2657: 2644: 2638: 2621: 2615: 2603: 2597: 2588: 2582: 2569: 2563: 2549: 2543: 2530: 2524: 2521:Gagosian Gallery 2508: 2502: 2493: 2487: 2478: 2472: 2463: 2457: 2456: 2454: 2453: 2438: 2432: 2431: 2429: 2428: 2414: 2408: 2407: 2405: 2404: 2389: 2383: 2377: 2371: 2364: 2358: 2355: 2349: 2348: 2347: 2346: 2329: 2323: 2311: 2305: 2295:Nichols, Chris. 2293: 2287: 2271: 2265: 2255: 2126:Gagosian Gallery 2084:Talk About Space 1676:Kunsthaus Zürich 1659:. In July 2012, 1564:Course of Empire 1484:Roy Lichtenstein 1271:Gagosian Gallery 1166:A Few Palm Trees 1047:Gagosian Gallery 1021:Lockheed JetStar 1009:Stella McCartney 861:"Hollywood" sign 809:vegetable juices 689:Roy Lichtenstein 642:Standard Station 622:Standard Station 583:20th Century Fox 548:Standard Station 422:in the magazine 410:Early influences 327:Emerson Woelffer 240: 239: 236: 235: 232: 229: 226: 223: 190: 188: 172: 170: 166: 126:Standard Station 107: 57: 53: 51: 30: 29: 27:American painter 21: 5136: 5135: 5131: 5130: 5129: 5127: 5126: 5125: 5021: 5020: 5005:discography at 4964: 4963: 4962: 4944: 4943: 4928: 4927: 4923: 4916: 4779: 4774: 4763: 4759: 4750:Wayback Machine 4741: 4737: 4726:Wayback Machine 4716: 4712: 4701: 4697: 4690: 4676: 4672: 4655: 4651: 4641: 4639: 4632: 4628: 4614: 4610: 4598: 4594: 4588:Wayback Machine 4575: 4571: 4559: 4555: 4540: 4536: 4522: 4518: 4506: 4502: 4490: 4486: 4479: 4475: 4463: 4459: 4448:Diplomatic Dash 4445: 4441: 4428: 4424: 4412: 4408: 4396: 4392: 4377: 4373: 4359: 4355: 4340: 4336: 4322: 4318: 4306: 4302: 4294: 4292: 4285: 4284: 4280: 4263: 4259: 4250: 4248: 4240: 4239: 4235: 4224: 4220: 4207: 4203: 4189: 4185: 4176:Wayback Machine 4167: 4163: 4154: 4150: 4141: 4137: 4129: 4125: 4116:Wayback Machine 4107: 4103: 4094: 4092: 4084: 4083: 4079: 4070:Wayback Machine 4061: 4057: 4042: 4038: 4024: 4020: 4006: 4002: 3993: 3991: 3976: 3972: 3963: 3962: 3958: 3946: 3942: 3931: 3927: 3919: 3917: 3910: 3909: 3905: 3893: 3889: 3877: 3873: 3861: 3857: 3843: 3839: 3829: 3827: 3817: 3813: 3801: 3797: 3792:Wayback Machine 3783: 3779: 3769: 3767: 3759: 3758: 3754: 3744: 3742: 3732: 3728: 3719: 3717: 3709: 3708: 3704: 3687: 3686: 3682: 3673: 3672: 3668: 3664:, October 2009. 3653: 3649: 3639: 3637: 3632: 3631: 3627: 3613: 3609: 3600:Wayback Machine 3588: 3584: 3564: 3563: 3551: 3537: 3533: 3525: 3521: 3507: 3503: 3491: 3487: 3476:The Cool School 3473: 3469: 3457: 3453: 3438: 3434: 3422: 3418: 3409: 3405: 3392: 3388: 3372: 3368: 3362:Wayback Machine 3353: 3349: 3340:Wayback Machine 3331: 3327: 3314: 3310: 3301: 3297: 3286: 3282: 3270: 3266: 3251: 3247: 3238: 3236: 3218: 3214: 3199: 3195: 3185: 3183: 3172: 3168: 3157:Wayback Machine 3147: 3143: 3134:Wayback Machine 3125: 3121: 3116:New York Times. 3110: 3106: 3097: 3093: 3087:Wayback Machine 3078: 3074: 3060: 3056: 3048: 3044: 3036: 3032: 3025:Financial Times 3018: 3014: 3006: 3002: 2993:Wayback Machine 2984: 2980: 2965: 2961: 2952: 2948: 2942:Wayback Machine 2930: 2926: 2915: 2911: 2896: 2892: 2877: 2873: 2864:Wayback Machine 2851: 2847: 2841:Wayback Machine 2832: 2828: 2820: 2816: 2808: 2804: 2789: 2785: 2771: 2767: 2758:Wayback Machine 2749: 2745: 2730: 2726: 2717: 2715: 2705: 2701: 2686: 2682: 2673:Wayback Machine 2664: 2660: 2645: 2641: 2622: 2618: 2604: 2600: 2589: 2585: 2570: 2566: 2560:Wayback Machine 2550: 2546: 2531: 2527: 2518:Wayback Machine 2509: 2505: 2494: 2490: 2479: 2475: 2464: 2460: 2451: 2449: 2439: 2435: 2426: 2424: 2416: 2415: 2411: 2402: 2400: 2391: 2390: 2386: 2378: 2374: 2365: 2361: 2356: 2352: 2344: 2342: 2331: 2330: 2326: 2312: 2308: 2294: 2290: 2281:Wayback Machine 2272: 2268: 2256: 2252: 2248: 2196: 2188:Hillary Clinton 2145: 2080: 2040:I Think I’ll... 1962: 1925:2013: Named in 1864: 1769: 1753: 1687:Hayward Gallery 1560:Vanishing Cream 1555:Chocolate Room, 1551:Venice Biennale 1547: 1480: 1475: 1457:The Cool School 1420:Paradox Bullets 1351: 1330: 1194:Lawrence Weiner 1118:Royal Road Test 1071: 958:Gannett Company 898: 882:WONDER SICKNESS 873: 871:Motifs in light 775: 757:Paintings like 755: 681: 658:Double Standard 636:(1965–66), and 618:Large Trademark 564:Large Trademark 552:Large Trademark 509: 442:H.C. Westermann 438:John McLaughlin 412: 404:beat generation 399: 377:Edward Kienholz 291:Omaha, Nebraska 283: 220: 216: 195: 192: 189: 1987) 184: 179: 174: 171: 1978) 162: 158: 155: 131: 105: 64: 61:Omaha, Nebraska 58: 55: 49: 47: 46: 45: 35: 28: 23: 22: 15: 12: 11: 5: 5134: 5124: 5123: 5118: 5113: 5108: 5103: 5098: 5093: 5088: 5083: 5078: 5073: 5068: 5063: 5058: 5053: 5048: 5043: 5038: 5033: 5019: 5018: 5009: 5000: 4990: 4980: 4975: 4970: 4961: 4960: 4955: 4949: 4945: 4942: 4941: 4936: 4930: 4929: 4918: 4917: 4915: 4914:External links 4912: 4911: 4910: 4906:The New Yorker 4898:Calvin Tomkins 4895: 4885: 4875: 4862: 4852: 4842: 4832: 4822: 4819: 4806: 4796: 4789: 4778: 4775: 4773: 4772: 4757: 4755:, Los Angeles. 4735: 4710: 4695: 4689:978-0446571241 4688: 4670: 4649: 4626: 4608: 4592: 4569: 4553: 4534: 4516: 4500: 4484: 4473: 4457: 4439: 4434:The Australian 4422: 4406: 4390: 4371: 4353: 4334: 4316: 4300: 4278: 4257: 4233: 4218: 4201: 4183: 4161: 4159:BLOUINARTINFO. 4148: 4135: 4123: 4101: 4077: 4055: 4036: 4018: 4000: 3970: 3956: 3940: 3925: 3903: 3887: 3871: 3855: 3837: 3811: 3795: 3777: 3752: 3726: 3715:press.moma.org 3702: 3699:on 2018-07-27. 3680: 3677:. 22 May 2015. 3666: 3647: 3634:"Siri Engberg" 3625: 3607: 3605:, Minneapolis. 3582: 3549: 3531: 3519: 3501: 3485: 3467: 3451: 3432: 3416: 3403: 3386: 3373:Shaune Lakin, 3366: 3347: 3345:, Los Angeles. 3325: 3308: 3295: 3280: 3264: 3245: 3212: 3193: 3166: 3141: 3119: 3104: 3091: 3072: 3054: 3042: 3030: 3012: 3000: 2996:Moderna Museet 2978: 2959: 2946: 2924: 2909: 2890: 2871: 2845: 2826: 2814: 2802: 2783: 2765: 2743: 2724: 2699: 2680: 2658: 2639: 2616: 2611:New York Times 2598: 2583: 2564: 2544: 2535:BLVD.-AVE.-ST. 2525: 2503: 2499:Moderna Museet 2488: 2486:, Los Angeles. 2473: 2469:Moderna Museet 2458: 2433: 2409: 2384: 2372: 2359: 2350: 2324: 2319:New York Times 2306: 2288: 2286:, Los Angeles. 2266: 2262:The New Yorker 2249: 2247: 2244: 2217:Melrose Avenue 2195: 2192: 2161:Samantha Eggar 2144: 2141: 2108:Larry Gagosian 2079: 2076: 1982:Kent Twitchell 1964:Fellow artist 1961: 1958: 1957: 1956: 1949: 1943: 1936: 1923: 1917: 1910: 1904: 1898: 1891: 1885: 1878: 1872: 1863: 1860: 1793:Larry Gagosian 1789:Whitney Museum 1785:Chocolate Room 1777:Phyllis Wattis 1768: 1765: 1752: 1749: 1696:Moderna Museet 1692:Haus der Kunst 1674:in Paris, the 1663:opened at the 1572:Sarah Thornton 1568:Donna De Salvo 1546: 1545:Retrospectives 1543: 1514:," curated by 1508:Wayne Thiebaud 1479: 1476: 1474: 1471: 1383:Tommy Smothers 1379:Rudi Gernreich 1350: 1347: 1329: 1326: 1243: 1242: 1226: 1220: 1214: 1208: 1198: 1197: 1187: 1184:Colored People 1181: 1175: 1169: 1163: 1157: 1151: 1148:Mason Williams 1141: 1135: 1128:Business Cards 1125: 1122:Mason Williams 1115: 1109: 1103: 1097: 1091: 1070: 1067: 1033:Paul McCartney 1005:Boy Meets Girl 997:Public Stoning 932:Philip Johnson 897: 894: 872: 869: 774: 771: 754: 751: 743:Hollywood Sign 716:Barbara Kruger 680: 679:Word paintings 677: 650:Mocha Standard 508: 505: 470:R. A. Bertelli 462:Marcel Duchamp 460:, and much of 411: 408: 398: 395: 391:Mason Williams 365:John McCracken 346:Carson-Roberts 287:Roman Catholic 282: 279: 271:artist's books 208: 207: 201: 197: 196: 194: 193: 182: 180: 177: 175: 160: 156: 153: 152: 149: 147: 143: 142: 137: 133: 132: 130: 129: 123: 117: 110: 108: 102: 101: 80: 79:Known for 76: 75: 70: 66: 65: 59: 43: 41: 37: 36: 33: 26: 9: 6: 4: 3: 2: 5133: 5122: 5119: 5117: 5114: 5112: 5109: 5107: 5104: 5102: 5099: 5097: 5094: 5092: 5091:Living people 5089: 5087: 5084: 5082: 5079: 5077: 5074: 5072: 5069: 5067: 5064: 5062: 5059: 5057: 5054: 5052: 5049: 5047: 5044: 5042: 5039: 5037: 5034: 5032: 5029: 5028: 5026: 5017: 5013: 5012:Edward Ruscha 5010: 5008: 5004: 5003:Edward Ruscha 5001: 4998: 4994: 4991: 4988: 4984: 4981: 4979: 4976: 4974: 4971: 4969: 4966: 4965: 4959: 4956: 4954: 4951: 4950: 4948: 4940: 4937: 4935: 4932: 4931: 4926: 4925:Edward Ruscha 4921: 4908: 4907: 4903: 4899: 4896: 4894: 4890: 4886: 4884: 4880: 4876: 4874: 4870: 4866: 4863: 4861: 4857: 4853: 4851: 4847: 4843: 4841: 4840:968-5979-15-4 4837: 4833: 4831: 4830:1-932598-19-7 4827: 4823: 4820: 4818: 4817:1-880154-79-X 4814: 4810: 4807: 4805: 4804:0-8478-1730-X 4801: 4797: 4794: 4790: 4787: 4786: 4781: 4780: 4769: 4766: 4761: 4754: 4751: 4747: 4744: 4739: 4732: 4731: 4727: 4723: 4720: 4714: 4706: 4699: 4691: 4685: 4681: 4674: 4667: 4666: 4662: 4658: 4657:Peter Plagens 4653: 4637: 4630: 4623: 4622: 4618: 4612: 4605: 4603: 4596: 4589: 4585: 4582: 4580: 4573: 4566: 4563: 4557: 4550: 4549: 4544: 4538: 4531: 4530: 4526: 4520: 4513: 4510: 4504: 4497: 4494: 4488: 4481: 4477: 4470: 4467: 4461: 4454: 4453: 4449: 4443: 4436: 4435: 4431: 4426: 4419: 4416: 4410: 4403: 4400: 4394: 4387: 4386: 4381: 4375: 4368: 4367: 4363: 4357: 4350: 4349: 4344: 4338: 4331: 4330: 4326: 4320: 4313: 4310: 4304: 4290: 4289: 4282: 4275: 4274: 4270: 4266: 4261: 4247: 4243: 4237: 4230: 4227: 4222: 4215: 4214: 4210: 4205: 4198: 4197: 4193: 4187: 4180: 4177: 4173: 4170: 4165: 4158: 4152: 4145: 4139: 4133:The Art Fund. 4132: 4127: 4120: 4117: 4113: 4110: 4105: 4091: 4087: 4081: 4074: 4071: 4067: 4064: 4059: 4052: 4051: 4046: 4040: 4033: 4032: 4028: 4022: 4015: 4014: 4010: 4004: 3990:on 2019-08-10 3989: 3985: 3981: 3974: 3966: 3960: 3953: 3950: 3944: 3937: 3934: 3929: 3915: 3914: 3907: 3900: 3897: 3891: 3884: 3881: 3875: 3868: 3865: 3859: 3852: 3851: 3847: 3841: 3826: 3822: 3815: 3808: 3805: 3799: 3793: 3789: 3786: 3781: 3766: 3762: 3756: 3741: 3737: 3730: 3716: 3712: 3706: 3698: 3694: 3690: 3684: 3676: 3670: 3663: 3662: 3657: 3651: 3635: 3629: 3622: 3621: 3617: 3611: 3604: 3601: 3597: 3594: 3592: 3586: 3578: 3574: 3568: 3560: 3556: 3552: 3550:9780393337129 3546: 3542: 3535: 3528: 3523: 3516: 3515: 3511: 3505: 3498: 3495: 3489: 3482: 3481: 3477: 3471: 3464: 3461: 3455: 3448: 3447: 3442: 3436: 3429: 3426: 3420: 3413: 3407: 3400: 3396: 3390: 3383: 3379: 3377: 3376:Tropical Fish 3370: 3363: 3359: 3356: 3351: 3344: 3341: 3337: 3334: 3329: 3323: 3322: 3318: 3312: 3305: 3299: 3292: 3289: 3284: 3277: 3274: 3268: 3261: 3258: 3254: 3253:Roberta Smith 3249: 3235: 3231: 3227: 3223: 3216: 3209: 3208: 3203: 3197: 3181: 3177: 3170: 3163: 3162: 3158: 3154: 3151: 3145: 3138: 3135: 3131: 3128: 3123: 3117: 3114: 3108: 3101: 3095: 3088: 3084: 3081: 3076: 3069: 3068: 3064: 3058: 3051: 3046: 3039: 3034: 3027: 3026: 3022: 3016: 3009: 3004: 2997: 2994: 2990: 2987: 2982: 2975: 2972: 2970: 2963: 2956: 2950: 2943: 2939: 2936: 2934: 2928: 2921: 2918: 2913: 2906: 2903: 2901: 2894: 2887: 2884: 2882: 2875: 2868: 2865: 2861: 2858: 2856: 2849: 2842: 2838: 2835: 2830: 2823: 2818: 2811: 2806: 2799: 2796: 2794: 2787: 2780: 2779: 2775: 2769: 2762: 2759: 2755: 2752: 2747: 2740: 2737: 2735: 2728: 2714: 2710: 2703: 2696: 2693: 2691: 2684: 2677: 2674: 2670: 2667: 2662: 2655: 2652: 2650: 2643: 2636: 2633: 2631: 2627: 2620: 2613: 2612: 2608: 2602: 2595: 2592: 2587: 2580: 2577: 2575: 2568: 2561: 2557: 2554: 2551:Rachel Lyon, 2548: 2541: 2538: 2536: 2529: 2522: 2519: 2515: 2512: 2507: 2500: 2497: 2492: 2485: 2482: 2477: 2470: 2467: 2462: 2448: 2444: 2437: 2423: 2419: 2413: 2398: 2394: 2388: 2381: 2376: 2369: 2363: 2354: 2341:on 2017-04-28 2340: 2336: 2335: 2328: 2321: 2320: 2316: 2310: 2303: 2302: 2298: 2292: 2285: 2282: 2278: 2275: 2270: 2263: 2260: 2254: 2250: 2243: 2241: 2237: 2233: 2229: 2226:In 2013, the 2224: 2222: 2218: 2214: 2210: 2205: 2201: 2198:In 2011, the 2191: 2189: 2185: 2181: 2176: 2174: 2170: 2169:Lauren Hutton 2166: 2162: 2158: 2153: 2151: 2143:Personal life 2140: 2137: 2135: 2131: 2127: 2123: 2119: 2115: 2113: 2109: 2105: 2101: 2097: 2093: 2089: 2085: 2075: 2073: 2069: 2065: 2061: 2057: 2053: 2049: 2048:David Cameron 2045: 2041: 2036: 2034: 2030: 2026: 2022: 2021:J. 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Ballard 2018: 2014: 2009: 2007: 2003: 1999: 1998:Talking Heads 1995: 1991: 1987: 1983: 1979: 1975: 1971: 1967: 1966:Louise Lawler 1954: 1950: 1948: 1944: 1941: 1937: 1935: 1931: 1929: 1924: 1922: 1918: 1915: 1911: 1909: 1905: 1903: 1899: 1896: 1892: 1890: 1886: 1883: 1879: 1877: 1873: 1870: 1866: 1865: 1859: 1857: 1853: 1849: 1844: 1842: 1838: 1834: 1830: 1826: 1822: 1818: 1814: 1810: 1806: 1802: 1798: 1794: 1790: 1786: 1782: 1778: 1774: 1764: 1762: 1758: 1748: 1746: 1742: 1737: 1735: 1732:In 2018, The 1730: 1728: 1723: 1721: 1717: 1713: 1709: 1705: 1704:Hammer Museum 1701: 1697: 1693: 1688: 1683: 1681: 1680:Museum Ludwig 1677: 1673: 1668: 1666: 1662: 1658: 1654: 1650: 1647:In 1999, the 1645: 1643: 1639: 1635: 1631: 1628:In 1998, the 1626: 1624: 1620: 1616: 1612: 1608: 1605:in 1989, the 1604: 1600: 1596: 1592: 1588: 1584: 1579: 1577: 1573: 1569: 1565: 1561: 1556: 1552: 1542: 1540: 1536: 1532: 1528: 1527:Ferus Gallery 1523: 1521: 1517: 1513: 1509: 1505: 1501: 1497: 1493: 1489: 1485: 1470: 1468: 1464: 1463: 1458: 1454: 1453: 1448: 1444: 1440: 1436: 1432: 1427: 1425: 1424:Werner Herzog 1421: 1417: 1413: 1409: 1405: 1401: 1397: 1393: 1388: 1384: 1380: 1377:, Leon Bing, 1376: 1372: 1368: 1364: 1360: 1356: 1346: 1344: 1343:Gemini G.E.L. 1340: 1339:Tropical Fish 1336: 1325: 1323: 1319: 1315: 1311: 1307: 1303: 1299: 1295: 1291: 1286: 1284: 1280: 1276: 1272: 1268: 1264: 1260: 1256: 1252: 1248: 1240: 1239:David Breskin 1236: 1233:, 2010 (with 1232: 1231: 1227: 1224: 1221: 1218: 1215: 1212: 1209: 1206: 1203: 1202: 1201: 1195: 1192:, 1978 (with 1191: 1188: 1185: 1182: 1179: 1178:Dutch Details 1176: 1173: 1170: 1167: 1164: 1161: 1158: 1155: 1152: 1149: 1146:, 1969 (with 1145: 1142: 1139: 1136: 1133: 1130:, 1968 (with 1129: 1126: 1123: 1120:, 1967 (with 1119: 1116: 1113: 1110: 1107: 1104: 1101: 1098: 1095: 1092: 1089: 1088: 1084: 1083: 1082: 1075: 1066: 1064: 1060: 1056: 1052: 1048: 1044: 1040: 1039: 1038:McCartney III 1034: 1030: 1026: 1022: 1018: 1014: 1010: 1007:, 1987), and 1006: 1002: 1001:Lauren Hutton 998: 994: 990: 986: 985:Public Notice 982: 977: 975: 971: 967: 963: 959: 955: 951: 947: 942: 940: 935: 933: 929: 925: 924: 919: 915: 911: 907: 903: 893: 891: 887: 883: 878: 868: 866: 862: 858: 854: 850: 846: 842: 838: 834: 830: 826: 822: 818: 814: 810: 806: 802: 798: 794: 787: 783: 779: 770: 768: 764: 760: 750: 748: 744: 740: 735: 733: 729: 725: 721: 717: 712: 710: 706: 703:(1967–9) and 702: 698: 692: 690: 686: 676: 674: 670: 669: 661: 659: 655: 651: 647: 643: 639: 635: 631: 627: 623: 619: 615: 612:(1958–1960), 611: 607: 602: 600: 596: 592: 588: 584: 580: 576: 571: 569: 565: 561: 557: 553: 549: 545: 541: 537: 533: 529: 525: 517: 513: 504: 502: 498: 497: 492: 491:Edward Hopper 488: 484: 483: 478: 477: 471: 467: 463: 459: 455: 451: 450:Goin’ Fishin’ 447: 443: 439: 435: 431: 427: 426: 421: 417: 407: 405: 394: 392: 388: 384: 383: 378: 374: 370: 366: 362: 358: 357:Ferus Gallery 354: 349: 347: 342: 340: 336: 332: 328: 324: 320: 316: 312: 308: 307:Oklahoma City 304: 300: 296: 292: 288: 278: 276: 272: 268: 264: 260: 256: 252: 248: 244: 238: 214: 205: 202: 198: 176: 151: 150: 148: 144: 141: 138: 134: 127: 124: 121: 118: 115: 112: 111: 109: 103: 100: 96: 92: 88: 84: 81: 77: 74: 71: 67: 62: 56:(age 86) 42: 38: 34:Edward Ruscha 31: 19: 4946: 4924: 4904: 4865:James Ellroy 4792: 4783: 4760: 4738: 4728: 4713: 4704: 4698: 4679: 4673: 4663: 4652: 4640:. 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For the “ 1059:the Beatles 939:Studio City 884:(1984) and 813:axle grease 761:(1965) and 685:Andy Warhol 628:(1962). In 624:(1963) and 595:Cinemascope 524:Los Angeles 446:Arthur Dove 361:John Altoon 311:Los Angeles 263:photography 255:printmaking 91:printmaking 87:photography 5025:Categories 4638:New Yorker 4295:2008-04-17 4251:2024-05-16 4095:2020-01-17 3994:2019-08-10 3984:ArtPremium 3920:2008-04-17 3770:2018-12-13 3720:2023-12-24 3239:2023-10-27 3186:28 October 2886:Christie's 2798:Christie's 2739:Christie's 2718:2023-12-31 2594:Christie's 2452:2020-03-10 2427:2020-03-10 2403:2020-03-10 2345:2008-08-05 2246:References 2088:Christie's 2078:Art market 1837:Montsoreau 1799:purchased 1678:, and the 1597:, and the 1375:Larry Bell 1235:Nels Cline 1230:Dirty Baby 1211:ME and THE 1190:Hard Light 993:James Frey 867:on paper. 857:silkscreen 849:Arcimboldo 767:Surrealism 753:Surrealism 732:Morse code 646:silkscreen 614:Sweetwater 369:Larry Bell 299:cartooning 289:family in 50:1937-12-16 4770:, Austin. 4496:Bloomberg 4482:Sotheby's 3567:cite book 3559:489232834 3234:0261-3077 3161:Wallpaper 3100:Ed Ruscha 3008:Ed Ruscha 2986:Ed Ruscha 2907:, London. 2697:, London. 2666:Ed Ruscha 2656:, London. 2553:Ed Ruscha 2542:, London. 2100:Sotheby's 2092:Eli Broad 1970:Birdcalls 1932:s annual 1500:Joe Goode 1416:Tom Sachs 1414:. 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