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and
Panorama, then he produced his first film. It was an underground feature shot on weekends over the course of a year, knowing as he did that it could not pass the local censorship of the period. It was nevertheless screened at festivals throughout Europe and the United States. Its title was
283:). From that date on, his film work became sparse and he started publishing "all the books I had not put on paper", fiction mostly but also essays and chronicles. He became established as a Spanish-language writer, and his works were also translated into several other languages.
313:
Cozarinsky filmed in such diverse locations as
Budapest, Rotterdam, Tallinn, Tangiers, Vienna, Granada, Saint Petersburg, Seville and Patagonia. Later in life, he alternated most of his time between Buenos Aires and Paris.
258:), filmed in the country's far southern reaches. He visited Argentina several times after that, occasionally filming segments or backgrounds for his films. His most adventurous later films were
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La novia de Odessa (The Bride from Odessa), short stories (2001)(First prize to a volume of short stories, City of Buenos Aires; Platinum prize to a volume of short stories, Konex
Foundation)
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in 1999. This motivated him to dedicate his remaining time to his writing. While still in the hospital following his diagnosis he wrote the first two stories for
232:. At a time when European television networks were willing to support such ventures, Cozarinsky was able to develop this approach in a series of original works.
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on his return to Buenos Aires. Arriving back home, he more fully committed himself to his writing. He wrote for the culture sections of the
Argentine weeklies
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183:, a book that he expanded in every reprint (Spain, 1978 and 2002, and translations). He thereafter, however, declined to have this book reprinted.
298:). In that year he also appeared on the alternative stage along with his medical doctor, in one of Vivi Tellas' "documentary theater" ventures -
286:
During this period he spent most of his time in Buenos Aires, returning to Paris for regular short stays. In 2005 he wrote and directed a play (
250:
Cozarinsky returned to Buenos Aires for a short stay after the end of
Argentina's military junta. He then returned three years later to produce
597:
673:
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151:, wrote for local and Spanish cinephile magazines, and published an early essay on James, which he developed from his university thesis –
120:
Cozarinsky was born to an
Argentine family of Ukrainian-Jewish descent. His name reflects his mother's enthusiasm for the writings of
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During the period 1970–1990, Cozarinsky published little. However, his sole novel from the period gained a wide audience -
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Pour
Memoire – Les Klarsfeld, une famille dans l'Histoire (To be Remembered – The Klarsfelds, a family in History) (1985)
108:; 13 January 1939 – 2 June 2024) was an Argentine writer and filmmaker. He was best known for his Spanish-language novel
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688:
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683:
458:
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En el último trago nos vamos, stories (2017)(García Márquez prize for a Latin
American volume of short stories)
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Lejos de dónde (Far from where), novel (2009)(Prize for the best novel 2008–2010, Academia
Argentina de Letras)
260:
125:
505:
In his own words: "I always wanted to be a writer, and had not dared publish, even finish what I started..."
424:
216:
175:. In 1973 he won a literary prize for his essay on gossip as narrative device in the writings of James and
416:
244:
524:
Murió Edgardo
Cozarinsky, escritor y director de cine, autor de “Lejos de dónde” y “La novia de Ode"
557:(Cozarinsky: on Exiles and Ruins), Cuadernos Hispanoamericanos, pp. 613–4 (July–August 2001)
302:. In 2008 he started work on the libretto for a chamber opera with the musician Pablo Mainetti –
239:(Urban voodoo, 1985), a mixture of fiction and essay not unlike his film work, with prologues by
148:
135:
and reading an inordinate amount of fiction in Spanish, English and French (favourite authors –
430:
Autoportrait d'un inconnu – Jean Cocteau (Self-portrait of a Man Unknown – Jean Cocteau) (1983)
206:, Cozarinsky left Buenos Aires for Paris, where he concentrated on his filmmaking. He produced
136:
454:
La barraca: Lorca sur les chemins de l'Espagne (La barraca: Lorca on the road in Spain) (1995)
402:
653:
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El pase del testigo (Passing the baton / The Witness Goes By), essays and chronicles (2001)
159:, 1964), a book which he later suppressed. In his early twenties he became acquainted with
8:
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immigrants who arrived in Argentina from Kiev and Odessa in the late nineteenth century.
514:
He considered Buenos Aires his pleasure basis and Paris his cultural "department store".
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material with personal reflections on the material. The most distinguished of these is
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Cozarinsky visited Europe from September 1966 to June 1967, stopping for a visit to
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After an adolescence spent in neighbourhood cinemas showing double bills of old
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Apuntes para una biografía imaginaria (Notes for an Imaginary Biography) (2010)
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Dinero para fantasmas (Money for Ghosts), novel, (2012 Argentina)(2013 Spain)
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La tercera mañana (The Third Morning), novel (2010 Spain)(2011 Argentina)
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Palacios plebeyos (Plebeian Palaces), chronicles and a short story (2006)
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Nuevo museo del chisme (New Gossip Museum), essay and stories (2013)
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Film work (feature-length and short films, fiction and "essays")
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Niño enterrado (Buried Child), memories and chronicles (2016)
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Museo del chisme (Museum of Gossip), essay and stories (2005)
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Vudú urbano (Urban Voodoo), stories, essays, memories (1985)
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Disparos en la oscuridad (Shots in the Dark), essays (2015)
536:(several authors). El Ansia volume 2, Buenos Aires, (2015)
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Guerreros y cautivas (Warriors and Captive Women) (1989)
347:
Maniobras nocturnas (Night-time maneuvers), novel (2007)
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En ausencia de guerra (In Absence of War), novel (2014)
341:
Tres fronteras (Three Frontiers), short stories (2006)
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Le Cinéma des Cahiers (The Cinema of Cahiers) (2000)
335:
El rufián moldavo (The Moldavian Pimp), novel (2004)
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BoulevardS du crépuscule (Sunset BoulevardS) (1992)
569:Ambiguous Evidence: Cozarinsky's "Cinéma indirect"
317:Cozarinsky died on 2 June 2024, at the age of 85.
124:, while his surname comes from his grandparents,
640:
464:Fantômes de Tanger (Ghosts of Tangier) (1997)
408:... (Puntos suspensivos) (Dot Dot Dot) (1971)
350:Milongas, chronicles and short stories (2007)
694:Argentine people of Ukrainian-Jewish descent
485:Carta a un padre (Letter to a Father) (2013)
550:(The Edges of Silence), Buenos Aires (2011)
473:Dans le Rouge du Couchant (Red Dusk) (2003)
228:'s wartime diaries and French newsreels of
389:Cuentos reunidos, collected stories (2019)
29:
16:Argentine writer and filmmaker (1939–2024)
571:. Film Comment, New York (September 1995)
607:. Revista Hispánica Moderna (June 2013)
605:La perspectiva excéntrica de Cozarinsky
320:
641:
543:(Paris Never Sleeps), Barcelona (2003)
392:Los libros y la calle, memories (2019)
306:, based on motives from his own novel
359:Blues, chronicles and memories (2010)
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674:21st-century Argentine male writers
664:20th-century Argentine male writers
268:, both made between 1995 and 1996.
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555:Cozarinsky: sobre exilios y ruinas
476:Rond Nocturna (Night Watch) (2005)
202:During the turmoil of Argentina's
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710:
611:
470:Tango-Désir (Tango Desire) (2002)
421:(The Apprentice Sorcerers) (1976)
224:, 1981), a confrontation between
353:Burundanga, short stories (2009)
669:21st-century Argentine writers
659:20th-century Argentine writers
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386:El vicio impune, essays (2017)
271:Cozarinsky was diagnosed with
1:
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153:El laberinto de la apariencia
105:[eðˈɣaɾðokosaˈɾinski]
433:Haute Mer (High Seas) (1984)
147:), he studied literature at
7:
195:already a challenge – ... (
157:The Labyrinth of Appearance
10:
715:
448:Scarlatti à Séville (1994)
256:Warriors and Captive Women
699:Writers from Buenos Aires
635:Name mentioned in credits
583:Le Cinéma, un art moderne
457:Le Violon de Rothschild (
425:La Guerre d'un seul homme
398:Cielo sucio, novel (2022)
395:Turno noche, novel (2020)
290:) and wrote a mini-opera
245:Guillermo Cabrera Infante
217:La Guerre d'un seul homme
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689:Jewish Argentine writers
679:Argentine film directors
574:Heinz-Peter Schwerfel.
548:Los bordes del silencio
541:París no se acaba nunca
451:Citizen Langlois (1994)
179:. In 1974 he published
149:Buenos Aires University
603:Ignacio López Vicuña:
427:(One Man's War) (1981)
412:Les Apprentis Sorciers
310:(The Moldavian Pimp).
300:Cozarinsky y su médico
137:Robert Louis Stevenson
101:Spanish pronunciation:
684:French film directors
599:Abecedario Cozarinsky
590:Krieg eines einzelnen
576:Buenos Aires Intensiv
461:), short opera (1996)
281:The Bride from Odessa
230:the occupation period
210:and "essays", mixing
567:Jonathan Rosenbaum.
539:Enrique Vila Matas.
321:Partial bibliography
252:Guerreros y cautivas
82:Writer and filmmaker
553:Juan José Sebreli.
459:Rothschild's Violin
261:Rothschild's Violin
165:Adolfo Bioy Casares
628:Edgardo Cozarinsky
618:Edgardo Cozarinsky
562:The Lights of Home
377:Dark, novel (2016)
277:La novia de Odessa
197:Puntos suspensivos
97:Edgardo Cozarinsky
45:Edgardo Cozarinsky
35:Cozarinsky in 2015
23:Edgardo Cozarinsky
581:Dominique Païni.
578:, Cologne (2008)
564:, New York (2002)
308:El rufián moldavo
266:Ghosts of Tangier
243:and Cuban writer
161:Jorge Luis Borges
94:
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87:Years active
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595:Emilio Toibero.
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482:Nocturnos (2011)
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199:– Dot Dot Dot).
181:Borges y el cine
126:Ukrainian Jewish
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116:Life and career
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612:External Links
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588:Henry Taylor.
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585:, Paris (1997)
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188:New York City
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141:Joseph Conrad
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79:Occupation(s)
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439:Sarah (1988)
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226:Ernst Jünger
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173:Buenos Aires
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96:
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72:(2024-06-02)
59:Buenos Aires
654:2024 deaths
649:1939 births
415: [
304:Ultramarina
237:Vudú urbano
212:documentary
145:Henry James
110:Vudú urbano
70:2 June 2024
61:, Argentina
643:Categories
493:References
51:1939-01-13
204:Dirty War
90:1967-2024
296:Raptures
633:Discogs
292:Raptos
288:Squash
273:cancer
177:Proust
419:]
622:IMDb
264:and
167:and
67:Died
41:Born
631:at
620:at
171:in
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417:fr
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