341:
499:
586:
623:
669:
681:
657:
641:
471:
425:
373:
353:
407:
392:
604:
714:
693:
483:
444:
456:
31:
340:
296:
I have no doubt that
Bouchardon will make of this fountain a fine piece of architecture; but what kind of fountain has only two faucets where the water porters will come to fill their buckets? This isn't the way fountains are built in Rome to beautify the city. We need to lift ourselves out of
498:
570:
or reddish chalk, were originally used to make a series of smaller ceramic sculptures of
Parisian characters, such as street vendors (see gallery). Later they were made into a series of etchings by the historian and engraver
251:, then a full-scale model in 1746. He was commissioned to make a marble version, which he created between 1747 and 1750. The work established his reputation, and also his fortune; he was paid a remarkable 21,000
656:
622:
585:
603:
680:
424:
902:
668:
266:, commissioned in 1739, and completed six years later in 1745. This work featured a classical colonnade, decorated with statuary. It was similar in its arrangement of statues made by
873:, directed by Béatrice de Andia, Délégué Général à l'Action artistique de la Ville de Paris, 1998. collection of texts on the history of Paris fountains.) Translation by D.R Siefkin.
284:
of 1765. However, it also drew considerable criticism, the colossal sculptural work on a narrow street provided only a tiny trickle of water. The project was criticized by
640:
470:
352:
239:
in the Basin of
Neptune. In his style, he resisted the flamboyant Rocaille style of his contemporaries, and tended toward more classical models. Bouchardon sculpted
482:
297:
taste that is gross and shabby. Fountains should be built in public places, and viewed from all the gates. There isn't a single public place in the vast
566:
Bouchardon was particularly skilled at drawing, and produced two series of drawings of working people in the streets of Paris. His drawings, made with
391:
372:
274:
in
Florence. His sculpture was widely admired. It was featured, along with a fine engraving of the fountain, in the article on classical sculpture by
898:
692:
527:
187:
247:
in a natural posture, which was completely in contrast with the classical ideals. He first presented the model in terra cotta at the 1739
808:
406:
980:
455:
1010:
632:
443:
954:
985:
995:
941:
926:
217:
212:
in Rome. His copy arrived in France in 1732, and was greatly admired, and aided the transition of French sculpture toward
1005:
543:
190:
in 1722, and as a consequence lived and worked in Rome from 1722 to 1732. He resisted the more ornate tendencies of the
757:
735:
430:
728:
530:
and passed through an elaborate process of critiques before approval, which involved the King himself. Drawings and
162:
in Paris. He was also a draftsman and painter, and made celebrated series of engravings of working-class
Parisians.
554:
Bouchardon's brother, Jacques-Philippe
Bouchardon, was also a sculptor, who became first sculptor to the king of
990:
909:
1000:
823:
461:
259:
159:
111:
346:
Bust of Pope
Clement XII, plaster and terra-cotta (after 1730) California Palace of the Legion of Honor
275:
614:
318:
36:
243:, now in the Louvre, for the gardens of Versailles. It depicted a realistic, unidealized adolescent
722:
434:
175:
383:
802:
534:
for these jetons are now held at various museums and collections around the world including the
526:
or metal tokens, which were distributed by the King. The subjects and themes were chosen by the
739:
298:
572:
509:
322:
289:
232:
171:
55:
975:
970:
505:
314:
228:
151:
143:
8:
535:
199:
147:
937:
922:
662:
Diana at the Bath after
Returning from the Hunt (1730–60), Metropolitan Museum of Art
326:
209:
179:
155:
59:
539:
865:
Letter from
Voltaire to Caylus, extract published in A. Roserot (1902), cited in
579:
These became a very valuable source of information for later social historians.
309:
Bouchardon was commissioned to make one last major work, an equestrian statue of
271:
127:
280:
359:
204:
198:. While in Rome, he specialized in busts of distinguished patrons, including
964:
797:
248:
213:
195:
139:
132:
30:
531:
267:
252:
227:
On his return to France, he was employed in the royal art workshops at the
221:
183:
824:"Cupid Cutting His Bow from the Club of Hercules - Louvre Museum - Paris"
416:
178:. He learned sculpture first in the studio of his father, and then with
812:. Vol. 4 (11th ed.). Cambridge University Press. p. 311.
801:
957:
in
American public collections, on the French Sculpture Census website
135:
99:
488:
Detail of the Fontaine des Quatre-Saisons, Paris (completed 1745) (
310:
302:
285:
191:
236:
936:(French translation from German), H.F. Ulmann, Cologne, 2015. (
595:
555:
363:
89:
321:. He died before the work was finished. It was completed by
231:, working alongside his two brothers, he made statues for the
686:
A firewood seller in Paris (1748), Metropolitan Museum of Art
523:
263:
244:
77:
914:, Vol. 13, Saur, Munich 1996, from p. 425 (in German).
476:
Central portion of the Fontaine des Quatre-Saisons (1745)
698:
Oyster seller in Paris (1738), Metropolitan Museum of Art
613:
after a drawing by Bouchardon for a sculptural design, (
292:
in 1739, as the fountain was still under construction:
921:, (French translation from German), Taschen, (2013), (
856:, "Sculpture,"' volume XIV, Neufchatel, 1765, pg. 834.
577:
Studies made of the Lower Class or the Cries of Paris.
867:
Paris et ses fontaines de la Renaissance à nos jours
934:
L'Art Baroque – Architecture – Sculpture – Peinture
777:
775:
131:; 29 May 1698 – 27 July 1762) was a
674:A water carrier (1742), Metropolitan Museum of Art
241:Cupid Fashioning a Bow out of the Club of Hercules
258:His last completed major sculptural work was the
962:
772:
398:Amor Fashioning a Bow after the Club of Hercules
504:The finished equestrian statue of Louis XV for
305:, partly made of gold and partly made of muck.
449:Porcelain figure of a street vendor (1750–60)
932:Geese, Uwe, Section on Baroque sculpture in
592:Study for the Equestrian Statue of Louis XV
528:Académie des Inscriptions et Belles-Lettres
188:Académie royale de peinture et de sculpture
301:; that makes my blood boil. Paris is like
208:, a Classical Hellenic sculpture from the
29:
919:La Sculpture de l'Antiquité au XXe Siècle
842:La Sculpture de l'Antiquité au XXe Siècle
758:Learn how and when to remove this message
317:, to commemorate France's victory in the
796:
792:
790:
721:This article includes a list of general
561:
174:, the son of a sculptor and architect,
146:, his medals, his equestrian statue of
963:
220:bought it for his elaborate garden at
202:. In 1726 he also began a copy of the
787:
633:Cooper–Hewitt, National Design Museum
126:
707:
917:Duby, Georges and Daval, Jean-Luc,
840:Duby, Georges and Daval, Jean-Luc,
13:
727:it lacks sufficient corresponding
14:
1022:
981:People from Chaumont, Haute-Marne
948:
883:Le Petit Robert des Noms Propres
431:Armand Gaston Maximilien de Rohan
1011:18th-century French male artists
782:Le Petit Robert des Noms Propres
712:
691:
679:
667:
655:
639:
621:
602:
584:
544:Bibliothèque nationale de France
497:
481:
469:
454:
442:
423:
405:
390:
371:
351:
339:
892:
650:, or commemorative token (1748)
325:, but was destroyed during the
876:
859:
847:
834:
816:
142:statues in the gardens of the
1:
986:18th-century French sculptors
703:
996:18th-century French painters
629:Design for Fountain in Niche
362:in Rome made by Bouchardon,
332:
303:the statue of Nabuchodonosor
165:
7:
910:Allgemeines Künstlerlexikon
462:Fontaine des Quatre-Saisons
260:Fontaine des Quatre-Saisons
224:. It is now in the Louvre.
112:Fontaine des Quatre-Saisons
10:
1027:
1006:Prix de Rome for sculpture
615:Metropolitan Museum of Art
319:War of Austrian Succession
262:on the Rue de Grenelle in
235:, including the statue of
35:Portrait of Bouchardon by
549:
522:Bouchardon also designed
517:
464:, Paris (completed 1745)
433:, bust in the library of
105:
95:
85:
66:
44:
28:
21:
803:"Bouchardon, Edme"
435:Palais Rohan, Strasbourg
276:Jacques-François Blondel
194:style, and moved toward
176:Jean-Baptiste Bouchardon
160:Fountain of Four Seasons
871:Paris et son Patrimoine
809:Encyclopædia Britannica
742:more precise citations.
609:Print of the continent
384:National Gallery of Art
170:Bouchardon was born in
37:François-Hubert Drouais
912:(Artists of the World)
869:, from the Collection
307:
299:faubourg Saint-Germain
154:(destroyed during the
128:[ɛdmebuʃaʁdɔ̃]
991:French male sculptors
573:Anne Claude de Caylus
562:Drawings and etchings
510:Jean-Baptiste Pigalle
323:Jean-Baptiste Pigalle
294:
290:Anne Claude de Caylus
233:gardens of Versailles
1001:French male painters
229:Palace of Versailles
172:Chaumont-en-Bassigny
152:Place de la Concorde
144:Palace of Versailles
56:Chaumont-en-Bassigny
646:Design for a royal
540:Musée de la Monnaie
413:Genius of Abundance
138:best known for his
80:, Kingdom of France
575:, under the title
536:Institut de France
200:Pope Benedict XIII
148:Louis XV of France
942:978-3-8480-0856-8
927:978-3-8365-4483-2
768:
767:
760:
378:Edme Bouchardon,
327:French Revolution
210:Palazzo Barberini
180:Guillaume Coustou
156:French Revolution
117:
116:
60:Kingdom of France
1018:
904:Bouchardon, Edme
886:
880:
874:
863:
857:
851:
845:
844:, (2013) pp. 313
838:
832:
831:
820:
814:
813:
805:
794:
785:
779:
763:
756:
752:
749:
743:
738:this article by
729:inline citations
716:
715:
708:
695:
683:
671:
659:
643:
625:
606:
588:
501:
485:
473:
458:
446:
427:
409:
394:
375:
355:
343:
218:Duke of Chartres
130:
125:
108:
73:
33:
19:
18:
1026:
1025:
1021:
1020:
1019:
1017:
1016:
1015:
961:
960:
955:Edmé Bouchardon
951:
899:Gerhard Bissell
895:
890:
889:
881:
877:
864:
860:
852:
848:
839:
835:
822:
821:
817:
795:
788:
780:
773:
764:
753:
747:
744:
734:Please help to
733:
717:
713:
706:
699:
696:
687:
684:
675:
672:
663:
660:
651:
644:
635:
626:
617:
607:
598:
589:
564:
552:
520:
513:
508:, completed by
502:
493:
486:
477:
474:
465:
459:
450:
447:
438:
428:
419:
410:
401:
395:
386:
376:
367:
356:
347:
344:
335:
288:in a letter to
272:Sagrestia Nuova
168:
158:); and for the
123:
120:Edmé Bouchardon
106:
81:
75:
71:
62:
53:
51:
50:
49:Edmé Bouchardon
40:
24:
23:Edmé Bouchardon
17:
16:French sculptor
12:
11:
5:
1024:
1014:
1013:
1008:
1003:
998:
993:
988:
983:
978:
973:
959:
958:
950:
949:External links
947:
946:
945:
930:
915:
894:
891:
888:
887:
875:
858:
846:
833:
815:
800:, ed. (1911).
798:Chisholm, Hugh
786:
784:, Paris (2010)
770:
769:
766:
765:
720:
718:
711:
705:
702:
701:
700:
697:
690:
688:
685:
678:
676:
673:
666:
664:
661:
654:
652:
645:
638:
636:
627:
620:
618:
608:
601:
599:
590:
583:
563:
560:
551:
548:
519:
516:
515:
514:
506:Place Louis XV
503:
496:
494:
487:
480:
478:
475:
468:
466:
460:
453:
451:
448:
441:
439:
429:
422:
420:
411:
404:
402:
400:, 1750, Louvre
396:
389:
387:
377:
370:
368:
360:Barberini Faun
357:
350:
348:
345:
338:
334:
331:
315:Place Louis XV
278:in the French
216:. In 1775 the
205:Barberini Faun
182:. He won the
167:
164:
115:
114:
109:
103:
102:
97:
96:Known for
93:
92:
87:
83:
82:
76:
74:(aged 64)
68:
64:
63:
54:
48:
46:
42:
41:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
1023:
1012:
1009:
1007:
1004:
1002:
999:
997:
994:
992:
989:
987:
984:
982:
979:
977:
974:
972:
969:
968:
966:
956:
953:
952:
943:
939:
935:
931:
928:
924:
920:
916:
913:
911:
906:
905:
900:
897:
896:
884:
879:
872:
868:
862:
855:
850:
843:
837:
829:
825:
819:
811:
810:
804:
799:
793:
791:
783:
778:
776:
771:
762:
759:
751:
741:
737:
731:
730:
724:
719:
710:
709:
694:
689:
682:
677:
670:
665:
658:
653:
649:
642:
637:
634:
630:
624:
619:
616:
612:
605:
600:
597:
593:
587:
582:
581:
580:
578:
574:
569:
559:
557:
547:
545:
541:
537:
533:
532:counterproofs
529:
525:
511:
507:
500:
495:
491:
484:
479:
472:
467:
463:
457:
452:
445:
440:
436:
432:
426:
421:
418:
414:
408:
403:
399:
393:
388:
385:
381:
374:
369:
365:
361:
354:
349:
342:
337:
336:
330:
328:
324:
320:
316:
312:
306:
304:
300:
293:
291:
287:
283:
282:
277:
273:
269:
265:
261:
256:
254:
250:
246:
242:
238:
234:
230:
225:
223:
219:
215:
214:neoclassicism
211:
207:
206:
201:
197:
196:neoclassicism
193:
189:
185:
181:
177:
173:
163:
161:
157:
153:
149:
145:
141:
137:
134:
129:
121:
113:
110:
104:
101:
98:
94:
91:
88:
84:
79:
69:
65:
61:
57:
47:
43:
38:
32:
27:
20:
933:
918:
908:
903:
893:Bibliography
882:
878:
870:
866:
861:
854:Encyclopédie
853:
849:
841:
836:
827:
818:
807:
781:
754:
745:
726:
647:
628:
610:
591:
576:
567:
565:
553:
521:
489:
437:(after 1730)
412:
397:
379:
358:Copy of the
308:
295:
281:Encyclopédie
279:
268:Michelangelo
257:
240:
226:
222:Parc Monceau
203:
184:Prix de Rome
169:
140:neoclassical
119:
118:
107:Notable work
72:(1762-07-27)
70:27 July 1762
976:1762 deaths
971:1698 births
740:introducing
631:, c. 1735,
594:, c. 1750,
417:Bode Museum
86:Nationality
52:29 May 1698
965:Categories
723:references
704:References
542:, and the
828:louvre.fr
748:June 2019
333:Sculpture
166:Biography
100:Sculpture
568:sanguine
415:, 1731;
382:, 1744,
313:for the
311:Louis XV
286:Voltaire
192:Rocaille
150:for the
136:sculptor
39:in 1758.
736:improve
611:America
270:in the
237:Proteus
186:of the
124:French:
940:
925:
907:, in:
885:(2010)
725:, but
596:Louvre
556:Sweden
550:Family
538:, the
524:jetons
518:Jetons
512:(1762)
490:Spring
366:(1732)
364:Louvre
253:livres
133:French
90:French
648:jeton
380:Cupid
264:Paris
249:Salon
245:Cupid
78:Paris
938:ISBN
923:ISBN
67:Died
45:Born
967::
901:,
826:.
806:.
789:^
774:^
558:.
546:.
329:.
255:.
58:,
944:)
929:)
830:.
761:)
755:(
750:)
746:(
732:.
492:)
122:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
