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El Dorado (Aterciopelados album)

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316:. The recording of the album saw the inclusion of Cuban drummer Alejandro Duque into the group, Duque composed drums for a cassette he picked from a radio station where Buitrago used to work, Duque initially worked in the song "Si No Se Pudo, Pues No Se Pudo", the result made the group ask Duque to work in other songs for the album such as "Candela", "El Dorado" and "Bolero Falaz", among others, Duque would later be included into the group until 1997. 435: 430: 425: 420: 415: 323:
about a supposed gold kingdom that was unsuccessfully searched by Spanish conquistadors in Colombia. The album deals with themes related to spirituality as well as the ancestral roots in Colombia and the culture of the country, different genres of music were explored during the recording of the album
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with its heart crossed by a dagger and with the face of Echeverría edited on top of its face, the cover was changed by the label due to the potentially negative reactions, instead, the cover was replaced with the image of the members of the group covered in gold-colored powder referencing Colombian
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placed the album at number 9 in their list of 250 Most Important Albums of Iberoamerican Rock, released in 2006, being one of the three albums by the group to appear on the list. The album also contains "Bolero Falaz", one of the most acclaimed songs from the group, the song was placed at number on
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that "although on their debut album, 'Con el corazón en la mano', Andrea Echeverri, Héctor Buitrago and their companions already suggest something, I think that two years later, on 'El Dorado', they end up finding the crux of it that they were looking for, which is a great communion of elements of
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Nevertheless, the album was a commercial success selling 150,00 copies in its first year of release, a number that was deemed followers of the genre in Colombia as a "surprise". The music video of "Bolero Falaz", produced by Rhayuela Films, received considerate rotation and attention from
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wrote that "El Dorado is a visionary songbook that celebrates our many bloodlines and that, as a metaphor, breaks down the many borders that separate us as Colombians, It is a forceful stake that cuts across time and space, class and gender, tribe and race. It is a great national dance".
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It was a commercial success for the group, selling 150,000 copies in its first year of release. Nowadays, the album has sold over 400,000 copies in Colombia and 600,000 copies worldwide, with several editions released for United States, Spain, Mexico and Argentina.
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writing that "those three albums are watershed moments in the history of popular music in each of those countries, even on a continental level, they are breakthrough records in musical, sound, aesthetic, lyrical or narrative spectrums, I think that
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indigenous people and the legend of El Dorado. Aside from the censorship of the initial cover, the song "Bolero Falaz" also faced censorship from some media due to it "containing obsene language".
364:, which gave the group international exposure. The international success of the album allowed the group to tour in several countries, starting in Colombia being the opening act of Mexican band 1165: 1364: 348:
in Colombia, the ranchera rock "La Estaca" and the rock "Florecita Rocketa" which would become a staple in Colombian rock and deals with themes of female spirit and strength.
1417: 304: 148: 308:(1993), the group received a bigger support from their label BMG, which allowed them to experiment with their sound and find the sound for the album. 1498: 987: 336:, Colombian sounds and references are present throughout the album in songs like the latin rock "Candela", the melodramatic "Bolero Falaz", the 1505: 459:
popular, Colombian and Latin American music with aesthetic and visual elements of popular culture", he also likened the album to Mexican band
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The album has been considered as highly influential within Latin American music as well as Colombian rock, Nicolás Vallejo Cano from
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in the latter country. The album also led the group to be included in the lineup for the first edition of the festival
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as well as the album that brought international recognition and commercial success to the group. American magazine
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Initially, the cover art for the album, designed by the group themselves, contained the image of
1109: 340:"Siervo sin Tiera", which borrows its name from the novel of the same name by Colombia author 1577: 275:
The album has been considered by many music critics as one of the most important albums of
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and then giving concerts in Mexico and Argentina, with Argentine band
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by Aterciopelados has that, it has something new, genuine".
1291:"Los 25 años de El Dorado, álbum clave del rock colombiano" 1200:"El Dorado de Aterciopelados: 20 años de un himno nacional" 290:
on their of 50 Greatest Colombian Songs, released in 2014.
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Following the good reception for their previous album,
1569: 525:250 Most Important Albums of Iberoamerican Rock 1499:The Best of Aterciopelados: Ultimate Collection 1329:"50 años de rock colombiano por Pablito Wilson" 1288: 1110:"'EL DORADO' DE ATERCIOPELADOS CUMPLE 26 AÑOS" 912:Juan José Virviescas – maracas, backing vocals 454:Music historian Umberto Pérez commented about 1365: 1229: 1197: 1071: 1069: 1067: 412: 1198:Vallejo-Cano, Nicolás (November 23, 2015). 1133: 1131: 1104: 1102: 1100: 1052:(in Spanish). El Tiempo. September 28, 1996 380:, 1280 Almas and La Derecha, among others. 1372: 1358: 982: 980: 27: 1064: 1289:Gómez Martínez, Gustavo (June 1, 2020). 1230:Giraldo Luque, Marcela (July 26, 2018). 1225: 1223: 1128: 1097: 1258: 1193: 1191: 1163: 977: 264:, released on October 24, 1995 through 16:1995 studio album by Aterciopelados 1570: 1538:Reluciente, Rechinante y Aterciopelado 1326: 1284: 1282: 1164:Gaviria, Juan José (August 13, 2014). 838: 824: 810: 796: 782: 768: 754: 319:The name for the album comes from the 1353: 1232:"El momento dorado de Aterciopelados" 1220: 1166:"UN ROCK STAR EN MEDIO DEL NAUFRAGIO" 740: 726: 703: 689: 666: 643: 620: 604: 588: 548:Colombian rock: 100 albums, 50 years 393: 383: 1188: 1042: 988:"250 albums del Rock Iberoamericano" 1327:Wilson, Pablito (August 23, 2013). 1279: 1259:Gaviria, Angela (August 11, 1996). 13: 1379: 1018:"50 Grandes Canciones Colombianas" 903:Alejandro Gomezcaceres – harmonica 894: 14: 1594: 869: 510: 487: 414: 376:in Colombia, alongside acts like 800:"Si No Se Pudo, Pues No Se Pudo" 564: 433: 428: 423: 418: 413: 1320: 1309: 1252: 1157: 1116:(in Spanish). October 24, 2021 1010: 947: 922: 573: 1: 916: 344:, the song "Pilas" about the 297: 1172:(in Spanish). Archived from 1026:(in Spanish). Archived from 994:(in Spanish). Archived from 961:(in Spanish). Archived from 7: 1261:"EL ROCK ENTRA EN LA PELEA" 1145:(in Spanish). July 13, 1995 1139:"A LA CONQUISTA DEL DORADO" 10: 1599: 864: 842:"Mujer Gala" (Bonus track) 342:Eduardo Caballero Calderón 1547: 1522: 1476: 1418:Con el Corazón en la Mano 1409: 1387: 909:Willy Newball – keyboards 583: 580: 577: 572: 401: 398: 305:Con el Corazón en la Mano 238: 194: 183: 179: 149:Con el Corazón en la Mano 142: 134: 124: 112: 96: 75: 64: 56: 48: 35: 26: 21: 906:Gilbert Martínez – drums 890:Charlie Márquez – guitar 1050:"LA SUPERESTACIÓN CALI" 900:Alejandro Duque – drums 321:leyend of the same name 1023:Rolling Stone Colombia 887:Andrés Giraldo – drums 884:– bass, backing vocals 744:"Las Cosas de la Vida" 287:Rolling Stone Colombia 1583:Aterciopelados albums 469:and Argentine singer 249:is the second studio 60:October–December 1994 1506:20 Éxitos Originales 965:on February 27, 2011 389:Professional ratings 814:"Siervo sin Tierra" 730:"Colombia Conexión" 707:"De Tripas Corazón" 592:"Florecita Rockera" 390: 353:Our Lady of Sorrows 332:, rock ballads and 209:"Florecita Rockera" 1477:Compilation Albums 959:Aterciopelados.com 388: 384:Critical reception 1565: 1564: 1432:La Pipa de la Paz 861: 860: 562: 561: 442: 441: 362:MTV Latin America 242: 241: 175: 174: 167:La Pipa de la Paz 1590: 1556:Andrea Echeverri 1393:Andrea Echeverri 1374: 1367: 1360: 1351: 1350: 1345: 1344: 1342: 1340: 1324: 1318: 1313: 1307: 1306: 1304: 1302: 1286: 1277: 1276: 1274: 1272: 1256: 1250: 1249: 1247: 1245: 1227: 1218: 1217: 1215: 1213: 1195: 1186: 1185: 1183: 1181: 1161: 1155: 1154: 1152: 1150: 1135: 1126: 1125: 1123: 1121: 1114:Colectivo Sonoro 1106: 1095: 1094: 1092: 1090: 1073: 1062: 1061: 1059: 1057: 1046: 1040: 1039: 1037: 1035: 1014: 1008: 1007: 1005: 1003: 998:on April 2, 2015 984: 975: 974: 972: 970: 951: 945: 944: 942: 940: 926: 878:– vocals, guitar 876:Andrea Echeverri 612:Andrea Echeverri 575: 570: 569: 512: 492: 491: 438: 437: 436: 432: 431: 427: 426: 422: 421: 417: 416: 391: 387: 346:social cleansing 314:Bogotá, Colombia 270:Bogotá, Colombia 231: 228: 222: 219: 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Retrieved 924: 540: 517: 495:Publication 481: 474: 464: 455: 453: 445: 443: 358: 350: 318: 309: 303: 301: 292: 285: 280: 274: 253:released by 245: 244: 243: 188: 165: 157: 156: 147: 37:Studio album 1578:1995 albums 1523:Live Albums 1513:Lo Esencial 1056:January 28, 955:"El Dorado" 934:Apple Music 930:"El Dorado" 786:"El Diablo" 772:"La Estaca" 693:"El Dorado" 670:"No Futuro" 461:Café Tacvba 370:Soda Stereo 227:"La Estaca" 1572:Categories 1485:Serie 2000 1467:Claroscura 917:References 828:"Errantes" 298:Background 189:El Dorado 138:chronology 89:Latin Rock 1492:Evolución 1425:El Dorado 1333:Radiónica 1295:RCN Radio 1143:El Tiempo 851:Echeverri 775:Echeverri 716:Echeverri 679:Echeverri 656:Echeverri 633:Echeverri 624:"Candela" 581:Writer(s) 545:Colombia 541:Radiónica 482:El Dorado 456:El Dorado 310:El Dorado 255:Colombian 246:El Dorado 218:"Candela" 158:El Dorado 22:El Dorado 1265:El Mundo 1170:Bacanika 992:Musiteka 848:Buitrago 831:Buitrago 817:Buitrago 803:Buitrago 789:Buitrago 761:Buitrago 758:"Pilas!" 747:Buitrago 733:Buitrago 713:Buitrago 696:Buitrago 676:Buitrago 653:Buitrago 630:Buitrago 518:Al Borde 498:Country 408:Allmusic 366:Caifanes 324:such as 281:Al Borde 266:Sony BMG 126:Producer 119:Sony BMG 57:Recorded 49:Released 39: by 1339:June 2, 1301:June 2, 1271:June 2, 1244:June 2, 1212:June 2, 1180:June 2, 1149:June 2, 1120:June 2, 1089:June 2, 1034:June 2, 1002:May 13, 969:June 2, 939:June 2, 865:Credits 185:Singles 171:(1996) 162:(1995) 153:(1993) 584:Length 402:Rating 399:Source 338:joropo 330:bolero 326:cumbia 260:group 97:Length 70:Bogotá 65:Studio 1237:Trece 578:Title 551:2013 528:2006 507:Rank 504:Year 501:List 378:Fobia 251:album 187:from 114:Label 77:Genre 1341:2022 1303:2022 1273:2022 1246:2022 1214:2022 1205:Vice 1182:2022 1151:2022 1122:2022 1091:2022 1058:2015 1036:2022 1004:2022 971:2022 941:2022 857:1:29 834:2:57 820:3:11 806:4:05 792:4:31 778:2:22 764:1:37 750:2:41 736:2:05 722:4:54 699:3:07 685:3:04 662:3:48 639:2:42 616:3:12 600:3:01 511:Ref. 447:Vice 334:punk 258:rock 84:Rock 1460:Río 1453:Oye 839:16. 825:15. 811:14. 797:13. 783:12. 769:11. 755:10. 574:No. 473:'s 463:'s 284:by 1574:: 1331:. 1293:. 1281:^ 1263:. 1234:. 1222:^ 1202:. 1190:^ 1168:. 1141:. 1130:^ 1112:. 1099:^ 1079:. 1066:^ 1020:. 990:. 979:^ 957:. 932:. 741:9. 727:8. 704:7. 690:6. 667:5. 644:4. 621:3. 605:2. 589:1. 555:13 466:Re 328:, 272:. 106:55 102:47 1373:e 1366:t 1359:v 1343:. 1305:. 1275:. 1248:. 1216:. 1184:. 1153:. 1124:. 1093:. 1060:. 1038:. 1006:. 973:. 943:. 532:9 104::

Index


Studio album
Aterciopelados
Bogotá
Genre
Rock
Latin Rock
Label
Sony BMG
Producer
Aterciopelados
Con el Corazón en la Mano
La Pipa de la Paz
Singles
album
Colombian
rock
Aterciopelados
Sony BMG
Bogotá, Colombia
rock in Spanish
Rolling Stone Colombia
Con el Corazón en la Mano
Bogotá, Colombia
leyend of the same name
cumbia
bolero
punk
joropo
Eduardo Caballero Calderón

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