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El Grillo (song)

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The lyrics notably refer to the cricket as a "bird", while it is actually an insect. This can be explained by different factors, including the poetic liberty of the artist, emphasizing the melodious and captivating nature of the cricket, or limitations of the time, such as a lack of scientific
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is considered one of Josquin's most popular works. Willem Elders calls it "one of the most brilliant songs of the late fifteenth century", while Richard Sherr describes it as a "delightful jokey little piece." Henry Vyverberg writes that it "represents the frottola at its most attractive."
171:. The song concludes by suggesting that crickets may be better singers than songbirds, particularly because they sing all the time, rain or shine. The song contains both 351:
knowledge or a colloquial understanding in which the word "bird" was used more broadly to describe creatures that sang or produced musical sounds, such as crickets.
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Trutty-Coohill, Patricia (2013). "Leonardo's Enchantress". In Anna-Teresa Tymieniecka; M. Kronegger (eds.).
860: 143:. It received considerably little attention from modern musicologists until 1931, when it was included in 131:, an Italian court singer named Carlo Grillo. This would have to have been no earlier than the 1490s. The 895: 390: 1106: 913: 167:. The opening section is about the cricket's lengthy song, while the second one compares crickets and 785: 721: 683: 691: 231:
There are different versions of the lyrics. The following is one of the most common versions.
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McDonald, Grantley (2009). "Josquin's Musical Cricket: El grillo as Humanist Parody".
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is attributed to an "Iosquin Dascanio", traditionally identified as French composer
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have eight. According to musicologist Jaap van Benthem, the number of notes in the
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Hund, Marianne (2006). "Fresh Light on Josquin Dascanio's Enigmatic "El Grillo"".
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Sherr, Richard (2000). "Three Settings of Italian Texts and Two Secular Motets".
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Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis
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The song is scored for four voices. Written from a third-person perspective,
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The Living Tradition: Art, Music, and Ideas in the Western World
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Josquin Des Prez and His Musical Legacy: An Introductory Guide
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of the poetic lines mostly have seven syllables, whereas the
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Fallows, David (2003). "What Happened to "El grillo"".
419: 417: 504: 492: 480: 456: 402: 366: 540: 528: 446: 444: 414: 665: 396: 671: 516: 441: 1098: 429: 139:in 1505, is the only contemporaneous source of 741:The Aesthetics of Enchantment in the Fine Arts 738: 666:Macey, Patrick; Noble, Jeremy; Dean, Jeffrey; 474: 793: 800: 786: 119:Published in the early sixteenth century, 757: 558: 875:Missa L'homme armé super voces musicales 644: 462: 384: 372: 692:10.1093/gmo/9781561592630.article.14497 594: 510: 498: 486: 408: 1099: 575: 534: 423: 327:But he doesn't do like the other birds 781: 715: 546: 921:Inviolata, integra et casta es Maria 807: 623: 522: 450: 435: 399:, §5 "France and Italy (1494–1503)". 13: 673:"Josquin (Lebloitte dit) des Prez" 145:Geschichte der Musik in Beispielen 14: 1128: 324:After drinking, the cricket sings 1112:Compositions by Josquin des Prez 1083: 1082: 342:He sings only for the love of it 296:Ma non fa come gli altri uccelli 265:Ma non fa come gli altri uccelli 914:Ave Maria ... Virgo serena 336:The cricket instead stands firm 568: 330:Once they've sung a little bit 274:Sempre el grillo sta pur saldo 1: 868:Missa L'homme armé sexti toni 762:. Harcourt Brace Jovanovich. 743:. Springer. pp. 85–100. 354: 305:Il grillo invece rimane fermo 287:Il grillo è un bravo cantante 55: 861:Missa Hercules Dux Ferrariae 709:UK public library membership 359: 318:The cricket is a good singer 299:Che dopo aver cantato un po' 207:, while the 99 notes in the 16:Frottola by Josquin des Prez 7: 580:. Leuven University Press. 311:Allora canta solo per amore 302:Vanno via in un altro posto 293:Beve e poi canta, il grillo 268:Come li han cantato un poco 154: 10: 1133: 277:Quando la maggior el caldo 271:Van de fatto in altro loco 203:(88) spells "Des Prez" in 114: 1117:16th-century compositions 1080: 1047: 976: 937: 905: 824: 815: 758:Vyverberg, Henry (1988). 609:10.1093/earlyj/XXXI.3.390 280:Alhor canta sol per amore 226: 214: 82: 74: 64: 51: 41: 30: 23: 290:Che tiene un lungo verso 262:Dalle beve, grillo canta 256:El grillo è buon cantore 722:Oxford University Press 684:Oxford University Press 576:Elders, Willem (2021). 321:Who can hold long notes 840:Missa de Beata Virgine 339:When it's very hot out 333:They go somewhere else 1055:Franco-Flemish School 999:August Wilhelm Ambros 882:Missa La sol fa re mi 718:The Josquin Companion 259:Che tiene longo verso 133:Frottole libro tertio 818:List of compositions 724:. pp. 423–484. 1065:Gaspar van Weerbeke 1034:Bonnie J. Blackburn 475:Trutty-Coohill 2013 308:Quando fa più caldo 237:Renaissance Italian 889:Missa Pange lingua 679:Grove Music Online 137:Ottaviano Petrucci 1107:Renaissance music 1094: 1093: 1060:Johannes Ockeghem 1039:Klaus Pietschmann 896:Missa sine nomine 707:(subscription or 701:978-1-56159-263-0 647:Acta Musicologica 397:Macey et al. 2011 387:, pp. 39–40. 348: 347: 211:spell "Josquin". 90: 89: 1124: 1086: 1085: 989:Gioseffo Zarlino 984:Heinrich Glarean 967:Nymphes des bois 946:Adieu mes amours 809:Josquin des Prez 802: 795: 788: 779: 778: 773: 754: 735: 712: 705: 675: 662: 641: 620: 591: 562: 556: 550: 544: 538: 532: 526: 520: 514: 508: 502: 496: 490: 484: 478: 472: 466: 460: 454: 448: 439: 433: 427: 421: 412: 406: 400: 394: 388: 382: 376: 370: 234: 233: 125:Josquin des Prez 109:Josquin des Prez 60: 57: 36:Josquin des Prez 21: 20: 1132: 1131: 1127: 1126: 1125: 1123: 1122: 1121: 1097: 1096: 1095: 1090: 1076: 1071:Soggetto cavato 1043: 1019:Edward Lowinsky 1014:Helmuth Osthoff 972: 933: 901: 854:Missa Gaudeamus 820: 811: 806: 776: 770: 751: 732: 706: 702: 588: 571: 566: 565: 557: 553: 545: 541: 533: 529: 521: 517: 509: 505: 497: 493: 485: 481: 473: 469: 461: 457: 449: 442: 434: 430: 422: 415: 407: 403: 395: 391: 383: 379: 371: 367: 362: 357: 248: 243: 238: 229: 217: 157: 149:Arnold Schering 135:, published by 129:House of Sforza 117: 58: 17: 12: 11: 5: 1130: 1120: 1119: 1114: 1109: 1092: 1091: 1081: 1078: 1077: 1075: 1074: 1067: 1062: 1057: 1051: 1049: 1045: 1044: 1042: 1041: 1036: 1031: 1026: 1021: 1016: 1011: 1006: 1004:Albert Smijers 1001: 996: 994:Angelo Berardi 991: 986: 980: 978: 974: 973: 971: 970: 963: 956: 949: 941: 939: 935: 934: 932: 931: 924: 917: 909: 907: 903: 902: 900: 899: 892: 885: 878: 871: 864: 857: 850: 843: 836: 833:Missa ad fugam 828: 826: 822: 821: 816: 813: 812: 805: 804: 797: 790: 782: 775: 774: 768: 755: 749: 736: 730: 713: 700: 668:Reese, Gustave 663: 642: 621: 603:(3): 390–399. 592: 586: 572: 570: 567: 564: 563: 561:, p. 254. 559:Vyverberg 1988 551: 549:, p. 428. 539: 527: 515: 513:, p. 390. 503: 501:, p. 398. 491: 489:, p. 396. 479: 467: 455: 440: 428: 426:, p. 201. 413: 411:, p. 391. 401: 389: 377: 364: 363: 361: 358: 356: 353: 346: 345: 344: 343: 340: 337: 334: 331: 328: 325: 322: 319: 314: 313: 312: 309: 306: 303: 300: 297: 294: 291: 288: 283: 282: 281: 278: 275: 272: 269: 266: 263: 260: 257: 251: 250: 245: 242:Modern Italian 240: 228: 225: 216: 213: 156: 153: 116: 113: 88: 87: 84: 80: 79: 76: 72: 71: 66: 62: 61: 53: 49: 48: 43: 39: 38: 28: 27: 15: 9: 6: 4: 3: 2: 1129: 1118: 1115: 1113: 1110: 1108: 1105: 1104: 1102: 1089: 1079: 1073: 1072: 1068: 1066: 1063: 1061: 1058: 1056: 1053: 1052: 1050: 1046: 1040: 1037: 1035: 1032: 1030: 1029:David Fallows 1027: 1025: 1024:Carl Dahlhaus 1022: 1020: 1017: 1015: 1012: 1010: 1009:Gustave Reese 1007: 1005: 1002: 1000: 997: 995: 992: 990: 987: 985: 982: 981: 979: 975: 969: 968: 964: 962: 961: 960:Mille regretz 957: 955: 954: 950: 948: 947: 943: 942: 940: 938:Secular music 936: 930: 929: 925: 923: 922: 918: 915: 911: 910: 908: 904: 898: 897: 893: 891: 890: 886: 884: 883: 879: 877: 876: 872: 870: 869: 865: 863: 862: 858: 856: 855: 851: 849: 848: 847:Missa Di dadi 844: 842: 841: 837: 835: 834: 830: 829: 827: 823: 819: 814: 810: 803: 798: 796: 791: 789: 784: 783: 780: 771: 769:9780155511194 765: 761: 756: 752: 750:9789401732345 746: 742: 737: 733: 731:9780198163350 727: 723: 719: 714: 710: 703: 697: 693: 689: 685: 681: 680: 674: 669: 664: 660: 656: 652: 648: 643: 639: 635: 631: 627: 622: 618: 614: 610: 606: 602: 598: 593: 589: 587:9789462702851 583: 579: 574: 573: 560: 555: 548: 543: 537:, p. 62. 536: 531: 524: 519: 512: 507: 500: 495: 488: 483: 477:, p. 88. 476: 471: 465:, p. 39. 464: 463:McDonald 2009 459: 453:, p. 10. 452: 447: 445: 437: 432: 425: 420: 418: 410: 405: 398: 393: 386: 385:McDonald 2009 381: 375:, p. 52. 374: 373:McDonald 2009 369: 365: 352: 341: 338: 335: 332: 329: 326: 323: 320: 317: 316: 315: 310: 307: 304: 301: 298: 295: 292: 289: 286: 285: 284: 279: 276: 273: 270: 267: 264: 261: 258: 255: 254: 253: 252: 246: 241: 236: 235: 232: 224: 221: 212: 210: 206: 202: 198: 197: 192: 188: 187: 182: 178: 174: 170: 166: 163:concerns the 162: 152: 150: 146: 142: 138: 134: 130: 126: 122: 112: 110: 106: 102: 101: 96: 95: 85: 81: 77: 73: 70: 67: 63: 54: 50: 47: 44: 40: 37: 33: 29: 26: 22: 19: 1069: 965: 958: 952: 951: 944: 926: 919: 894: 887: 880: 873: 866: 859: 852: 845: 838: 831: 759: 740: 717: 677: 653:(1): 39–53. 650: 646: 629: 625: 600: 596: 577: 554: 542: 530: 525:, p. 5. 518: 511:Fallows 2003 506: 499:Fallows 2003 494: 487:Fallows 2003 482: 470: 458: 438:, p. 9. 431: 409:Fallows 2003 404: 392: 380: 368: 349: 249:translation 244:translation 230: 219: 218: 208: 200: 194: 190: 184: 177:onomatopoeia 160: 158: 144: 140: 132: 120: 118: 99: 98: 93: 92: 91: 59: 1490s 45: 24: 18: 632:(1): 5–16. 597:Early Music 569:Works cited 535:Elders 2021 424:Elders 2021 239:(original) 100:The Cricket 86:Four voices 46:The Cricket 1101:Categories 682:. Oxford: 547:Sherr 2000 355:References 953:El Grillo 711:required) 670:(2011) . 523:Hund 2006 451:Hund 2006 436:Hund 2006 360:Citations 220:El Grillo 173:homophony 169:songbirds 161:El Grillo 141:El Grillo 121:El Grillo 94:El Grillo 75:Published 25:El Grillo 1088:Category 977:Scholars 928:Miserere 659:27793371 638:20203933 205:gematria 181:frottola 155:Analysis 105:frottola 65:Language 32:Frottola 1048:Related 617:3138101 247:English 201:ripresa 186:ripresa 165:cricket 115:History 103:) is a 83:Scoring 69:Italian 52:Written 42:English 906:Motets 825:Masses 766:  747:  728:  698:  657:  636:  615:  584:  227:Lyrics 215:Legacy 183:, the 655:JSTOR 634:JSTOR 613:JSTOR 209:volta 196:volta 191:piedi 764:ISBN 745:ISBN 726:ISBN 696:ISBN 582:ISBN 193:and 175:and 78:1505 688:doi 605:doi 147:by 107:by 34:by 1103:: 720:. 694:. 686:. 676:. 651:81 649:. 630:56 628:. 611:. 601:31 599:. 443:^ 416:^ 151:. 56:c. 916:" 912:" 801:e 794:t 787:v 772:. 753:. 734:. 704:. 690:: 661:. 640:. 619:. 607:: 590:. 97:(

Index

Frottola
Josquin des Prez
Italian
frottola
Josquin des Prez
Josquin des Prez
House of Sforza
Ottaviano Petrucci
Arnold Schering
cricket
songbirds
homophony
onomatopoeia
frottola
ripresa
volta
gematria
McDonald 2009
McDonald 2009
Macey et al. 2011
Fallows 2003


Elders 2021
Hund 2006


Hund 2006
McDonald 2009
Trutty-Coohill 2013

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