456:. By mid-1978, however, the band was beginning to fracture: "Javier was complaining that Hector was playing in too many different bands", recalled Lopez in 2016; "That seemed to be the main complaint, though there were others." By that August, Penalosa had moved to Los Angeles and was replaced on bass by Lopez's younger brother Guy. Both Lopez brothers soon quit the band, also to move to Los Angeles, and the Zeros briefly disbanded. "I suppose I was ready for a change", said Lopez; "They re-formed the next week without me and then moved to
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713:", complete with a fake Spanish accent (Lopez has no such accent). He used the marketing skills he had developed promoting artists and shows for the gallery to promote his new act. "That first year was really great", he later said. "I was just making it up. It was a con. Everyone thought I knew what I was doing, but I was having fun and I had that punk rock 'Do It Yourself' attitude."
1034:. I enjoy it because he's a solo act with no props or dancing girls to fall back on. It's almost the opposite of El Vez, who is always so happy and positive-thinking. Raul Raul is yelling, spouting, finger-pointing at the 'white devil slave masters' and all that. But it's really humorous." Also in 1994 Lopez reunited with the Zeros for the band's first full-length studio album,
720:" into "En el Barrio", realizing that he could use his humorous act to make social commentary about the Mexican American experience: "The first stuff was just really silly ditties, like 'You Ain't Nothing but a Chihuahua'. Then with 'En el Barrio', I realized that this guy can put some messages out there." As he developed a
697:. So I was doing national TV before I'd even done my first show in L.A. Then my very first show in L.A. got pick-of-the-week in both papers, and no one had even seen it yet. So I was really on a con roll. It was like, how much can I get away with?" Initially his repertoire consisted merely of
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Also in 1991, the original lineup of the Zeros—Lopez, Escovedo, Chanelle, and
Penalosa—reunited to play a benefit show for Lopez's former Catholic Discipline bandmate Craig Lee. Recording sessions the band conducted in San Diego that December produced the singles "I Don't Wanna" backed with
487:. That winter, he and Margot Olavarria, who had recently been dismissed from the Go-Go's, traveled to New York City, where Lopez stayed for a few months with friends who had transplanted from Los Angeles. There he met various local punk performers; attended shows at clubs such as
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acts. "Those early shows were pretty inspiring", Lopez wrote forty years later; "I felt part of a movement, or something at least. Part of a music scene. It was a great feeling after years of misfitdom." He was drawn to the inclusiveness of the scene, which included girls,
1281:. He creates all the arrangements for his El Vez performances, which he describes as "all my musical history, and the little things that meant something to me, or the sounds that I like." Reviewing a 1995 performance, journalist
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and other
Mexican revolutionaries. Unlike the above-mentioned band, he does not beat the audience over the head with didactic polemics and testosterone-fueled monster chords. Instead, he relies on the obvious play on words
678:", and so on. "I just dared myself to go," he recalled, "and I said, okay, I can make a fool of myself since I don't know anyone there. I rewrote some words on the plane, and practiced my dance moves in the hotel room."
1372:. An audience on any given night can be treated to half a dozen costume changes and might hear bits and pieces of at least 200 songs, not all of them Elvis recordings. For instance, one of his medleys featured "
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While his records are excellent documents of the El Vez phenomenon, the only way to get the full El Vez experience is to see his live shows
Listening to El Vez is akin to hearing the live-band equivalent of
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In 1976, at age 16, Lopez started a band with classmate Javier
Escovedo; Lopez played guitar, while Escovedo played guitar and sang. Called the Main Street Brats, the group played their first show at a
1217:; he repeated this tour theme in 2008 and 2012. By the mid-2000s, El Vez had toured the United States, Canada, Mexico, Europe, and Australia, and had opened for such famous performers as David Bowie,
193:' a few times a week." He later described himself as a misfit in his youth, saying that he cried easily, did not have many friends, and "was a very, very chubby kid who had found his nest of salt in
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Despite his use of humor, El Vez cannot be written off as a postmodern joke. His lyrics (many times rewrites of Elvis recordings or other popular songs) are very political and pro-Latino. Much like
1160:, it traced the evolution of his act through concert footage, excerpts from television appearances, and interviews with friends, fans, and Latino academics. That November, El Vez released the
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The performance was well-received, and Lopez brought the act back to Los
Angeles. "I had meant to do it just once, and it kind of backfired", he later recalled. "It got a mention in the
1128:, with some of the tracks from the original EP as well as added songs, radio performances, and other recordings. Lopez reunited with the Zeros once again for their 1999 album
279:-based punk band the Mumps). They too were Southern California guys who loved rock music and Warhol and knew that New York was the place to be. In 1975 they would be my first
220:, experiences which would influence his later musical work. He would become more conscious and appreciative of his Mexican heritage later in life, but did not learn any
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costuming. His live shows involve multiple costume changes; early on, he would make his final costume change on stage, the
Elvettes holding up a sheet with a throbbing
445:. Yeah, we were Mexicans—so what? It wasn't our calling card. Funny enough, that would become my raison d'être for my later performing—always a 'Mexican' something."
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later called the album "El Vez's best work, smoothly combining humor, social and political satire, and great rock & roll in one fell swoop." A Christmas album,
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744:), incorporated increasingly elaborate costuming and staging, and developed songs that mixed politics and cultural commentary with tropes from rock and roll and
201:, and the arts. I would spend my lunchtimes in the school library." His mother, Gina, recalled that "He was always artistic. He was first on his block to have
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was released in 1998 by
Sympathy for the Record Industry; consisting of alternate versions of previously released songs, its title and cover art parodied
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being the greatest
American entertainer success story, going from nothing to being one of the richest entertainers in the world. The idea of El Vez is
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through
Sympathy for the Record Industry, and in 2002 started his own label, Graciasland Records, through which he released a third Christmas album,
1084:, I'm brown/Por que no Latinos in your stinking town?' Underneath the humor, there was a message. And underneath the message, there was more humor."
630:. He was unimpressed with the impersonator's performance, however, and felt that he could do better. "I kept critiquing him. 'Swing your hips more
1434:
157:, is an American singer-songwriter and musician, who performs and records original material and covers classic rock songs. Mixing the styles of
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can do that also, and you don't have to be a white man. It's for blacks, Mexicans, women. Anyone can be a superstar. El Vez is the idea of the
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wrote: "The set's highlight was its most atypical moment, the reading of a poem by El Vez's alter ego, Raul Raul, an angry-young-man poet. As
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Settling into Los
Angeles, Lopez joined a band called the Johnnies as well as the short-lived group Catholic Discipline, in which he played a
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article. "I loved the Ramones, so I didn't mind the title", Lopez later recalled; "But we thought our style was more New York Dolls and
748:: "I took on the banner of heralding the Chicano experience, and once I got an agenda under my El Vez belt, the show kind of changed."
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behind it so the audience could see the shadow of his naked body as he changed. In addition to his costumes, he styled his hair in a
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that March and released later that year by Madrid's Imposible Records. Also in 1995 Munster Records released the El Vez live album
898:
1038:, which consisted of new recordings of their old material. The Zeros toured Spain in the spring of 1995, and a live album titled
452:, "Don't Push Me Around" backed with "Wimp" (1977) and "Wild Weekend" backed with "Beat Your Heart Out" (1978), both released on
367:. They performed in the area so frequently that they were often mistaken for an L.A. band; one magazine even included them in a
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1106:(1960), it found El Vez diversifying his musical palette even further and getting even more political with his lyrics. The EP
1023:, followed later that year, and El Vez began staging annual Christmas-themed performances that became big hits with his fans.
763:. Consisting of "Esta Bien Mamacita" (sung in Spanish) and "En el Barrio" (sung in English, and incorporating elements of the
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Lopez's main persona and style is very similar to Elvis Presley, as his stage name suggests. However, he is not strictly an
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classmate Hector Penalosa to play bass, and they changed their name to the Zeros. As the first genuine punk rock band in
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followed in 1994, combining the tracks from the three prior EPs with a version of "Samba Para Ti" featuring keyboardist
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563:(1981), and his recordings with them appear on the film's soundtrack album and on their posthumous compilation album
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Michelle Habell-Pallan, "El Vez is 'Taking Care of Business': The Inter/national Appeal of Chicano Popular Music",
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1277:. He considers his El Vez persona to be an "Elvis interpreter" and "cultural ambassador" rather than strictly an
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Combo Compact keyboard. Consisting of personalities from the L.A. punk scene, Catholic Discipline was fronted by
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was also an early influence on both his musical tastes and sexual identity: "That is where I was introduced to
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of songs from the prior two El Vez EPs with three new tracks: "Samba Para Elvis" (combining the music of the
216:. His grandparents were born in Mexico, and he frequently traveled there as a youth, visiting its museums and
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heritage and music, he is known for expressing revolutionary views through the satire and humor in his songs.
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1100:, came out that September through Philadelphia's Big Pop Label; with a title and cover art parodying Elvis'
335:. Though only teenagers, the Zeros became regulars on the L.A. club scene, playing shows with bands such as
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311:. The lineup then changed; Lopez recruited his cousin Karton "Baba" Chanelle to play drums, and Chanelle's
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described the music as "a whirlwind of pop quotations, full of references to the music of David Bowie,
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El Vez performing with his backing band the Memphis Mariachis and backing singers the Lovely Elvettes
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1493:. He is also known as the "Thin Brown Duke" (a reference to one of David Bowie's characters, the "
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in Denmark. Lopez began incorporating the Raul Raul character into his El Vez performances; in a
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For much of the 1980s Lopez channeled his creative energies toward art. In 1988 he was curating
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In mid-1994 Lopez also began performing as a new character, Raul Raul, who he described to the
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Having graduated high school early that year, and turned 18 by that summer, Lopez moved to
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inhabited by a number of L.A. punk musicians and located across the street from punk club
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3919:"Review: "Maria's the Name (Of His Latest Flame)" b/w "Lordy Miss Lupe (Studio Outtake)""
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religious art imported from Mexico and Central America. The gallery presented a show of
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3893:"Review: "Esta Bien Mamacita" & "Esta Bien (Impersonators Mix)" b/w "En el Barrio""
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that August for "Elvis Week", an annual event commemorating Presley's death, purchased
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319:, they had difficulty finding places to perform, so they frequently traveled north to
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El Vez performing in Seattle in 2009, wearing a tight-fitting Elvis-inspired jumpsuit
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magazines, but could only imagine what the bands sounded like. His first exposure to
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of Elvis songs with new lyrics, and the performances were, in Lopez's words, "very
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role models from watching television. They would become my friends the next year."
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1213:, he embarked on an "El Vez for Prez" tour, encouraging fans to vote for him as a
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I think he's a real message of pride and a real positive idea of what America is:
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858:" (mixing elements of the Santana version of the song with a sped-up take on the
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557:' band", said Lopez in 2016. He appeared with the group in the documentary film
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Priscillita, Lisa Maria, Gladyscita, and Que Linda Thompson, after Elvis' wife
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had just moved out of the Canterbury Apartments, a 1920s apartment building on
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991:" turned into "Safe (Baby Let's Play Safe)", with cautionary lyrics promoting
728:"), added a team of female backing vocalists ("the Lovely Elvettes", with the
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Interview with El Vez "Putting the Elvis Back in XMAS" - Rocker Magazine 2012
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on his lip using marker. When in character as El Vez, he speaks with a fake
902:. A Spanish language version of the album was also released under the title
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Lopez continued releasing records as El Vez over the next few years: The EP
658:, he sang along to the cassettes while giving the lyrics a Hispanic twist: "
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His family was highly political, including an uncle who was in the militant
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First El Vez recordings, Raul Raul, and reunions with the Zeros (1991–1995)
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1897:"Sometimes Good Guys Don't Wear White" b/w "Knockin' Me Dead (acoustic)"
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The year 2000 saw the release of two El Vez albums through British label
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815:" redone respectively as "Maria's the Name (of His Latest Flame)" (using
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507:." On his return to Los Angeles, he moved into an apartment just west of
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870:"); the title came from Lopez's reworked lyrics for the closing track, "
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967:. Several more Elvis songs were similarly given the El Vez treatment: "
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896:"; the album's title and cover art were an homage to Elvis' 1967 album
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vacated by Screamers lyricist Gorilla Rose, and worked as a cashier at
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came out in 1992 through Spain's Munster Records, combining different
831:" and "Bottoms Up" backed with "Sneakin' Out", both released in 1992.
783:, which would put out many subsequent El Vez recordings. A second EP,
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which had a thriving punk scene. Their first L.A. performance, at the
239:, whom he much preferred. He became interested in rock music, reading
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about El Vez was released; directed by Marjorie Chodorov and titled
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to appear at the opening, and dressed himself up as Elvis' manager,
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In May 1996 Munster Records released the El Vez compilation album
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971:" became "Immigration Time", dealing with immigration rights; "
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in Los Angeles, he assembled a full backing band ("the Memphis
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Don't Push Me Around (Rare & Unreleased Classics from '77)
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magazine editor Claude "Kickboy Face" Bessy and also included
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which show off his slender frame, and added Mexican cultural
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In developing the look of El Vez, Lopez took Elvis-inspired
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Lopez cites a wide variety of musical influences including
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431:", coined by a friend and solidified when it was used in a
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Lopez attended his first concert in 1974, a performance by
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Live at Caesars Palace!!! The Wedding Album Cover to Cover
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perform, and from his older sister Rhoda. The PBS series
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Under the Big Black Sun: A Personal History of L.A. Punk
995:. "Cinco de Mayo", an original song musically rooted in
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with politically charged lyrics describing a search for
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Like a Hole in the Head: Remixes, Rewrites & Extras
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Continued work as El Vez and with the Zeros (1996–2004)
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A turning point came when he reworked the Elvis song "
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Endless Revolution: G.I. Ay Ay Blues Service Re-issue
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with ball fringe, pointed-toe boots, and elements of
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El Vez's recorded debut came in 1991 with the 7-inch
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1201:. As Graciasland Records' second release, he issued
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for the Spanish market. El Vez's next studio album,
823:" as its musical foundation) and "Lordy Miss Lupe".
807:. It consisted of two more reworked Elvis numbers, "
1076:played in the background, he decried racism in the
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American singer-songwriter and musician (born 1960)
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943:The first proper full-length El Vez studio album,
650:specializing in Elvis impersonators. Wearing gold
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460:. I don't remember being too broken up about it."
161:and many other American rock artists with his own
1522:during an episode featuring Elvis impersonators.
1363:described El Vez's live performances as follows:
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1428:, his songs are littered with references to the
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779:"), it was released by independent record label
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3983:How Great Thou Art: The Greatest Hits of El Vez
3953:How Great Thou Art: The Greatest Hits of El Vez
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3561:Left of the Dial: Conversations with Punk Icons
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1968:How Great Thou Art: The Greatest Hits of El Vez
1923:How Great Thou Art: The Greatest Hits of El Vez
1211:presidential election year in the United States
882:How Great Thou Art: The Greatest Hits of El Vez
803:, the artwork of which was itself an homage to
427:heritage earned them the nickname "the Mexican
177:in 1960. His family "floated somewhere between
1500:El Vez was once a contestant on the game show
1420:McLeod also described El Vez's lyrical style:
1209:in an expanded two-disc package. 2004 being a
4423:, Volume 13, Issue 2, April 1999, p. 195–210.
3830:"To El Vez, the King Will Always Be 'El Rey'"
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2009:"Cinco de Mayo" b/w "Blackbird de Mayo (with
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1185:In 2004 Lopez relocated from Los Angeles to
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3605:"San Diego – Can't Be Hardcore Punks Here"
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3311:"El Vez: Colorful Impersonator Gets a Big
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3344:"El Vez sings As King for Social Change"
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570:In subsequent years Lopez worked at the
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3985:(CD liner notes). Olympia, Washington:
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189:and something we called 'poor people's
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4364:"El Vez Vying for White House (Again)"
4298:
4292:
4196:
3775:
3736:
3718:"El Vez, the Mexican Elvis, Turns 25!"
3364:
3240:
1670:compilation of demos recorded in 1977
1142:(titled after Elvis' 1975 compilation
1070:Vince Guaraldi's theme music from the
275:(both of whom would go on to form the
4505:American musicians of Mexican descent
4361:
4095:
3916:
3890:
3715:
3432:
3415:
3308:
3168:
2898:God Save the King: 25 Years of El Vez
2122:("Yo No Quiero" b/w "Siamese Tease")
1376:" and an instrumental version of the
1060:review of his 1995 Christmas show in
1015:(formerly of the Dils). Music critic
1011:and featured Chip and Tony Kinman of
448:Lopez played on the Zeros' first two
4331:
4266:Pendleton, Reece (26 October 1985).
3382:
3279:
3132:
1435:Say It Loud, I'm Brown and I'm Proud
877:As Recorded at Madison Square Garden
35:El Vez performing in Seattle in 2009
4520:People from Chula Vista, California
2721:track "Madison Avenue" (as El Vez)
1623:The Decline of Western Civilization
809:(Marie's the Name) His Latest Flame
560:The Decline of Western Civilization
13:
4565:Singer-songwriters from California
4232:
4202:
4169:
4068:
4035:
3999:
3945:
3217:
3149:and accessed online 28 April 2007.
1567:"Don't Push Me Around" b/w "Wimp"
959:, and the track "Aztlán" reworked
674:" became "You Ain't Nothing But a
14:
4576:
4450:
4104:
3776:Davila, Florangela (2007-12-16).
3536:Doe and DeSavia, pp. 99–100, 104.
3395:
3147:reproduced online at BookRags.com
3129:. Accessed online 31 October 2006
3029:Sympathy for the Record Industry
2968:Sympathy for the Record Industry
2935:Sympathy for the Record Industry
2641:Sing Along with Los Straitjackets
2621:Sympathy for the Record Industry
2414:Sympathy for the Record Industry
2331:Sympathy for the Record Industry
2304:Sympathy for the Record Industry
2076:Sympathy for the Record Industry
2049:Sympathy for the Record Industry
2022:Sympathy for the Record Industry
1993:Sympathy for the Record Industry
1960:Sympathy for the Record Industry
1933:Sympathy for the Record Industry
1804:Sympathy for the Record Industry
1748:Sympathy for the Record Industry
1374:You Ain't Nothing But a Chihuahua
4560:20th-century American guitarists
4545:American male singer-songwriters
4362:Varga, George (22 August 2012).
3987:Sympathy for the Record Industry
3778:"Viva El Vez, the Mexican Elvis"
3165:. Accessed online 28 April 2007.
1820:"Bottoms Up" b/w "Sneakin' Out"
1720:Sympathy for the Record Industry
1148:) and a second Christmas album,
975:" was redone as "Chicanisma" (a
965:the ancestral home of the Aztecs
781:Sympathy for the Record Industry
705:". The act was mostly silly and
687:. And then I got a call from an
662:" became "Esta Bien Mamacita", "
205:. They were about a foot high."
122:Sympathy for the Record Industry
4426:
4413:
3689:"Catholic Discipline Biography"
3655:
3634:
3625:
2231:Never Been to Spain (Until Now)
1094:Never Been to Spain (Until Now)
578:; there, he frequently brought
519:Catholic Discipline (1979–1980)
3309:Krier, Beth Ann (1989-05-12).
3040:
1845:"Knockin' Me Dead" b/w "Boys"
1525:
1516:. He was also a contestant on
622:-themed works; Lopez hired an
1:
4525:American punk rock guitarists
4510:Musical groups from San Diego
4299:Harvey, Dennis (2001-03-22).
3862:Patterson, Rob (2001-11-22).
3661:Doe and DeSavia, pp. 108–109.
3652:Doe and DeSavia, pp. 107–108.
3631:Doe and DeSavia, pp. 106–107.
3603:Spurrier, Jeff (1978-08-03).
3527:Doe and DeSavia, pp. 101–102.
3435:"Straight Outta Chula Vista!"
3104:
3005:track "El Vez to the Rescue"
1229:Musical and performance style
594:Developing El Vez (1988–1990)
235:. His second concert was the
168:
4145:"Mexican? Yes. Elvis? Maybe"
3828:Washburn, Jim (1994-05-05).
3716:Varga, George (2014-01-04).
1966:Spanish language version of
1642:track "Underground Babylon"
1497:"), or "The Mexican Elvis".
1404:") and finished up with the
1328:, extravagantly embroidered
983:), about the empowerment of
642:cassettes of Elvis songs at
7:
4369:The San Diego Union-Tribune
3723:The San Diego Union-Tribune
3440:The San Diego Union-Tribune
1205:, a "Service Re-Issue" of
654:pants and an oversize gold
614:gallery where he showcased
95:Singer-songwriter, musician
10:
4581:
4530:American rock keyboardists
3485:Doe and DeSavia, pp.97–98.
3433:Garin, Nina (2009-06-25).
3145:, Thomson Gale 2005–2006.
3090:Waxie Moon in Fallen Jewel
2660:track "Rey Criollo a/k/a/
2583:Now I Wanna Be Santa Claus
2120:European Kamikaze Tour '95
1513:Waxie Moon in Fallen Jewel
1445:", he shouts "I've got my
1007:, traced the story of the
977:Spanish grammatical gender
522:
394:magazine and Craig Lee in
295:
4535:American rock songwriters
3558:Ensminger, David (2013).
2347:"You, Me, Us" b/w "Talkin
1164:-influenced studio album
1030:as "a real angry Chicano
880:). The compilation album
298:The Zeros (American band)
286:
131:
127:
117:
107:
103:Vocals, guitar, keyboards
99:
91:
73:
63:
55:
45:
40:
28:
21:
4555:American male guitarists
4207:Son of a Lad from Spain?
3675:Doe and DeSavia, p. 109.
3640:Doe and DeSavia, p. 107.
3593:Doe and DeSavia, p. 106.
3545:Doe and DeSavia, p. 105.
2404:Son of a Lad from Spain?
2187:Planet of Noise Records
1426:Rage Against the Machine
1126:Son of a Lad from Spain?
4434:"Robert 'El Vez' LĂłpez"
4303:El Rey de Rock 'n' Roll
4270:El Rey de Rock 'n' Roll
4237:El Rey de Rock 'n' Roll
3564:. Oakland, California:
3476:Doe and DeSavia, p. 99.
3462:Doe and DeSavia, p. 97.
3379:Doe and DeSavia, p. 96.
3257:; DeSavia, Tom (2016).
3123:El Rey De Rock 'N' Roll
3053:El Rey De Rock 'N' Roll
2981:Los Straitjackets with
2672:Trailer Park Casanovas
2454:Trailer Park Casanovas
2427:Trailer Park Casanovas
2293:Takin' Care of Business
2174:"Black 'n' White" b/w "
1510:'s cult comedy musical
1158:El Rey de Rock 'n' Roll
572:Continental Hyatt House
467:on September 28, 1978.
331:, and was headlined by
226:Chula Vista High School
175:Chula Vista, California
68:Chula Vista, California
2953:The Girl Can't Help It
2925:...Bama Lama, Bama Loo
2594:Houston Party Records
1455:
1418:
1308:made of tight-fitting
1238:
1124:the following year as
1080:with lines like, 'Hey
979:inversion of the term
935:
603:
313:Sweetwater High School
41:Background information
4540:American rock singers
4466:Robert 'El Vez' LĂłpez
3398:"The Zeros Biography"
3097:Fags in the Fast Lane
3065:Gospel Show in Madrid
2818:Gospel Show in Madrid
2468:Rock Therapy Records
2441:Rock Therapy Records
1791:"I Don't Wanna" b/w "
1422:
1365:
1326:Our Lady of Guadalupe
1293:, and the punk bands
1255:Rocket from the Crypt
1236:
1172:(its cover mimicking
1120:. It was released on
989:Baby Let's Play House
915:
660:That's All Right Mama
601:
549:and guitarist in the
503:"to pick fights with
292:The Zeros (1976–1978)
218:Mesoamerican pyramids
3067:(2008, live concert)
2957:Slippin' and Slidin'
2948:The Little Richards
2921:The Little Richards
2803:expanded reissue of
2797:Graciasland Records
2756:Catholic Discipline
2743:Graciasland Records
1793:Little Latin Lupe Lu
1408:line that concludes
892:and a recording of "
829:Little Latin Lupe Lu
819:'s 1982 version of "
441:; after all, we had
185:. Our diet included
4550:Elvis impersonators
4332:Torreano, Bradley.
3917:MacDonald, Dennis.
3891:MacDonald, Dennis.
3055:(2000, documentary)
2880:Last Laugh Records
2760:Underground Babylon
1617:Catholic Discipline
961:Simon's title track
872:Never Been to Spain
565:Underground Babylon
525:Catholic Discipline
477:Hollywood Boulevard
402:performance artists
253:came from watching
4397:sandiegoreader.com
4177:G.I. Ay, Ay! Blues
4150:The New York Times
3989:. 1994. SFTRI 199.
3609:sandiegoreader.com
3568:. pp. 61–68.
3505:sandiegoreader.com
3223:"El Vez Biography"
2902:compilation album
2805:G.I. Ay, Ay! Blues
2764:compilation album
2489:compilation album
2408:compilation album
2258:G.I. Ay, Ay! Blues
2235:compilation album
2204:The Mexican Elvis!
2158:Imposible Records
1954:compilation album
1927:compilation album
1881:Rockville Records
1854:Rockville Records
1829:Rockville Records
1686:compilation album
1459:Elvis impersonator
1414:Losing My Religion
1392:" laid underneath
1279:Elvis impersonator
1239:
1215:write-in candidate
1207:G.I. Ay, Ay! Blues
1203:Endless Revolution
1152:. In early 2001 a
1138:: The compilation
1098:G.I. Ay, Ay! Blues
899:How Great Thou Art
894:How Great Thou Art
777:I've Got a Feeling
738:Lisa Marie Presley
636:Memphis, Tennessee
628:Colonel Tom Parker
624:Elvis impersonator
604:
439:Velvet Underground
384:, the writings of
264:An American Family
257:, on which he saw
183:lower-middle class
173:Lopez was born in
4276:chicagoreader.com
4203:Phares, Heather.
3835:Los Angeles Times
3786:The Seattle Times
3575:978-1-60486-641-4
3320:Los Angeles Times
3272:978-0-306-82408-1
3038:
3037:
2886:recorded in 1977
2635:Los Straitjackets
2360:Penniman Records
2321:A Lad from Spain?
1709:The Mexican Elvis
1628:soundtrack album
1503:To Tell the Truth
1390:Black Magic Woman
1108:A Lad from Spain?
1052:Roskilde Festival
1028:Los Angeles Times
856:Black Magic Woman
852:Always on My Mind
813:Lawdy Miss Clawdy
761:The Mexican Elvis
734:Priscilla Presley
703:guerrilla theatre
684:Los Angeles Times
493:Max's Kansas City
434:Los Angeles Times
187:government cheese
151:Robert Alan Lopez
145:
144:
51:Robert Alan Lopez
4572:
4475:Official website
4444:
4443:
4430:
4424:
4421:Cultural Studies
4417:
4411:
4410:
4408:
4407:
4401:San Diego Reader
4389:
4380:
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3868:houstonpress.com
3859:
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3796:
3795:
3793:
3792:
3782:seattletimes.com
3773:
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3613:San Diego Reader
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3509:San Diego Reader
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3251:
3238:
3237:
3235:
3234:
3215:
3166:
3159:El Vez Biography
3156:
3150:
3139:
3130:
3120:
3020:" (karaoke mix)
2989:...To the Rescue
2908:Munster Records
2855:Munster Records
2828:Munster Records
2770:Artifix Records
2737:Christmas album
2715:Eggbert Records
2700:Kristian Hoffman
2686:El Toro Records
2579:Maria's the Name
2546:" b/w "Oralé (I♥
2518:Christmas album
2350:
2289:20th Century Boy
2241:Munster Records
2214:Munster Records
2176:Pushin' Too Hard
2131:Munster Records
2103:Munster Records
2043:Christmas album
1906:Munster Records
1871:Knockin' Me Dead
1775:Munster Records
1664:Munster Records
1530:
1529:
1519:The Weakest Link
1443:Suspicious Minds
1350:pencil moustache
1299:Public Image Ltd
1267:Washington, D.C.
1154:documentary film
1042:was recorded in
1036:Knockin' Me Dead
1009:Battle of Puebla
969:Suspicious Minds
939:
769:Dear Mr. Fantasy
664:Blue Suede Shoes
633:
425:Mexican American
414:Tomata du Plenty
273:Kristian Hoffman
141:
138:
110:
48:
33:
19:
18:
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4405:
4403:
4391:
4390:
4383:
4374:
4372:
4360:
4356:
4347:
4345:
4336:Boxing with God
4330:
4326:
4317:
4315:
4297:
4293:
4284:
4282:
4264:
4260:
4251:
4249:
4231:
4227:
4218:
4216:
4201:
4197:
4188:
4186:
4171:McLeod, Kembrew
4168:
4164:
4155:
4153:
4138:
4129:
4120:
4118:
4103:
4096:
4087:
4085:
4070:McLeod, Kembrew
4067:
4063:
4054:
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4037:McLeod, Kembrew
4034:
4027:
4018:
4016:
4001:McLeod, Kembrew
3998:
3994:
3981:
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3973:
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3947:McLeod, Kembrew
3944:
3937:
3928:
3926:
3915:
3911:
3902:
3900:
3889:
3885:
3876:
3874:
3864:"¡Viva El Vez!"
3860:
3849:
3840:
3838:
3826:
3799:
3790:
3788:
3774:
3737:
3728:
3726:
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3169:
3157:
3153:
3140:
3133:
3121:
3112:
3107:
3061:(2004,TV-Serie)
3043:
2999:Sleazy Records
2653:Yep Roc Records
2611:Boxing with God
2581:(No Fun)" b/w "
2485:Pure Aztec Gold
2348:
2093:El Vez Is Alive
1528:
1506:and starred in
1495:Thin White Duke
1231:
1191:Teatro ZinZanni
1179:Merry Christmas
1166:Boxing with God
1140:Pure Aztec Gold
1090:
1048:El Vez Is Alive
941:
937:
909:Fun in Acapulco
868:Stray Cat Strut
754:
691:TV show called
631:
608:La Luz de Jesus
596:
527:
521:
412:, and idolized
406:the Kipper Kids
378:people of color
325:Orpheum Theatre
300:
294:
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171:
148:
135:
108:
46:
36:
24:
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4507:
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4497:
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4463:
4452:
4451:External links
4449:
4446:
4445:
4425:
4412:
4381:
4354:
4324:
4291:
4280:Chicago Reader
4258:
4233:Deming, Mark.
4225:
4195:
4162:
4143:(1995-12-30).
4127:
4094:
4061:
4025:
4007:Fun in Español
3992:
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3348:dailybruin.com
3332:
3278:
3271:
3265:. p. 95.
3239:
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3151:
3131:
3127:New York Times
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2845:Live in Madrid
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2664:" (as El Vez)
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1361:Kembrew McLeod
1330:bolero jackets
1287:José Feliciano
1230:
1227:
1219:Carlos Santana
1199:dinner theater
1114:'s 1973 album
1089:
1086:
1057:New York Times
1017:Kembrew McLeod
953:'s 1986 album
938:–Lopez in 1994
931:American Dream
914:
904:Fun in Español
846:instrumental "
800:London Calling
785:El Vez Calling
753:
750:
742:Linda Thompson
722:cult following
699:cover versions
595:
592:
588:Little Richard
543:Nervous Gender
523:Main article:
520:
517:
513:El Coyote Cafe
509:La Brea Avenue
499:; and went to
309:Rosarito Beach
296:Main article:
293:
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288:
285:
237:New York Dolls
203:platform shoes
170:
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163:Latin-American
147:Musical artist
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4105:Rabid, Jack.
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4076:Merry MeX-mas
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3086:variety show)
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2985:& El Vez
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2646:studio album
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2544:Feliz Navidad
2541:
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2435:studio album
2434:
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2431:End of an Era
2429:
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2390:BLP/BCD 4074
2389:
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2039:Merry MeX-mas
2037:
2034:
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2030:
2027:
2024:
2021:
2018:
2015:
2012:
2008:
2005:
2002:
2001:
1998:
1995:
1992:
1989:
1987:studio album
1986:
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1979:
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1875:studio album
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1697:
1695:BLP/BCD 4035
1694:
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1635:Slash Records
1633:
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1577:Bomp! Records
1575:
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1454:
1452:
1449:...I want my
1448:
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1421:
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1411:
1407:
1403:
1402:In the Ghetto
1399:
1395:
1391:
1387:
1383:
1379:
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1364:
1362:
1359:Music critic
1357:
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1243:Elvis Presley
1235:
1226:
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1119:
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1105:
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1099:
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1085:
1083:
1079:
1078:Sunday comics
1075:
1073:
1067:
1064:, journalist
1063:
1059:
1058:
1053:
1049:
1045:
1041:
1037:
1033:
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1024:
1022:
1021:Merry MeX-mas
1018:
1014:
1010:
1006:
1002:
998:
994:
990:
986:
982:
978:
974:
973:Little Sister
970:
966:
962:
958:
957:
952:
948:
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940:
934:
932:
928:
924:
920:
919:Elvis Presley
913:
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869:
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824:
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814:
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805:Elvis Presley
802:
801:
796:
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790:Elvis Presley
786:
782:
778:
774:
770:
766:
762:
759:
749:
747:
743:
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735:
731:
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723:
719:
718:In the Ghetto
714:
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673:
669:
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637:
629:
625:
621:
620:Elvis Presley
617:
613:
609:
600:
591:
589:
585:
584:rock and roll
581:
577:
574:hotel on the
573:
568:
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459:
458:San Francisco
455:
454:Bomp! Records
451:
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444:
440:
436:
435:
430:
426:
421:
419:
418:the Screamers
416:and his band
415:
411:
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387:
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374:
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362:
359:, the Germs,
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159:Elvis Presley
156:
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106:
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100:Instrument(s)
98:
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92:Occupation(s)
90:
87:
83:
82:rock and roll
79:
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66:
62:
58:
54:
50:
44:
39:
32:
27:
20:
4437:
4428:
4420:
4415:
4404:. Retrieved
4396:
4373:. Retrieved
4367:
4357:
4346:. Retrieved
4342:allmusic.com
4341:
4335:
4327:
4316:. Retrieved
4308:
4302:
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4243:allmovie.com
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4213:allmusic.com
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4183:allmusic.com
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4115:allmusic.com
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4082:allmusic.com
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4013:allmusic.com
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3959:allmusic.com
3958:
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3923:allmusic.com
3922:
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3897:allmusic.com
3896:
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3867:
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3833:
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3781:
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3693:allmusic.com
3692:
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3504:
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3438:
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3402:allmusic.com
3401:
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3347:
3324:. Retrieved
3318:
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3231:. Retrieved
3227:allmusic.com
3226:
3219:Deming, Mark
3154:
3142:
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3095:
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3079:
3071:Dead Country
3070:
3064:
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3047:Mi vida loca
3046:
2988:
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2897:
2849:video album
2844:
2822:video album
2817:
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2759:
2733:Sno-Way José
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2148:Over the Sun
2147:
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2065:
2038:
1980:
1967:
1963:SFTRI 234-S
1949:
1922:
1870:
1857:ROCK 6128-7
1832:ROCK 6091-7
1765:Not Hispanic
1764:
1737:
1708:
1681:
1653:
1621:
1517:
1511:
1501:
1499:
1456:
1423:
1419:
1378:Beastie Boys
1366:
1358:
1342:strobe light
1303:
1283:Neil Strauss
1275:gospel music
1240:
1206:
1202:
1184:
1177:
1170:Sno-Way José
1169:
1165:
1162:gospel music
1157:
1149:
1143:
1139:
1133:
1129:
1125:
1122:compact disc
1117:Aladdin Sane
1115:
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1066:Neil Strauss
1055:
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1040:Over the Sun
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987:women; and "
954:
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836:Not Hispanic
835:
833:
825:
821:I Want Candy
804:
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760:
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692:
682:
680:
605:
580:room service
576:Sunset Strip
569:
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558:
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534:
528:
505:Steve Rubell
469:Jane Wiedlin
462:
447:
443:guitar solos
432:
422:
410:Johanna Went
395:
389:
386:Claude Bessy
307:in Mexico's
301:
262:
246:
240:
233:Led Zeppelin
230:
214:Brown Berets
207:
172:
154:
150:
149:
113:1977–present
109:Years active
4495:1960 births
4309:variety.com
4043:Graciasland
3501:"The Zeros"
3352:Daily Bruin
3059:Colorvision
3041:Filmography
2858:MR DVD 009
2831:MR DVD 007
2676:So Charmin'
2662:King Creole
2471:RTCD 20002
2462:live album
2444:RTCD 20001
2363:PENN 45002
2152:live album
2097:live album
1982:Graciasland
1667:TFOSR 7006
1526:Discography
1491:the Beatles
1471:John Lennon
1463:David Bowie
1439:Misery Tren
1394:Rod Stewart
1348:and drew a
1295:the Stooges
1291:Patsy Cline
1271:garage rock
1259:the Make-Up
1247:David Bowie
1174:Bing Crosby
1112:David Bowie
946:Graciasland
927:melting pot
886:Paul Morris
848:Samba Pa Ti
817:Bow Wow Wow
773:the Beatles
736:, daughter
730:stage names
473:the Go-Go's
423:The Zeros'
382:Gary Panter
369:photo-essay
333:the Weirdos
321:Los Angeles
305:quinceañera
4489:Categories
4406:2020-01-19
4375:2019-12-29
4348:2019-12-29
4344:. AllMusic
4318:2020-01-20
4285:2020-01-20
4252:2020-01-20
4219:2019-12-29
4215:. AllMusic
4189:2019-12-29
4185:. AllMusic
4156:2020-01-19
4121:2019-12-29
4117:. AllMusic
4109:Right Now!
4088:2019-12-29
4084:. AllMusic
4055:2019-12-29
4051:. AllMusic
4019:2019-12-29
4015:. AllMusic
3965:2019-12-29
3961:. AllMusic
3929:2019-12-29
3925:. AllMusic
3903:2019-12-29
3899:. AllMusic
3877:2019-12-29
3841:2020-01-18
3791:2019-12-29
3729:2019-12-29
3699:2019-12-29
3695:. Allmusic
3618:2019-12-29
3514:2019-12-29
3446:2019-12-29
3408:2019-12-29
3404:. Allmusic
3357:2002-08-11
3326:2020-01-19
3261:. Boston:
3233:2019-12-29
3229:. Allmusic
3141:"El Vez",
3105:References
3080:2 Hip 4 TV
3032:SFTRI 798
2971:SFTRI 788
2938:SFTRI 787
2911:MR CD 334
2868:The Zeros
2841:The Zeros
2689:ETCD 3010
2624:SFTRI 676
2529:MC 5010CD
2500:ESCA 8316
2417:SFTRI 595
2377:Right Now!
2373:The Zeros
2344:The Zeros
2334:SFTRI 453
2307:SFTRI 452
2271:BP 0910-2
2171:The Zeros
2144:The Zeros
2116:The Zeros
2079:SFTRI 375
2052:SFTRI 350
2025:SFTRI 315
1996:SFTRI 302
1936:SFTRI 199
1894:The Zeros
1884:ROCK 6129
1867:The Zeros
1842:The Zeros
1817:The Zeros
1807:SFTRI 166
1788:The Zeros
1751:SFTRI 160
1724:SFTRI 111
1678:The Zeros
1650:The Zeros
1591:The Zeros
1508:Wes Hurley
1479:Paul Simon
1447:green card
1430:Zapatistas
1398:Maggie May
1324:images of
1269:who mixed
1265:band from
1253:rock band
1223:the B-52's
1130:Right Now!
1103:G.I. Blues
981:Chicanismo
951:Paul Simon
864:rockabilly
860:Stray Cats
694:2 Hip 4 TV
670:Azules", "
666:" became "
582:orders to
495:, and the
481:the Masque
365:the Damned
353:the Nerves
269:Lance Loud
247:Rock Scene
212:group the
169:Early life
78:Latin rock
47:Birth name
4334:"Review:
4205:"Review:
4175:"Review:
4107:"Review:
4074:"Review:
4041:"Review:
4005:"Review:
3951:"Review:
3255:Doe, John
2983:Big Sandy
2718:ER 80032
2657:YEP 2028
2597:HPR V033
2564:MC 5010S
2514:NöElVezSĂ
2244:MRCD 101
2011:Blackbird
1654:The Zeros
1606:BOMP 118
1581:BOMP 110
1563:The Zeros
1475:Bob Dylan
1451:gold card
1382:Gratitude
1346:pompadour
1334:sombreros
1310:polyester
1306:jumpsuits
1263:post-punk
1251:San Diego
1150:NöElVezSĂ
1145:Pure Gold
1062:Manhattan
1032:beat poet
1013:Blackbird
1001:the Clash
956:Graceland
795:the Clash
746:pop music
726:Mariachis
676:Chihuahua
672:Hound Dog
668:Huaraches
648:roadhouse
644:Graceland
547:LA Weekly
501:Studio 54
497:Mudd Club
485:Pizza Hut
465:Hollywood
397:LA Weekly
373:East L.A.
349:the Plugz
317:San Diego
251:punk rock
191:chop suey
86:punk rock
4393:"El Vez"
4247:AllMovie
3566:PM Press
3163:Allmusic
2883:HAW 007
2773:SPR 020
2560:Poptones
2525:Poptones
2496:Poptones
2268:Big Pop
2190:PON 003
2161:IMP 040
1551:Catalog
1467:Iggy Pop
1406:mandolin
1370:sampling
1356:accent.
1338:mariachi
1322:sequined
1320:such as
1197:-themed
1136:Poptones
1074:cartoons
1005:the Dils
993:safe sex
912:(1963).
656:sombrero
612:folk art
567:(2004).
555:postpunk
404:such as
341:Avengers
337:the Dils
259:Iggy Pop
4313:Variety
3023:single
3018:Trouble
3013:El Vez
3002:SR 120
2962:single
2955:" b/w "
2894:El Vez
2874:single
2814:El Vez
2800:GR 002
2783:El Vez
2767:LP, CD
2746:GR 001
2729:El Vez
2607:El Vez
2588:single
2574:El Vez
2553:single
2539:El Vez
2510:El Vez
2481:El Vez
2400:El Vez
2384:LP, CD
2354:single
2317:El Vez
2291:" b/w "
2281:El Vez
2254:El Vez
2227:El Vez
2211:7", CD
2200:El Vez
2181:single
2155:LP, CD
2125:single
2106:MR 081
2100:LP, CD
2089:El Vez
2062:El Vez
2035:El Vez
2016:single
2006:El Vez
1977:El Vez
1946:El Vez
1919:El Vez
1900:single
1878:LP, CD
1848:single
1823:single
1798:single
1778:MR 024
1761:El Vez
1734:El Vez
1705:El Vez
1689:LP, CD
1639:SR 105
1631:LP, CD
1597:single
1570:single
1545:Format
1536:Artist
1437:" and "
1386:Santana
1354:Spanish
1318:clichés
1187:Seattle
1082:Charlie
1072:Peanuts
997:the Who
890:Rainbow
862:' 1981
844:Santana
811:" and "
765:Traffic
640:karaoke
586:legend
531:Farfisa
450:singles
429:Ramones
222:Spanish
210:Chicano
132:Website
4457:El Vez
3572:
3269:
3100:(2017)
3092:(2015)
3073:(2008)
3049:(1993)
1554:Notes
1548:Label
1539:Title
1483:T. Rex
1410:R.E.M.
1257:, and
1249:, the
1221:, and
1195:circus
1044:Madrid
1003:, and
985:Latina
771:" and
767:song "
707:kitsch
539:Phranc
400:, and
363:, and
357:Wipers
355:, the
339:, the
287:Career
195:Warhol
179:middle
155:El Vez
118:Labels
74:Genres
64:Origin
23:El Vez
3010:2017
2978:2017
2945:2015
2918:2015
2891:2013
2865:2010
2838:2009
2811:2008
2780:2004
2753:2004
2726:2002
2705:&
2696:2002
2669:2002
2631:2001
2604:2001
2571:2000
2536:2000
2507:2000
2478:2000
2451:2000
2424:1999
2397:1999
2370:1999
2341:1998
2314:1998
2278:1998
2251:1996
2224:1996
2197:1996
2168:1995
2141:1995
2134:7076
2113:1995
2086:1995
2059:1995
2032:1994
2003:1994
1974:1994
1943:1994
1916:1994
1909:7062
1891:1994
1864:1994
1839:1994
1814:1992
1785:1992
1758:1992
1731:1991
1702:1991
1675:1991
1647:1989
1613:1980
1588:1978
1559:1977
1542:Type
1533:Year
1487:Queen
866:hit "
854:"), "
840:mixes
711:Charo
616:campy
535:Slash
391:Slash
329:Germs
242:Creem
137:elvez
4470:IMDb
4461:IMDb
4439:IMDb
3570:ISBN
3267:ISBN
2852:DVD
2825:DVD
2548:JSBX
2328:10"
2073:10"
1772:12"
1489:and
1453:!").
1412:'s "
1396:'s "
1388:'s "
1314:lamé
1312:and
1297:and
1273:and
1261:, a
1193:, a
652:lamé
610:, a
551:Bags
489:CBGB
408:and
361:Devo
271:and
245:and
199:DalĂ
181:and
139:.net
59:1960
56:Born
4468:at
4459:at
3313:Ole
3084:NBC
3026:7"
2996:7"
2993:EP
2965:7"
2932:LP
2905:CD
2877:7"
2794:CD
2740:CD
2712:CD
2683:CD
2649:CD
2618:CD
2591:7"
2556:7"
2550:)"
2521:CD
2492:CD
2465:CD
2438:CD
2411:CD
2357:7"
2325:EP
2301:5"
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2265:CD
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2184:7"
2128:7"
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1990:CD
1957:CD
1930:CD
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1826:7"
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1600:7"
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1176:'s
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689:NBC
541:of
471:of
388:in
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281:gay
277:NYC
255:PBS
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