149:. Catullus, a generation earlier than the other three, influenced his younger counterparts greatly. They all, particularly Propertius, drew influence from Callimachus, and they also clearly read each other and responded to each other's works. Notably, Catullus and Ovid wrote in non-elegiac meters as well, but Propertius and Tibullus did not.
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argued that the elegiac is the form "most natural to the reflective mind" and that it may be upon any subject, so long as it reflects on the poet himself. Coleridge was quite aware that his definition conflated the elegiac with the lyric, but he was emphasizing the
84:, who had an enormous impact on Roman poets, both elegists and non-elegists alike. He promulgated the idea that elegy, shorter and more compact than epic, could be even more beautiful and worthy of appreciation.
48:, and because the elegiac form was always considered "lower style" than epic, elegists, or poets who wrote elegies, frequently wrote with epic poetry in mind and positioned themselves in relation to epic.
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or something that expresses similar mournfulness or sorrow. Second, it can refer more specifically to poetry composed in the form of
222:, emphasis added). After the Romantics, "elegiac" slowly returned to its narrower meaning of verse composed in memory of the dead.
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The first examples of elegiac poetry in writing come from classical Greece. The form dates back nearly as early as
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identified his name with great elegiac writing. One of the most influential elegiac writers was
Philitas' rival
229:'s "The Lady of Shalott", an elegiac tone can be used, where the author is praising someone in a sombre tone.
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nature of the lyric he favored and referring to the sort of elegy that had been popularized by Gray. Also,
316:. The Cambridge History of Classical Literature. Cambridge: Cambridge University Press. pp. 541–621.
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has two possible meanings. First, it can refer to something of, relating to, or involving, an
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The "elegy" was originally a classical form with few
English examples. However, in
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from early in the history of Greece. The first great elegiac poet of the
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Another Greek elegiac poet, the subject of an elegy by
Callimachus, was
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169:". That poem inspired numerous imitators, and soon both the revived
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ranked
Philitas second only to Callimachus among the elegiac poets.
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for a poem of solitude and mourning, and not just for funereal (
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linked him to his rival with the following well-known couplet:
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The
American Heritage Dictionary of the English Language
107: let me enter your sacred grove, I beseech you.
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An elegiac couplet consists of one line of poetry in
133:The foremost elegiac writers of the Roman era were
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Callimachus' spirit, and shrine of
Philitas of Cos,
407:Diogenes Laertius, Lives of the Philosophers, 9.17
176:and "elegy" were commonplace. Gray used the term
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212:had said that poetry should come from "emotions
98: in vestrum, quaeso, me sinite ire nemus.
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304:A. W. Bulloch (1985). "Hellenistic poetry". In
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204:used the term to describe her series of
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314:The Hellenistic Period and the Empire
167:Elegy Written in a Country Churchyard
355:(in Latin). Retrieved on 2007-06-30.
225:In other examples of poetry such as
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115:The 1st-century-AD rhetorician
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293:(5th ed.). HarperCollins.
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238:: The Monsters and the Critics
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371:Institutes of Oratory 10.1.58
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396:Greek Anthology Book 7, 7.80
216:in tranquility" (Preface to
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124:Heraclitus of Halicarnassus
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130:was also an elegiac poet.
189:Samuel Taylor Coleridge
60:, with such authors as
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40:followed by a line in
246:is a heroic elegy.
42:dactylic pentameter
210:William Wordsworth
70:Hellenistic period
38:dactylic hexameter
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219:Lyrical Ballads
206:Elegiac Sonnets
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74:Philitas of Cos
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52:Classical poets
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214:recollected
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187:Afterward,
163:Thomas Gray
128:Hermesianax
82:Callimachus
46:epic poetry
418:Categories
382:2008-09-23
366:Quintilian
345:Propertius
272:References
198:reflective
139:Propertius
117:Quintilian
86:Propertius
62:Archilocus
285:"Elegiac"
312:(eds.).
250:See also
171:Pindaric
143:Tibullus
135:Catullus
349:Elegies
243:Beowulf
236:Beowulf
165:wrote "
22:elegiac
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266:Poetry
182:eulogy
145:, and
353:III.1
256:Elegy
178:elegy
27:elegy
326:ISBN
196:and
159:1751
147:Ovid
72:was
64:and
58:epic
318:doi
174:ode
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