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Propertius

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384:, a theory which argues for different unifying structures in Propertius' elegies. This interpretation also implies that Propertius' style represented a mild reaction against the orthodoxy of classical literary theory. However, although these theories may have some bearing on issues of continuity in the other three surviving books of Propertius, modern philological scholarship tends toward a consensus that the extant text "Book Two" in fact represents the conflated remains of what were originally two books of poems. Recent editors of Propertius -- notably Paulo Fedeli (Teubner 1984); compare G.P. Gould's 1990 revision of the Loeb text -- reflect these conclusions in their texts for "Book Two", which show it as such a conflation of two books (the second and third of an original five), with some passages lost, parts of poems and whole poems combined, and possible shuffling of fragments. This case is well supported by the texts themselves and fits testimonial evidence about Propertius's original publication of his work: first the "Monobiblos" (our "Book I"), then a collection of three books (our "Book II" and Book III -- the three-book elegiac format imitated by Ovid's Amores) and lastly our Book IV, very likely posthumously. 367:
called off. This poem has therefore been split by most scholars into a I.8a (comprising the first 26 lines) and I.8b (lines 27–46). More complicated organizational problems are presented by poems like II.26, a confusing piece in which Propertius first (1) dreams of Cynthia being shipwrecked, and then (2) praises Cynthia's faithfulness. Following this, he (3) declares that she plans to sail and he will come along, (4) shifts to the couple together on the shore, and then (5) quickly has them back on board ship, ready to face the potential dangers of the sea. The images seem to conflict logically and chronologically, and have led different commentators to rearrange the lines or assume some
321:- "It is a shame that my verses have made you famous"). In this last book Cynthia is the subject of only two poems, best regarded as a postscript. The bi-polar complexity of the relationship is amply demonstrated in a poignant, if amusing, poem from the final book. Cynthia's ghost addresses Propertius from beyond the grave with criticism (among other things) that her funeral was not lavish enough, yet the longing of the poet remains in the final line 1385: 1370: 1423: 37: 345:
Propertius' style is marked by seemingly abrupt transitions (in the manner of Latin neoteric poetry) and a high and imaginative allusion, often to the more obscure passages of Greek and Roman myth and legend. His idiosyncratic use of language, together with the corrupted state of the text, have made
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Like the work of nearly all the elegists, Propertius' work is dominated by a figure of a single female character, one he refers to throughout his poetry by the name Cynthia. She is named in over half the elegies of the first book and appears indirectly in several others, right from the first word of
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Book IV, the last Propertius wrote, has only half the number of poems as Book I. Given the change in direction apparent in his poetry, scholars assume only his death a short time after publication prevented him from further exploration; the collection may in fact have been published posthumously. An
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A total of 146 Propertius manuscripts survive, the oldest of which dates from the 12th century. However, some of the poems in these manuscripts appear disjointed, such as I.8, which begins as a plea for Cynthia to abandon a planned sea voyage, then closes with sudden joy that the voyage has been
179:, that the single Book II actually comprises two separate books of poetry conflated in the manuscript tradition, an idea supported by the state of the manuscript tradition of "Book II." An editor of Propertius, Paul Fedeli, accepts this hypothesis, as does G.P. Goold, editor of the Loeb edition. 316:
It is difficult to precisely date many of Propertius' poems, but they chronicle the kind of declarations, passions, jealousies, quarrels, and lamentations that were commonplace subjects among the Latin elegists. The last two poems in Book III seem to indicate a final break with the character of
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The text contains many syntactic, organizational and logical problems as it has survived. Some of these are no doubt exacerbated by Propertius' bold and occasionally unconventional use of Latin. Others have led scholars to alter and sometimes rearrange the text as preserved in the manuscripts.
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After his father's death, Propertius' mother set him on course for a public career, indicating his family still had some wealth, while the abundance of obscure mythology present in his poetry indicates he received a good education. Frequent mention of friends like Tullus, the nephew of
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and their three children. Although the poem (given Cornelia's connection to Augustus' family) was most likely an imperial commission, its dignity, nobility, and pathos have led critics to call it the "queen of the elegies", and it is commonly considered the best in the collection.
171:, a patron of the arts who took Propertius into his circle of court poets. A second, larger book of elegies was published perhaps a year later, one that includes poems addressed directly to his patron and (as expected) praises for Augustus. The 19th century classics scholar 203:
Propertius' fame rests on his four books of elegies, totaling around 92 poems (the exact number cannot be known as over the intervening years, scholars have divided and regrouped the poems, creating doubt as to the precise number). All his poems are written using the
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Book IV strongly indicates Propertius was planning a new direction for his poetry. The book includes several aetiological poems which, in reviewing the mythological origins of Rome and its landmarks, can also be read as critical—even vaguely subversive—of
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merely as a starting point for other topics. Book IV, published sometime after 16 BC, displays more of the poet's ambitious agenda, and includes several aetiological poems explaining the origin of various Roman rites and landmarks.
113:, a few manuscripts list him as "Sextus Propertius", but the rest of his name is unknown. From numerous references in his poetry it is clear he was born and raised in Umbria, of a well-to-do family at or near Asisium ( 408:
higher and, while accepting that others preferred Propertius, is himself somewhat dismissive of the poet. However, Propertius' popularity is attested by the presence of his verses in the graffiti preserved at
469:'s poem "Homage to Sextus Propertius" cast Propertius as something of a satirist and political dissident, and his translation/interpretation of the elegies presented them as ancient examples of Pound's own 400:... to please the sensitive stock of poets"; Postgate and others see this as a veiled attack on Propertius, who considered himself the Roman heir to Callimachus. This judgement also seems to be upheld by 380:, and so the apparent jumble is a result of manuscript corruptions. Another possibility is that Propertius was deliberately presenting disjointed images in violation of principles such as the 485:. The imagist interpretation, the poet's tendency to sustain an interior monologue, and the deeply personal nature of his poetry have made Propertius a favorite in the modern age. In 1906 457:
wrote a cycle of poems as if they were the works of Propertius' love, Cynthia. She explains Cynthia's 'poems have not survived, nevertheless I have tried to translate them into Russian'.
278:. This literary affair veers wildly between emotional extremes, and as a lover she clearly dominates the life of the poet's voice at least through the publication of the third book: 376:
More modern critics have pointed out that all the proposed rearrangements assume Propertius' original poetry adhered strictly to the classical literary principles as set down by
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and his agenda for the new Rome. The position is currently a subject of debate among modern classicists. The final poem is a touching address by the recently deceased
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Propertius published a first book of love elegies around 30 BC, with the character 'Cynthia' as the main theme; the book's complete devotion gave it the natural title
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J.Hallett, 'Queens, princeps and women of the Augustan elite: Propertius' Cornelia elegy and the Res Gestae Divi Augusti' in R. Winkes (ed.) 'The Age of Augustus'
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The publication of a third book came sometime after 23 BC. Its content shows the poet beginning to move beyond simple love themes, as some poems (e.g. III.5) use
1607: 432:(the future Pope Pius II) titled a collection of his youthful elegies "Cinthia". There are also a set of "Propertian Elegies" attributed to the English writer 868: 503:
that the poet was responsible for much of what the West regards today as "romantic love". The most recent translation appeared in September 2018 from
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theory of art. Pound identified in Propertius an example of what he called (in "How to Read") 'logopoeia', "the dance of the intellect among words."
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his elegies a challenge to edit; among the more famous names who have offered criticism of and emendations to the text have been the classicist
121:, where tourists can view the excavated remains of a house thought to have belonged at least to the poet's family, if not to the poet himself. 1494: 2036: 2078: 2066: 1462: 747: 2125: 1378: 97:. Although Propertius was not as renowned in his own time as other Latin elegists, he is today regarded by scholars as a major poet. 3439: 2041: 3413: 2051: 3358: 2046: 1780: 149: 3328: 2153: 1680: 1190: 1168: 481:, attributed this to Propertius' use of mythic allusions and circumlocution, which Pound mimics to more comic effect in his 3418: 3293: 2446: 3444: 1999: 1237:
Lindheim, S. (2011). "What's Love Got To Do with It?: Mapping Cynthia in Propertius' Paired Elegies 1.8A-B and 1.11-12."
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e.g. I.22.9-10; IV.1.63-6 and 121-6; unless otherwise noted numerical references refer to Propertius' collections
338: 447:'s poem "Anno Domini" (1968), originally written in Russian. His relationship with Cynthia is also addressed in 156:
indicate he moved among the children of the rich and politically connected during the early part of the 20s BC.
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Properzens Vertumnus-Elegie (4,2) und das Dichtungsprogramm des vierten Buches. Ein intertextueller Kommentar.
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D. Thomas Benediktson - "Propertius: Modernist Poet of Antiquity", Southern Illinois University Press (1989)
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Propertius fell into obscurity in the Middle Ages. In the 12th century, he and Cynthia were summoned to a
3474: 3408: 3333: 3092: 2148: 2031: 1577: 3368: 3032: 2924: 2694: 2466: 2288: 2196: 2061: 2004: 1104: 451:'s poem, "The Ghost. After Sextus Propertius", which is a free translation of Propertius' Elegy IV 7. 437: 1358: 1334: 3388: 2481: 2436: 2363: 2283: 2231: 2221: 2173: 1520: 2989: 2899: 2408: 2388: 2383: 2368: 2321: 2261: 2216: 2018: 396:, however, says that he would have to "endure much" and "stop up his ears" if he had to listen to " 1348: 1324: 737: 661: 3398: 3378: 3318: 3308: 3298: 2704: 2393: 2293: 2273: 2188: 2178: 1883: 1823: 1803: 1515: 533: 490: 826: 3469: 3459: 3454: 3403: 3393: 3343: 3323: 3137: 3112: 3077: 2959: 2684: 2331: 2093: 1624: 568: 539: 347: 1453: 930:- "While Apollo grants you above all his power of song, and Calliope willingly an Aonian lyre" 3373: 3303: 3127: 2879: 2679: 2674: 2471: 2378: 2303: 2266: 2251: 2226: 2206: 2108: 597: 546: 499: 493:. Three modern English translations of his work have appeared since 2000, and the playwright 424:
but he was truly rediscovered during the Italian Renaissance along with the other elegists.
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argued, based on the unusually large number of poems in this book and Propertius' mention of
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J.North, 'Religion and Politics: from Republic to Principate' in Journal of Roman Studies 76
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Slavitt's translation appeared in 2002, Katz's 2004 translation was a winner of the 2005
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This article is about the Latin elegiac poet. For other people named Propertius, see
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During Propertius' childhood, his father died and the family lost land as part of a
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English translations of Propertius with introductory essay and notes by Jon Corelis
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Very little information is known about Propertius outside of his own writing. His
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Hamburger Studien zu Gesellschaften und Kulturen der Vormoderne. Band 3. 2018.
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cum tibi praesertim Phoebus sua carmina donet/Aoniamque libens Calliopea lyram
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Maltby, R. (2006). "Major Themes and Motifs in Propertius’s Love Poetry." In
905:. In Writing Politics in Imperial Rome. Leiden, The Netherlands: Brill. doi: 742: 454: 448: 381: 351: 208:, a form in vogue among the Roman social set during the late 1st century BC. 172: 1441: 906: 663:
Texts, Editors, and Readers: Methods and Problems in Latin Textual Criticism
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Propertius himself says he was popular and even scandalous in his own day.
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allotted lands to his veterans in 41 BC. Along with cryptic references in
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poet of the Augustan age. He was born around 50–45 BC in Assisium (now
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The Elegiac Cityscape. Propertius and the Meaning of Roman Monuments.
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p.53, 'Paradise' Selected Poems, tr. Michael Molnar, Bloodaxe, 1993.
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dated to 2 BC makes it clear that Propertius was dead by this time.
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Breed, B. (2010). "Propertius on Not Writing about Civil Wars." In
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Literature and Religion at Rome: Cultures, Contexts, and Beliefs
523:) is edited by Patrick Worsnip with a foreword by Peter Heslin. 262:, and Propertius suggests she is a descendant of the Roman poet 3262: 3142: 3072: 3012: 3007: 2974: 2734: 2719: 2669: 2649: 2071: 1948: 1843: 961:(Berkeley: University of California Press, 2001), p. 255. 393: 129: 118: 114: 86: 61: 1124:(Oxford World's Classics) - see especially Lyne's introduction 3047: 2769: 2496: 1788: 57: 54: 1300:
Sextus Propertius, edited by Patrick Worsnip. Carcanet Press
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Thy love has buried all others, nor has any woman after thee
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presented a prose translation of Propertius, published by
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Ancient Greek Epigrams: Major Poets in Verse Translation
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Autumn Recommended Translation. The collection entitled
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Some Callimachean Influences on Propertius, Book 4."
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that imply that he was younger than his contemporary
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Darmstadt: WBG, Wissenschaftliche Buchgesellschaft.
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Augustan Propertius: The Recapitulation of a Genre.
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Darmstadt: WBG, Wissenschaftliche Buchgesellschaft.
1037:(London 1966) p. 289: "sunt qui Propertium malint". 237:
Cynthia first captivated wretched me with her eyes,
117:). His birthplace is generally regarded as modern 67:Propertius' surviving work comprises four books of 1271:Racette-Campbell, M. (2013). "Marriage Contracts, 325:- "Her shade then slipped away from my embrace." 3431: 1248:Edited by H. C. GĂĽnther, 147–182. Leiden: Brill. 1293:Columbus, OH: The Ohio State University Press. 903:The Politics of Elegy: Propertius and Tibulllus 867:See III.18, a poem which mentions the death of 693:. University of California Press. p. 119. 436:, though the authorship of these is disputed. 1211:Roman Propertius and the Reinvention of Elegy. 288:cuncta tuus sepelivit amor, nec femina post te 239:I who had never before been touched by Cupid. 1488: 1284:Die Elegien des Properz: Eine Interpretation. 1204:Citizens of Discord: Rome and Its Civil Wars. 1176:Die Elegien des Properz: Eine Interpretation. 558:Rudolf Hanslik, Bibliotheca Teubneriana, 1979 1163:, Spanish edition, ( Ediciones RIE, 2008 ), 1107:, American Literary Translators Association. 226:Cynthia prima suis miserum me cepit ocellis, 1377:has original text related to this article: 636:The Cambridge Companion to Latin Love Elegy 561:Paolo Fedeli, Bibliotheca Teubneriana, 1984 286: 224: 75: 1495: 1481: 1227:Berkeley: University of California Press. 639:. Cambridge University Press. p. 97. 1213:Ann Arbor: University of Michigan Press. 1161:Propertivs: Algunas ElegĂ­as y Variaciones 1136:The Complete Elegies of Sextus Propertius 907:https://doi.org/10.1163/9789004217133_009 574:Robert J. Baker, Book 1, Warminster, 2000 555:L. Richardson, Jr., Lawrence, Okla., 1977 443:Propertius is the lyrical protagonist of 144:, this suggests a birthdate after 55 BC. 1275:, and Gender Roles in Propertius 3.20." 734: 35: 1502: 1234:Columbus: Ohio State University Press. 659: 632: 3432: 1265:Harvard Studies in Classical Philology 1225:The Politics of Desire: Propertius IV. 128:, probably the same one which reduced 1476: 959:The Politics of Desire: Propertius IV 824: 577:Paolo Fedeli, Book 2, Cambridge, 2005 167:must have attracted the attention of 1454:Complete English translation of the 825:Goold, G.P. (1990). "Introduction". 686: 460: 350:and the English classicist and poet 319:versibus insignem te pudet esse meis 280: 218: 552:W.A. Camps, Book 1, Cambridge, 1961 357: 323:inter complexus excidit umbra meos. 290:ulla dedit collo dulcia vincla meo. 93:and, through Maecenas, the emperor 13: 1239:The American Journal of Philology, 1196: 228:contactum nullis ante cupidinibus. 89:and, with them, had as his patron 14: 3486: 1463:Propertius at the Perseus Project 1304: 1220:Bristol: Bristol Classical Press. 1147:M.Beard, J. North & S.Price, 1138:Princeton University Press (2004) 526: 64:) and died shortly after 15 BC. 16:1st century BC Roman elegiac poet 1421: 1383: 1368: 1246:Brill’s Companion to Propertius. 1206:Oxford: Oxford University Press. 806:e.g. I.1.9, 6.2, 14.20, and 22.1 735:Postgate, John Percival (1911). 564:Paolo Fedeli, Book 3, Bari, 1985 497:suggests in his best-known work 301:put sweet fetters upon my neck. 258:identifies her as a woman named 81:). He was a friend of the poets 45:Propertius and Cynthia at Tivoli 3440:1st-century BC writers in Latin 1468:Propertius and cacozelia latens 1131:University of Cal. Press (2002) 1129:Propertius in Love: The Elegies 1097: 1088: 1079: 1066: 1053: 1040: 1027: 1014: 1007:For his complete criticism, v. 1001: 992: 980: 971: 951: 942: 933: 920: 911: 895: 886: 874: 861: 852: 818: 809: 800: 791: 778: 339:Lucius Aemilius Lepidus Paullus 1232:A Latin Lover in Ancient Rome. 1048:A Handbook of Latin Literature 1035:A Handbook of Latin Literature 769: 755: 728: 719: 707: 680: 666:. Cambridge University Press. 653: 626: 611: 580:Giancarlo Giardina, Rome, 2005 1: 1114: 26:For the butterfly genus, see 2067:Frontiers and fortifications 1405:Works by or about Propertius 1359:Resources in other libraries 1335:Resources in other libraries 1261:Pillinger, Hugh E. (1968). 387: 7: 2126:Decorations and punishments 1420:(public domain audiobooks) 1063:(OUP 2008) p. xii and p. xx 404:, who ranks the elegies of 10: 3491: 3445:1st-century BC Roman poets 3033:Dionysius of Halicarnassus 1608:historiography of the fall 1396:Works by Sextus Propertius 1105:National Translation Award 917:I.7.11; II.131.6; II.13.11 738:"Propertius, Sextus"  438:Johann Wolfgang von Goethe 25: 18: 3414:External wars and battles 3281: 3175: 2988: 2580: 2573: 2495: 2407: 2312: 2187: 2139: 2017: 1967: 1906: 1897: 1779: 1731: 1651: 1568: 1538: 1529: 1511: 1354:Resources in your library 1330:Resources in your library 660:Tarrant, Richard (2016). 633:Thorsen, Thea S. (2013). 593:, Book 4, Cambridge, 2006 198: 109:"Sextus" is mentioned by 3465:Golden Age Latin writers 1282:Syndikus, H. P. (2010). 1258:63. Hildesheim: G. Olms. 1209:DeBrohun, J. B. (2003). 687:Fain, Gordon L. (2010). 604: 3409:Roman–Iranian relations 1884:Optimates and populares 1230:Johnson, W.R. (2009). 763:"Key to Umbria: Assisi" 748:Encyclopædia Britannica 534:Bibliotheca Teubneriana 491:Oxford University Press 150:Lucius Volcatius Tullus 100: 3419:Civil wars and revolts 2685:Sextus Pompeius Festus 2332:Conflict of the Orders 1691:Legislative assemblies 1388:Quotations related to 1251:Newman, J. K. (1997). 1174:Syndikus, H. P. 2010. 1074:The Wandering Scholars 1050:(London 1966) p. 293-4 569:Loeb Classical Library 549:, 1953 (2nd ed., 1960) 540:John Percival Postgate 348:John Percival Postgate 337:consoling her husband 297: 287: 284: 235: 225: 222: 212:the first poem in the 76: 47: 3450:1st-century BC births 3128:Simplicius of Cilicia 2880:Quintus Curtius Rufus 2109:Siege in Ancient Rome 1718:Executive magistrates 1289:Welch, T. S. (2005). 1277:The Classical Journal 1059:A D Melville trans., 598:Oxford Classical Text 547:Oxford Classical Text 500:The Invention of Love 39: 3138:Stephanus Byzantinus 3043:Eusebius of Caesaria 2905:Sidonius Apollinaris 2595:Ammianus Marcellinus 1934:Tribune of the plebs 1296:Worsnip, P. (2018). 1216:Hubbard, M. (2001). 1061:Ovid: The Love Poems 622:Classical Dictionary 479:Poets in a Landscape 465:In the 20th century 3314:Distinguished women 2965:Velleius Paterculus 2805:Nicolaus Damascenus 2785:Marcellus Empiricus 2174:Republican currency 1414:Works by Propertius 509:Poetry Book Society 3475:People from Assisi 3088:Phlegon of Tralles 2895:Seneca the Younger 2369:Naming conventions 2099:Personal equipment 1632:Later Roman Empire 1447:2021-02-12 at the 1223:Janan, M. (2001). 1181:Robert Karacsony, 1076:(London1927) p. 20 591:Gregory Hutchinson 161:Cynthia Monobiblos 48: 3427: 3426: 3389:Pontifices maximi 3171: 3170: 3028:Diogenes LaĂ«rtius 2850:Pliny the Younger 2605:Asconius Pedianus 2565:Romance languages 2437:Civil engineering 2179:Imperial currency 2052:Political control 2013: 2012: 1647: 1646: 1437:The Latin Library 1400:Project Gutenberg 1311:Library resources 1279:, 108.3: 297–317. 1191:978-3-515-11881-1 1169:978-84-96785-56-4 1149:Religions of Rome 542:, Cambridge, 1894 461:Modern assessment 382:Classical Unities 314: 313: 252: 251: 51:Sextus Propertius 3482: 3379:Magistri equitum 3294:Cities and towns 3287: 3213:Constantinopolis 3023:Diodorus Siculus 2955:Valerius Maximus 2890:Seneca the Elder 2810:Nonius Marcellus 2578: 2577: 2131:Hippika gymnasia 2094:Infantry tactics 2000:Consular tribune 1990:Magister equitum 1939:Military tribune 1904: 1903: 1864:Pontifex maximus 1859:Princeps senatus 1849:Magister militum 1615:Byzantine Empire 1536: 1535: 1497: 1490: 1483: 1474: 1473: 1425: 1424: 1409:Internet Archive 1387: 1372: 1108: 1101: 1095: 1092: 1086: 1083: 1077: 1070: 1064: 1057: 1051: 1044: 1038: 1031: 1025: 1018: 1012: 1005: 999: 996: 990: 984: 978: 975: 969: 955: 949: 946: 940: 937: 931: 924: 918: 915: 909: 899: 893: 890: 884: 878: 872: 865: 859: 856: 850: 849: 847: 845: 822: 816: 813: 807: 804: 798: 795: 789: 782: 776: 773: 767: 766: 759: 753: 752: 740: 732: 726: 723: 717: 711: 705: 704: 684: 678: 677: 657: 651: 650: 630: 624: 615: 596:S. J. Heyworth, 487:J. S. Phillimore 358:Textual problems 292: 281: 230: 219: 132:'s estates when 79: 3490: 3489: 3485: 3484: 3483: 3481: 3480: 3479: 3430: 3429: 3428: 3423: 3285: 3283: 3277: 3167: 3003:AĂ«tius of Amida 2984: 2970:Verrius Flaccus 2950:Valerius Antias 2910:Silius Italicus 2845:Pliny the Elder 2790:Marcus Aurelius 2665:Cornelius Nepos 2615:Aurelius Victor 2569: 2491: 2403: 2337:Secessio plebis 2308: 2183: 2135: 2009: 1963: 1893: 1775: 1727: 1643: 1564: 1525: 1507: 1501: 1449:Wayback Machine 1422: 1365: 1364: 1363: 1340: 1339: 1319: 1318: 1314: 1307: 1241:132.4: 633–665. 1199: 1197:Further reading 1127:David Slavitt, 1117: 1112: 1111: 1102: 1098: 1093: 1089: 1084: 1080: 1071: 1067: 1058: 1054: 1045: 1041: 1032: 1028: 1019: 1015: 1006: 1002: 997: 993: 985: 981: 976: 972: 957:Micaela Janan, 956: 952: 947: 943: 938: 934: 925: 921: 916: 912: 900: 896: 891: 887: 879: 875: 866: 862: 857: 853: 843: 841: 839: 823: 819: 814: 810: 805: 801: 796: 792: 783: 779: 774: 770: 761: 760: 756: 733: 729: 724: 720: 714:Vita Vergiliana 712: 708: 701: 685: 681: 674: 658: 654: 647: 631: 627: 616: 612: 607: 585:Collection BudĂ© 583:Simone Viarre, 532:Emil Baehrens, 529: 463: 390: 360: 308:—(III.15.11-2) 303: 300: 294: 289: 241: 238: 232: 227: 206:elegiac couplet 201: 103: 41:Auguste Vinchon 34: 24: 17: 12: 11: 5: 3488: 3478: 3477: 3472: 3467: 3462: 3457: 3452: 3447: 3442: 3425: 3424: 3422: 3421: 3416: 3411: 3406: 3401: 3396: 3391: 3386: 3381: 3376: 3371: 3366: 3361: 3356: 3351: 3346: 3341: 3336: 3331: 3326: 3321: 3316: 3311: 3306: 3301: 3296: 3290: 3288: 3279: 3278: 3276: 3275: 3270: 3265: 3260: 3255: 3250: 3245: 3240: 3235: 3230: 3225: 3220: 3215: 3210: 3205: 3200: 3195: 3190: 3185: 3179: 3177: 3173: 3172: 3169: 3168: 3166: 3165: 3160: 3155: 3150: 3145: 3140: 3135: 3130: 3125: 3120: 3115: 3110: 3105: 3100: 3095: 3090: 3085: 3080: 3075: 3070: 3065: 3060: 3055: 3050: 3045: 3040: 3035: 3030: 3025: 3020: 3015: 3010: 3005: 3000: 2994: 2992: 2986: 2985: 2983: 2982: 2977: 2972: 2967: 2962: 2957: 2952: 2947: 2942: 2937: 2932: 2927: 2922: 2917: 2912: 2907: 2902: 2897: 2892: 2887: 2882: 2877: 2872: 2867: 2862: 2857: 2855:Pomponius Mela 2852: 2847: 2842: 2837: 2832: 2827: 2822: 2817: 2812: 2807: 2802: 2797: 2792: 2787: 2782: 2777: 2772: 2767: 2762: 2757: 2752: 2747: 2742: 2737: 2732: 2727: 2722: 2717: 2712: 2707: 2702: 2697: 2692: 2687: 2682: 2677: 2672: 2667: 2662: 2657: 2652: 2647: 2642: 2637: 2632: 2627: 2622: 2617: 2612: 2607: 2602: 2597: 2592: 2590:Aelius Donatus 2586: 2584: 2575: 2571: 2570: 2568: 2567: 2562: 2561: 2560: 2558:Ecclesiastical 2555: 2550: 2545: 2540: 2535: 2530: 2525: 2520: 2512: 2507: 2501: 2499: 2493: 2492: 2490: 2489: 2484: 2479: 2474: 2469: 2464: 2459: 2454: 2449: 2444: 2439: 2434: 2429: 2424: 2419: 2413: 2411: 2405: 2404: 2402: 2401: 2396: 2391: 2386: 2381: 2376: 2371: 2366: 2361: 2360: 2359: 2349: 2344: 2339: 2334: 2329: 2324: 2318: 2316: 2310: 2309: 2307: 2306: 2301: 2299:Toys and games 2296: 2291: 2286: 2281: 2276: 2271: 2270: 2269: 2259: 2254: 2249: 2244: 2239: 2234: 2229: 2224: 2219: 2214: 2209: 2204: 2199: 2193: 2191: 2185: 2184: 2182: 2181: 2176: 2171: 2166: 2161: 2156: 2151: 2145: 2143: 2137: 2136: 2134: 2133: 2128: 2123: 2118: 2113: 2112: 2111: 2106: 2101: 2096: 2091: 2081: 2076: 2075: 2074: 2064: 2059: 2054: 2049: 2044: 2039: 2034: 2029: 2023: 2021: 2015: 2014: 2011: 2010: 2008: 2007: 2002: 1997: 1992: 1987: 1982: 1977: 1971: 1969: 1965: 1964: 1962: 1961: 1956: 1951: 1946: 1941: 1936: 1931: 1926: 1921: 1916: 1910: 1908: 1901: 1895: 1894: 1892: 1891: 1886: 1881: 1876: 1871: 1866: 1861: 1856: 1851: 1846: 1841: 1839:Vigintisexviri 1836: 1831: 1826: 1821: 1816: 1811: 1806: 1801: 1799:Cursus honorum 1796: 1791: 1785: 1783: 1777: 1776: 1774: 1773: 1768: 1763: 1758: 1753: 1748: 1743: 1737: 1735: 1729: 1728: 1726: 1725: 1720: 1715: 1714: 1713: 1708: 1703: 1698: 1688: 1683: 1678: 1673: 1668: 1663: 1657: 1655: 1649: 1648: 1645: 1644: 1642: 1641: 1640: 1639: 1629: 1628: 1627: 1622: 1612: 1611: 1610: 1605: 1598:Western Empire 1595: 1590: 1585: 1580: 1574: 1572: 1566: 1565: 1563: 1562: 1557: 1556: 1555: 1545: 1539: 1533: 1527: 1526: 1524: 1523: 1518: 1512: 1509: 1508: 1500: 1499: 1492: 1485: 1477: 1471: 1470: 1465: 1460: 1458:by A. 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Wilson, 788:IV.10.41-54 422:Love Assize 398:Callimachus 246:—(I.1.1-2) 3434:Categories 3243:Mediolanum 3183:Alexandria 3148:Themistius 3113:Porphyrius 2940:Tertullian 2875:Quintilian 2865:Propertius 2760:Lactantius 2710:Fulgentius 2645:Censorinus 2467:Sanitation 2452:Metallurgy 2409:Technology 2374:Demography 2322:Patricians 2289:Spectacles 2247:Literature 2242:Hairstyles 2079:Technology 1829:Praefectus 1781:Government 1771:Litigation 1756:Auctoritas 1701:Centuriate 1588:Principate 1583:Pax Romana 1543:Foundation 1390:Propertius 1379:Propertius 1375:Wikisource 1316:Propertius 1256:Spudasmata 1141:D.Feeney, 1115:References 1046:H J Rose, 1033:H J Rose, 998:II.24a.1-8 467:Ezra Pound 434:Ben Jonson 402:Quintilian 214:Monobiblos 165:Monobiblos 29:Propertius 3399:Quaestors 3329:Empresses 3319:Dynasties 3309:Dictators 3284:and other 3273:Volubilis 3268:Vindobona 3228:Londinium 3153:Theodoret 3123:Procopius 3103:Polyaenus 3078:Pausanias 2980:Vitruvius 2925:Symmachus 2920:Suetonius 2830:Petronius 2815:Obsequens 2780:Macrobius 2775:Lucretius 2700:Frontinus 2675:Eutropius 2660:Columella 2610:Augustine 2600:Appuleius 2548:Neo-Latin 2523:Classical 2514:Versions 2422:Aqueducts 2364:Patronage 2284:Sexuality 2257:Mythology 2232:Education 2222:Cosmetics 2047:Campaigns 2042:Structure 1995:Decemviri 1854:Imperator 1553:overthrow 1122:The Poems 1024:III.1.1-2 869:Marcellus 815:III.23.24 388:Influence 378:Aristotle 317:Cynthia ( 191:elegy of 107:praenomen 31:(skipper) 3404:Tribunes 3394:Praetors 3344:Generals 3324:Emperors 3233:Lugdunum 3218:Eboracum 3208:Carthage 3193:Aquileia 3108:Polybius 3098:Plutarch 3068:Libanius 3058:Josephus 3053:Herodian 2945:Tibullus 2860:Priscian 2835:Phaedrus 2795:Manilius 2740:Jordanes 2725:Hydatius 2655:Claudian 2635:Catullus 2625:BoĂ«thius 2620:Ausonius 2538:Medieval 2510:Alphabet 2482:Theatres 2457:Numerals 2442:Concrete 2432:Circuses 2399:Bagaudae 2389:Adoption 2384:Marriage 2357:Assembly 2262:Religion 2237:Folklore 2217:Clothing 2212:Calendar 2169:Currency 2159:Commerce 2057:Strategy 2019:Military 2005:Triumvir 1985:Dictator 1980:Interrex 1959:Governor 1944:Quaestor 1907:Ordinary 1889:Province 1879:Tetrarch 1869:Augustus 1834:Vicarius 1824:Officium 1761:Imperium 1711:Plebeian 1671:Republic 1593:Dominate 1560:Republic 1521:Timeline 1445:Archived 1418:LibriVox 1009:Epistles 939:III.24.4 892:III.20.8 881:Apologia 871:in 23 BC 858:II.13.25 797:IV.1.131 775:IV.1.127 426:Petrarch 413:; while 406:Tibullus 335:Cornelia 331:Augustus 276:Sulpicia 256:Apuleius 169:Maecenas 142:Tibullus 134:Octavian 95:Augustus 91:Maecenas 3374:Legions 3334:Fiction 3304:Consuls 3299:Climate 3253:Ravenna 3248:Pompeii 3238:Lutetia 3203:Bononia 3198:Berytus 3188:Antioch 3163:Zosimus 3158:Zonaras 3133:Sozomen 3118:Priscus 3093:Photius 2935:Terence 2930:Tacitus 2915:Statius 2900:Servius 2885:Sallust 2840:Plautus 2820:Orosius 2800:Martial 2755:Juvenal 2730:Hyginus 2715:Gellius 2574:Writers 2505:History 2487:Thermae 2477:Temples 2427:Bridges 2394:Slavery 2342:Equites 2314:Society 2294:Theatre 2267:Deities 2227:Cuisine 2207:Bathing 2189:Culture 2164:Finance 2141:Economy 2032:Borders 2027:History 1929:Tribune 1924:Praetor 1814:Legatus 1809:Emperor 1696:Curiate 1666:Kingdom 1661:History 1637:History 1620:decline 1578:History 1548:Kingdom 1531:History 1516:Outline 1456:Elegies 1431:Elegies 1407:at the 948:IV.7.96 883:, ch. X 828:Elegies 786:Tristia 745:(ed.). 471:Imagist 411:Pompeii 370:lacunae 264:Hostius 254:Whilst 77:Elegiae 70:Elegies 58:elegiac 3384:Nomina 3369:Legacy 3349:Gentes 3286:topics 3282:Lists 3263:Smyrna 3143:Strabo 3073:Lucian 3063:Julian 3013:Arrian 3008:Appian 2998:Aelian 2975:Vergil 2750:Justin 2735:Jerome 2720:Horace 2705:Fronto 2695:Florus 2670:Ennius 2650:Cicero 2630:Caesar 2528:Vulgar 2352:Tribes 2279:Romans 2089:Legion 2072:castra 1949:Aedile 1919:Censor 1914:Consul 1874:Caesar 1844:Lictor 1766:Status 1706:Tribal 1686:Senate 1676:Empire 1570:Empire 1506:topics 1313:about 1189:  1167:  965:  835:  697:  670:  643:  600:, 2007 587:, 2005 571:, 1990 536:, 1880 519:  483:Homage 394:Horace 260:Hostia 199:Poetry 163:. The 130:Virgil 119:Assisi 115:Assisi 87:Virgil 83:Gallus 62:Assisi 53:was a 3048:Galen 2990:Greek 2960:Varro 2770:Lucan 2582:Latin 2497:Latin 2472:Ships 2462:Roads 2447:Domes 2379:Women 2327:Plebs 2252:Music 1794:Forum 1789:Curia 1298:Poems 1273:Fides 977:IV.11 844:1 May 784:e.g. 741:. In 605:Notes 513:Poems 477:, in 55:Latin 3364:Laws 3339:Film 3258:Roma 2825:Ovid 2765:Livy 2533:Late 2347:Gens 2304:Wine 2116:Navy 2084:Army 1723:SPQR 1625:fall 1603:fall 1429:The 1187:ISBN 1165:ISBN 1022:e.g. 1020:cf. 987:e.g. 963:ISBN 846:2023 833:ISBN 695:ISBN 668:ISBN 641:ISBN 517:ISBN 415:Ovid 193:Ovid 184:Amor 138:Ovid 101:Life 85:and 2518:Old 2202:Art 1975:Rex 1819:Dux 1733:Law 1435:at 1416:at 1398:at 716:, V 620:'s 3436:: 354:. 216:: 43:, 1496:e 1489:t 1482:v 1171:. 848:. 765:. 703:. 676:. 649:. 515:( 73:( 33:. 23:.

Index

Propertia gens
Propertius (skipper)

Auguste Vinchon
Latin
elegiac
Assisi
Elegies
Gallus
Virgil
Maecenas
Augustus
praenomen
Aelius Donatus
Assisi
Assisi
confiscation
Virgil
Octavian
Ovid
Tibullus
Lucius Volcatius Tullus
Esquiline Hill
Maecenas
Karl Lachmann
Ovid
elegiac couplet
Apuleius
Hostius
Sulpicia

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