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While her body was on public display on the pranger, it was drawn by the 57-year-old
Rembrandt, who by then had already buried two wives and three of his children. On May 3, probably the same day as Elsje Christiaen’s execution, he hired a boat to row him out to the Volewijck moor where the body had
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Before the subject of the drawings was definitively identified they were dated on stylistic grounds to 1655. The specific details of
Christiaens' crime and execution, however, secure the dating to 1664 since no other body of an executed female is recorded as having been displayed in this way. The
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Since this was the first execution of a woman in
Amsterdam for 21 years, the spectacle was sufficiently unusual to attract public attention. Rembrandt was not the only artist who depicted the scene. There is also a pen-and-ink drawing with watercolour by
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been hung up. According to critic
Jonathan Sawday, the image is unique in Rembrandt's work because though Rembrandt had long been fascinated by dead bodies, the image of the body is not contrasted with signs of life continuing around it.
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in the 1960s, who wrote "Elsje
Christiaens, who once served as example to others to deter crime, now will serve again as example for the art historians to be careful with dating on the basis of stylistic grounds!"
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girl who, aged 18, murdered her landlady with an axe in
Amsterdam. She confessed and was executed. Her body was exhibited at the Volewijk, a field on the northern shore of the
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Elsje had come to
Amsterdam from her native Jutland to seek work as a maid, but was unable to find a job. Eventually she got into an argument with her landlady at the
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in
Amsterdam. She was sentenced to being hit several times with the axe she had used before being strangled. Her body and the axe were then exhibited at a
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because she couldn't pay the rent. The fight escalated, the landlady grabbed a broom, threatening to take Elsje's few belongings, while Elsje took up an
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deals with the case. It connects the life of
Rembrandt, trying to overcome his grief after the recent sudden death of his partner
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Elsje
Christiaens's body being displayed after her execution. The axe she used to kill is also exhibited. Drawing by
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Geert Mak, Een kleine geschiedenis van Amsterdam, Amsterdam 1995, p.103, 122 (in Dutch)
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The Body Emblazoned: Dissection and the Human Body in Renaissance Culture
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Michiel Plomp, "Rembrandt and His Circle: Drawings and Prints",
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I.H. van Eeghen, "Elsje Christiaens en de kunsthistorici",
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Gallows field on the edge of the Volewijk, near Amsterdam
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360:"Rembrandt Harmensz. Van Rijn: Elsje Christiaens"
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239:, 1664. Christians' body is depicted at right.
427:17th-century executions by the Netherlands
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447:Danish expatriates in the Dutch Republic
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196:Her public execution by strangling at a
334:The Metropolitan Museum of Art Bulletin
252:historical research was carried out by
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381:Digitaal Vrouwenlexicon van Nederland
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296:"Das Antlitz eines mĂĽden Engels".
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437:People executed by strangulation
432:Dutch people convicted of murder
267:("The Painter and the Girl") by
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177:produced two drawings of it.
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300:(in German). 9 June 2011.
265:De schilder en het meisje
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402:Dutch female murderers
347:Maandblad Amstelodamum
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442:Executed Danish women
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412:Executed Dutch women
246:Anthonie van Borssom
233:Anthonie van Borssom
298:SĂĽddeutsche Zeitung
273:Hendrickje Stoffels
254:Isabella van Eeghen
73:Cause of death
377:Christiaens, Elsje
319:Sawday, Jonathan,
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200:took place at the
175:Rembrandt van Rijn
34:Rembrandt van Rijn
208:in the Volewijk.
148:Elsje Christiaens
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123:Location(s)
117:Netherlands
81:Nationality
391:Categories
383:(in Dutch)
283:References
212:Portrayals
202:Dam Square
379:, in the
260:The 2010
220:Side view
163:Amsterdam
127:Amsterdam
76:Execution
66:Amsterdam
165:) was a
206:pranger
198:garrote
159:Jutland
133:Weapons
114:Country
106:Victims
101:Details
52:Jutland
187:Damrak
173:, and
167:Danish
96:Murder
84:Danish
36:, 1664
277:Titus
262:novel
181:Crime
62:1664
59:Died
48:1646
42:Born
191:axe
157:in
137:Axe
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171:IJ
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