Rembrandt - Knowledge

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replaced this form in that same year and began using his first name alone with its original spelling, "Rembrant". In 1633 he added a "d", and maintained this form consistently from then on, proving that this minor change had a meaning for him (whatever it might have been). This change is purely visual; it does not change the way his name is pronounced. Curiously enough, despite the large number of paintings and etchings signed with this modified first name, most of the documents that mentioned him during his lifetime retained the original "Rembrant" spelling. (Note: the rough chronology of signature forms above applies to the paintings, and to a lesser degree to the etchings; from 1632, presumably, there is only one etching signed "RHL-v. Rijn," the large-format "Raising of Lazarus," B 73). His practice of signing his work with his first name, later followed by

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drawings Rembrandt made, only about two hundred have a landscape motif as their subject, and of the approximately three hundred etchings, about thirty show a landscape. As for his painted landscapes, one does not even get beyond eight works. One third of his etchings are of religious subjects, many treated with a homely simplicity, whilst others are his most monumental prints. A few erotic, or just obscene, compositions have no equivalent in his paintings. He owned, until forced to sell it, a magnificent collection of prints by other artists, and many borrowings and influences in his work can be traced to artists as diverse as

3590: 3965: 4432: 3748: 3432: 1243:, and could be seen in the context of the then current discussion of 'finish' and surface quality of paintings. Contemporary accounts sometimes remark disapprovingly of the coarseness of Rembrandt's brushwork, and the artist himself was said to have dissuaded visitors from looking too closely at his paintings. The tactile manipulation of paint may hearken to medieval procedures, when mimetic effects of rendering informed a painting's surface. The result is a richly varied handling of paint, deeply layered and often apparently haphazard, which suggests form and space in both an illusory and highly individual manner. 3702: 1093: 3625: 3519: 4604: 729: 3797: 1112: 3867: 1509: 4315: 4373: 4027: 1846: 448: 4355: 972: 542: 3050: 3417: 3573: 3213: 4450: 1287: 378: 4395: 3341: 4501: 2476: 2493: 4468: 985: 2004: 1231:, Rembrandt's paintings varied greatly in size, subject, and style. The previous tendency to create dramatic effects primarily by strong contrasts of light and shadow gave way to the use of frontal lighting and larger and more saturated areas of color. Simultaneously, figures came to be placed parallel to the picture plane. These changes can be seen as a move toward a classical mode of composition and, considering the more expressive use of brushwork as well, may indicate a familiarity with Venetian art ( 3891: 4337: 3281: 685:. Rembrandt tried to settle the matter amicably, but to pay her lawyer she pawned the diamond ring he had given her that once belonged to Saskia. On 14 October they came to an agreement; the court particularly stated that Rembrandt had to pay a yearly maintenance allowance, provided that Titus remained her only heir and she sold none of Rembrandt's possessions. As Dircx broke her promise, Rembrandt and members of Dircx's own family had her committed to a women's house of correction at 3780: 737: 1127:

to detail. Stylistically, his paintings progressed from the early "smooth" manner, characterized by fine technique in the portrayal of illusionistic form, to the late "rough" treatment of richly variegated paint surfaces, which allowed for an illusionism of form suggested by the tactile quality of the paint itself. Rembrandt must have realized that if he kept the paint deliberately loose and "paint-like" on some parts of the canvas, the perception of space became much greater.

1410: 1837:. The book by Bomford describes more recent technical investigations and pigment analyses of Rembrandt's paintings predominantly in the National Gallery in London. The entire array of pigments employed by Rembrandt can be found at ColourLex. The best source for technical information on Rembrandt's paintings on the web is the Rembrandt Database containing all works of Rembrandt with detailed investigative reports, infrared and radiography images and other scientific details. 1629: 284: 4010: 2459: 1895: 1456: 1702:, is also of questionable attribution. Critical opinion of this picture has varied since 1905, when Wilhelm von Bode described it as "a somewhat abnormal work" by Rembrandt. Scholars have since dated the painting to the 1660s and assigned it to an anonymous pupil, possibly Aert de Gelder. The composition bears superficial resemblance to mature works by Rembrandt but lacks the master's command of illumination and modeling. 1298: 1026:

him posing in quasi-historical fancy dress, or pulling faces at himself. His oil paintings trace the progress from an uncertain young man, through the dapper and very successful portrait-painter of the 1630s, to the troubled but massively powerful portraits of his old age. Together they give a remarkably clear picture of the man, his appearance and his psychological make-up, as revealed by his richly weathered face.

1018:, have a much more stable total of slightly under 300. It is likely Rembrandt made many more drawings in his lifetime than 2,000 but those extant are more rare than presumed. Two experts claim that the number of drawings whose autograph status can be regarded as effectively "certain" is no higher than about 75, although this is disputed. The list was to be unveiled at a scholarly meeting in February 2010. 1399: 5294: 1673:, about whom little is known. But Bruyn's remained a minority opinion, the suggestion of Drost's authorship is now generally rejected, and the Frick itself never changed its own attribution, the label still reading "Rembrandt" and not "attributed to" or "school of". More recent opinion has shifted even more decisively in favor of the Frick; In his 1999 book 1753:

style proved easy enough for his most talented students to emulate. Further complicating matters is the uneven quality of some of Rembrandt's own work, and his frequent stylistic evolutions and experiments. As well, there were later imitations of his work, and restorations which so seriously damaged the original works that they are no longer recognizable.

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spelling for the rest of his life. Although scholars can only speculate, this change must have had a meaning for Rembrandt, which is generally interpreted as his wanting to be known by his first name like the great figures of the Italian Renaissance: Leonardo, Raphael etc., who did not sign with their last names, if at all.

6190:"In Rembrandt's (late) great portraits we feel face to face with real people, we sense their warmth, their need for sympathy and also their loneliness and suffering. Those keen and steady eyes that we know so well from Rembrandt's self-portraits must have been able to look straight into the human heart." Gombrich, p. 423. 2106:

has fittings and furniture that are mostly not original but period pieces comparable to those Rembrandt might have had, and those in the many drawings and etchings set in the house, and contemporary paintings reflecting Rembrandt's use of the house for art dealing. His printmaking studio has been set

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from his period in Leiden as well as his time in Amsterdam is quite long, mostly because his influence on painters around him was so great that it is difficult to tell whether someone worked for him in his studio or just copied his style for patrons eager to acquire a Rembrandt. A partial list should

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Rembrandt's own studio practice is a major factor in the difficulty of attribution, since, like many masters before him, he encouraged his students to copy his paintings, sometimes finishing or retouching them to be sold as originals, and sometimes selling them as authorized copies. Additionally, his

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A parallel development may be seen in Rembrandt's skill as a printmaker. In the etchings of his maturity, particularly from the late 1640s onward, the freedom and breadth of his drawings and paintings found expression in the print medium as well. The works encompass a wide range of subject matter and

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Throughout his career, Rembrandt took as his primary subjects the themes of portraiture, landscape and narrative painting. For the last, he was especially praised by his contemporaries, who extolled him as a masterly interpreter of biblical stories for his skill in representing emotions and attention

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who had studied in Italy. After he achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he

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many plates, the freedom of etching technique was fundamental to his work. He was very closely involved in the whole process of printmaking, and must have printed at least early examples of his etchings himself. At first he used a style based on drawing but soon moved to one based on painting, using

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but adapted for very personal means. Also notable are his dramatic and lively presentation of subjects, devoid of the rigid formality that his contemporaries often displayed, and a deeply felt compassion for mankind, irrespective of wealth and age. His immediate family—his wife Saskia, his son Titus

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Kühn, Hermann. 'Untersuchungen zu den Pigmenten und Malgründen Rembrandts, durchgeführt an den Gemälden der Staatlichen Kunstsammlungen Dresden'(Examination of pigments and grounds used by Rembrandt, analysis carried out on paintings in the Staatlichen Kunstsammlungen Dresden), Maltechnik/Restauro,

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His prints have similar subjects to his paintings, although the 27 self-portraits are relatively more common, and portraits of other people less so. The landscapes, mostly small, largely set the course for the graphic treatment of landscape until the end of the 19th century. Of the many hundreds of

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but it is now known that he had his students copy his own self-portraits as part of their training. Modern scholarship has reduced the autograph count to over forty paintings, as well as a few drawings and thirty-one etchings, which include many of the most remarkable images of the group. Some show

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Kühn, Hermann. 'Untersuchungen zu den Pigmenten und Malgründen Rembrandts, durchgeführt an den Gemälden der Staatlichen Kunstsammlungen Kassel' (Examination of pigments and grounds used by Rembrandt, analysis carried out on paintings in the Staatlichen Kunstsammlungen Kassel), Maltechnik/Restauro,

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In the 1650s, Rembrandt's style changed again. Colors became richer and brush strokes more pronounced. With these changes, Rembrandt distanced himself from earlier work and current fashion, which increasingly inclined toward fine, detailed works. His use of light becomes more jagged and harsh, and

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and the drafting of wills, Rembrandt's 14-year-old son Titus took a significant step by drafting a will that designated his father as the sole heir, effectively sidelining his mother's family. In December Rembrandt orchestrated a sale of his paintings, yet the earnings failed to meet expectations.

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purchase would be a cause for later financial difficulties. The neighborhood sheltered many immigrants and was becoming the Jewish quarter. It was there that Rembrandt frequently sought his Jewish neighbors to model for his Old Testament scenes. One of the great patrons at the early stages of his

1563:. Rembrandt departed from convention, which ordered that such genre pieces should be stately and formal, rather a line-up than an action scene. Instead, he showed the militia readying themselves to embark on a mission, though the exact nature of the mission or event is a matter of ongoing debate. 1029:

In his portraits and self-portraits, he angles the sitter's face in such a way that the ridge of the nose nearly always forms the line of demarcation between brightly illuminated and shadowy areas. A Rembrandt face is a face partially eclipsed; and the nose, bright and obvious, thrusting into the

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This version of his first name, "Rembrandt" with a "d," first appeared in his signatures in 1633. Until then, he had signed with a combination of initials or monograms. In late 1632, he began signing solely with his first name, "Rembrant". He added the "d" in the following year and stuck to this

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Rembrandt's earliest signatures (c. 1625) consisted of an initial "R", or the monogram "RH" (for Rembrant Harmenszoon), and starting in 1629, "RHL" (the "L" stood, presumably, for Leiden). In 1632, he used this monogram early in the year, then added his family name to it, "RHL-van Rijn" but

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In 1968, the Rembrandt Research Project began under the sponsorship of the Netherlands Organization for the Advancement of Scientific Research; it was initially expected to last a highly optimistic ten years. Art historians teamed up with experts from other fields to reassess the authenticity of

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Rembrandt, despite his artistic success, found himself in financial turmoil. His penchant for acquiring art, prints, and rare items led him to live beyond his means. In January 1653 the sale of the property formally was finalized but Rembrandt still had to cover half of the remaining mortgage.

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and the Rembrandt Project scholar Ernst van de Wetering (Melbourne Symposium, 1997) both argued for attribution to the master. Those few scholars who still question Rembrandt's authorship feel that the execution is uneven and favour different attributions for different parts of the work.

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have large collections of Rembrandt prints, although as some exist in only a single impression, no collection is complete. The degree to which these collections are displayed to the public or can easily be viewed by them in the print room, varies greatly.

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of his paintings. As a result of their findings, many paintings that were previously attributed to Rembrandt have been removed from their list, although others have been added back. Many of those removed are now thought to be the work of his students.

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in New York City. Rembrandt's authorship had been questioned by at least one scholar, Alfred von Wurzbach, at the beginning of the twentieth century but for many decades later most scholars, including the foremost authority writing in English,

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It is not possible to give a total, as a new wave of scholarship on Rembrandt drawings is still in progress – analysis of the Berlin collection for an exhibition in 2006/7 has produced a probable drop from 130 sheets there to about 60.

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Contrary to what is often said, the work was hailed as a success from the beginning. Parts of the canvas were cut off (approximately 20% from the left-hand side was removed) to make the painting fit its new position when it was moved to the

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have been extensively studied by many artists and scholars through the centuries. His original draughtsmanship has been described as an individualistic art style that was very similar to East Asian old masters, most notably Chinese masters:

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At the end of 1631, Rembrandt moved to Amsterdam, a city rapidly expanding as the business and trade capital. He began to practice as a professional portraitist for the first time, with great success. He initially stayed with an art dealer,

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Rembrandt promised the owner—a woman with mental problems—to pay a quarter of the purchase price within a year; the rest within five to six years. For some reason the purchase was not registered at the town hall and had to be renewed in

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for most of his career, from 1626 to 1660, when he was forced to sell his printing-press and practically abandoned etching. Only the troubled year of 1649 produced no dated work. He took easily to etching and, though he learned to use a

6203:) is a picture of grown-up love, a marvelous amalgam of richness, tenderness, and trust... the heads which, in their truth, have a spiritual glow that painters influenced by the classical tradition could never achieve." Clark, p. 206. 4615: 3357: 1224:, the most substantial of the important group portrait commissions which he received in this period, and through which he sought to find solutions to compositional and narrative problems that had been attempted in previous works. 1323:

a mass of lines and numerous bitings with the acid to achieve different strengths of line. Towards the end of the 1630s, he reacted against this manner and moved to a simpler style, with fewer bitings. He worked on the so-called

4585: 4126: 1691:, recently retitled by curators at the Metropolitan Museum, has been directly challenged by Schama applying the scholarship of Paul Crenshaw. Schama presents a substantial argument that it was the famous ancient Greek painter 700:. In June Hendrickje received three summonses from the Reformed Church to answer the charge "that she had committed the acts of a whore with Rembrandt the painter". In July she admitted her guilt and was banned from receiving 4255: 4214: 4790:

While the popular interpretation is that these paintings represent a personal and introspective journey, it is possible that they were painted to satisfy a market for self-portraits by prominent artists. Van de Wetering, p.

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Two hundred years ago Bartsch listed 375. More recent catalogues have added three (two in unique impressions) and excluded enough to reach totals as follows: Schwartz, pp. 6, 289; Münz 1952, 279; Boon 1963, 287

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up with a printing press, where replica prints are printed. The museum has a few early Rembrandt paintings, many loaned but an important collection of his prints, a good selection of which are on rotating display.

773:, taking stock and willingly surrendered his assets. Notably, he had already transferred the house to his son. Both the authorities and his creditors showed leniency, granting him ample time to settle his debts. 1862:"Rembrandt" is a modification of the spelling of the artist's first name that he introduced in 1633. "Harmenszoon" indicates that his father's name is Harmen. "van Rijn" indicates that his family lived near the 1235:, 1637–47). At the same time, there was a marked decrease in painted works in favor of etchings and drawings of landscapes. In these graphic works natural drama eventually made way for quiet Dutch rural scenes. 1541:

because by 1781 the picture was so dimmed and defaced that it was almost indistinguishable, and it looked quite like a night scene. After it was cleaned, it was discovered to represent broad day—a party of 18

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Useful totals of the figures from various different oeuvre catalogues, often divided into classes along the lines of: "very likely authentic", "possibly authentic" and "unlikely to be authentic" are given at

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in 1662. It remains a challenge to gauge Rembrandt's wealth accurately as he may have overestimated the value of his art collection. Nonetheless, half of his assets were earmarked for Titus' inheritance.

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taught many important Dutch painters. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His approximately

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Lastman's influence on Rembrandt was most prominent during his period in Leiden from 1625 to 1631. Paintings were rather small but rich in details (for example, in costumes and jewelry). Religious and

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Earlier 20th century connoisseurs claimed Rembrandt had produced well over 600 paintings, nearly 400 etchings and 2,000 drawings. More recent scholarship, from the 1960s to the present day (led by the

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Van Loon, A., Noble, P., Krekeler, A., van der Snickt, G., Janssens, K., Abe, Y., Nakai, I., & Dik, J. 2017. "Artificial orpiment, a new pigment in Rembrandt's palette". Heritage Science, 5 (26)

4174: 3821: 3726: 1268: 696:, who had initially been his maid. She may have been the cause of Geertje's leaving. In that year he made no (dated) paintings or etchings at all. In 1654 Rembrandt produced a controversial nude 3985: 3325: 704:. Rembrandt was not summoned to appear for the Church council. In October they had a daughter, Cornelia. Had he remarried he would have lost access to a trust set up for Titus in Saskia's will. 4673:

Their son Rombartus died two months after his birth and their daughter Cornelia died at just three weeks of age. A second daughter, also named Cornelia, died after living barely over a month.

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Hof van Holland, Zeeland en West-Friesland: de hoofdlijnen van het procederen in civiele zaken voor het Hof van Holland, Zeeland en West-Friesland zowel in eerste instantie als in hoger beroep

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A similar issue was raised by Schama concerning the verification of titles associated with the subject matter depicted in Rembrandt's works. For example, the exact subject being portrayed in

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In a letter to Huygens, Rembrandt offered the only surviving explanation of what he sought to achieve through his art, writing that, "the greatest and most natural movement", translated from

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In the mature works of the 1650s, Rembrandt was more ready to improvise on the plate and large prints typically survive in several states, up to eleven, often radically changed. He now used

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was shown in the shadows of the sleeve of the jewish groom. This toxic arsenic yellow was rarely used in oil painting. One painting (Saskia van Uylenburgh as Flora) reportedly contains

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in 1670 accompanied by an obscure painter and her mother's inheritance. Titus' considerable inheritance passed to his only child, Titia (1669-1715) who married her cousin and lived at

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in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge. Although the print only survives in two

8728: 4813: 1047:, Rembrandt painted himself as a character in the crowd. Durham suggests that this was because the Bible was for Rembrandt "a kind of diary, an account of moments in his own life". 892:

and contested Titus' priority for payment, leading to legal battles that Titus ultimately won in 1665 when he came of age. During this time, Rembrandt worked on notable pieces like

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Five years later he didn't support her release without the presence of her brother, a sailor. In August 1656 Geertghe Dircx was listed as one of Rembrandt's seven major creditors.

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The attribution and re-attribution work is ongoing. In 2005 four oil paintings previously attributed to Rembrandt's students were reclassified as the work of Rembrandt himself:

1254:, 1661). In his last years, Rembrandt painted his most deeply reflective self-portraits (from 1652 to 1669 he painted fifteen), and several moving images of both men and women ( 6942: 9454: 2367: 6338: 5104: 4372: 5083: 3496: 7177: 7132: 1030:

riddle of halftones, serves to focus the viewer's attention upon, and to dramatize, the division between a flood of light—an overwhelming clarity—and a brooding duskiness.

517: 7054: 4876: 6454: 5080:"Netherlands, Noord-Holland Province, Church Records, 1553–1909 Image Netherlands, Noord-Holland Province, Church Records, 1553–1909; pal:/MM9.3.1/TH-1971-31164-16374-68" 7371: 7397: 5778: 5636: 5493: 5439: 4431: 1154:, works that evidence his interest in the handling of light and variety of paint application and constitute the first major progress in his development as a painter. 4354: 3701: 1210:, 1643). From 1640 his work became less exuberant and more sober in tone, possibly reflecting personal tragedy. Biblical scenes were now derived more often from the 7311: 7106: 7080: 3624: 1745:"was a vast mistake...it is a most important painting. The painting needs to be seen in terms of Rembrandt's experimentation". This was highlighted much earlier by 3388: 5817: 780:

In November 1657 another auction was held to sell his paintings, as well as a substantial number of etching plates and drawings, some by renowned artists such as

8218: 8194: 3212: 1100: 4077: 7875: 6612: 2976:, Stockholm. The majority of the original painting is now lost as Rembrandt cut it up in order for it to be sold. It is also his last secular history painting. 2240: 6548: 4043: 3796: 3518: 1783:

was conducted by Hermann Kühn in 1977. The pigment analyses of some thirty paintings have shown that Rembrandt's palette consisted of the following pigments:

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Although they were by now affluent, the couple suffered several personal setbacks; three children died within weeks of their births. Only their fourth child,

8486: 7222: 419:, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period that historians call the 4449: 463:. He was the ninth child born to Harmen Gerritszoon van Rijn and Neeltgen Willemsdochter van Zuijtbrouck. His family was quite well-to-do; his father was a 3747: 3607: 1340:

to create his dark areas, which often take up much of the plate. He also experimented with the effects of printing on different kinds of paper, including

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During his early years in Amsterdam (1632–1636), Rembrandt began to paint dramatic biblical and mythological scenes in high contrast and of large format (

3866: 1142:. In 1626 Rembrandt produced his first etchings, the wide dissemination of which would largely account for his international fame. In 1629, he completed 4111: 1424:, especially around the 1650s. He drew versions of some 23 Mughal paintings and may have owned an album of them. These miniatures include paintings of 927:. Rembrandt's life was marked by more than just artistic achievements; he navigated numerous legal and financial challenges, leaving a complex legacy. 753:

but Rembrandt, facing financial strain, sought a postponement. The house required repairs prompting Rembrandt to borrow money from friends, including

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Professor P. C. Emmer, review of The Rise of Commercial Empires England and the Netherlands in the Age of Mercantilism, 1650–1770, (review no. 345)

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technique, sometimes leaving large areas of white paper to suggest space, at other times employing complex webs of line to produce rich dark tones.

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in August 1650. Rembrandt also took measures to ensure she stay in the house of correction for as long as possible. Rembrandt paid for the costs.

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The works of art which Karolina Lanckorońska gave to the Royal Castle in 1994 was one of the most invaluable gift's made in the museum's history.

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In March 1663, with Hendrickje's illness, Titus assumed a more prominent role. Isaac van Hertsbeeck, Rembrandt's primary creditor, went to the

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was hired as Titus' caretaker and dry nurse; at some time, she also became Rembrandt's lover. In May 1649 she left and charged Rembrandt with

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shine becomes almost nonexistent. His singular approach to paint application may have been suggested in part by familiarity with the work of

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works attributed to Rembrandt, using all methods available, including state-of-the-art technical diagnostics, and to compile a complete new

8226: 8186: 2627: 5853: 4394: 8891: 5983: 5022: 4009: 2820:, Oberlin, Ohio. Name derives from a print seller who claimed to have sold an impression of the print back to Rembrandt for 100 Guilders. 4603: 1352:," leaving a thin film of ink on parts of the plate instead of wiping it completely clean to print each impression. He made more use of 8686: 8590: 6689: 4262: 4133: 3033: 2946: 1333:, the first very rare, evidence of much reworking can be seen underneath the final print and many drawings survive for elements of it. 844: 6821: 5927: 5521:

Crenshaw, P. (2006) Rembrandt's Bankruptcy. The artist, his patrons and the art market in seventeenth-century Netherlands, pp. 61, 76.

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Despite these setbacks, Rembrandt continued to receive significant portrait commissions and completed notable works, such as the

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In 1635, Rembrandt and Saskia rented a fashionable lodging with a view of the river Amstel. In 1637, Rembrandt moved upriver to

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Dudok van Heel, S.A.C. (1969) De Rembrandt's in de verzamelingen Hinlopen. In: Maandblad Amstelodamum, pp. 233-237. (In Dutch.)

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and returned to the painter within a few weeks; the surviving fragment (in Stockholm) is only a quarter of the original.

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Unlike most Dutch painters of the 17th century, Rembrandt's works depict a wide range of styles and subject matter, from

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This tumultuous period deeply impacted the art industry, prompting Rembrandt to seek a high court arrangement known as

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for sources concerning Rembrandt's birth year, especially supporting 1607. However, most sources continue to use 1606.

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Portrait of Haesje Jacobsdr. van Cleyburg from Rotterdam (1634) completed during the height of his commercial success

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who procured for Rembrandt important commissions from the court of The Hague. As a result of this connection, Prince

204: 184: 6540: 6017: 1356:, exploiting, especially in landscapes, the rich fuzzy burr that this technique gives to the first few impressions. 580:

is mentioned as the first buyer of a Rembrandt painting in 1628. In 1629, Rembrandt was discovered by the statesman

9449: 9429: 8967: 8935: 8630: 8454: 8266: 8178: 4525: 4204: 3733: 3364: 2981: 2518: 1761: 211: 7218: 5710: 5532: 863:, to continue his artistic pursuits. In 1661, they secured a contract for a major project at the newly completed 9142: 8816: 8250: 8162: 8114: 7969: 7841:

The Drawings of Rembrandt: a revision of Otto Benesch's catalogue raisonné by Martin Royalton-Kisch (in progress)

3779: 2372: 959: 3487: 3416: 9157: 9150: 9003: 8991: 8975: 8911: 8736: 8502: 8402: 8090: 8066: 7957: 7851: 4305: 3971: 3579: 3572: 3438: 3395: 3287: 3022: 2875: 2672: 2574: 2540: 2397: 2116: 1687: 1641:

in Berlin, was considered one of the most famous Rembrandt portraits but is no longer attributed to the master.

1633: 1477: 1393: 1373: 1279: 936: 852:. Early December 1660, the sale of the house was finalized but the proceeds went directly to Titus' guardian. 3890: 2685: 2036: 1776: 1250:

themes were often depicted but emphasis shifted from dramatic group scenes to intimate portrait-like figures (

9167: 9086: 9012: 8574: 8322: 8170: 7953: 7949: 7879: 7717: 6312: 5242: 4817: 4510: 1952: 1180: 944: 940: 8298: 5795: 3803: 3340: 2693: 774: 9424: 9389: 9268: 9007: 8478: 8314: 8202: 8154: 8002: 7986: 7333: 6570: 4243: 3992: 3682: 3506: 3482: 2643: 2526: 2174: 1043: 795:

The sale list comprising 363 items offers insight into Rembrandt's diverse collections, which, encompassed

769:. Despite the financial difficulties, Rembrandt's bankruptcy wasn't forced. In July 1656, he declared his 1611: 71: 8784: 8768: 8510: 8438: 8370: 8346: 8034: 7961: 6961:

Clark 1974, pp. 147–150. See the catalogue in Further reading for the location of all accepted Rembrandts

6787: 5199:"Rembrandt's boedelafstand door jhr. mr. J.F. Backer., Elseviers Geïllustreerd Maandschrift. Jaargang 29" 4549: 4534: 4050: 3528: 3376: 3347: 3231: 3175: 2856: 2725: 2532: 2480: 2024: 1555: 1022: 526: 436: 172: 7423: 7281: 5752: 5697: 5481: 5198: 5134: 9434: 9404: 9394: 9260: 9212: 9062: 8678: 8654: 8638: 8470: 8378: 7240: 7196: 7151: 5895: 5345: 4861: 4554: 4386: 4238: 3976: 3873: 2906: 2842: 2825: 2711: 2421: 2318: 2090:

The largest collections of drawings are in the older large museums such as the Rijksmuseum, Louvre and

2012: 1834: 1473: 1003: 949: 479: 31: 9399: 9177: 8883: 8776: 8712: 8670: 8542: 8494: 8409: 8130: 8122: 8018: 5314:

Rembrandt's bankruptcy: the artist, his patrons, and the art market in seventeenth-century Nederlands

5225: 4477: 4067: 3597: 3219: 2893: 2817: 2754: 2588: 2554: 2080: 1932: 1720: 1568: 223: 197: 5618: 5169:

Vijftien strekkende meter: Nieuwe onderzoeksmogelijkheden in het archief van de Bibliotheca Thysiana

2032: 2031:

in Los Angeles, in total 86 paintings. Other large groups are in Germany, with 69 paintings, at the

1638: 490:, with whom he spent three years. After a brief but important apprenticeship of six months with the 9046: 8840: 8362: 8074: 8058: 6655: 3313: 2914: 2567: 1907: 1715: 1380: 864: 601: 389: 9102: 9070: 8694: 8566: 7924: 6914: 5468: 5455:

Broos, B. (1999) Das Leben Rembrandts van Rijn (1606–1669). In: Rembrandt Selbstbildnisse, p. 79.

4441: 3653: 3292: 2778: 2580: 2187: 2020: 1466: 1063:

and his common-law wife Hendrickje—often figured prominently in his paintings, many of which had

593: 2040: 1202:. Often these landscapes highlighted natural drama, featuring uprooted trees and ominous skies ( 1092: 9409: 9110: 8800: 8306: 7978: 7884: 5469:"Drie vragen aan Machiel Bosman | Rembrandts plan | Faillissement Rembrandt van Rijn" 4247: 3754: 2764: 2717: 2255: 2103: 1159: 1111: 545: 6601:

See "Further Battles for the 'Lisowczyk' (Polish Rider) by Rembrandt" Zdzislaw Zygulski, Jr.,

5979: 5019: 728: 9236: 9204: 9196: 9188: 9094: 8210: 7899: 7770: 7753: 7678: 7661: 5830: 4709: 4635: 4292: 3457: 2801: 2356: 2307: 2289: 2278: 2267: 2226: 1732: 1606: 1325: 1274: 597: 472: 239: 7724: 6681: 5662: 5226:"Pieter C. Vis: Andries de Graeff (1611–1678) 't Gezagh is heerelyk: doch vol bekommeringen" 1980: 1827:. Rembrandt very rarely used pure blue or green colors, the most pronounced exception being 1647: 1508: 9379: 9374: 9325: 9276: 9220: 8446: 8394: 7903: 6818: 5931: 5482:

C.M. in ’t Veld (2019) Rembrandts boedelafstand: een institutionele en politieke benadering

4751: 4683: 4184: 3931: 3878: 3649: 3486:(1625), Rembrandt's first painting completed at the age of 19. It is currently kept in the 2772: 2485: 2468: 2391: 2336: 2218: 2182: 2150: 2084: 2028: 1992: 1547: 1150: 686: 573: 502: 487: 483: 447: 138: 7506:

Bomford, D. et al., Art in the making: Rembrandt, New edition, Yale University Press, 2006

6809:

Bomford, D. et al., Art in the making: Rembrandt, New edition, Yale University Press, 2006

4833:

The Rijksmuseum has a smaller copy of what is thought to be the full original composition.

1171: 8: 8808: 8106: 4530: 4016: 1944: 1899: 1330: 1059: 971: 904: 693: 581: 534: 7831:

A biography of the artist Rembrandt Harmensz. van Rijn from the National Gallery, London

7790: 5591: 5152: 3334:(1655) an oil on walnut portrait cut down in size at. Kunsthistorisches Museum in Vienna 3049: 1122:

in New York City, has been described as "the calmest and grandest of all his portraits".

564:

In 1625, Rembrandt opened a studio in Leiden, which he shared with friend and colleague

9369: 9311: 9244: 8867: 8242: 8010: 7917: 7557: 5733: 5555: 4725: 3854: 2888:

Various versions at different museums. One of the two largest prints made by Rembrandt.

2463: 2437: 2382: 1199: 916: 881: 804: 506: 426:

Rembrandt never went abroad but was considerably influenced by the work of the Italian

7830: 6479: 5416:

Dehing, P. (2012). Geld in Amsterdam. Wisselbank en wisselkoersen, 1650–1725. , p. 142

2229:

song Duchess features the lyrics “It’s your Bicycle bells / and your Rembrandt swells”

1855: 1286: 541: 9318: 9134: 8792: 7809: 7794: 7774: 7757: 7740: 7700: 7686: 7669: 7652: 7642: 7620: 7599: 7593: 7582: 7564: 7531: 7525: 7488: 7459: 7261: 6898: 6838: 6510: 6431: 6025: 5758: 5737: 5559: 5327: 5317: 5173: 4346: 2927: 2850: 2272: 2143: 2131: 1984: 1964: 1879: 1845: 1767: 1315: 976: 856: 678: 669:, who was born in 1641, survived into adulthood. Saskia died in 1642, probably from 659: 646: 619: 553: 486:, although he had a greater inclination towards painting and was soon apprenticed to 412: 7892:

research data on the paintings, including the full contents of the first volumes of

7870: 7848:

Site of the Rembrandt House Museum in Amsterdam, with images of many of his etchings

2475: 1010:, traditionally all called etchings, although many are produced in whole or part by 900:, visited Rembrandt twice, and returned to Florence with one of the self-portraits. 614:

without the presence of Rembrandt's relatives. In the same year, Rembrandt became a

9118: 9038: 8646: 8526: 8338: 7865: 5871:

Rembrandt’s insolvency: No preconceived plan, but smart entrepreneurship. VUB, 2021

5725: 5547: 5004: 4892: 4733: 4729: 4278: 4274: 3955: 3951: 3812: 3808: 3717: 3713: 3692: 3688: 2992: 2664: 2632: 2492: 2076: 2063: 2048: 2044: 2016: 1956: 1871: 1661: 1656: 1616: 1529:

between 1640 and 1642, and it became his most famous work. This picture was called

1369: 1256: 1119: 1105: 1007: 893: 831:

and minerals). Unfortunately, the prices realized in the sale were disappointing.

824: 761: 611: 585: 420: 302: 7129:"From Rembrandt to Rosenquist: Works on Paper from the NAC's Permanent Collection" 4682:

His children were christened in Dutch Reformed churches in Amsterdam: four in the

9296: 9030: 8662: 8606: 8386: 7733:, which deals with works from Rembrandt's early years in Leiden (1629–1631), 1982 6921: 6825: 6794: 6616: 6426: 6419: 6021: 5026: 4899: 4880: 4865: 3055: 2736: 2619: 2426: 2415: 2387: 2283: 2057: 1960: 1936: 1928: 1916: 1816: 1580: 1538: 1513: 1421: 1403: 1361: 1220: 984: 912: 889: 849: 820: 785: 721: 642: 549: 530: 491: 190: 5953: 4778: 3102:

From Rembrandt to Rosenquist: Works on Paper from the NAC's Permanent Collection

1976: 9301: 8534: 7612: 4857:

Or possibly 1607 as on 10 June 1634 he himself claimed to be 26 years old. See

4595: 4364: 4161: 4138: 3997: 3253: 2973: 2952: 2361: 2312: 2245: 2091: 1948: 1850: 1792: 1666: 1588: 1341: 1198:

By the late 1630s, Rembrandt had produced a few paintings and many etchings of

1006:), often controversially, has winnowed his oeuvre to nearer 300 paintings. His 860: 800: 766: 717: 666: 494: 456: 405: 401: 372: 265: 142: 108: 6872: 5729: 5551: 4781:

The British Museum is due to publish a new catalogue after a similar exercise.

2003: 9363: 9306: 9252: 9078: 7544: 5512:

M. Bosman (2019) Rembrandts plan. De ware geschiedenis van zijn faillissement

5331: 4821: 4809: 4805: 3407: 2410: 2249: 2155: 1972: 1940: 1912: 1746: 1215: 1211: 750: 674: 650: 627: 623: 7835: 4859:

Is the Rembrandt Year being celebrated one year too soon? One year too late?

4553:, 1654, original copper etching plate above (the original copper plate), in 2011:

The largest collections of Rembrandt's work are in the United States in the

1050:

Among the more prominent characteristics of Rembrandt's work are his use of

736: 6333: 6267: 6257:

Christiaan Vogelaar & Gregor J.M. Weber (2006) Rembrandts Landschappen

5426: 4968: 4801: 4713: 2760: 2350: 2341: 2213: 1968: 1924: 1883: 1737: 1678: 1670: 1409: 1349: 924: 670: 431: 416: 7174:"Rembrandt, Rubens, Gainsborough and the Golden Age of Painting in Europe" 5910:"Institute Member Login – Institute for the Study of Western Civilization" 5779:"Review of: 'Rembrandts plan: De ware geschiedenis van zijn faillissement" 5637:"Review of: 'Rembrandts plan: De ware geschiedenis van zijn faillissement" 5494:"Review of: 'Rembrandts plan: De ware geschiedenis van zijn faillissement" 5440:"Review of: 'Rembrandts plan: De ware geschiedenis van zijn faillissement" 4950:

W. Liedtke (2007) Dutch painting in the Metropolitan Museum of Art, p. 687

3375:), one of two self-portraits in which Rembrandt is turned to the left. at 1775:

Technical investigation of Rembrandt's paintings in the possession of the

1084:(1632) has been described as "...a shining example of the 'golden age' of 455:

Rembrandt Harmenszoon van Rijn was born on 15 July 1606 in Leiden, in the

7274:"MutualArt – Auctions, Exhibitions and Analysis for over 400,000 artists" 7014:"The National Museum of Art of Romania – Rembrandt – Haman before Esther" 6014: 4716:

too; the 'Brazilian Adventure' cost the Dutch merchant community dearly.

4577: 4404: 4188: 3204: 3200: 2746: 2546: 2068: 2052: 1988: 1812: 1804: 1576: 1572: 1437: 1051: 920: 839: 835: 634: 606: 565: 498: 460: 427: 156: 7254: 5913: 3109:

Rembrandt, Rubens, Gainsborough and the Golden Age of Painting in Europe

1628: 7256:

Rembrandt: From the National Gallery, London and Rijksmuseum, Amsterdam

6329:"David Hockney: 'When I'm working, I feel like Picasso, I feel I'm 30'" 4687: 2594: 2095: 2072: 1920: 1796: 1784: 1621: 1560: 1480: in this section. Unsourced material may be challenged and removed. 1425: 1302: 1055: 896:

and his final self-portraits but struggled with rent arrears. Notably,

796: 770: 641:. In May 1639 they moved to a recently modernized house in the upscale 569: 557: 393: 38: 6266:

See Schwartz, 1994, where the works are divided by subject, following

5980:"Schwartzlist 301 – Blog entry by the Rembrandt scholar Gary Schwartz" 5399: 5371:

Gary Schwartz (1987) Rembrandt. Zijn leven, zijn schilderijen, p. 248.

5001:

De groote schouburgh der Nederlantsche konstschilders en schilderessen

4301: 2043:

in Kassel, and elsewhere. The UK has a total of 51, especially in the

283: 7334:"Leiden circa 1630: Rembrandt Emerges | Agnes Etherington Art Centre" 6713:"Rembrandt expert urges National Gallery to rethink demoted painting" 6408:. (Berkeley/Los Angeles: University of California Press, 1989), p. 91 5243:"Portrait of Andries de Graeff (1611–1678), Burgomaster of Amsterdam" 4422: 4296: 4001: 3510: 3257: 3235: 2639: 2458: 2139:

Gaspard de la nuit: Fantaisies à la manière de Rembrandt et de Callot

1800: 1584: 1543: 1440:

and may have influenced the costumes and other aspects of his works.

1319: 1064: 1011: 908: 816: 789: 701: 126: 7889: 7840: 6509:. San Francisco, CA: Fine Arts Museum of San Francisco. p. 45. 3858: 3039:

Hermitage Museum, St. Petersburg. One of Rembrandt's last paintings.

1894: 1455: 1175:, 1636 but reworked later), seeking to emulate the baroque style of 5818:

Burial register of the Westerkerk with record of Rembrandt's burial

5693: 4737: 4573: 4382: 1820: 1433: 1353: 1337: 1135: 1015: 954: 692:

In early 1649, Rembrandt began a relationship with the 23-year-old

468: 152: 47: 6529:

Beliën, H & P. Knevel (2006) Langs Rembrandts roem, pp. 92–121

5796:"380 Whitewashing Rembrandt, part 2 – Gary Schwartz Art Historian" 610:(mayor) of Leeuwarden. The couple married in the local church of 6295: 6015:

Rembrandt's Nose: Of Flesh & Spirit in the Master's Portraits

3380: 3028:

National Gallery, London. One of Rembrandt's last self-portraits.

1875: 1824: 1808: 1695:

who is depicted in contemplation by Rembrandt and not Aristotle.

1692: 1546:

stepping from a gloomy courtyard into the blinding sunlight. For

1365: 1310: 1297: 1085: 781: 754: 682: 654: 638: 615: 397: 227: 160: 42: 6281:

The Drawings of Rembrandt: First Complete Edition in Six Volumes

4858: 4624:(c. 1654). Shows Rembrandt's calligraphic-style draughtsmanship. 1398: 7855: 7845: 7806:

Stealing Rembrandts: The Untold Stories of Notorious Art Heists

6392:. (New York: Holt, Rinehart & Winston, Inc., 1967), p. 305. 4459: 4165: 4142: 3882: 3833: 3532: 3317: 1886:

who, then as now, were referred to by their first names alone.

1788: 1345: 1240: 1176: 1139: 828: 808: 522: 464: 384:; 15 July 1606 – 4 October 1669), usually simply known as 104: 7639:

The Complete Etchings of Rembrandt Reproduced in Original Size

7419: 6656:"Rembrandt Pilate Washing His Hands Oil Painting Reproduction" 7273: 7041: 7039: 5751:

Bailly, M.-Ch le; Bailly, Maria Charlotte Le (28 June 2008).

1863: 1429: 1247: 1054:, the theatrical employment of light and shadow derived from 911:

1669 and was buried four days later in a rented grave in the

812: 353: 7909: 7876:

The transparent connoisseur 3: the 30 million pound question

7803: 7750:

A Corpus of Rembrandt Paintings – Volume III, 1635–1642

7394:"Exhibitions Rembrandt and Amsterdam portraiture, 1590–1670" 6480:"In Paintings: Rembrandt & his Mughal India Inspiration" 4592:

Two Old Men in Conversation /Two Jews in Discussion, Walking

30:

This article is about the Dutch artist. For other uses, see

7773:, Karin Groen et al. Springer, Dordrecht, the Netherlands. 7737:

A Corpus of Rembrandt Paintings – Volume II: 1631–1634

7304:"MutualArt.com – The Web's Largest Art Information Service" 7236: 7192: 7147: 6970:

G. Schwartz (1987) Rembrandt, zijn leven, zijn schilderen.

4767:– but Schwartz's total quoted does not tally with the book. 2121: 1521:(1642), an oil on canvas portrait now housed in Rijksmuseum 341: 311: 7651:

Slive, Seymour, Dutch Painting, 1600–1800, Yale UP, 1995,

7036: 5843:

Dudok van Heel, S.A.C. (1987) Dossier Rembrandt, pp. 86–88

5709:

Ruysscher, Dave De; Veld, Cornelis In ’T (26 April 2021).

5531:

Ruysscher, Dave De; Veld, Cornelis In ’T (26 April 2021).

4509:(near Amsterdam), 1648–49, pen and brown ink, brown wash, 1104:

Rembrandt van Rijn – Self-Portrait with a flat cap (1642)

732:

Rembrandt moved to Rozengracht 184, Stadsarchief Amsterdam

568:. In 1627, Rembrandt began to accept students, among them 7595:

Biblical Rembrandt: Human Painter in a Landscape of Faith

6950: 6024:

p. 21, D.A.P./Distributed Art Publishers, Inc., New York

2403: 838:

auction, and the family moved to more modest lodgings at

323: 7668:, 1999 National Gallery, London/Mauritshuis, The Hague, 1906:

Rembrandt ran a large workshop and had many pupils. The

1021:

At one time, approximately 90 paintings were counted as

8219:

Pendant portraits of Maerten Soolmans and Oopjen Coppit

8195:

Diana Bathing with her Nymphs with Actaeon and Callisto

7497: 6924:

with examples. Source: www.rembrandt-signature-file.com

6571:"The Rembrandt Research Project: Past, Present, Future" 5854:"Rembrandt made a mess of his legal and financial life" 6682:"Entertainment | Lost Rembrandt works discovered" 5020:

Joris van Schooten as teacher of Rembrandt and Lievens

3442:(1669, the year he died) at National Gallery in London 2222:

contain the lyrics "I want to watch Rembrandt sketch."

1571:

in 1715. In 1817 this large painting was moved to the

467:

and his mother was a baker's daughter. His mother was

9455:

People celebrated in the Lutheran liturgical calendar

6981:"The Lanckoroński Collection – Rembrandt's Paintings" 6621:

Responses to Rembrandt; Who painted the Polish Rider?

5663:"De geldzaken van Rembrandt - Stadsarchief Amsterdam" 5031:

Korte besgryving van het Lugdunum Batavorum nu Leyden

1305:) is the only known still life Rembrandt ever etched. 1187:

Portrait of the Shipbuilder Jan Rijcksen and his Wife

356: 326: 6448:"Rembrandt and the Inspiration of India (catalogue)" 4594:, year unknown, black chalk and brown ink on paper, 4020:, a painting of a wealthy friend of Rembrandt (1654) 855:

Two weeks later, Hendrickje and Titus established a

637:, in a building on the previous site of the current 622:. He also acquired a number of students, among them 359: 350: 347: 338: 329: 320: 317: 308: 7727:: Stichting Foundation Rembrandt Research Project: 7396:. Madrid: Museo Nacional Thyssen Bornemisza. 2020. 5711:"Rembrandt's insolvency: The artist as legal actor" 5533:"Rembrandt's insolvency: The artist as legal actor" 2447:

Schama on Rembrandt: Masterpieces of the Late Years

1553:The piece was commissioned for the new hall of the 344: 335: 314: 305: 7836:Works and literature on Rembrandt from Pubhist.com 7556: 7554: 7364:"Rembrandt's Light | Dulwich Picture Gallery" 5718:Oud Holland – Journal for Art of the Low Countries 5540:Oud Holland – Journal for Art of the Low Countries 5166:Anrooij, Wim van; Hoftijzer, Paul (28 June 2017). 4916: 4914: 3139:, Agnes Etherington Art Centre, Kingston, Ontario. 1260:, c. 1666)—in love, in life, and before God. 1218:, as had been the case before. In 1642 he painted 600:. Saskia came from a respected family: her father 7756:, van de Wetering, E. (Ed. Hrsg.), Band 3, 1990, 7641:, Gary Schwartz (editor). New York: Dover, 1988. 5105:Registration of the banns of Rembrandt and Saskia 4874:Rembrandts geboortejaar een jaar te vroeg gevierd 3272:Self-Portrait with Velvet Beret and Furred Mantle 2742:The Militia Company of Captain Frans Banning Cocq 1591:; in June 1945 it was shipped back to Amsterdam. 1527:The Militia Company of Captain Frans Banning Cocq 1519:The Militia Company of Captain Frans Banning Cocq 898:Cosimo III de' Medici, Grand Duke of Tuscany 834:By February 1658, Rembrandt' house was sold at a 497:in Amsterdam, Rembrandt stayed a few months with 400:. He is generally considered one of the greatest 9361: 7767:A Corpus of Rembrandt Paintings – Volume IV 6430:. (Los Angeles, CA: J. Paul Getty Museum, 2018) 5165: 3072:), Stedelijk Museum, Amsterdam, the Netherlands. 2164:, a French-language novel by Sylvie Matton, 1998 2051:. There are 49 in the Netherlands, many in the 965:robbery from the Isabella Stewart Gardner Museum 588:continued to purchase paintings from Rembrandt. 8027:Bust of a Man Wearing a Gorget and Plumed Beret 7731:A Corpus of Rembrandt Paintings – Volume I 7591: 7551:, 1978, London, John Murray/Readers Union, 1978 6819:Rembrandt, Belshazzar's Feast, Pigment analysis 6384: 6382: 6105: 6103: 6101: 5982:. Garyschwartzarthistorian.nl. 3 January 2010. 5463: 5461: 4911: 3563:Jeremiah Lamenting the Destruction of Jerusalem 3151:Rembrandt and Amsterdam portraiture, 1590–1670 2087:in Warsaw displays two paintings by Rembrandt. 1575:. Since 1885 the painting is on display at the 1145:Judas Repentant, Returning the Pieces of Silver 8904:Self-Portrait Wearing a White Feathered Bonnet 7739:. Bruyn, J., Haak, B. (et al.), Band 2, 1986, 7699:, 1999, British Museum/Lund Humphries, London 5129: 5127: 5042:Slive has a comprehensive biography, pp. 55ff. 2941:National Gallery of Art, Washington, D.C. 2347:Rembrandt: The Public Eye and the Private Gaze 1725:Portrait of an Elderly Woman in a White Bonnet 760:In November 1655, amid a year overshadowed by 8944:Self-Portrait with Beret and Turned-Up Collar 8928:Self-Portrait in a Black Beret and Gold Chain 7925: 7630:Hughes, Robert (2006), "The God of Realism", 7563:. D.C. Heath and Company, Los Lexington, MA. 5708: 5530: 3455: 2936:Self-Portrait with Beret and Turned-Up Collar 1749:who studied Rembrandt throughout his career. 1550:it was the prettiest painting in the world. 1070: 997:de meeste en de natuurlijkste beweegelijkheid 78:Self-Portrait with Beret and Turned-Up Collar 8331:The Archangel Raphael Leaving Tobias' Family 7516:Buvelot, Quentin, White, Christopher (eds), 6605:, Vol. 21, No. 41 (2000), pp. 197–205. Also 6538: 6400: 6398: 6379: 6320: 6098: 5902: 5750: 5458: 4989: 4987: 4905:Random House Webster's Unabridged Dictionary 3829:The Archangel Raphael Leaving Tobias' Family 3153:, Museo Nacional Thyssen-Bornemisza, Madrid. 919:, Cornelia (1654–1684), eventually moved to 859:as art dealers, allowing Rembrandt, who had 649:, a portrait painter, was his neighbor. The 8892:Portrait of a Young Man with a Golden Chain 6805: 6803: 5280: 5278: 5124: 4343:Self-portrait in a cap, with eyes wide open 3633:(1632) at the Museum of Fine Arts in Boston 2322:, a 1954 documentary film by Morrie Roizman 1278:(c. 1647–49), an etching now housed in the 442: 8591:Ahasuerus and Haman at the Feast of Esther 7932: 7918: 6326: 5117: 5115: 5113: 4708:Quite a few people were in debt after the 4576:etching, 1655, state I of VIII, 4134:Ahasuerus and Haman at the Feast of Esther 2947:Ahasuerus and Haman at the Feast of Esther 991:, 1646, his only composition in this genre 845:Ahasuerus and Haman at the feast of Esther 596:, and in 1634, married Hendrick's cousin, 70: 6395: 5508: 5506: 4984: 4421:, 1637, drawing in black chalk on paper, 4363:(c. 1630), red and black chalk on paper, 2449:, a 2014 documentary film by Simon Schama 2263:, a 1920 film directed by Arthur Günsburg 1731:is a further example: in 2014, Professor 1496:Learn how and when to remove this message 1033:In a number of biblical works, including 451:Latin school at Lokhorststraat 16, Leiden 373:[ˈrɛmbrɑntˈɦɑrmə(n)ˌsoːɱvɑnˈrɛin] 7386: 6800: 6315:. A Critical and Chronological Catalogue 5928:"A Web Catalogue of Rembrandt Paintings" 5892:"A Web Catalogue of Rembrandt Paintings" 5427:https://reviews.history.ac.uk/review/345 5311: 5275: 4932: 4286: 3758:(1636), which Rembrandt gave to Huyghens 3549:(1630), a painting of Rembrandt's father 3467: 3199:) when he was 22. Partly an exercise in 3048: 2491: 2474: 2457: 2443:, a 2011 film directed by Marleen Gorris 2122:Literary works (e.g. poetry and fiction) 2110: 2002: 1893: 1844: 1760: 1627: 1610: 1507: 1408: 1397: 1296: 1285: 1267: 1110: 1099: 1091: 1074: 983: 970: 948: 735: 727: 711: 540: 516: 446: 27:Dutch painter and printmaker (1606–1669) 8753:Portrait of a Man Rising from His Chair 8099:The Anatomy Lesson of Dr. Nicolaes Tulp 7804:Anthony M. Amore; Tom Mashberg (2012). 7559:European History in a World Perspective 7453: 6541:"Art View; In Search of the Real Thing" 5193: 5191: 5189: 5110: 2837:Aristotle Contemplating a Bust of Homer 2603:The Anatomy Lesson of Dr. Nicolaes Tulp 2406:documentary film series by Simon Schama 2332:, a 1957 film directed by Bert Haanstra 2303:, a 1941 film directed by Gerard Rutten 2142:, a series of French-language poems by 1741:that the demotion of the 1652 painting 618:of Amsterdam and a member of the local 254: 1634; died 1642) 178:The Anatomy Lesson of Dr. Nicolaes Tulp 14: 9362: 7995:Suffer little children to come unto me 7629: 7426:from the original on 24 September 2020 6973: 6723:from the original on 21 September 2016 6420:Rembrandt and the Inspiration of India 6406:The Meeting of Eastern and Western Art 6361:The Drawings of Rembrandt: A New Study 5503: 4609:A child being taught to walk (c. 1635) 4456:Christ and the woman taken in adultery 3312:, an oil on canvas portrait (1652) at 3093:16 September 2013 – 14 November 2013: 2378:, a 1999 film directed by David Devine 8583:Moses Breaking the Tablets of the Law 7913: 7871:Rembrandt van Rijn, General Resources 7523: 7487:, Museum of Fine Arts, Boston, 2004. 6849:from the original on 24 February 2021 6710: 6692:from the original on 22 December 2006 6376:. (London: Thames & Hudson, 2019) 6363:. (London: Thames & Hudson, 2009) 5986:from the original on 22 February 2012 5820:, kept at the Amsterdam City Archives 5107:, kept at the Amsterdam City Archives 5051:Schwarz, G. (1987) Rembrandt, p. 134. 4938: 4728:bought 500 of the drawings/prints by 2071:in The Hague. Others can be found in 1998: 1840: 1756: 1594: 533:was exhibited for years; painting by 505:claimed that Rembrandt was taught by 371: 9127:Descent from the Cross by Torchlight 8283:Samson Threatening His Father-In-Law 7752:. Bruyn, J., Haak, B., Levie, S.H., 7685:, Amsterdam University Press, 2000. 7344:from the original on 15 January 2019 7314:from the original on 10 October 2018 7284:from the original on 10 October 2018 7243:from the original on 10 January 2015 7225:from the original on 31 January 2015 7199:from the original on 10 January 2015 7180:from the original on 31 January 2015 7154:from the original on 10 January 2015 7135:from the original on 31 January 2015 7109:from the original on 13 January 2015 7083:from the original on 31 January 2015 7024:from the original on 7 November 2021 6662:from the original on 12 January 2015 6504: 6460:from the original on 18 October 2019 6417:Schrader, Stephanie; et al. (eds.): 5186: 5009:Digital library for Dutch literature 4853: 4851: 4849: 3137:Leiden circa 1630: Rembrandt Emerges 3128:16 September 2018 – 6 January 2019: 3097:, Syracuse University Art Galleries. 2497:The evangelist Matthew and the Angel 2170:, a novel by Sarah Emily Miano, 2006 1781:Gemäldegalerie Alte Meister (Kassel) 1579:. In 1940 the painting was moved to 1478:adding citations to reliable sources 1449: 1387: 509:and then started his own workshop. 8860:Self-Portrait with Dishevelled Hair 7438: 7400:from the original on 9 October 2020 7057:from the original on 14 August 2019 6583:from the original on 22 August 2014 4330:–29, pen and brush and ink on paper 3615:Anatomy Lesson of Dr. Nicolaes Tulp 3454:Rembrandt, Self-portrait, 1668–69, 3149:18 February 2020 – 30 August 2020: 3114:15 October 2014 – 18 January 2015: 3111:, Jule Collins Smith Museum of Art. 2614:Judith at the Banquet of Holofernes 1344:, which he used frequently, and on 1192:Anatomy Lesson of Dr. Nicolaes Tulp 963:(1633), is still missing after the 24: 8833:Portrait of a Man with Arms Akimbo 8615:The Conspiracy of Claudius Civilis 7852:114 artworks by or after Rembrandt 7793:(editors), Haus Books London 2006 7711: 7374:from the original on 6 August 2020 7103:"Rembrandt: The Consummate Etcher" 6915:Chronology of his signatures (pdf) 6897:. Mitchell Lane Publishers, 2009. 6623:by Anthony Bailey (New York, 1993) 6181:van de Wetering, pp. 157–158, 190. 5346:"Dircks, Geertje (ca. 1610-1656?)" 5263:(in Dutch). Amsterdam City Archive 4222:The Conspiracy of Claudius Civilis 3156:10 August 2020 – 1 November 2020: 3146:, Dulwich Picture Gallery, London. 3142:4 October 2019 – 2 February 2020: 3135:24 August 2019 – 1 December 2019: 3107:19 October 2014 – 4 January 2015: 2961:The Conspiracy of Claudius Civilis 2638:, St. Petersburg. Looted from the 1443: 1058:, or, more likely, from the Dutch 870:The Conspiracy of Claudius Civilis 742:The Conspiracy of Claudius Civilis 482:. In 1620, he was enrolled at the 415:and self-portraits to landscapes, 25: 9471: 8960:Self-Portrait as the Apostle Paul 8559:Jacob Blessing the Sons of Joseph 8551:The Anatomy Lesson of Dr. Deijman 8355:Landscape with the Good Samaritan 7896:by the Rembrandt Research Project 7824: 7420:"Welcome | Ashmolean Museum" 7077:"Rembrandt and the Face of Jesus" 6619:. There is a book on the subject: 6298:: An Essay with 115 Illustrations 4846: 4102:Jacob Blessing the Sons of Joseph 4085:The Anatomy Lesson of Dr. Deijman 3850:The Landscape with Good Samaritan 3668:Portrait of Saskia van Uylenburgh 3547:Bust of an old man with a fur hat 3169: 3130:Rembrandt – Painter as Printmaker 3059:for the 1898 Rembrandt Exhibition 3015:National Museum of Art of Romania 2453: 1402:Rembrandt's drawing of an Indian 1067:, biblical or historical themes. 815:, and various objects from Asia ( 471:, and his father belonged to the 9183:Cultural depictions of Rembrandt 8968:Self-Portrait as Zeuxis Laughing 8455:Abraham Serving the Three Angels 7581:, Bert Bakker, Amsterdam, 2012. 7502:. New York: McGraw-Hill College. 7498:Adams, Laurie Schneider (1999). 7447: 7412: 7368:www.dulwichpicturegallery.org.uk 7356: 7326: 7296: 7266: 7211: 7166: 7121: 7095: 7069: 7006: 6964: 6955: 6936: 6927: 6908: 6887: 6861: 6831: 6812: 6781: 6772: 6762: 6752: 6743: 6734: 6704: 6674: 6648: 6639: 6626: 6595: 6563: 6551:from the original on 1 July 2017 6539:John Russell (1 December 1985). 6532: 6523: 6498: 6486:from the original on 23 May 2018 6472: 6440: 6411: 6366: 6353: 6341:from the original on 16 May 2020 6303: 6286: 6273: 6260: 6251: 6242: 6233: 6224: 6215: 6206: 6193: 6184: 6175: 5960:from the original on 27 May 2016 5086:from the original on 5 June 2016 4965:www.rembrandt-signature-file.com 4827: 4794: 4614: 4602: 4584: 4562: 4541: 4517: 4499: 4484: 4466: 4448: 4430: 4411: 4393: 4371: 4353: 4335: 4313: 4254: 4230: 4213: 4195: 4173: 4150: 4125: 4110: 4093: 4076: 4059: 4042: 4025: 4008: 3984: 3963: 3940: 3923: 3906: 3889: 3865: 3841: 3820: 3795: 3778: 3763: 3746: 3725: 3700: 3675: 3660: 3638: 3623: 3606: 3588: 3571: 3554: 3539: 3517: 3495: 3474: 3447: 3430: 3415: 3387: 3356: 3339: 3324: 3300: 3279: 3264: 3242: 3211: 3182: 3121:12 February 2015 – 17 May 2015: 3095:Rembrandt: The Consummate Etcher 2706:Hermitage Museum, St. Petersburg 2519:Hunterian Museum and Art Gallery 1711:Study of an Old Man with a Beard 1601:Rembrandt catalog raisonné, 1968 1454: 1263: 439:form an intimate autobiography. 301: 282: 9143:The Virgin and Child with a Cat 8817:Portrait of Catharina Hooghsaet 8251:The Prodigal Son in the Brothel 8163:The Storm on the Sea of Galilee 7894:A Corpus of Rembrandt Paintings 7787:Rembrandt. Images and metaphors 7781:. p. 692. (Self-Portraits) 6327:Lewis, Tim (16 November 2014). 6300:. (London: Phaidon Press, 1960) 6166: 6157: 6148: 6139: 6130: 6121: 6112: 6089: 6080: 6071: 6062: 6053: 6044: 6035: 6007: 5998: 5972: 5946: 5920: 5884: 5875: 5864: 5846: 5837: 5823: 5811: 5802: 5788: 5771: 5744: 5702: 5698:Rembrandt's verwarde zaken DBNL 5687: 5678: 5669: 5655: 5646: 5629: 5611: 5602: 5584: 5575: 5566: 5524: 5515: 5486: 5475: 5449: 5432: 5419: 5410: 5392: 5383: 5374: 5365: 5356: 5338: 5316:. Cambridge: University Press. 5305: 5287: 5253: 5235: 5218: 5209: 5159: 5145: 5098: 5072: 5063: 5054: 5045: 5036: 5013: 4784: 4770: 4756: 4743: 4719: 4702: 4693: 4676: 4667: 4657: 4438:Self-portrait leaning on a Sill 4306:The Morgan Library & Museum 4054:, modelled by Hendrickje (1654) 4037:, modelled by Hendrickje (1654) 3118:, The National Gallery, London. 3088:Rembrandt and the Face of Jesus 2326:Rembrandt, schilder van de mens 2202:, a novel by Kim Devereux, 2015 1465:needs additional citations for 1414:Self-Portrait with Raised Sabre 960:The Storm on the Sea of Galilee 819:), as well as a collections of 658:career was Amsterdam statesman 251: 9151:Christ Presented to the People 8992:Self-Portrait at the Age of 63 8976:Self-Portrait with Two Circles 8912:Self-Portrait at the Age of 34 8737:Portrait of Jacob de Gheyn III 8687:The Return of the Prodigal Son 8503:Aristotle with a Bust of Homer 8091:Andromeda Chained to the Rocks 7846:Rembrandt's house in Amsterdam 7697:The Late Etchings of Rembrandt 7683:Rembrandt: The Painter at Work 7530:. New York: Harper & Row. 7476: 6086:van de Wetering, pp. 160, 190. 6004:White and Buvelot 1999, p. 10. 5894:. 28 July 2012. Archived from 4975: 4953: 4944: 4923: 4886: 4752:the Online Rembrandt catalogue 4647: 4570:Christ presented to the People 4458:, c. 1639–41, drawing in ink, 4263:The Return of the Prodigal Son 3972:Aristotle with a Bust of Homer 3439:Self-Portrait at the Age of 63 3396:Self-Portrait with Two Circles 3288:Self-Portrait at the Age of 34 3086:21 April 2011 – 18 July 2011: 3044: 3034:The Return of the Prodigal Son 3023:Self-Portrait at the Age of 63 2876:Christ Presented to the People 2673:The Prodigal Son in the Tavern 2541:Andromeda Chained to the Rocks 2196:, a novel by Nina Siegal, 2014 2178:, a novel by Lynn Cullen, 2007 2117:Category:Works about Rembrandt 1713:from a US private collection, 1707:Study of an Old Man in Profile 1688:Aristotle with a Bust of Homer 1634:The Man with the Golden Helmet 1559:, the musketeer branch of the 1374:Giovanni Benedetto Castiglione 1280:National Museum of Western Art 937:List of paintings by Rembrandt 907:and Titus; he died on Friday 807:statues, books (a bible), two 645:with artists and art dealers; 560:where his children were buried 297:Rembrandt Harmenszoon van Rijn 91:Rembrandt Harmenszoon van Rijn 13: 1: 9385:Art collectors from Amsterdam 9216: (1954 documentary film) 8631:Syndics of the Drapers' Guild 8323:The Preacher Eleazar Swalmius 8171:A Lady and Gentleman in Black 7939: 7718:List of works about Rembrandt 7527:Civilisation: a personal view 6172:van de Wetering, pp. 155–165. 6154:van de Wetering, pp. 163–165. 4839: 4712:. The Dutch were driven from 4511:Museum Boijmans Van Beuningen 4324: 4267: 4205:Syndics of the Drapers' Guild 3631:Portrait of Aeltje Uylenburgh 3400: 3369: 3224: 3193: 3125:, The Rijksmuseum, Amsterdam. 2997: 2982:Syndics of the Drapers' Guild 2965: 2919: 2898: 2880: 2806: 2698: 2677: 2656: 2559: 2510: 2425:, a 2008 documentary film by 2368:Rembrandt: Fathers & Sons 2349:, a 1992 documentary film by 2130:, a Russian-language poem by 1953:Samuel Dirksz van Hoogstraten 1791:, Vandyke brown, bone black, 1138:themes were favored, as were 945:List of drawings by Rembrandt 941:List of etchings by Rembrandt 823:specimens (two lion skins, a 749:Creditors began pressing for 707: 212:Syndics of the Drapers' Guild 9420:Dutch Golden Age printmakers 8315:Landscape with Arched Bridge 8259:Raising of the Cross (study) 8155:The Shipbuilder and his Wife 8051:The Parable of the Rich Fool 7987:The Stoning of Saint Stephen 7632:The New York Review of Books 7549:An Introduction to Rembrandt 6388:Mendelowitz, Daniel Marcus: 6283:. (London: Phaidon, 1954–57) 5572:Schwartz (1984), pp. 288–291 5429:Date accessed: 26 March 2023 4557:, example of the print below 4476:, c. 1640–42, ink on paper, 4244:Minneapolis Institute of Art 4158:The Incredulity of St Thomas 3874:Scholar at his Writing Table 3507:National Gallery of Victoria 3488:Musée des Beaux-Arts de Lyon 3483:The Stoning of Saint Stephen 3164: 3132:, Denver Art Museum, Denver. 3100:19 May 2014 – 27 June 2014: 2527:The Stoning of Saint Stephen 2297:Rembrandt in de schuilkelder 1420:Rembrandt was interested in 1227:In the decade following the 1204:Cottages before a Stormy Sky 1044:The Stoning of Saint Stephen 201:(etching, c. 1647–1649) 7: 9460:17th-century Dutch painters 8785:Portrait of Petronella Buys 8769:Portrait of Marten Soolmans 8745:Aeltje Pietersdr Uylenburgh 8623:Saint Matthew and the Angel 8511:A Woman Bathing in a Stream 8439:The Holy Family with Angels 8423:The Woman Taken in Adultery 8371:The Girl in a Picture Frame 8347:The Wedding Feast of Samson 8035:Tobit and Anna with the Kid 7900:Die Urkunden über Rembrandt 7862:Works by or about Rembrandt 7808:. St. Martin's Publishing. 7791:Christian and Astrid Tümpel 7598:. Mercer University Press. 7555:Clough, Shepard B. (1975). 7219:"Rembrandt: The Late Works" 7190:Retrieved 11 January 2015. 7145:Retrieved 11 January 2015. 7047:"Rembrandt tentoonstilling" 6711:Brown, Mark (23 May 2014), 4961:"Rembrandt Signature Files" 4629: 4550:Virgin and Child with a Cat 4535:Museum of Fine Arts, Boston 4507:The Diemerdijk at Houtewael 4051:A Woman Bathing in a Stream 3232:Germanisches Nationalmuseum 3176:Self-portraits by Rembrandt 3160:, Ashmolean Museum, Oxford. 2726:The Girl in a Picture Frame 2686:Gemäldegalerie Alte Meister 2481:The Girl in a Picture Frame 2398:Simon Schama's Power of Art 2162:Moi, la Putain de Rembrandt 2128:To the Picture of Rembrandt 2037:Gemäldegalerie Alte Meister 2015:(mostly portraits) and the 2007:The Rembrandt House Museum 1889: 1874:, was probably inspired by 1777:Gemäldegalerie Alte Meister 1654:One example of activity is 1583:; in 1941 to a bunker near 1394:Rembrandt's Mughal drawings 10: 9476: 9213:Rembrandt: A Self-Portrait 9023:Joseph and Potiphar's Wife 8639:Homer Dictating his Verses 8379:The Scholar at the Lectern 7715: 7634:, vol. 53, no. 6 7500:Art Across Time. Volume II 7483:Ackley, Clifford, et al., 7454:Starcky, Emmanuel (1990). 6788:Rembrandt, Saskia as Flora 4555:Victoria and Albert Museum 4529:, 1653, drypoint etching, 4387:Kupferstichkabinett Berlin 3977:Metropolitan Museum of Art 3739:Staatliche Kunstsammlungen 3173: 2907:Calouste Gulbenkian Museum 2843:Metropolitan Museum of Art 2712:The Scholar at the Lectern 2704:, reworked before 1643) – 2414:, a 2007 film directed by 2386:, a 2003 film directed by 2360:, a 1999 film directed by 2340:, a 1977 film directed by 2319:Rembrandt: A Self-Portrait 2311:, a 1942 film directed by 2282:, a 1936 film directed by 2271:, a 1932 film directed by 2244:, a 1914 film directed by 2114: 2013:Metropolitan Museum of Art 1835:National Gallery in London 1743:Old Man Sitting in a Chair 1729:Old Man Sitting in a Chair 1604: 1598: 1391: 1379:Drawings by Rembrandt and 1118:(1658), now housed in the 1071:Periods, themes and styles 1004:Rembrandt Research Project 934: 604:was a lawyer and had been 36: 32:Rembrandt (disambiguation) 29: 9415:Dutch Golden Age painters 9335: 9287: 9269:I Am Rembrandt's Daughter 9178:Bibliography of Rembrandt 9166: 9002: 8884:Self-Portrait in a Gorget 8851: 8777:Portrait of Oopjen Coppit 8713:Portrait of Nicolaes Ruts 8704: 8671:Young Woman with a Lapdog 8599:The Denial of Saint Peter 8131:Philosopher in Meditation 8123:Old Man with a Gold Chain 8019:The Baptism of the Eunuch 7968: 7947: 6374:The Drawings of Rembrandt 6317:. (London: Phaidon, 1973) 6077:van der Wetering, p. 268. 5954:"Rembrandt, der Zeichner" 5767:– via Google Books. 5730:10.1163/18750176-13401002 5552:10.1163/18750176-13401002 5182:– via Google Books. 4478:Warsaw University Library 4401:Self-portrait with Saskia 4365:Nationalmuseum, Stockholm 3646:Portrait of a Young Woman 3598:Philosopher in Meditation 3456: 3220:Self-Portrait in a Gorget 3116:Rembrandt: The Late Works 3083:), Royal Academy, London. 3077:Rembrandt Tentoonstelling 3066:Rembrandt Tentoonstelling 2818:Allen Memorial Art Museum 2589:Philosopher in Meditation 2555:Old Man with a Gold Chain 2330:Rembrandt, Painter of Man 2261:Die Tragödie eines Großen 2175:I Am Rembrandt's Daughter 2081:Nationalmuseum, Stockholm 1933:Gerbrand van den Eeckhout 1721:Detroit Institute of Arts 1039:Joseph Telling His Dreams 777:allegedly played a role. 512: 432:Dutch and Flemish artists 290: 281: 276: 272: 261: 233: 219: 198:The Hundred Guilder Print 166: 148: 134: 115: 86: 69: 62: 9445:Leiden University alumni 9440:Engravers from Amsterdam 9047:The Artist and his Model 8841:Portrait of Dirck van Os 8761:Oval Portrait of a Woman 8363:Still Life with Peacocks 8275:The Entombment of Christ 8075:Anna and the Blind Tobit 8059:The Artist in his Studio 7592:Durham, John I. (2004). 7520:, 1999, National Gallery 6943:Rembrandt pupils (under 6869:"The Rembrandt Database" 6212:Schwartz, 1994, pp. 8–12 6163:van de Wetering, p. 289. 6145:van de Wetering, p. 288. 6136:van de Wetering, p. 286. 6127:van de Wetering, p. 287. 6118:van de Wetering, p. 285. 6109:van de Wetering, p. 284. 6050:Bull, et al., pp. 11–13. 5380:G. Schwartz, pp. 292–293 5362:C. Driessen, pp. 151–157 5025:26 December 2016 at the 4864:21 November 2010 at the 4765:Print Council of America 4641: 3993:Young Girl at the Window 3314:Kunsthistorisches Museum 2915:Portrait of Dirck van Os 2797:Christ Healing the Sick, 2568:Art Institute of Chicago 2506:The Entombment of Christ 2233: 2206: 1908:list of Rembrandt pupils 1716:Study of a Weeping Woman 1700:Pilate Washing His Hands 1620:(c. 1655) is possibly a 1151:The Artist in His Studio 1035:The Raising of the Cross 1023:Rembrandt self-portraits 930: 903:Rembrandt outlived both 842:. In 1660, he finished 681:and asked to be awarded 556:(1853); in the back the 478:As a boy, he attended a 443:Early life and education 390:Dutch Golden Age painter 9450:Painters from Amsterdam 9430:Dutch portrait painters 9055:The Death of the Virgin 8695:Landscape with a Castle 8567:Courtesan at her Mirror 8139:The Abduction of Europa 7524:Clark, Kenneth (1969). 6769:volume 82 (1976): 25–33 6759:issue 4 (1977): 223–233 6239:White 1969, pp. 6, 9–10 6013:Taylor, Michael (2007). 5757:. Uitgeverij Verloren. 5312:Crenshaw, Paul (2006). 5172:. Uitgeverij Verloren. 5029:in Simon van Leeuwen's 4442:National Gallery of Art 4379:Suzannah and the Elders 3654:Allentown, Pennsylvania 3377:Wallraf–Richartz Museum 3365:Self Portrait as Zeuxis 2781:, Washington, D.C. 2779:National Gallery of Art 2581:Dulwich Picture Gallery 2301:Rembrandt in the Bunker 2021:National Gallery of Art 1727:, painted in 1640. The 1182:Jacob de Gheyn III 1081:The Abduction of Europa 953:Rembrandt's only known 744:, October 1661 or later 594:Hendrick van Uylenburgh 8801:Portrait of Maria Trip 8487:Descent from the Cross 8463:Susanna and the Elders 8307:The Blinding of Samson 8227:Descent from the Cross 8187:Descent from the Cross 8083:The Raising of Lazarus 7890:The Rembrandt Database 7679:van de Wetering, Ernst 7662:van de Wetering, Ernst 7509:Bull, Duncan, et al., 6749:van de Wetering, p. x. 6632:Schama, Simon (1999). 6615:8 January 2008 at the 5740:– via brill.com. 5562:– via brill.com. 4622:A young woman sleeping 4248:Minneapolis, Minnesota 3915:Susanna and the Elders 3755:The Blinding of Samson 3060: 3005:Rijksmuseum, Amsterdam 2987:Rijksmuseum, Amsterdam 2831:Gemäldegalerie, Berlin 2792:Gemäldegalerie, Berlin 2787:Susanna and the Elders 2628:Descent from the Cross 2608:Mauritshuis, The Hague 2500: 2489: 2484:(1641), now housed at 2472: 2467:(1628), now housed in 2256:The Tragedy of a Great 2104:Rembrandt House Museum 2019:in New York City, the 2008: 1903: 1902:500 Rembrandt drawings 1859: 1854:(1655), now housed in 1772: 1642: 1625: 1522: 1417: 1406: 1306: 1294: 1283: 1233:Susanna and the Elders 1160:The Blinding of Samson 1123: 1108: 1097: 1089: 992: 981: 968: 867:. The resulting work, 745: 733: 725: 653:to finance the 13,000 561: 538: 452: 9095:Hundred Guilder Print 8519:Bathsheba at Her Bath 8147:Adoration of the Magi 8043:The Flight into Egypt 7771:Ernst van de Wetering 7716:Further information: 7577:Driessen, Christoph, 7458:. Hazan. p. 45. 6839:"Resources Rembrandt" 6793:15 March 2016 at the 6688:. 23 September 2005. 6425:1 August 2020 at the 6313:Drawings of Rembrandt 5916:on 29 September 2007. 5675:Clark 1974, pp. 60–61 5350:Resources Huygens ING 5261:"Doopregisters, Zoek" 5247:The Leiden Collection 4710:First Anglo-Dutch War 4533: III of V, 4287:Drawings and etchings 4034:Bathsheba at Her Bath 3503:Two old men disputing 3468:Other major paintings 3458:Galleria degli Uffizi 3104:, National Arts Club. 3052: 2865:Bathsheba at Her Bath 2802:Hundred Guilder Print 2763:, Bedfordshire & 2495: 2478: 2461: 2268:The Missing Rembrandt 2227:Scott Walker (singer) 2111:Works about Rembrandt 2023:in Washington, D.C., 2006: 1897: 1848: 1764: 1733:Ernst van de Wetering 1631: 1614: 1607:Man in a Plumed Beret 1605:Further information: 1511: 1412: 1401: 1326:Hundred Guilder Print 1300: 1289: 1275:Hundred Guilder Print 1271: 1114: 1103: 1095: 1078: 987: 974: 952: 799:paintings, drawings, 739: 731: 715: 698:Bathsheba at Her Bath 612:St. Annaparochie 598:Saskia van Uylenburgh 544: 520: 473:Dutch Reformed Church 450: 240:Saskia van Uylenburgh 205:Bathsheba at Her Bath 9326:Vereniging Rembrandt 9277:The Rembrandt Affair 9261:Rembrandt's J'Accuse 9221:Rembrandt fecit 1669 8395:Concord of the State 8267:The Rape of Ganymede 8179:Raising of the Cross 7904:C. Hofstede de Groot 7695:White, Christopher, 7666:Rembrandt by himself 7518:Rembrandt by himself 7513:, Rijksmuseum, 2006. 7511:Rembrandt-Caravaggio 6920:3 March 2016 at the 6824:7 April 2016 at the 6645:Schama, pp. 582–591. 6603:Artibus et Historiae 6505:Ganz, James (2013). 6482:. 3 September 2017. 5684:Bull, et al., p. 29. 5082:. Familysearch.org. 4981:Bull, et al., p. 28. 4898:4 March 2016 at the 4879:18 July 2010 at the 4345:, 1630, etching and 4225:(cut-down) (1661–62) 4185:J. Paul Getty Museum 3734:The Rape of Ganymede 3650:Allentown Art Museum 3525:Artist in His Studio 3081:Rembrandt Exhibition 3070:Rembrandt Exhibition 2731:Royal Castle, Warsaw 2533:Musée des Beaux-Arts 2469:J. Paul Getty Museum 2422:Rembrandt's J'Accuse 2392:Anders Thomas Jensen 2337:Rembrandt fecit 1669 2241:The Stolen Rembrandt 2219:Dinner with Gershwin 2183:The Rembrandt Affair 2041:Schloss Wilhelmshöhe 2029:J. Paul Getty Museum 1993:Willem van der Vliet 1735:offered his view to 1660:, now housed in the 1474:improve this article 1381:his pupils/followers 722:as a Franciscan monk 574:Isaac de Jouderville 488:Jacob van Swanenburg 484:University of Leiden 139:Jacob van Swanenburg 9425:Dutch male painters 9390:Artists from Leiden 9111:Goldweigher's Field 9087:Portrait of Jan Six 8809:Portrait of Jan Six 8729:Portrait of a Woman 8291:The Standard Bearer 8115:Christ on the Cross 8107:Christ with a Staff 7485:Rembrandt's Journey 6507:Rembrandt's Century 6404:Sullivan, Michael: 6248:White, 1969 pp. 6–7 6221:White 1969, pp. 5–6 5860:. 16 November 2021. 5831:"Cornelia van Rijn" 5783:Oud Holland Reviews 5641:Oud Holland Reviews 5498:Oud Holland Reviews 5444:Oud Holland Reviews 5121:Bull, et al., p. 28 4997:Rembrandt biography 4381:, 1634, drawing in 4017:Portrait of Jan Six 3529:Museum of Fine Arts 3053:Moving Rembrandt's 3010:Haman before Esther 2857:Museum of Fine Arts 2025:Museum of Fine Arts 1945:Hendrick Fromantiou 1348:. He began to use " 1309:Rembrandt produced 694:Hendrickje Stoffels 582:Constantijn Huygens 535:Jan Ekels the Elder 521:Rembrandt lived at 9264:(2008 documentary) 9245:Stealing Rembrandt 9232: (1995 novel) 9229:The Anatomy Lesson 8868:Rembrandt Laughing 8403:David and Jonathan 8235:Belshazzar's Feast 8067:Samson and Delilah 8011:Balaam and the Ass 7725:Catalogue raisonné 7579:Rembrandts vrouwen 6985:zamek-krolewski.pl 6893:Roberts, Russell. 6545:The New York Times 6020:5 May 2016 at the 5652:Clark, 1974 p. 105 5007:, courtesy of the 4726:Jan van de Capelle 4686:and Titus, in the 4636:Rembrandt's prints 4302:Rembrandt etchings 4293:Rembrandt drawings 4118:Woman in a Doorway 3855:Czartoryski Museum 3787:Belshassar's Feast 3709:Sacrifice of Isaac 3090:, Musée du Louvre. 3061: 2799:also known as the 2652:Belshazzar's Feast 2575:Jacob de Gheyn III 2501: 2490: 2473: 2464:Rembrandt Laughing 2383:Stealing Rembrandt 2200:Rembrandt's Mirror 2194:The Anatomy Lesson 2009: 1999:Museum collections 1981:Christopher Paudiß 1904: 1860: 1841:Name and signature 1830:Belshazzar's Feast 1815:, yellow lake and 1773: 1757:Painting materials 1698:Another painting, 1648:catalogue raisonné 1643: 1626: 1595:Expert assessments 1525:Rembrandt painted 1523: 1418: 1407: 1307: 1295: 1284: 1166:Belshazzar's Feast 1124: 1109: 1098: 1090: 993: 982: 969: 917:illegitimate child 882:Sampling Officials 873:, was rejected by 848:which he sold to 805:Greek philosophers 746: 734: 726: 562: 539: 507:Joris van Schooten 453: 185:Belshazzar's Feast 18:Rembrandt van Rijn 9435:Dutch printmakers 9405:Dutch draughtsmen 9395:Dutch art dealers 9355: 9354: 9240: (1999 film) 9208: (1942 film) 9200: (1940 film) 9192: (1936 film) 9135:The Three Crosses 8825:Portrait of a Man 8793:A Polish Nobleman 8721:Portrait of a Man 8575:Saint Bartholomew 7950:Lists of drawings 7815:978-0-230-33990-3 7799:978-1-904950-92-9 7762:978-90-247-3781-9 7754:van Thiel, P.J.J. 7745:978-90-247-3339-2 7705:978-90-400-9315-9 7619:, Phaidon, 1995. 7605:978-0-86554-886-2 7587:978-90-351-3690-8 7570:978-0-669-85555-5 7537:978-0-06-010801-4 7308:www.mutualart.com 7278:www.mutualart.com 6875:on 23 August 2015 6068:Clark 1978, p. 28 5858:Leiden University 5808:Clark 1978, p. 34 5623:archief.amsterdam 5596:archief.amsterdam 5299:archief.amsterdam 5060:Slive, pp. 60, 65 4929:Gombrich, p. 427. 4920:Gombrich, p. 420. 4526:The Three Crosses 4440:, 1639, etching, 4403:, 1636, etching, 4181:Saint Bartholomew 3948:An Old Man in Red 3190:A young Rembrandt 3144:Rembrandt's Light 3040: 3029: 3018: 3006: 2988: 2977: 2956: 2942: 2931: 2930:, Omaha, Nebraska 2928:Joslyn Art Museum 2910: 2889: 2871: 2870:The Louvre, Paris 2860: 2851:The Three Crosses 2846: 2832: 2821: 2793: 2782: 2768: 2750: 2732: 2721: 2707: 2689: 2668: 2647: 2635: 2623: 2609: 2598: 2584: 2570: 2550: 2536: 2522: 2273:Leslie S. Hiscott 2144:Aloysius Bertrand 2132:Mikhail Lermontov 1985:Willem de Poorter 1965:Philip de Koninck 1900:van de Cappelle's 1880:Leonardo da Vinci 1533:by the Dutch and 1506: 1505: 1498: 1422:Mughal miniatures 1388:Asian inspiration 1252:James the Apostle 977:A Polish Nobleman 861:board and lodging 857:dummy corporation 775:Jacob J. Hinlopen 679:breach of promise 660:Andries de Graeff 647:Nicolaes Pickenoy 620:guild of painters 554:Cornelis Springer 546:Rembrandt's house 503:Simon van Leeuwen 437:40 self-portraits 294: 293: 16:(Redirected from 9467: 9400:Dutch Christians 9348: 9341: 9119:Doctor Fautrieus 9039:River with Trees 8647:The Jewish Bride 8527:The Polish Rider 8479:The Kitchen Maid 8339:The Stone Bridge 8003:History Painting 7934: 7927: 7920: 7911: 7910: 7866:Internet Archive 7819: 7635: 7617:The Story of Art 7609: 7574: 7562: 7541: 7503: 7470: 7469: 7451: 7445: 7442: 7436: 7435: 7433: 7431: 7416: 7410: 7409: 7407: 7405: 7390: 7384: 7383: 7381: 7379: 7360: 7354: 7353: 7351: 7349: 7338:agnes.queensu.ca 7330: 7324: 7323: 7321: 7319: 7300: 7294: 7293: 7291: 7289: 7270: 7264: 7252: 7250: 7248: 7234: 7232: 7230: 7215: 7209: 7208: 7206: 7204: 7189: 7187: 7185: 7170: 7164: 7163: 7161: 7159: 7144: 7142: 7140: 7125: 7119: 7118: 7116: 7114: 7099: 7093: 7092: 7090: 7088: 7073: 7067: 7066: 7064: 7062: 7043: 7034: 7033: 7031: 7029: 7018:www.mnar.arts.ro 7010: 7004: 7003: 6998: 6996: 6987:. 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Outpost Art. 6654: 6653: 6649: 6644: 6640: 6631: 6627: 6617:Wayback Machine 6600: 6596: 6586: 6584: 6580: 6573: 6569: 6568: 6564: 6554: 6552: 6537: 6533: 6528: 6524: 6517: 6503: 6499: 6489: 6487: 6478: 6477: 6473: 6463: 6461: 6457: 6450: 6446: 6445: 6441: 6427:Wayback Machine 6416: 6412: 6403: 6396: 6387: 6380: 6371: 6367: 6358: 6354: 6344: 6342: 6325: 6321: 6309:Benesch, Otto: 6308: 6304: 6294:Rembrandt as a 6292:Benesch, Otto: 6291: 6287: 6279:Benesch, Otto: 6278: 6274: 6265: 6261: 6256: 6252: 6247: 6243: 6238: 6234: 6229: 6225: 6220: 6216: 6211: 6207: 6198: 6194: 6189: 6185: 6180: 6176: 6171: 6167: 6162: 6158: 6153: 6149: 6144: 6140: 6135: 6131: 6126: 6122: 6117: 6113: 6108: 6099: 6094: 6090: 6085: 6081: 6076: 6072: 6067: 6063: 6058: 6054: 6049: 6045: 6040: 6036: 6022:Wayback Machine 6012: 6008: 6003: 5999: 5989: 5987: 5978: 5977: 5973: 5963: 5961: 5952: 5951: 5947: 5937: 5935: 5926: 5925: 5921: 5908: 5907: 5903: 5890: 5889: 5885: 5880: 5876: 5869: 5865: 5852: 5851: 5847: 5842: 5838: 5829: 5828: 5824: 5816: 5812: 5807: 5803: 5798:. 1 March 2020. 5794: 5793: 5789: 5776: 5772: 5765: 5749: 5745: 5713: 5707: 5703: 5692: 5688: 5683: 5679: 5674: 5670: 5661: 5660: 5656: 5651: 5647: 5634: 5630: 5619:"Inventarissen" 5617: 5616: 5612: 5607: 5603: 5592:"Inventarissen" 5590: 5589: 5585: 5580: 5576: 5571: 5567: 5535: 5529: 5525: 5520: 5516: 5511: 5504: 5491: 5487: 5480: 5476: 5467: 5466: 5459: 5454: 5450: 5437: 5433: 5424: 5420: 5415: 5411: 5398: 5397: 5393: 5388: 5384: 5379: 5375: 5370: 5366: 5361: 5357: 5344: 5343: 5339: 5324: 5310: 5306: 5293: 5292: 5288: 5283: 5276: 5266: 5264: 5259: 5258: 5254: 5241: 5240: 5236: 5228: 5224: 5223: 5219: 5214: 5210: 5197: 5196: 5187: 5180: 5164: 5160: 5151: 5150: 5146: 5133: 5132: 5125: 5120: 5111: 5103: 5099: 5089: 5087: 5078: 5077: 5073: 5068: 5064: 5059: 5055: 5050: 5046: 5041: 5037: 5027:Wayback Machine 5018: 5014: 4993: 4992: 4985: 4980: 4976: 4959: 4958: 4954: 4949: 4945: 4937: 4933: 4928: 4924: 4919: 4912: 4900:Wayback Machine 4891: 4887: 4881:Wayback Machine 4869: 4866:Wayback Machine 4856: 4847: 4842: 4837: 4832: 4828: 4814:Jakob Rosenberg 4799: 4795: 4789: 4785: 4775: 4771: 4761: 4757: 4748: 4744: 4724: 4720: 4707: 4703: 4698: 4694: 4688:Southern Church 4681: 4677: 4672: 4668: 4662: 4658: 4652: 4648: 4644: 4632: 4625: 4619: 4610: 4607: 4598: 4589: 4580: 4567: 4558: 4546: 4537: 4522: 4513: 4504: 4495: 4494:, 1641, etching 4489: 4480: 4471: 4462: 4453: 4444: 4435: 4426: 4416: 4407: 4398: 4389: 4376: 4367: 4358: 4349: 4340: 4331: 4327: 4318: 4289: 4282: 4270: 4259: 4250: 4235: 4226: 4218: 4209: 4200: 4191: 4178: 4169: 4155: 4146: 4130: 4121: 4115: 4106: 4098: 4089: 4081: 4072: 4064: 4055: 4047: 4038: 4030: 4021: 4013: 4004: 3989: 3980: 3968: 3959: 3945: 3936: 3928: 3919: 3911: 3902: 3894: 3885: 3870: 3861: 3846: 3837: 3825: 3816: 3800: 3791: 3783: 3774: 3768: 3759: 3751: 3742: 3730: 3721: 3705: 3696: 3680: 3671: 3665: 3656: 3643: 3634: 3628: 3619: 3611: 3602: 3593: 3584: 3576: 3567: 3559: 3550: 3544: 3535: 3522: 3513: 3500: 3491: 3479: 3470: 3463: 3452: 3443: 3435: 3426: 3420: 3411: 3403: 3392: 3383: 3372: 3361: 3352: 3344: 3335: 3329: 3320: 3305: 3296: 3284: 3275: 3269: 3260: 3247: 3238: 3227: 3216: 3207: 3196: 3187: 3178: 3172: 3167: 3158:Young Rembrandt 3064:Sept–Oct 1898: 3056:The Night Watch 3047: 3000: 2968: 2922: 2901: 2883: 2809: 2737:The Night Watch 2701: 2680: 2659: 2620:Museo del Prado 2562: 2513: 2456: 2435: 2433:Rembrandt en ik 2427:Peter Greenaway 2416:Peter Greenaway 2388:Jannik Johansen 2370: 2284:Alexander Korda 2236: 2209: 2124: 2119: 2113: 2058:The Night Watch 2027:in Boston, and 2001: 1961:Godfrey Kneller 1937:Carel Fabritius 1929:Heiman Dullaart 1917:Adriaen Brouwer 1892: 1856:Musée du Louvre 1843: 1817:lead-tin-yellow 1759: 1719:, owned by the 1609: 1603: 1597: 1581:Kasteel Radboud 1548:Théophile Thoré 1539:Joshua Reynolds 1535:The Night Watch 1514:The Night Watch 1502: 1491: 1485: 1482: 1471: 1459: 1448: 1445:The Night Watch 1404:Mughal painting 1396: 1390: 1291:The Three Trees 1266: 1221:The Night Watch 1208:The Three Trees 1169:, c. 1635 1073: 947: 933: 850:Jan J. Hinlopen 821:natural history 710: 578:Joan Huydecoper 550:Jodenbreestraat 531:the Night Watch 525:almost next to 515: 492:history painter 445: 377: 376: 368: 334: 304: 300: 257: 249: 245: 242: 226: 209: 202: 195: 191:The Night Watch 188: 182: 175: 167: 141: 130: 124: 120: 111: 102: 96: 94: 93: 92: 82: 65: 56: 35: 28: 23: 22: 15: 12: 11: 5: 9473: 9463: 9462: 9457: 9452: 9447: 9442: 9437: 9432: 9427: 9422: 9417: 9412: 9407: 9402: 9397: 9392: 9387: 9382: 9377: 9372: 9353: 9352: 9350: 9349: 9346:Stolen in 1990 9342: 9336: 9333: 9332: 9330: 9329: 9323: 9315: 9309: 9304: 9302:Rembrandtplein 9299: 9293: 9291: 9285: 9284: 9282: 9281: 9273: 9265: 9257: 9249: 9241: 9233: 9225: 9217: 9209: 9201: 9193: 9185: 9180: 9174: 9172: 9164: 9163: 9161: 9160: 9155: 9147: 9139: 9131: 9123: 9115: 9107: 9099: 9091: 9083: 9075: 9067: 9059: 9051: 9043: 9035: 9027: 9018: 9016: 9000: 8999: 8997: 8996: 8988: 8980: 8972: 8964: 8956: 8948: 8940: 8932: 8924: 8916: 8908: 8900: 8888: 8880: 8872: 8864: 8855: 8853: 8852:Self-portraits 8849: 8848: 8846: 8845: 8837: 8829: 8821: 8813: 8805: 8797: 8789: 8781: 8773: 8765: 8757: 8749: 8741: 8733: 8725: 8717: 8708: 8706: 8702: 8701: 8699: 8698: 8691: 8683: 8675: 8667: 8659: 8651: 8643: 8635: 8627: 8619: 8611: 8603: 8595: 8587: 8579: 8571: 8563: 8555: 8547: 8539: 8535:Slaughtered Ox 8531: 8523: 8515: 8507: 8499: 8495:Saul and David 8491: 8483: 8475: 8471:Head of Christ 8467: 8459: 8451: 8443: 8435: 8431:Joseph's Dream 8427: 8419: 8407: 8399: 8391: 8383: 8375: 8367: 8359: 8351: 8343: 8335: 8327: 8319: 8318:(c. 1636-1637) 8311: 8303: 8295: 8287: 8279: 8271: 8263: 8255: 8247: 8239: 8231: 8223: 8215: 8207: 8199: 8191: 8183: 8175: 8167: 8159: 8151: 8143: 8135: 8127: 8119: 8111: 8103: 8095: 8087: 8086:(c. 1630–1632) 8079: 8071: 8063: 8055: 8047: 8039: 8031: 8023: 8015: 8007: 7999: 7991: 7983: 7974: 7972: 7966: 7965: 7962:self-portraits 7948: 7945: 7944: 7937: 7936: 7929: 7922: 7914: 7908: 7907: 7897: 7887: 7882: 7873: 7868: 7859: 7849: 7843: 7838: 7833: 7826: 7825:External links 7823: 7821: 7820: 7814: 7801: 7784: 7783: 7782: 7764: 7747: 7734: 7721: 7713: 7710: 7708: 7707: 7693: 7676: 7659: 7649: 7636: 7627: 7613:Gombrich, E.H. 7610: 7604: 7589: 7575: 7569: 7552: 7545:Clark, Kenneth 7542: 7536: 7521: 7514: 7507: 7504: 7495: 7480: 7478: 7475: 7472: 7471: 7465:978-2850252129 7464: 7446: 7437: 7411: 7385: 7355: 7325: 7295: 7265: 7210: 7165: 7120: 7094: 7068: 7035: 7005: 6991:on 20 May 2014 6972: 6963: 6954: 6935: 6926: 6907: 6903:978-1612287607 6886: 6860: 6830: 6811: 6799: 6780: 6771: 6761: 6751: 6742: 6733: 6703: 6673: 6647: 6638: 6625: 6607:New York Times 6594: 6562: 6531: 6522: 6516:978-3791352244 6515: 6497: 6471: 6439: 6436:978-1606065525 6410: 6394: 6378: 6365: 6352: 6319: 6302: 6285: 6272: 6259: 6250: 6241: 6232: 6223: 6214: 6205: 6192: 6183: 6174: 6165: 6156: 6147: 6138: 6129: 6120: 6111: 6097: 6095:Ackley, p. 14. 6088: 6079: 6070: 6061: 6052: 6043: 6041:Durham, p. 60. 6034: 6030:978-1933045443 6006: 5997: 5971: 5945: 5934:on 13 May 2012 5919: 5901: 5883: 5874: 5863: 5845: 5836: 5822: 5810: 5801: 5787: 5770: 5764:978-9087040567 5763: 5743: 5701: 5686: 5677: 5668: 5654: 5645: 5628: 5610: 5601: 5583: 5574: 5565: 5523: 5514: 5502: 5485: 5474: 5457: 5448: 5431: 5418: 5409: 5391: 5382: 5373: 5364: 5355: 5337: 5323:978-0521858250 5322: 5304: 5286: 5274: 5252: 5234: 5217: 5208: 5185: 5178: 5158: 5144: 5123: 5109: 5097: 5071: 5062: 5053: 5044: 5035: 5033:, Leiden, 1672 5012: 4983: 4974: 4952: 4943: 4931: 4922: 4910: 4885: 4844: 4843: 4841: 4838: 4836: 4835: 4826: 4793: 4783: 4769: 4755: 4742: 4718: 4701: 4692: 4675: 4666: 4656: 4645: 4643: 4640: 4639: 4638: 4631: 4628: 4627: 4626: 4620: 4613: 4611: 4608: 4601: 4599: 4596:Teylers Museum 4590: 4583: 4581: 4568: 4561: 4559: 4547: 4540: 4538: 4523: 4516: 4514: 4505: 4498: 4496: 4490: 4483: 4481: 4472: 4465: 4463: 4454: 4447: 4445: 4436: 4429: 4427: 4417: 4410: 4408: 4399: 4392: 4390: 4377: 4370: 4368: 4361:Seated Old Man 4359: 4352: 4350: 4341: 4334: 4332: 4319: 4312: 4309: 4308: 4299: 4288: 4285: 4284: 4283: 4260: 4253: 4251: 4242:(1666) at the 4236: 4229: 4227: 4219: 4212: 4210: 4201: 4194: 4192: 4179: 4172: 4170: 4162:Pushkin Museum 4160:(1660) at the 4156: 4149: 4147: 4139:Pushkin Museum 4137:(1660) at the 4131: 4124: 4122: 4116: 4109: 4107: 4099: 4092: 4090: 4082: 4075: 4073: 4065: 4058: 4056: 4048: 4041: 4039: 4031: 4024: 4022: 4014: 4007: 4005: 3998:Nationalmuseum 3990: 3983: 3981: 3975:(1653) at the 3969: 3962: 3960: 3946: 3939: 3937: 3929: 3922: 3920: 3912: 3905: 3903: 3898:Joseph's Dream 3895: 3888: 3886: 3871: 3864: 3862: 3847: 3840: 3838: 3832:(1637) at the 3826: 3819: 3817: 3801: 3794: 3792: 3784: 3777: 3775: 3769: 3762: 3760: 3752: 3745: 3743: 3731: 3724: 3722: 3706: 3699: 3697: 3681: 3674: 3672: 3666: 3659: 3657: 3644: 3637: 3635: 3629: 3622: 3620: 3612: 3605: 3603: 3594: 3587: 3585: 3577: 3570: 3568: 3560: 3553: 3551: 3545: 3538: 3536: 3527:(1628) at the 3523: 3516: 3514: 3505:(1628) at the 3501: 3494: 3492: 3480: 3473: 3469: 3466: 3465: 3464: 3453: 3446: 3444: 3436: 3429: 3427: 3421: 3414: 3412: 3393: 3386: 3384: 3362: 3355: 3353: 3345: 3338: 3336: 3330: 3323: 3321: 3306: 3299: 3297: 3291:(1640) at the 3285: 3278: 3276: 3270: 3263: 3261: 3254:Nationalmuseum 3248: 3241: 3239: 3217: 3210: 3208: 3188: 3181: 3174:Main article: 3171: 3170:Self-portraits 3168: 3166: 3163: 3162: 3161: 3154: 3147: 3140: 3133: 3126: 3123:Late Rembrandt 3119: 3112: 3105: 3098: 3091: 3084: 3075:Jan–Feb 1899: 3073: 3046: 3043: 3042: 3041: 3030: 3019: 3007: 2989: 2978: 2974:Nationalmuseum 2957: 2953:Pushkin Museum 2943: 2932: 2911: 2890: 2872: 2861: 2847: 2833: 2826:Head of Christ 2822: 2794: 2783: 2769: 2765:Gemaldegalerie 2751: 2733: 2722: 2708: 2690: 2669: 2648: 2624: 2610: 2599: 2585: 2571: 2551: 2537: 2523: 2471:in Los Angeles 2455: 2454:Selected works 2452: 2451: 2450: 2444: 2429: 2418: 2407: 2394: 2379: 2364: 2362:Charles Matton 2353: 2344: 2333: 2323: 2315: 2313:Hans Steinhoff 2304: 2294: 2286: 2275: 2264: 2252: 2246:Leo D. Maloney 2235: 2232: 2231: 2230: 2223: 2208: 2205: 2204: 2203: 2197: 2191: 2179: 2171: 2165: 2159: 2147: 2135: 2123: 2120: 2112: 2109: 2092:British Museum 2033:Gemäldegalerie 2000: 1997: 1949:Aert de Gelder 1891: 1888: 1851:Slaughtered Ox 1842: 1839: 1793:charcoal black 1758: 1755: 1667:Julius S. Held 1639:Gemäldegalerie 1596: 1593: 1589:St Pietersberg 1504: 1503: 1462: 1460: 1453: 1447: 1442: 1392:Main article: 1389: 1386: 1342:Japanese paper 1265: 1262: 1072: 1069: 1014:and sometimes 932: 929: 801:Roman emperors 767:cessio bonorum 709: 706: 514: 511: 495:Pieter Lastman 457:Dutch Republic 444: 441: 406:history of art 402:visual artists 292: 291: 288: 287: 279: 278: 274: 273: 270: 269: 263: 259: 258: 247: 243: 238: 237: 235: 231: 230: 221: 217: 216: 173:Self-portraits 170: 164: 163: 150: 149:Known for 146: 145: 143:Pieter Lastman 136: 132: 131: 125: 123:(aged 63) 119:4 October 1669 117: 113: 112: 109:Dutch Republic 103: 90: 88: 84: 83: 75: 67: 66: 63: 26: 9: 6: 4: 3: 2: 9472: 9461: 9458: 9456: 9453: 9451: 9448: 9446: 9443: 9441: 9438: 9436: 9433: 9431: 9428: 9426: 9423: 9421: 9418: 9416: 9413: 9411: 9410:Dutch etchers 9408: 9406: 9403: 9401: 9398: 9396: 9393: 9391: 9388: 9386: 9383: 9381: 9378: 9376: 9373: 9371: 9368: 9367: 9365: 9358: 9347: 9343: 9338: 9337: 9334: 9327: 9324: 9321: 9320: 9316: 9313: 9310: 9308: 9307:Rembrandtpark 9305: 9303: 9300: 9298: 9295: 9294: 9292: 9290: 9286: 9279: 9278: 9274: 9271: 9270: 9266: 9263: 9262: 9258: 9255: 9254: 9253:Nightwatching 9250: 9247: 9246: 9242: 9239: 9238: 9234: 9231: 9230: 9226: 9223: 9222: 9218: 9215: 9214: 9210: 9207: 9206: 9202: 9199: 9198: 9194: 9191: 9190: 9186: 9184: 9181: 9179: 9176: 9175: 9173: 9171: 9165: 9159: 9156: 9153: 9152: 9148: 9145: 9144: 9140: 9137: 9136: 9132: 9129: 9128: 9124: 9121: 9120: 9116: 9113: 9112: 9108: 9105: 9104: 9100: 9097: 9096: 9092: 9089: 9088: 9084: 9081: 9080: 9079:The State Bed 9076: 9073: 9072: 9068: 9065: 9064: 9060: 9057: 9056: 9052: 9049: 9048: 9044: 9041: 9040: 9036: 9033: 9032: 9028: 9025: 9024: 9020: 9019: 9017: 9014: 9009: 9005: 9001: 8994: 8993: 8989: 8986: 8985: 8984:Self-Portrait 8981: 8978: 8977: 8973: 8970: 8969: 8965: 8962: 8961: 8957: 8954: 8953: 8952:Self-Portrait 8949: 8946: 8945: 8941: 8938: 8937: 8936:Self-Portrait 8933: 8930: 8929: 8925: 8922: 8921: 8920:Self-Portrait 8917: 8914: 8913: 8909: 8906: 8905: 8901: 8898: 8894: 8893: 8889: 8886: 8885: 8881: 8878: 8877: 8876:Self-Portrait 8873: 8870: 8869: 8865: 8862: 8861: 8857: 8856: 8854: 8850: 8843: 8842: 8838: 8835: 8834: 8830: 8827: 8826: 8822: 8819: 8818: 8814: 8811: 8810: 8806: 8803: 8802: 8798: 8795: 8794: 8790: 8787: 8786: 8782: 8779: 8778: 8774: 8771: 8770: 8766: 8763: 8762: 8758: 8755: 8754: 8750: 8747: 8746: 8742: 8739: 8738: 8734: 8731: 8730: 8726: 8723: 8722: 8718: 8715: 8714: 8710: 8709: 8707: 8703: 8697: 8696: 8692: 8689: 8688: 8684: 8681: 8680: 8676: 8673: 8672: 8668: 8665: 8664: 8660: 8657: 8656: 8652: 8649: 8648: 8644: 8641: 8640: 8636: 8633: 8632: 8628: 8625: 8624: 8620: 8617: 8616: 8612: 8609: 8608: 8604: 8601: 8600: 8596: 8593: 8592: 8588: 8585: 8584: 8580: 8577: 8576: 8572: 8569: 8568: 8564: 8561: 8560: 8556: 8553: 8552: 8548: 8545: 8544: 8543:Pallas Athene 8540: 8537: 8536: 8532: 8529: 8528: 8524: 8521: 8520: 8516: 8513: 8512: 8508: 8505: 8504: 8500: 8497: 8496: 8492: 8489: 8488: 8484: 8481: 8480: 8476: 8473: 8472: 8468: 8465: 8464: 8460: 8457: 8456: 8452: 8449: 8448: 8444: 8441: 8440: 8436: 8433: 8432: 8428: 8425: 8424: 8420: 8417: 8416: 8412: 8408: 8405: 8404: 8400: 8397: 8396: 8392: 8389: 8388: 8384: 8381: 8380: 8376: 8373: 8372: 8368: 8365: 8364: 8360: 8357: 8356: 8352: 8349: 8348: 8344: 8341: 8340: 8336: 8333: 8332: 8328: 8325: 8324: 8320: 8317: 8316: 8312: 8309: 8308: 8304: 8301: 8300: 8296: 8293: 8292: 8288: 8285: 8284: 8280: 8277: 8276: 8272: 8269: 8268: 8264: 8261: 8260: 8256: 8253: 8252: 8248: 8245: 8244: 8240: 8237: 8236: 8232: 8229: 8228: 8224: 8221: 8220: 8216: 8213: 8212: 8208: 8205: 8204: 8200: 8197: 8196: 8192: 8189: 8188: 8184: 8181: 8180: 8176: 8173: 8172: 8168: 8165: 8164: 8160: 8157: 8156: 8152: 8149: 8148: 8144: 8141: 8140: 8136: 8133: 8132: 8128: 8125: 8124: 8120: 8117: 8116: 8112: 8109: 8108: 8104: 8101: 8100: 8096: 8093: 8092: 8088: 8085: 8084: 8080: 8077: 8076: 8072: 8069: 8068: 8064: 8061: 8060: 8056: 8053: 8052: 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6437: 6433: 6429: 6428: 6424: 6421: 6414: 6407: 6401: 6399: 6391: 6385: 6383: 6375: 6369: 6362: 6356: 6340: 6336: 6335: 6330: 6323: 6316: 6314: 6306: 6299: 6297: 6289: 6282: 6276: 6269: 6263: 6254: 6245: 6236: 6227: 6218: 6209: 6202: 6196: 6187: 6178: 6169: 6160: 6151: 6142: 6133: 6124: 6115: 6106: 6104: 6102: 6092: 6083: 6074: 6065: 6059:Clough, p. 23 6056: 6047: 6038: 6031: 6027: 6023: 6019: 6016: 6010: 6001: 5985: 5981: 5975: 5959: 5955: 5949: 5933: 5929: 5923: 5915: 5911: 5905: 5897: 5893: 5887: 5878: 5872: 5867: 5859: 5855: 5849: 5840: 5832: 5826: 5819: 5814: 5805: 5797: 5791: 5785:, April 2020. 5784: 5780: 5774: 5766: 5760: 5756: 5755: 5747: 5739: 5735: 5731: 5727: 5723: 5719: 5712: 5705: 5699: 5695: 5690: 5681: 5672: 5664: 5658: 5649: 5643:, April 2020. 5642: 5638: 5632: 5624: 5620: 5614: 5605: 5597: 5593: 5587: 5578: 5569: 5561: 5557: 5553: 5549: 5545: 5541: 5534: 5527: 5518: 5509: 5507: 5500:, April 2020. 5499: 5495: 5489: 5483: 5478: 5470: 5464: 5462: 5452: 5446:, April 2020. 5445: 5441: 5435: 5428: 5422: 5413: 5405: 5401: 5395: 5386: 5377: 5368: 5359: 5351: 5347: 5341: 5333: 5329: 5325: 5319: 5315: 5308: 5300: 5296: 5290: 5281: 5279: 5262: 5256: 5248: 5244: 5238: 5227: 5221: 5215:Adams, p. 660 5212: 5204: 5200: 5194: 5192: 5190: 5181: 5179:9789087046842 5175: 5171: 5170: 5162: 5154: 5148: 5140: 5136: 5135:"Rijksmuseum" 5130: 5128: 5118: 5116: 5114: 5106: 5101: 5085: 5081: 5075: 5066: 5057: 5048: 5039: 5032: 5028: 5024: 5021: 5016: 5010: 5006: 5002: 4998: 4990: 4988: 4978: 4970: 4966: 4962: 4956: 4947: 4941:, p. 203 4940: 4935: 4926: 4917: 4915: 4907: 4906: 4901: 4897: 4894: 4889: 4882: 4878: 4875: 4867: 4863: 4860: 4854: 4852: 4850: 4845: 4830: 4823: 4822:Seymour Slive 4819: 4818:Gary Schwartz 4815: 4811: 4810:Nigel Konstam 4807: 4806:David Hockney 4803: 4797: 4787: 4780: 4773: 4766: 4759: 4753: 4746: 4740:among others. 4739: 4735: 4731: 4727: 4722: 4715: 4711: 4705: 4696: 4689: 4685: 4679: 4670: 4660: 4650: 4646: 4637: 4634: 4633: 4623: 4617: 4612: 4605: 4600: 4597: 4593: 4587: 4582: 4579: 4575: 4571: 4565: 4560: 4556: 4552: 4551: 4544: 4539: 4536: 4532: 4528: 4527: 4520: 4515: 4512: 4508: 4502: 4497: 4493: 4487: 4482: 4479: 4475: 4469: 4464: 4461: 4457: 4451: 4446: 4443: 4439: 4433: 4428: 4424: 4420: 4414: 4409: 4406: 4402: 4396: 4391: 4388: 4384: 4380: 4374: 4369: 4366: 4362: 4356: 4351: 4348: 4344: 4338: 4333: 4322: 4321:Self-portrait 4316: 4311: 4310: 4307: 4303: 4300: 4298: 4294: 4291: 4290: 4280: 4276: 4265: 4264: 4257: 4252: 4249: 4245: 4241: 4240: 4233: 4228: 4224: 4223: 4216: 4211: 4207: 4206: 4198: 4193: 4190: 4186: 4182: 4176: 4171: 4167: 4163: 4159: 4153: 4148: 4144: 4140: 4136: 4135: 4128: 4123: 4119: 4113: 4108: 4104: 4103: 4096: 4091: 4087: 4086: 4079: 4074: 4070: 4069: 4068:Pallas Athene 4062: 4057: 4053: 4052: 4045: 4040: 4036: 4035: 4028: 4023: 4019: 4018: 4011: 4006: 4003: 3999: 3995: 3994: 3987: 3982: 3978: 3974: 3973: 3966: 3961: 3957: 3953: 3949: 3943: 3938: 3934: 3933: 3926: 3921: 3917: 3916: 3909: 3904: 3900: 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3237: 3233: 3222: 3221: 3214: 3209: 3206: 3202: 3191: 3185: 3180: 3179: 3177: 3159: 3155: 3152: 3148: 3145: 3141: 3138: 3134: 3131: 3127: 3124: 3120: 3117: 3113: 3110: 3106: 3103: 3099: 3096: 3092: 3089: 3085: 3082: 3078: 3074: 3071: 3067: 3063: 3062: 3058: 3057: 3051: 3036: 3035: 3031: 3025: 3024: 3020: 3016: 3011: 3008: 2995: 2994: 2990: 2984: 2983: 2979: 2975: 2963: 2962: 2958: 2954: 2949: 2948: 2944: 2938: 2937: 2933: 2929: 2917: 2916: 2912: 2908: 2896: 2895: 2894:Pallas Athena 2891: 2878: 2877: 2873: 2867: 2866: 2862: 2858: 2853: 2852: 2848: 2844: 2839: 2838: 2834: 2828: 2827: 2823: 2819: 2814: 2805: 2803: 2798: 2795: 2789: 2788: 2784: 2780: 2775: 2774: 2770: 2766: 2762: 2757: 2756: 2755:Boaz and Ruth 2752: 2748: 2743: 2739: 2738: 2734: 2728: 2727: 2723: 2719: 2714: 2713: 2709: 2696: 2695: 2691: 2687: 2675: 2674: 2670: 2666: 2654: 2653: 2649: 2645: 2641: 2636: 2630: 2629: 2625: 2621: 2616: 2615: 2611: 2605: 2604: 2600: 2596: 2591: 2590: 2586: 2582: 2577: 2576: 2572: 2569: 2557: 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P. McGowan 2247: 2243: 2242: 2238: 2237: 2228: 2224: 2221: 2220: 2215: 2211: 2210: 2201: 2198: 2195: 2192: 2189: 2186:, a novel by 2185: 2184: 2180: 2177: 2176: 2172: 2169: 2166: 2163: 2160: 2157: 2156:Joseph Heller 2154:, a novel by 2153: 2152: 2148: 2145: 2141: 2140: 2136: 2133: 2129: 2126: 2125: 2118: 2108: 2105: 2100: 2097: 2093: 2088: 2086: 2082: 2078: 2074: 2070: 2066: 2065: 2060: 2059: 2054: 2050: 2046: 2042: 2038: 2034: 2030: 2026: 2022: 2018: 2014: 2005: 1996: 1994: 1990: 1986: 1982: 1978: 1974: 1973:Nicolaes Maes 1970: 1966: 1962: 1958: 1954: 1950: 1946: 1942: 1941:Govert Flinck 1938: 1934: 1930: 1926: 1922: 1918: 1914: 1913:Ferdinand Bol 1909: 1901: 1896: 1887: 1885: 1881: 1877: 1873: 1867: 1865: 1857: 1853: 1852: 1847: 1838: 1836: 1832: 1831: 1826: 1822: 1818: 1814: 1810: 1806: 1802: 1798: 1794: 1790: 1786: 1782: 1778: 1770: 1769: 1763: 1754: 1750: 1748: 1747:Nigel Konstam 1744: 1740: 1739: 1734: 1730: 1726: 1722: 1718: 1717: 1712: 1708: 1703: 1701: 1696: 1694: 1690: 1689: 1683: 1680: 1676: 1672: 1668: 1663: 1659: 1658: 1652: 1649: 1640: 1636: 1635: 1630: 1624:on horseback. 1623: 1619: 1618: 1613: 1608: 1602: 1592: 1590: 1587:; in 1942 to 1586: 1582: 1578: 1574: 1570: 1564: 1562: 1561:civic militia 1558: 1557: 1551: 1549: 1545: 1540: 1536: 1532: 1531:De Nachtwacht 1528: 1520: 1516: 1515: 1510: 1500: 1497: 1489: 1479: 1475: 1469: 1468: 1463:This section 1461: 1457: 1452: 1451: 1446: 1441: 1439: 1435: 1431: 1427: 1423: 1415: 1411: 1405: 1400: 1395: 1385: 1382: 1377: 1375: 1371: 1367: 1363: 1357: 1355: 1351: 1347: 1343: 1339: 1334: 1332: 1328: 1327: 1321: 1317: 1312: 1304: 1301:The Shell (a 1299: 1292: 1288: 1281: 1277: 1276: 1270: 1264:Graphic works 1261: 1259: 1258: 1253: 1249: 1244: 1242: 1236: 1234: 1230: 1225: 1223: 1222: 1217: 1216:Old Testament 1213: 1212:New Testament 1209: 1205: 1201: 1196: 1194: 1193: 1188: 1185:) and large ( 1184: 1183: 1178: 1174: 1173: 1168: 1167: 1162: 1161: 1155: 1153: 1152: 1147: 1146: 1141: 1137: 1132: 1128: 1121: 1117: 1116:Self Portrait 1113: 1107: 1102: 1094: 1087: 1083: 1082: 1077: 1068: 1066: 1061: 1057: 1053: 1048: 1046: 1045: 1040: 1036: 1031: 1027: 1024: 1019: 1017: 1013: 1009: 1005: 1000: 998: 990: 986: 979: 978: 973: 966: 962: 961: 956: 951: 946: 942: 938: 928: 926: 922: 918: 914: 910: 906: 901: 899: 895: 891: 886: 883: 878: 876: 872: 871: 866: 862: 858: 853: 851: 847: 846: 841: 837: 832: 830: 826: 822: 818: 814: 810: 806: 802: 798: 793: 791: 787: 783: 778: 776: 772: 768: 763: 758: 756: 752: 743: 738: 730: 723: 719: 714: 705: 703: 699: 695: 690: 688: 684: 680: 676: 675:Geertje Dircx 672: 668: 663: 661: 656: 652: 648: 644: 640: 636: 631: 629: 628:Govert Flinck 625: 624:Ferdinand Bol 621: 617: 613: 609: 608: 603: 599: 595: 589: 587: 583: 579: 575: 571: 567: 559: 555: 551: 547: 543: 536: 532: 528: 524: 519: 510: 508: 504: 500: 496: 493: 489: 485: 481: 476: 474: 470: 466: 462: 458: 449: 440: 438: 433: 429: 424: 422: 418: 414: 409: 407: 403: 399: 395: 391: 387: 380: 374: 364: 298: 289: 285: 280: 275: 271: 267: 264: 260: 241: 236: 232: 229: 225: 222: 218: 214: 213: 207: 206: 200: 199: 193: 192: 187: 186: 180: 179: 174: 171: 165: 162: 158: 154: 151: 147: 144: 140: 137: 133: 128: 118: 114: 110: 106: 89: 85: 80: 79: 73: 68: 61: 58: 54: 50: 49: 44: 40: 33: 19: 9357: 9328:(foundation) 9317: 9280:(2010 novel) 9275: 9272:(2008 novel) 9267: 9259: 9251: 9243: 9235: 9227: 9219: 9211: 9203: 9195: 9187: 9149: 9141: 9133: 9125: 9117: 9109: 9101: 9093: 9085: 9077: 9069: 9061: 9053: 9045: 9037: 9029: 9021: 8990: 8982: 8974: 8966: 8958: 8950: 8942: 8934: 8926: 8918: 8910: 8902: 8896: 8890: 8882: 8874: 8866: 8858: 8839: 8831: 8823: 8815: 8807: 8799: 8791: 8783: 8775: 8767: 8759: 8751: 8743: 8735: 8727: 8719: 8711: 8693: 8685: 8677: 8669: 8661: 8653: 8645: 8637: 8629: 8621: 8613: 8605: 8597: 8589: 8581: 8573: 8565: 8557: 8549: 8541: 8533: 8525: 8517: 8509: 8501: 8493: 8485: 8477: 8469: 8461: 8453: 8445: 8437: 8429: 8421: 8414: 8410: 8401: 8393: 8385: 8377: 8369: 8361: 8353: 8345: 8337: 8329: 8321: 8313: 8305: 8297: 8289: 8281: 8273: 8265: 8257: 8249: 8241: 8233: 8225: 8217: 8209: 8201: 8193: 8185: 8177: 8169: 8161: 8153: 8145: 8137: 8129: 8121: 8113: 8105: 8097: 8089: 8081: 8073: 8065: 8057: 8049: 8041: 8033: 8025: 8017: 8009: 8001: 7993: 7985: 7977: 7940: 7893: 7854: at the 7805: 7786: 7766: 7749: 7736: 7730: 7696: 7682: 7665: 7638: 7631: 7616: 7594: 7578: 7558: 7548: 7526: 7517: 7510: 7499: 7484: 7455: 7449: 7440: 7430:23 September 7428:. Retrieved 7414: 7404:19 September 7402:. Retrieved 7388: 7376:. Retrieved 7367: 7358: 7346:. Retrieved 7337: 7328: 7316:. Retrieved 7307: 7298: 7286:. Retrieved 7277: 7268: 7255: 7253:Promoted in 7245:. Retrieved 7227:. Retrieved 7213: 7201:. Retrieved 7182:. Retrieved 7168: 7156:. Retrieved 7137:. Retrieved 7123: 7111:. Retrieved 7097: 7085:. Retrieved 7071: 7059:. Retrieved 7050: 7026:. Retrieved 7017: 7008: 7000: 6993:. Retrieved 6989:the original 6984: 6975: 6966: 6957: 6944: 6938: 6933:Slive, p. 60 6929: 6910: 6894: 6889: 6877:. Retrieved 6873:the original 6863: 6851:. Retrieved 6842: 6833: 6828:at ColourLex 6814: 6783: 6774: 6764: 6754: 6745: 6736: 6725:, retrieved 6717:The Guardian 6716: 6706: 6694:. Retrieved 6685: 6676: 6664:. Retrieved 6650: 6641: 6633: 6628: 6620: 6606: 6602: 6597: 6585:. Retrieved 6565: 6553:. Retrieved 6544: 6534: 6525: 6506: 6500: 6488:. Retrieved 6474: 6462:. Retrieved 6442: 6418: 6413: 6405: 6389: 6373: 6368: 6360: 6355: 6343:. Retrieved 6334:The Guardian 6332: 6322: 6310: 6305: 6293: 6288: 6280: 6275: 6262: 6253: 6244: 6235: 6226: 6217: 6208: 6200: 6195: 6186: 6177: 6168: 6159: 6150: 6141: 6132: 6123: 6114: 6091: 6082: 6073: 6064: 6055: 6046: 6037: 6009: 6000: 5988:. Retrieved 5974: 5962:. Retrieved 5948: 5936:. Retrieved 5932:the original 5922: 5914:the original 5904: 5896:the original 5886: 5881:Hughes, p. 6 5877: 5866: 5857: 5848: 5839: 5825: 5813: 5804: 5790: 5782: 5777:Wexuan, Li. 5773: 5753: 5746: 5721: 5717: 5704: 5689: 5680: 5671: 5657: 5648: 5640: 5635:Wexuan, Li. 5631: 5622: 5613: 5604: 5595: 5586: 5581:Slive, p. 84 5577: 5568: 5543: 5539: 5526: 5517: 5497: 5492:Wexuan, Li. 5488: 5477: 5451: 5443: 5438:Wexuan, Li. 5434: 5421: 5412: 5404:Voetnoot.org 5403: 5394: 5389:Slive, p. 82 5385: 5376: 5367: 5358: 5349: 5340: 5313: 5307: 5298: 5289: 5284:Slive, p. 71 5265:. Retrieved 5255: 5246: 5237: 5220: 5211: 5202: 5168: 5161: 5147: 5138: 5100: 5088:. Retrieved 5074: 5065: 5056: 5047: 5038: 5030: 5015: 5000: 4977: 4969:the original 4964: 4955: 4946: 4934: 4925: 4903: 4888: 4872:J. de Jong, 4829: 4802:Otto Benesch 4796: 4786: 4772: 4758: 4745: 4721: 4704: 4695: 4678: 4669: 4659: 4649: 4621: 4591: 4569: 4548: 4524: 4506: 4492:The Windmill 4491: 4473: 4455: 4437: 4418: 4400: 4378: 4360: 4342: 4320: 4261: 4237: 4220: 4202: 4180: 4157: 4132: 4117: 4100: 4083: 4066: 4049: 4032: 4015: 3991: 3970: 3947: 3930: 3913: 3896: 3879:Royal Castle 3872: 3848: 3827: 3802: 3790:(c. 1636–38) 3785: 3770: 3753: 3732: 3707: 3683: 3670:(c. 1633–34) 3667: 3645: 3630: 3613: 3595: 3578: 3561: 3546: 3524: 3502: 3481: 3437: 3422: 3394: 3363: 3346: 3331: 3307: 3286: 3271: 3249: 3218: 3189: 3157: 3150: 3143: 3136: 3129: 3122: 3115: 3108: 3101: 3094: 3087: 3080: 3076: 3069: 3065: 3054: 3032: 3021: 3009: 2991: 2980: 2959: 2945: 2934: 2913: 2892: 2874: 2863: 2849: 2835: 2824: 2812: 2800: 2796: 2785: 2776:(1645/48) – 2771: 2761:Woburn Abbey 2753: 2741: 2735: 2724: 2718:Royal Castle 2710: 2692: 2671: 2650: 2644:Hesse-Kassel 2626: 2612: 2601: 2587: 2573: 2553: 2539: 2525: 2504: 2496: 2486:Royal Castle 2479: 2462: 2446: 2431: 2420: 2409: 2396: 2381: 2366: 2355: 2351:Simon Schama 2346: 2342:Jos Stelling 2335: 2329: 2325: 2317: 2306: 2300: 2296: 2288: 2277: 2266: 2260: 2254: 2239: 2217: 2214:Donna Summer 2199: 2193: 2188:Daniel Silva 2181: 2173: 2167: 2161: 2151:Picture This 2149: 2137: 2127: 2101: 2094:. All major 2089: 2085:Royal Castle 2062: 2056: 2055:, which has 2010: 1977:Jürgen Ovens 1969:Jacob Levecq 1925:Willem Drost 1905: 1884:Michelangelo 1868: 1861: 1849: 1829: 1819:. Synthetic 1774: 1765: 1751: 1742: 1738:The Guardian 1736: 1728: 1724: 1714: 1710: 1706: 1704: 1699: 1697: 1686: 1684: 1679:Simon Schama 1674: 1671:Willem Drost 1655: 1653: 1644: 1632: 1615: 1565: 1554: 1552: 1534: 1530: 1526: 1524: 1518: 1512: 1492: 1483: 1472:Please help 1467:verification 1464: 1444: 1419: 1413: 1378: 1358: 1350:surface tone 1335: 1324: 1308: 1290: 1273: 1255: 1251: 1245: 1237: 1232: 1228: 1226: 1219: 1207: 1203: 1197: 1190: 1186: 1181: 1170: 1164: 1158: 1156: 1149: 1143: 1133: 1129: 1125: 1115: 1080: 1060:Caravaggisti 1049: 1042: 1038: 1034: 1032: 1028: 1020: 1001: 996: 994: 988: 975: 958: 925:Blauwburgwal 902: 887: 879: 868: 854: 843: 833: 794: 779: 759: 751:installments 747: 741: 691: 671:tuberculosis 664: 643:'Breestraat' 632: 605: 590: 563: 523:Amstel river 480:Latin school 477: 454: 425: 417:genre scenes 410: 385: 296: 295: 268:and Cornelia 210: 203: 196: 189: 183: 176: 168:Notable work 121:(1669-10-04) 101:15 July 1606 76: 57: 52: 46: 9380:1669 deaths 9375:1606 births 9256:(2007 film) 9248:(2003 film) 9224:(1977 film) 9168:Works about 9098:(1647–1649) 9011:(including 8979:(1665–1669) 8690:(1662–1669) 8490:(1650–1652) 8450:(1645–1648) 8150:(1632–1633) 7477:Works cited 7378:12 February 7051:www.nga.gov 6853:23 February 6797:, ColourLex 6727:21 December 6555:12 February 6296:Draughtsman 5990:17 February 5724:(1): 9–24. 5546:(1): 9–24. 5400:"Rembrandt" 5139:Rijksmuseum 4893:"Rembrandt" 4578:Rijksmuseum 4419:An elephant 4405:Rijksmuseum 4328: 1628 4271: 1669 4189:Los Angeles 3404: 1665 3373: 1662 3228: 1629 3205:Rijksmuseum 3201:chiaroscuro 3197: 1628 3045:Exhibitions 3017:, Bucharest 2923: 1658 2902: 1657 2884: 1655 2810: 1648 2749:, Amsterdam 2747:Rijksmuseum 2740:, formally 2702: 1635 2681: 1635 2563: 1631 2549:, The Hague 2547:Mauritshuis 2514: 1624 2436: [ 2400:: Rembrandt 2371: [ 2096:print rooms 2069:Mauritshuis 2053:Rijksmuseum 2035:in Berlin, 1989:Jan Victors 1813:ultramarine 1805:madder lake 1779:and in the 1577:Rijksmuseum 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