468:," another visually lush, dramatically obvious story of Holocaust survivors still wrestling with the ghosts of their past, several decades on from the end of World War II. Generally solid performances and Barzman's sensitive handling help to elevate the pic above the realm of the familiar and could result in okay arthouse biz among auds not yet exhausted by the subject matter.
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give powerful performances in this lyrical, moving drama about the consequences of war. The past has cast a long shadow over the present, reaching to the picturesque farm where the now-married
Melanie (Sarandon) lives unhappily with her husband (Plummer). When Melanie invites fellow Holocaust
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Yet, echoing
Marchand's title (""Munch Ado about Nothing: 'Emotional Arithmetic': Dreary by the Numbers"), in a review after the film's release, Braun observes: "How people deal with the aftermath of tragedy is a fascinating subject, but the feelings involved are never conveyed in this film.
311:: Jakob Bronski (Sydow), who saw goodness in two orphaned children in the camp, Melanie (Sarandon) and Christopher (Byrne), and who helped them to survive. Decades after their release from Drancy, their emotional wounds still affect their lives in different ways when they meet again.
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survivor Jakob (von Sydow) to her home, he unexpectedly brings
Christopher (Byrne), whose love for Melanie has never diminished since their confinement in an internment camp. Old feelings and long-suppressed memories are stirred up and revealed at a climactic, life-changing feast.
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tries to paint a picture of the long-term emotional effects of political atrocities, which is certainly an important topic. But, again, it feels like a film that was made to be about an important topic — it's a little too obvious, a little too on-the-nose, a little familiar.
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less a straight matter of addition or subtraction than it is a complex algebra equation, with multiple variables that all have a bearing on the sum. It is also, much like the film that opened
Toronto this year,
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The film's title highlights the complex "emotional arithmetic" of bitterness, jealousy, and love exposed as the characters confront the past, reconcile their feelings about one another, and struggle to move on.
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plays out in a series of fairly predictable scenes — resentments simmer, past pain comes to light, rapprochements are formed.
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Emotional
Arithmetic is all about the math, not the emotion; it's all brain and no heart as far as the filmmaking goes."
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in the US, on July 22, 2008, the film's title differed from that of its theatrical release; the US DVD is called
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has the best of intentions; it's just that its whole is far less than the sum of the parts.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
