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In 1777 the "Real
Academia de Bellas Artes de San Fernando" assumes the authority to approve all designs for new altarpieces, and according to the new Neoclassical tastes, required that polychrome woulld should be replaced with "marble or other suitable stones". This shift in style caused the
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and its cultural sphere of influence, where it became prevalent. While estofado is mostly used for wooden sculpture, either statuary in the round or reliefs, it is can also be used on other mediums, such as stone sculptures or
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47:. The term comes from the Italian "stoffa" (fabric) in reference to the fine textiles it seeks to reproduce. Its origin is found in the
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technique to be relegated to a secondary level, and was seen as common or popular by the cultured society.
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Detail from the altarpiece of the church of de San Benito el Real (Valladolid)c. 1530
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Explanation of the "Estofado" technique on the Getty Museum website
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43:) is an artistic technique that imitates the appearance of gold
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Monastery of Santa María la Real de las
Huelgas, Valladolid
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51:period, its use became more popular during the
216:Definition from glosarioarquitectonico.com
205:Baroque: Architecture, Sculpture, Painting
221:Definition of Estofado by Merriam-Webster
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130:Museo Nacional de Escultura, Valladolid
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94:Church of Santa María de los Reyes
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112:, 15th century, Segovia Cathedral
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92:Apostles from the portal of the
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188:Metropolitan Museum of Art
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96:, 14th century, Laguardia
59:periods, particularly in
16:Not to be confused with
180:Manuel Chili Caspicara
124:St. Anthony of Padua,
110:Sebastián de Almonacid
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162:Saint Florentina, by
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236:Artistic techniques
108:The deposition, by
40:[estoˈfaðo]
186:, at the New York
164:Francisco Salzillo
145:Gregorio Fernández
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178:Nativity set by
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143:The Nativity by
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18:Estofado (food)
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184:Quito School
126:Juan de Juni
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53:renaissance
230:Categories
198:References
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32:Estofado
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128:, 1540
76:Gallery
57:baroque
45:brocade
207:, 2007
49:Gothic
61:Spain
241:Gold
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