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68:, which premiered in Prague in 1903. His successful orchestral works included his cello concerto (1899), a symphony, two string quartets and two piano concertos. In 1907 d'Albert became the director of the Hochschule fĂĽr Musik in Berlin, where he exerted a wide influence on musical education in Germany. He edited critical editions of the scores of Beethoven and Bach, transcribed Bach's organ works for the piano and wrote cadenzas for Beethoven's piano concertos. He also held the post of
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313:'s preludes and fugues, some of which d'Albert transcribed for piano. "As an exponent of Beethoven, Eugen d'Albert has few, if any, equals." Gradually, d'Albert's work as a composer occupied his time more and more, and he reduced his concert playing. He was the recipient of a number of dedications, most notably of
388:
in 1905. D'Albert's most successful orchestral works included his cello concerto (1899), a symphony, two string quartets and two piano concertos. "Though not a composer of profound originality ... he had an unfailing sense of dramatic appropriateness and all the resources of a symphonic technique to
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wrote that he "was born and educated in
England, and won his earliest successes in England, although, in a freak of boyish impetuosity, he repudiated some years ago all connexion with this country, where, according to his own account, he was born by mere accident and where he learnt nothing." In
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wrote in 1904 that "This, and other circumstances, accounted for a certain loneliness in the boy's home-life and the years of his childhood. He was misunderstood, and 'cribbed, cabined, and confined' to such an extent as to largely prejudice him against the country which gave him birth".
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The nearby address of 9 Newton
Terrace has been widely copied in the literature and on the web, but 4 Crescent Place is given in the statutory register of births (Gen. Reg. Office Scotland ref 644/08 0715) and in the notice of Eugène's birth in the Glasgow Herald of 12 May
254:
invited d'Albert to play his first piano concerto, which was "received with enthusiasm". This seems to have been d'Albert's lost concerto in A major, not the work published three years later as his Piano
Concerto No. 1 in B minor, Op. 2. In the same year d'Albert won the
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The biographer
Michael Ainger wrote that on the evening of 21 April 1881, "Sullivan gave his sketch of the overture to Eugene d'Albert to score. D'Albert was a seventeen-year-old student ... and winner of the Mendelssohn Scholarship that year" (Ainger, p. 195).
382:, in November 2007. According to biographer Hugh Macdonald, it "provides a link between Italian verismo and German expressionist opera, although the orchestral textures recall a more Wagnerian language." Another stage success was a comic opera called
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had a greater influence on him than the education he received from his father or ... at the
National Training School for Music") changed his first name from Eugène to Eugen and emigrated to Germany, where he became a pupil of the elderly Liszt in
224:
472:, Latvia, where he had travelled for a divorce from his sixth wife. In the weeks preceding his death, d'Albert was the subject of attacks by the press in Riga concerning his personal life. D'Albert was buried in the cemetery overlooking
648:
As pianist, d'Albert did not record extensively, although his recordings represent a wide range of music. They include his own
Scherzo, Op. 16; Capriolen, Op. 32; Suite, Op. 1, Gavotte and Minuet; and piano arrangements from his opera
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Educated in
Britain, d'Albert showed early musical talent and, at the age of seventeen, he won a scholarship to study in Austria. Feeling a kinship with German culture and music, he soon emigrated to Germany, where he studied with
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1171:
said that if Busoni and d'Albert had been combined in one, the result would have been one of the greatest musicians of all times, "for d'Albert had all the raw material and Busoni all the refinement."
447:, who had married several times and was considerably older than d'Albert. D'Albert and Carreño were the subject of a famous joke: "Come quick! Your children and my children are quarrelling again with
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in 1882, the youngest pianist who had appeared with the orchestra. D'Albert toured extensively, including in the United States from 1904 to 1905. His virtuoso technique was compared to that of
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443:, the dramatist. He was married six times and had eight children. His first wife was Louise Salingré. His second, from 1892 to 1895, was the Venezuelan pianist, singer and composer
29:
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later years, however, he modified his views: "The former prejudice which I had against
England, which several incidents aroused, has completely vanished since many years."
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1086:, pp. 242–43. The Thesis is available from academic libraries including The British Library Document Supply Centre, Boston Spa, Wetherby W. Yorks, Ref # DX171353, and
170:: "A finer rendering of the work has seldom been heard." Also in 1880, d'Albert arranged the piano reduction for the vocal score of Sullivan's sacred music drama
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D'Albert was brought up in
Glasgow and taught music by his father until he won a scholarship to the new National Training School for Music (forerunner of the
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played in opera houses throughout the world and has retained a place in the standard German and
Austrian repertoire, with a production at the
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and began a career as a concert pianist. D'Albert repudiated his early training and upbringing in Scotland and considered himself German.
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and other important musicians who influenced his style. D'Albert, retaining his early enthusiasm for German culture and music ("hearing
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Piano Sonata in F-sharp minor, Op. 10; KlavierstĂĽcke, Op. 16; Heft 1 and Heft 2, Serenata and Capriolen FĂĽnf schlichte KlavierstĂĽcke
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As a composer, d'Albert has been more widely represented on record in recent years than previously. Some modern recordings include:
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observed, "the scoring owes more than a little to the discipline of Sullivan; there is also a curiously English fragrance".
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116:. D'Albert's father was a pianist, arranger and a prolific composer of salon music who had been ballet-master at the
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and confirmed that it is that of Eugene, not of his father Charles (as had erroneously been reported by biographer
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340:. He also composed twenty-one operas, in a wide variety of styles, which premiered mostly in Germany. His first,
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Die Musik in Geschichte und Gegenwart (MGG), biographical part, vol. 1 (Kassel: Bärenreiter, 1999), cc. 336–339.
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D'Albert was a prolific composer. His output includes a large volume of successful piano and chamber music and
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136:) in London, which he entered in 1876 at the age of 12. D'Albert studied at the National Training School with
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Eugen d'Albert (1864–1932) and His Piano Sonata, Op. 10: Its Use of Unifying Devices and Formal Structure
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is not strongly represented among d'Albert's recordings, though he committed "Au bord d'une source" from
1135:, Hyperion Records, sleeve notes to recording of d'Albert's piano concertos, 1994, accessed 25 July 2013
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and a considerable output of piano, vocal, chamber and orchestral works. His most successful opera was
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47:(10 April 1864 – 3 March 1932) was a Scottish-born pianist and composer who emigrated to Germany.
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children!" The line, however, has also been attributed to others. His later wives were soprano
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While pursuing his career as a pianist, d'Albert focused increasingly on composing, producing
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In Germany and Austria d'Albert built a career as a pianist. Liszt called him "the second
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For many years d'Albert dismissed his training and work during this period as worthless.
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d'Albert also wrote total of 58 lieder for voice and piano, published in 10 volumes
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The Operettas of Sir Arthur Sullivan: a study of available autograph full scores
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Eugen d'Albert String Quartet Nos.1 & 2 sound-bites and discussion of works
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as "a bravura player of no mean order" in a concert in October 1878. He played
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give it expression and was thus able to achieve success in so many styles".
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official web-site of the 1st International Eugen d'Albert Music Competition
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Williamson, John (20 January 2001). "Albert, Eugen (Francis Charles) d'".
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String Quartets No. 1 in A minor, Op. 7, and No. 2 in E-flat, Op. 11
1224:. Ithaca, NY: Cornell University Press. pp. 423, footnote 14.
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and became a Swiss citizen. He died in 1932 at the age of 67 in
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D'Albert was married six times, including to the pianist-singer
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Almost complete autograph manuscript at the Saxon State Library
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Eugen d'Albert: Wunderpianist und Komponist: eine Biographie
79:, and was successively a British, German and Swiss citizen.
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1331:(ZĂĽrich & Freiburg: Atlantis Musikbuch-Verlag, 1981),
1294:, 1996, MusicWeb International, accessed 18 February 2021
912:, Oxford University Press, 2004, accessed 11 October 2008
1155:, 2nd ed., Oxford Music Online, accessed 13 October 2008
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recordings, including the Piano Sonatas Nos. 18 and 21 (
455:, who originated the role of the witch in Humperdinck's
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Transcribed for piano by Eugen d'Albert, performed by
152:. By the age of 14, he was winning public praise from
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1292:"Eugene d'Albert (1864–1932): Christophorus CHE02022"
108:(1809–1886), whose ancestors included the composers
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Eugen d'Albert. Ein KĂĽnstler- und Menschenschicksal
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String Quartet No. 2 in E-flat major, Op. 11 (1893)
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1167:, vol. 102, no. 1422 (August 1961), pp. 489–90:
259:, enabling him to study in Vienna, where he met
1110:, Arbiter of Cultural Traditions website (2004)
685:represented. Perhaps surprisingly, his teacher
216:J.S.Bach: Prelude and Fugue in D major, BWV 532
1321:Lederer, Josef-Horst: "Albert, Eugen d'", in:
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532:Piano Concerto No. 2 in E major, Op. 12 (1893)
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1398:including rolls recording D'Albert's playing.
1133:"Eugen d'Albert (1864–1932): Piano Concertos"
906:"D'Albert, Eugen Francis Charles (1864–1932)"
588:String Quartet No. 1 in A minor, Op. 7 (1887)
520:Piano Concerto No. 1 in B minor, Op. 2 (1884)
573:Piano sonata in F-sharp minor, Op. 10 (1893)
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983:"Dance Arrangements from the Savoy Operas"
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366:, which premiered in Prague in 1903. When
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558:Suite in D minor for piano, Op. 1 (1883)
23:Scottish-born German pianist and composer
1010:"Eugene D'Albert: A Biographical Sketch"
535:Cello Concerto in C major, Op. 20 (1899)
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1360:(DA diss, Ball State University, 2014).
1309:Gilbert and Sullivan – A Dual Biography
1221:Franz Liszt: The final years, 1861–1886
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726:Piano Concertos No. 1 in B minor, Op. 2
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517:Piano Concerto in A major (1881, lost)
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1396:The Reproducing Piano Roll Foundation
1346:(Leipzig: Koehler und Amelang, 1930).
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567:Waltzes for piano, four hands, Op. 6
416:Grave of d'Albert at the cemetery of
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1311:. Oxford: Oxford University Press.
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1351:The New Grove Dictionary of Opera
1248:(Marienbad, Czechoslovakia, 1936)
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711:also feature in his discography.
523:Symphony in F major, Op. 4 (1886)
1487:List of operas by Eugen d'Albert
987:The Gilbert and Sullivan Archive
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514:Piano Concerto in G minor (1874)
502:List of operas by Eugen d'Albert
370:introduced the opera to London,
344:(1893) was an oriental fantasy;
241:Problems playing this file? See
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1578:Immigrants to the German Empire
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1099:Mitchell, Mark and Allan Evans
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838:Vienna Radio Symphony Orchestra
739:BBC Scottish Symphony Orchestra
403:from 1891 to 1895, now a museum
106:Charles Louis Napoléon d'Albert
1568:German male classical pianists
1271:"Eugene d'Albert: Discography"
1246:Aus dem Ghetto in der Freiheit
1153:The Oxford Dictionary of Music
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1371:Free scores by Eugen d'Albert
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1192:obituary, 4 March 1932, p. 19
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626:An den Genius von Deutschland
299:Vienna Philharmonic Orchestra
1538:Scottish classical composers
1090:, Call# :ML410.S95 H841986B)
1088:Northern Illinois University
695:(1st year) to disc in 1916.
423:D'Albert's friends included
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1563:German male opera composers
1553:British classical composers
1543:Scottish classical pianists
1101:Extensive notes on d'Albert
665:for violin and piano (with
620:Mittelalterliche Venushymne
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464:In 1914 d'Albert moved to
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1523:German Romantic composers
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966:Works by Charles d'Albert
817:Vienna Symphony Orchestra
752:Moscow Symphony Orchestra
614:Wie wir die Natur erleben
564:Eight Piano pieces, Op. 5
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160:Schumann's Piano Concerto
1548:Scottish opera composers
1307:Ainger, Michael (2002).
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730:No. 2 in E major, Op. 12
602:Der Mensch und das Leben
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333:to the Court of Weimar.
88:Early life and education
72:to the Court of Weimar.
45:Francis Charles d'Albert
16:Not to be confused with
1204:, 1 October 1910, p. 13
1147:Kennedy, Michael (ed.)
1055:: Sullivan as Conductor
1042:, 8 February 1881, p. 8
972:, accessed 28 June 2021
945:Oxford University Press
408:Personal life and death
399:, home of d'Albert and
257:Mendelssohn Scholarship
110:Giuseppe Matteo Alberti
1528:German opera composers
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541:. Suite, Op. 33 (1924)
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32:Eugen d'Albert in 1904
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1053:The Martyr of Antioch
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576:KlavierstĂĽcke, Op. 16
544:Symphonic Prelude to
433:Engelbert Humperdinck
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173:The Martyr of Antioch
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692:Années de pèlerinage
397:Villa Teresa, Coswig
380:Deutsche Oper Berlin
178:Gilbert and Sullivan
1244:Waghalter, Ignatz.
1149:" Albert, Eugen d'"
1084:University of Wales
1068:David Russell Hulme
807:Margherita Kenney;
320:Burleske in D minor
941:Grove Music Online
754:/ Dmitry Yablonsky
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669:). A selection of
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653:. He made several
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1131:Eastick, Martin.
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842:Bertrand de Billy
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663:"Spring" Sonata
651:Die Toten Augen
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628:, Op. 30 (1904)
622:, Op. 26 (1904)
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608:Seejungfräulein
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1076:Arthur Jacobs
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984:
981:Sands, John.
978:
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583:Chamber works
580:
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569:Musical score
566:
563:
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560:Musical score
557:
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450:
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429:Hans Pfitzner
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331:Kapellmeister
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287:Hermine Finck
285:d'Albert and
283:
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119:
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94:
80:
78:
73:
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70:Kapellmeister
67:
66:
61:
56:
54:
48:
46:
42:
38:
30:
26:
19:
18:Eugène Albert
1470:
1462:
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1432:
1357:
1350:
1343:
1328:
1322:
1308:
1286:
1253:
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1240:
1220:
1216:Walker, Alan
1209:
1201:
1197:
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1013:
986:
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856:Hermann Prey
849:
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826:Lisa Gasteen
780:
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743:Alun Francis
729:
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539:Aschenputtel
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146:John Stainer
131:
125:
99:
74:
63:
57:
49:
44:
40:
39:(originally
36:
35:
25:
1513:1932 deaths
1508:1864 births
1448:Die Abreise
1392:Piano rolls
1213:see, e.g.,
872:János Kulka
850:Die Abreise
830:Johan Botha
813:Otto Wiener
795:Bernd Weikl
661:), and the
659:"Waldstein"
596:Vocal music
474:Lake Lugano
385:Flauto solo
347:Die Abreise
265:Franz Liszt
138:Ernst Pauer
53:Franz Liszt
1502:Categories
1302:References
860:Edda Moser
791:René Kollo
787:Éva Marton
774:Piers Lane
735:Piers Lane
679:polonaises
644:Recordings
311:J. S. Bach
243:media help
1472:Der Golem
1202:The Times
1190:The Times
1120:The Times
1040:The Times
1028:The Times
970:imslp.org
799:Kurt Moll
655:Beethoven
372:The Times
357:Der Golem
342:Der Rubin
326:The Times
307:Beethoven
191:The Times
168:The Times
155:The Times
83:Biography
60:21 operas
1456:Tiefland
1275:Archived
1218:(1997).
1104:Archived
1082:, 1985,
1072:Patience
781:Tiefland
705:Schubert
553:Keyboard
546:Tiefland
376:Tiefland
363:Tiefland
250:In 1881
183:Patience
65:Tiefland
1377:(IMSLP)
1373:at the
683:waltzes
478:Morcote
418:Morcote
401:Carreño
289:in 1902
162:at the
120:and at
102:Glasgow
1475:(1926)
1467:(1916)
1459:(1903)
1451:(1898)
1440:Operas
1335:
1281:(2006)
1228:
728:, and
701:Mozart
697:Brahms
675:Ă©tudes
671:Chopin
635:
527:Esther
494:Operas
466:Zurich
338:lieder
303:Busoni
295:Tausig
276:Weimar
198:Career
41:Eugène
922:1864.
880:Notes
709:Weber
687:Liszt
484:Works
37:Eugen
1333:ISBN
1226:ISBN
707:and
681:and
499:See
470:Riga
439:and
352:Kain
148:and
112:and
949:doi
476:in
449:our
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245:.
20:.
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