386:
my permission; so that in each case, where I have given my permission, there was something that attracted me about the version that they perform, which made me think I'd like to allow them to release it. Of course, I always prefer my own version best, but (laughs) what they do is really around the piece, you might say, rather than a literal transposition of the piece, and they're a gifted group. In that particular case, I allowed it to go by because when they first play it, they play it fairly straight and when they end the piece, they play it very straight. What they do in the middle, I'm not sure exactly how they connect that with my music but (laughs) they do it someway, I suppose. But the fact that at the beginning and the end it really is the
Fanfare for the Common Man gave me the feeling I ought to allow them to do it as they pleased.
321:, the only space available sufficiently large to accommodate themselves and the orchestra. During a coffee break, Lake took the lift upstairs, and was struck by the spectacle of the empty stadium under a carpet of snow, and was inspired to hold a jam session in the unique environment. They organized for their equipment to be set up early the following morning, and a video recordist to document the proceedings. Despite the extreme cold, the trio, dressed in their warmest gear, completed a version of "Fanfare" in four separate "takes", filming each member individually, then one of the trio which, assembled, is available on several "free to view" services: Youtube and Dailymotion
1210:"The intro horn is definitely a Yamaha GX1, as are all of the synth sounds used on Fanfare for the Common Man. Keith used three registrations (patches,) the intro horn, the brass like poly synth lead, and a modulated organ-like lead; I believe that that synth bass sound was simply the lower octaves of the organ-like patch. The Moog was not used at all, except occasionally on extended live versions that formed a finale. I know this because I discussed it with Keith and his keyboard engineer, Will Alexander when I met with them a couple of years ago."
29:
385:
Copland: Well, (laughs) of course it's very flattering to have one's music adopted by so popular a group, and so good a group as
Emerson, Lake & Palmer. A lot depends on what they do with what they take, and naturally since I have a copyright on such material, they're not able to take it without
289:
It was just wonderful how it came about: We were recording in
Montreux, Switzerland, in 1976, and Keith was playing it as a piece of classical music. I played this shuffle bass line behind him and all of a sudden it started to connect. Then Carl came in and we three started to play it. Luckily, the
364:
The interesting thing... was that we had to get the permission of Aaron
Copland, the composer. The publishing house said forget it. So I got Mr Copland's home number, called him up and he was very friendly on the phone. And he says "Send it to me, let me listen." And he loved it. He called me and
268:...it needed transposing, so I did that first. I wanted to improvise in a key that was sort of bluesy. It ended up in E. The rest of it was straightforward, really. You know, in order to get the shuffle sound, the timing had to be changed, but it was common sense.
374:
In an interview with
Melissa Merli of The News-Gazette, Emerson said: "I know that Aaron Copland for one admired my adaptation. The BBC radio people in England interviewed him shortly before he passed and got his opinion, and it was very complimentary."
303:
We got a very ‘live’ dirty R & B sound that was really incredible. And all done with one microphone. We hadn’t played together for quite a while before that, apart from rehearsals and stuff. 'Fanfare' was thoroughly jammed, from top to
248:
album in 1972. Although ELP did not always initially attribute the classical source for some of their pieces (only attributed in later releases of the albums), Copland was attributed as the source for both "Hoedown" and "Fanfare". Unlike
329:
Emerson's adaptation begins very much the same as
Copland's original piece, though at a slightly faster tempo, up to about the thirty-second mark, where a strong rhythm line from drums, bass and Emerson on the lower rank of the
334:
begins. From that point, Emerson restates the theme before starting the modal solo (on the GX-1's solo rank) that so bewildered
Copland at about the three-minute mark, returning to the main theme at the eight-minute mark.
1656:
1068:"When Emerson, Lake & Palmer failed to acknowledge Béla Bartók and Leoš Janáček on their first album, several magazine articles denounced this omission. Their later albums usually acknowledged their sources."
600:"Fanfare" became a staple of ELP's concerts and, while the opening and closing portions of the piece follow the recorded version fairly closely, Emerson's "modal" solo varied from one performance to another.
2133:
2173:
382:
Interviewer: Just before I left London, I heard a piece of music of yours, Fanfare for the Common Man, which had been taken by a rock group
Emerson, Lake & Palmer. How do you feel about that?
338:
There is some ambiguity as to whether real trumpets or the Yamaha GX-1 was used for the introductory trumpet part. Anecdotal evidence suggests it was the GX-1. When performed on some of the
1273:|quote="I did use the Alembics for a while. The company built a whole series of custom basses for me. It was during the period when we did "Fanfare for the Common Man" and "Karn Evil 9.""
2149:
542:
2125:
2256:
483:
1233:
435:
An edited version, closer to
Copland's original three minutes, was released May 1977 as a single and became ELP's most popular release, reaching number 2 in the
2189:
1359:
651:
1989:
721:
172:
717:
1586:
2165:
546:
389:
Interviewer: I know your original work is just over three minutes and
Emerson, Lake & Palmer have managed to turn it into a nine minute work.
2549:
2205:
2181:
2157:
1472:
531:), the performance begins and ends with the orchestra that the band took with them for some of the 1977 tour supporting the release of the
1193:
2340:
2248:
502:
2058:
244:
1722:
2524:
1138:
2264:
1982:
585:
514:
860:
1516:
2497:
2240:
2221:
1450:
923:
508:
2141:
1700:
1634:
716:, which features a version of "Fanfare", amongst other ELP pieces. Palmer's band consists of himself on drums, guitarist
523:
339:
2375:
1975:
551:
which end with a piece titled "Finale" or "Medley" that contains "Fanfare" and adaptations called "America" (based on "
2450:
2042:
679:
2382:
466:] Fanfare for the Common Man became the third bestselling instrumental track ever and still holds that honour.
906:
33:
Front cover of Fanfare for the Common Man with the UK Atlantic Records catalogue number of K10946 to identify it.
1363:
290:
engineer had a two-track running, and that is what’s on the record - the first time we played through the piece.
2213:
552:
2417:
1906:
869:
635:
540:
ELP is also known to combine their rendition of Fanfare with other pieces, such as during their performances
2539:
2291:
1748:
1590:
489:
1937:
2534:
2283:
1305:
Emerson, Lake & Palmer 40th Anniversary Reunion Concert DVD booklet, page 7, Concert One Limited 2011
477:
1962:
616:
227:
1172:"Dailymotion: Emerson, Lake & Palmer - Fanfare for the Common Man - Montreal Olympic Stadium 1977"
2456:
2444:
2361:
1998:
1885:
675:
318:
209:
159:
43:
1315:
439:. The "B" side of the single was the song Brain Salad Surgery, recorded during the sessions for the
2502:
1473:"Keith Emerson Band Concert Setlist at DK Lensoveta, Saint-Petersburg, Russia on September 2, 2008"
1197:
1028:
647:
620:
1889:
793:
239:
685:
Lake also performed "Fanfare" in concert but with none of the other original members performing.
564:
2544:
2389:
697:
1793:"Gloucester Cathedral: Marco Lo Muscio Plays : Keith Emerson: Fanfare for the Common Man"
2482:
1726:
746:
has performed an arrangement of Emerson's adaptation of "Fanfare" on numerous church organs
667:
2410:
2326:
1903:"British single certifications – Emerson, Lake & Palmer – Fanfare for the Common Man"
1494:
1429:
254:
8:
2529:
2066:
1837:"Westminster Cathedral: Marco Lo Muscio Plays: Keith Emerson: Fanfare for the Common Man"
1337:
440:
1115:
977:
2307:
2197:
2098:
952:
624:
1018:"Fanfare for the Common Man (77,78,86,88,92,93,96,97,98)" - Years performed in concert
2461:
1865:
824:
778:
731:
in 2007, which consists of remixes of ELP songs, including two versions of "Fanfare".
556:
454:
Emerson, Lake & Palmer: Welcome Back My Friends, 40th Anniversary Reunion Concert
356:
Stewart Young, ELP's manager from 1972–present, made this comment on the documentary
342:
tour, "Fanfare" began and ended with real trumpets but the liner notes for the album
89:
61:
1862:"Kent Music Report No 183 – 26 December 1977 > National Top 100 Singles for 1977"
317:, during their 1977 tour of America, the band was rehearsing in the basement of the
1520:
1005:
789:
560:
436:
250:
205:
120:
85:
28:
2106:
1967:
1941:
743:
627:
603:"Fanfare" has also been performed by the band members in other bands, including:
365:
said "This is brilliant, this is fantastic. This is doing something to my music."
146:
1543:"EMERSON BERRY & PALMER (THREE): FANFARE FOR THE COMMON MAN - NEW YORK 1988"
392:
Copland: (Laughs) Exactly, well, it's those six minutes in the middle...(laughs)
2476:
2434:
2368:
2347:
2082:
2074:
1093:
658:
608:
533:
445:
344:
214:
52:
39:
1956:
1836:
1814:
1792:
1612:
1564:
1542:
1407:
1385:
1296:"I used the 8 string bass on Fanfare because of its wirey and resonant sound."
1283:
1159:
714:
Carl Palmer & His Band – Celebrates The Music of Emerson Lake & Palmer
2518:
2333:
2010:
1139:"Emerson, Lake & Palmer's 'Fanfare For The Common Man' – an oral history"
594:
407:
261:
223:
219:
138:
134:
1171:
688:
Palmer has performed "Fanfare" in concert, including a reunion concert with
2439:
2299:
1258:
Disc 4 Track 1, Castle Music UK, Audio CD, Release Date: September 17, 2007
709:
693:
662:
643:
568:
115:
2134:
Welcome Back My Friends to the Show That Never Ends – Ladies and Gentlemen
1902:
1770:
593:
as a theme song for their sports programmes. It was also used in the 1993
2471:
2466:
2396:
2024:
1678:
1078:
Milano, Domenic (October 1977). "Keith Emerson: An Exclusive Interview".
736:
705:
701:
689:
590:
423:
331:
80:
1055:
657:
Emerson and Palmer performed it together in concert as part of the band
348:
show only the three band members and no other performers on that track.
2354:
2090:
1929:
639:
411:
128:
2017:
739:
called Fanfare includes "Fanfare for the Common Man" in their shows.
612:
417:
378:
In a BBC Radio interview, Copland relayed his reaction to the piece:
282:
152:
674:
Emerson and Lake performed "Fanfare" in concert as part of the band
204:
is an instrumental piece of music adapted and played by the English
1033:
631:
572:
314:
1861:
1815:"Marco Lo Muscio Plays: Keith Emerson: Fanfare for the Common Man"
518:
contains a third version, running five minutes and forty seconds.
927:
1160:
YouTube: Emerson, Lake & Palmer - Fanfare For The Common Man
571:), both of which were played by Emerson when he was in the band
2050:
1934:
1951:
498:
Come and See the Show - The Best of Emerson Lake & Palmer
1946:
462:
1565:"Emerson Lake & Powell - Live In Detroit 17-10-1986"
460:
The instrumental reworking of Aaron Copeland's [
257:, Copland was still alive at the time of the recording.
1223:, Sanctuary Records, DVD, Release Date: August 16, 2005
230:, it is one of their most popular and enduring pieces.
924:"Emerson Lake And Palmer – Fanfare For The Common Man"
712:. Most recently, Palmer has presented a show entitled
2190:
The Original Bootleg Series from the Manticore Vaults
578:
285:
remembers the first time ELP played the adaptation:
583:This arrangement was an opening theme song for the
1997:
1219:Emerson, Lake & Palmer, "Story Of The Band,"
859:
2516:
885:Shipments figures based on certification alone.
1587:"Music DVD Review Greg Lake Welcome Backstage"
665:on guitar, but not on the band's 1988 release
1983:
727:Emerson worked with producer Mike Bennett on
506:feature the full version but the compilation
2158:King Biscuit Flower Hour: Greatest Hits Live
2249:The Very Best of Emerson, Lake & Palmer
1136:
503:The Very Best of Emerson, Lake & Palmer
1990:
1976:
1725:. classicrockrevisited.com. Archived from
27:
1856:
1854:
1422:
607:Emerson performed "Fanfare" in 1990 with
351:
324:
16:1977 single by Emerson, Lake & Palmer
2265:The Essential Emerson, Lake & Palmer
1386:"Tollwood Festival München Germany 1997"
1000:
998:
515:The Essential Emerson, Lake & Palmer
2174:Live at the Isle of Wight Festival 1970
947:
945:
495:Fanfare for the Common Man - Anthology,
2550:Arrangements of classical compositions
2517:
2241:The Best of Emerson, Lake & Palmer
1879:
1851:
1077:
916:
509:The Best of Emerson, Lake & Palmer
452:From the booklet that accompanies the
238:ELP had previously adapted Copland's "
1971:
1226:
995:
634:in Glasgow on a tour in 2002; at the
1453:. rollingstone.com. 11 December 2007
972:
970:
942:
754:
299:In another interview, Lake remarks:
1930:Emerson, Lake & Palmer official
1895:
1635:"Asia - Spirit of the Night review"
1194:"Fanfare for the Common Man patch?"
524:Emerson, Lake and Palmer in Concert
13:
2222:Live at the Mar y Sol Festival '72
978:"Emerson, Lake & Palmer Songs"
807:
589:. It is also used by Australia's
14:
2561:
2193:(Vol. 1–4, 2001, 2002 & 2006)
1923:
1589:. blogcritics.org. Archived from
1267:
1056:"The Nexus of Classical and Rock"
967:
844:
579:Performances by ELP and by others
2525:Emerson, Lake & Palmer songs
1886:"Official Singles Chart Top 100"
1817:. youtube.com. 15 September 2008
1430:"Vivacitas Live At Glasgow 2002"
759:
1829:
1807:
1785:
1763:
1741:
1715:
1693:
1671:
1649:
1637:. musoscribe.com. 11 March 2011
1627:
1605:
1579:
1557:
1535:
1509:
1487:
1465:
1443:
1410:. youtube.com. 22 February 2010
1400:
1378:
1362:. skyarts.co.uk. Archived from
1352:
1330:
1316:"CBS Sports Spectacular – 1978"
1308:
1299:
1276:
1261:
1248:
1213:
1186:
1164:
1153:
1130:
1108:
1958:Video Olympic Stadium Montreal
1892:. Retrieved October 17, 2023.
1519:. nearfest.com. Archived from
1196:. kvraudio.com. Archived from
1116:"MELODY MAKER, March 12, 1977"
1086:
1071:
1048:
1021:
899:
1:
2418:I Believe in Father Christmas
2150:Live at the Royal Albert Hall
1907:British Phonographic Industry
1388:. youtube.com. 11 August 2010
1338:"Live At Nassau Coliseum '78"
893:
650:; and most recently with the
636:Ahmet Ertegun Tribute Concert
543:Live at the Royal Albert Hall
512:includes the single version.
277:
233:
1268:Cohen, Elliot, "Lucky Man",
1254:Emerson, Lake & Palmer,
729:Reworks: Brain Salad Perjury
563:) and/or "Rondo" (based on "
401:
202:"Fanfare for the Common Man"
22:"Fanfare for the Common Man"
7:
2284:The Return of the Manticore
2214:Live at Nassau Coliseum '78
1795:. youtube.com. 15 June 2011
1006:"ELP CONCERT TRACK LISTING"
478:The Return of the Manticore
430:
10:
2566:
2451:Emerson, Lake & Powell
2445:Emerson, Lake & Powell
2404:Fanfare for the Common Man
2043:Emerson, Lake & Palmer
1999:Emerson, Lake & Palmer
1408:"Japan 1990 YouTube video"
676:Emerson, Lake & Powell
597:during the intro segment.
210:Emerson, Lake & Palmer
182:Fanfare for the Common Man
160:Emerson, Lake & Palmer
44:Emerson, Lake & Palmer
2492:
2427:
2318:
2275:
2232:
2126:Pictures at an Exhibition
2117:
2034:
2005:
1701:"At B.B. King Blues Club"
1234:"Melissa Merli Interview"
882:
867:
856:
853:
822:
788:
776:
749:
166:
158:
144:
126:
114:
95:
79:
71:
59:
49:
38:
26:
21:
1094:"GUITAR WORLD, July '93"
680:self-titled studio album
678:, but not on the band's
623:on tour in Japan as the
212:, from the group's 1977
2257:The Ultimate Collection
2142:In Concert / Works Live
1890:Official Charts Company
1679:"Carl Palmer Biography"
1451:"Rolling Stone article"
484:The Ultimate Collection
443:but not released until
420:: 8-string Alembic bass
2390:Still...You Turn Me On
1935:Keith Emerson official
1875:– via Imgur.com.
586:CBS Sports Spectacular
521:On the live recording
473:
441:album of the same name
414:polyphonic synthesizer
399:
372:
352:Reactions from Copland
325:Comparison to original
311:
297:
275:
2483:To the Power of Three
1318:. Televisiontunes.com
1284:"Greg Lake One-2-One"
1118:. ladiesofthelake.com
1096:. ladiesofthelake.com
1080:Contemporary Keyboard
955:. albumlinernotes.com
668:To the Power of Three
458:
380:
362:
301:
287:
266:
67:"Brain Salad Surgery"
2411:Tiger in a Spotlight
1952:Carl Palmer official
1593:on November 12, 2011
1495:"Moogfest BB King's"
1221:Beyond the Beginning
1137:Tom Pinnock (2019).
1029:"Fanfare appears on"
823:Australian Singles (
777:Australian Singles (
704:on bass and with an
630:; with his old band
565:Blue Rondo à la Turk
358:Beyond the Beginning
2540:1970s instrumentals
2067:Brain Salad Surgery
1729:on October 15, 2011
1523:on October 19, 2011
1366:on October 25, 2008
1256:From The Beginning,
1200:on January 28, 2013
1058:. rockclassical.com
850:
617:Jeff "Skunk" Baxter
527:(later released as
2535:Rock instrumentals
2362:From the Beginning
2308:A Time and a Place
2292:From the Beginning
2233:Compilation albums
2198:A Time and a Place
1947:Greg Lake official
1940:2006-10-22 at the
1773:. fanfarerocks.com
1723:"CARL PALMER LIVE"
1286:. www.greglake.com
1236:. news-gazette.com
1174:. 15 November 2013
849:
652:Keith Emerson Band
490:From the Beginning
218:album. Adapted by
162:singles chronology
2512:
2511:
2462:Manticore Records
1866:Kent Music Report
1749:"AllMusic review"
1613:"Asia in Concert"
1497:. theaquarian.com
891:
890:
886:
841:
840:
834:
833:
825:Kent Music Report
803:
802:
779:Kent Music Report
742:Italian organist
722:Simon Fitzpatrick
557:Leonard Bernstein
475:The compilations
426:: timpanis, drums
242:" for the band's
199:
198:
195:
194:
90:instrumental rock
2557:
2428:Related articles
1992:
1985:
1978:
1969:
1968:
1959:
1918:
1917:
1915:
1913:
1899:
1893:
1883:
1877:
1876:
1874:
1872:
1858:
1849:
1848:
1846:
1844:
1833:
1827:
1826:
1824:
1822:
1811:
1805:
1804:
1802:
1800:
1789:
1783:
1782:
1780:
1778:
1767:
1761:
1760:
1758:
1756:
1745:
1739:
1738:
1736:
1734:
1719:
1713:
1712:
1710:
1708:
1697:
1691:
1690:
1688:
1686:
1681:. carlpalmer.com
1675:
1669:
1668:
1666:
1664:
1653:
1647:
1646:
1644:
1642:
1631:
1625:
1624:
1622:
1620:
1609:
1603:
1602:
1600:
1598:
1583:
1577:
1576:
1574:
1572:
1561:
1555:
1554:
1552:
1550:
1539:
1533:
1532:
1530:
1528:
1513:
1507:
1506:
1504:
1502:
1491:
1485:
1484:
1482:
1480:
1469:
1463:
1462:
1460:
1458:
1447:
1441:
1440:
1438:
1436:
1426:
1420:
1419:
1417:
1415:
1404:
1398:
1397:
1395:
1393:
1382:
1376:
1375:
1373:
1371:
1356:
1350:
1349:
1347:
1345:
1334:
1328:
1327:
1325:
1323:
1312:
1306:
1303:
1297:
1295:
1293:
1291:
1280:
1274:
1272:
1270:Bass Player 2011
1265:
1259:
1252:
1246:
1245:
1243:
1241:
1230:
1224:
1217:
1211:
1209:
1207:
1205:
1190:
1184:
1183:
1181:
1179:
1168:
1162:
1157:
1151:
1150:
1148:
1146:
1134:
1128:
1127:
1125:
1123:
1112:
1106:
1105:
1103:
1101:
1090:
1084:
1083:
1075:
1069:
1067:
1065:
1063:
1052:
1046:
1045:
1043:
1041:
1025:
1019:
1017:
1015:
1013:
1002:
993:
992:
990:
988:
974:
965:
964:
962:
960:
949:
940:
939:
937:
935:
920:
914:
913:
911:
903:
884:
868:United Kingdom (
851:
848:
812:
811:
764:
763:
755:
718:Paul Bielatowicz
708:spin-off called
561:Stephen Sondheim
471:
437:UK Singles Chart
397:
370:
309:
295:
273:
228:of the same name
206:progressive rock
168:
167:
149:
131:
107:
106:
102:
86:Progressive rock
64:
31:
19:
18:
2565:
2564:
2560:
2559:
2558:
2556:
2555:
2554:
2515:
2514:
2513:
2508:
2507:
2488:
2423:
2314:
2271:
2228:
2113:
2107:In the Hot Seat
2030:
2001:
1996:
1957:
1942:Wayback Machine
1926:
1921:
1911:
1909:
1901:
1900:
1896:
1884:
1880:
1870:
1868:
1860:
1859:
1852:
1842:
1840:
1835:
1834:
1830:
1820:
1818:
1813:
1812:
1808:
1798:
1796:
1791:
1790:
1786:
1776:
1774:
1771:"Fanfare Rocks"
1769:
1768:
1764:
1754:
1752:
1747:
1746:
1742:
1732:
1730:
1721:
1720:
1716:
1706:
1704:
1699:
1698:
1694:
1684:
1682:
1677:
1676:
1672:
1662:
1660:
1655:
1654:
1650:
1640:
1638:
1633:
1632:
1628:
1618:
1616:
1611:
1610:
1606:
1596:
1594:
1585:
1584:
1580:
1570:
1568:
1563:
1562:
1558:
1548:
1546:
1541:
1540:
1536:
1526:
1524:
1517:"Nearfest 2006"
1515:
1514:
1510:
1500:
1498:
1493:
1492:
1488:
1478:
1476:
1471:
1470:
1466:
1456:
1454:
1449:
1448:
1444:
1434:
1432:
1428:
1427:
1423:
1413:
1411:
1406:
1405:
1401:
1391:
1389:
1384:
1383:
1379:
1369:
1367:
1360:"Montreux 1997"
1358:
1357:
1353:
1343:
1341:
1336:
1335:
1331:
1321:
1319:
1314:
1313:
1309:
1304:
1300:
1289:
1287:
1282:
1281:
1277:
1266:
1262:
1253:
1249:
1239:
1237:
1232:
1231:
1227:
1218:
1214:
1203:
1201:
1192:
1191:
1187:
1177:
1175:
1170:
1169:
1165:
1158:
1154:
1144:
1142:
1135:
1131:
1121:
1119:
1114:
1113:
1109:
1099:
1097:
1092:
1091:
1087:
1076:
1072:
1061:
1059:
1054:
1053:
1049:
1039:
1037:
1027:
1026:
1022:
1011:
1009:
1004:
1003:
996:
986:
984:
976:
975:
968:
958:
956:
951:
950:
943:
933:
931:
922:
921:
917:
909:
905:
904:
900:
896:
861:Certified units
847:
842:
810:
808:Year-end charts
771:
762:
752:
744:Marco Lo Muscio
581:
472:
470:
433:
404:
398:
396:
371:
369:
354:
327:
319:Olympic stadium
310:
308:
296:
294:
280:
274:
272:
236:
190:
189:"C'est la Vie"
185:
176:
145:
127:
109:
104:
100:
99:
60:
50:from the album
34:
17:
12:
11:
5:
2563:
2553:
2552:
2547:
2542:
2537:
2532:
2527:
2510:
2509:
2506:
2505:
2500:
2494:
2493:
2490:
2489:
2487:
2486:
2479:
2477:Peter Sinfield
2474:
2469:
2464:
2459:
2457:Richard Fraser
2454:
2447:
2442:
2437:
2431:
2429:
2425:
2424:
2422:
2421:
2414:
2407:
2400:
2393:
2386:
2379:
2372:
2365:
2358:
2351:
2344:
2337:
2330:
2322:
2320:
2316:
2315:
2313:
2312:
2304:
2296:
2288:
2279:
2277:
2273:
2272:
2270:
2269:
2261:
2253:
2245:
2236:
2234:
2230:
2229:
2227:
2226:
2218:
2210:
2202:
2194:
2186:
2178:
2170:
2166:Live in Poland
2162:
2154:
2146:
2138:
2130:
2121:
2119:
2115:
2114:
2112:
2111:
2103:
2095:
2087:
2083:Works Volume 2
2079:
2075:Works Volume 1
2071:
2063:
2055:
2047:
2038:
2036:
2032:
2031:
2029:
2028:
2021:
2014:
2006:
2003:
2002:
1995:
1994:
1987:
1980:
1972:
1966:
1965:
1954:
1949:
1944:
1932:
1925:
1924:External links
1922:
1920:
1919:
1894:
1878:
1850:
1828:
1806:
1784:
1762:
1751:. allmusic.com
1740:
1714:
1703:. goldstar.com
1692:
1670:
1648:
1626:
1604:
1578:
1556:
1534:
1508:
1486:
1464:
1442:
1421:
1399:
1377:
1351:
1340:. facebook.com
1329:
1307:
1298:
1275:
1260:
1247:
1225:
1212:
1185:
1163:
1152:
1129:
1107:
1085:
1070:
1047:
1020:
994:
966:
941:
915:
897:
895:
892:
889:
888:
880:
879:
876:
873:
865:
864:
858:
855:
846:
845:Certifications
843:
839:
838:
832:
831:
828:
820:
819:
816:
809:
806:
804:
801:
800:
797:
786:
785:
782:
774:
773:
768:
761:
758:
753:
751:
748:
733:
732:
725:
700:on guitar and
696:on keyboards,
686:
683:
672:
655:
621:Simon Phillips
609:John Entwistle
580:
577:
547:Live in Poland
534:Works Volume 1
468:
446:Works Volume 2
432:
429:
428:
427:
421:
415:
403:
400:
394:
367:
353:
350:
345:Works Volume I
326:
323:
306:
292:
279:
276:
270:
235:
232:
226:'s 1942 piece
215:Works Volume I
197:
196:
193:
192:
187:
178:
164:
163:
156:
155:
150:
142:
141:
132:
124:
123:
118:
112:
111:
97:
93:
92:
83:
77:
76:
73:
69:
68:
65:
57:
56:
53:Works Volume 1
47:
46:
36:
35:
32:
24:
23:
15:
9:
6:
4:
3:
2:
2562:
2551:
2548:
2546:
2545:Aaron Copland
2543:
2541:
2538:
2536:
2533:
2531:
2528:
2526:
2523:
2522:
2520:
2504:
2501:
2499:
2496:
2495:
2491:
2485:
2484:
2480:
2478:
2475:
2473:
2470:
2468:
2465:
2463:
2460:
2458:
2455:
2453:
2452:
2448:
2446:
2443:
2441:
2438:
2436:
2433:
2432:
2430:
2426:
2419:
2415:
2412:
2408:
2405:
2401:
2398:
2394:
2391:
2387:
2384:
2380:
2377:
2373:
2370:
2366:
2363:
2359:
2356:
2352:
2349:
2345:
2342:
2338:
2335:
2334:Take a Pebble
2331:
2328:
2327:The Barbarian
2324:
2323:
2321:
2317:
2310:
2309:
2305:
2302:
2301:
2297:
2294:
2293:
2289:
2286:
2285:
2281:
2280:
2278:
2274:
2267:
2266:
2262:
2259:
2258:
2254:
2251:
2250:
2246:
2243:
2242:
2238:
2237:
2235:
2231:
2224:
2223:
2219:
2216:
2215:
2211:
2208:
2207:
2203:
2200:
2199:
2195:
2192:
2191:
2187:
2184:
2183:
2179:
2176:
2175:
2171:
2168:
2167:
2163:
2160:
2159:
2155:
2152:
2151:
2147:
2144:
2143:
2139:
2136:
2135:
2131:
2128:
2127:
2123:
2122:
2120:
2116:
2109:
2108:
2104:
2101:
2100:
2096:
2093:
2092:
2088:
2085:
2084:
2080:
2077:
2076:
2072:
2069:
2068:
2064:
2061:
2060:
2056:
2053:
2052:
2048:
2045:
2044:
2040:
2039:
2037:
2035:Studio albums
2033:
2027:
2026:
2022:
2020:
2019:
2015:
2013:
2012:
2011:Keith Emerson
2008:
2007:
2004:
2000:
1993:
1988:
1986:
1981:
1979:
1974:
1973:
1970:
1964:
1960:
1955:
1953:
1950:
1948:
1945:
1943:
1939:
1936:
1933:
1931:
1928:
1927:
1908:
1904:
1898:
1891:
1887:
1882:
1867:
1863:
1857:
1855:
1839:. youtube.com
1838:
1832:
1816:
1810:
1794:
1788:
1772:
1766:
1750:
1744:
1728:
1724:
1718:
1702:
1696:
1680:
1674:
1658:
1652:
1636:
1630:
1615:. youtube.com
1614:
1608:
1592:
1588:
1582:
1567:. youtube.com
1566:
1560:
1545:. youtube.com
1544:
1538:
1522:
1518:
1512:
1496:
1490:
1474:
1468:
1452:
1446:
1431:
1425:
1409:
1403:
1387:
1381:
1365:
1361:
1355:
1339:
1333:
1317:
1311:
1302:
1285:
1279:
1271:
1264:
1257:
1251:
1235:
1229:
1222:
1216:
1199:
1195:
1189:
1173:
1167:
1161:
1156:
1140:
1133:
1117:
1111:
1095:
1089:
1081:
1074:
1057:
1051:
1036:
1035:
1030:
1024:
1007:
1001:
999:
983:
979:
973:
971:
954:
953:"Liner notes"
948:
946:
929:
925:
919:
912:. p. 56.
908:
902:
898:
887:
881:
877:
874:
871:
866:
862:
857:Certification
852:
837:
829:
826:
821:
817:
815:Chart (1977)
814:
813:
805:
798:
795:
791:
787:
783:
780:
775:
769:
767:Chart (1977)
766:
765:
760:Weekly charts
757:
756:
747:
745:
740:
738:
730:
726:
723:
719:
715:
711:
707:
703:
699:
695:
691:
687:
684:
681:
677:
673:
671:
669:
664:
660:
656:
653:
649:
645:
642:band members
641:
638:in 2007 with
637:
633:
629:
626:
622:
618:
614:
610:
606:
605:
604:
601:
598:
596:
595:Valvoline 200
592:
591:Seven Network
588:
587:
576:
574:
570:
566:
562:
558:
554:
550:
548:
544:
538:
536:
535:
530:
526:
525:
519:
517:
516:
511:
510:
505:
504:
499:
496:
493:
491:
487:
485:
480:
479:
467:
465:
464:
457:
455:
450:
448:
447:
442:
438:
425:
422:
419:
416:
413:
409:
408:Keith Emerson
406:
405:
393:
390:
387:
383:
379:
376:
366:
361:
359:
349:
347:
346:
341:
336:
333:
322:
320:
316:
305:
300:
291:
286:
284:
269:
265:
263:
262:Keith Emerson
260:According to
258:
256:
252:
247:
246:
241:
231:
229:
225:
224:Aaron Copland
221:
220:Keith Emerson
217:
216:
211:
207:
203:
188:
183:
179:
174:
170:
169:
165:
161:
157:
154:
151:
148:
143:
140:
139:Keith Emerson
136:
135:Aaron Copland
133:
130:
129:Songwriter(s)
125:
122:
119:
117:
113:
110:2:54 (single)
98:
94:
91:
87:
84:
82:
78:
74:
70:
66:
63:
58:
55:
54:
48:
45:
41:
37:
30:
25:
20:
2503:Band members
2481:
2449:
2440:Robert Berry
2403:
2306:
2300:Gold Edition
2298:
2290:
2282:
2263:
2255:
2247:
2239:
2220:
2212:
2206:High Voltage
2204:
2196:
2188:
2182:Then and Now
2180:
2172:
2164:
2156:
2148:
2140:
2132:
2124:
2105:
2097:
2089:
2081:
2073:
2065:
2057:
2049:
2041:
2023:
2016:
2009:
1910:. Retrieved
1897:
1881:
1869:. Retrieved
1841:. Retrieved
1831:
1819:. Retrieved
1809:
1797:. Retrieved
1787:
1775:. Retrieved
1765:
1753:. Retrieved
1743:
1731:. Retrieved
1727:the original
1717:
1705:. Retrieved
1695:
1683:. Retrieved
1673:
1661:. Retrieved
1651:
1641:November 29,
1639:. Retrieved
1629:
1617:. Retrieved
1607:
1595:. Retrieved
1591:the original
1581:
1569:. Retrieved
1559:
1547:. Retrieved
1537:
1525:. Retrieved
1521:the original
1511:
1499:. Retrieved
1489:
1477:. Retrieved
1475:. setlist.fm
1467:
1455:. Retrieved
1445:
1433:. Retrieved
1424:
1412:. Retrieved
1402:
1390:. Retrieved
1380:
1368:. Retrieved
1364:the original
1354:
1342:. Retrieved
1332:
1320:. Retrieved
1310:
1301:
1288:. Retrieved
1278:
1269:
1263:
1255:
1250:
1238:. Retrieved
1228:
1220:
1215:
1202:. Retrieved
1198:the original
1188:
1176:. Retrieved
1166:
1155:
1143:. Retrieved
1132:
1122:February 12,
1120:. Retrieved
1110:
1100:February 12,
1098:. Retrieved
1088:
1079:
1073:
1060:. Retrieved
1050:
1038:. Retrieved
1032:
1023:
1010:. Retrieved
1008:. tripod.com
985:. Retrieved
981:
957:. Retrieved
932:. Retrieved
918:
907:"Music Week"
901:
883:
835:
741:
734:
728:
720:and bassist
713:
694:Geoff Downes
666:
663:Robert Berry
644:Chris Squire
602:
599:
584:
582:
569:Dave Brubeck
541:
539:
532:
528:
522:
520:
513:
507:
501:
497:
494:
488:
482:
476:
474:
461:
459:
453:
451:
444:
434:
391:
388:
384:
381:
377:
373:
363:
357:
355:
343:
337:
328:
312:
302:
298:
288:
281:
267:
259:
243:
237:
213:
201:
200:
181:
51:
2498:Discography
2472:Cozy Powell
2467:Eddy Offord
2397:Karn Evil 9
2118:Live albums
2025:Carl Palmer
1843:January 31,
1821:January 31,
1799:January 31,
1777:January 28,
1755:January 25,
1733:January 30,
1707:January 29,
1685:January 29,
1663:January 27,
1619:January 25,
1597:January 25,
1571:January 29,
1527:February 1,
1501:February 1,
1479:February 1,
1457:January 25,
1435:January 25,
1414:January 25,
1392:January 25,
1370:January 27,
1344:January 27,
1322:January 24,
1290:January 24,
1240:January 24,
1204:February 4,
1141:. Uncut/NME
1062:January 27,
1040:January 31,
1012:January 29,
987:January 24,
982:musicvf.com
959:January 25,
930:. June 1977
737:tribute act
702:John Wetton
424:Carl Palmer
147:Producer(s)
75:27 May 1977
2530:1977 songs
2519:Categories
2099:Black Moon
2091:Love Beach
1912:21 January
894:References
790:UK Singles
698:Steve Howe
648:Alan White
625:supergroup
529:Works Live
412:Yamaha GX1
340:Works Live
278:Production
234:Background
2376:Jerusalem
2355:Nutrocker
2341:Lucky Man
2018:Greg Lake
1871:8 January
1659:. Pandora
1657:"Pandora"
1178:22 August
1145:22 August
818:Position
772:position
613:Joe Walsh
418:Greg Lake
402:Personnel
313:While in
283:Greg Lake
173:Jerusalem
153:Greg Lake
2276:Box sets
1938:Archived
1082:: 22–25.
1034:AllMusic
934:April 5,
878:250,000
632:The Nice
628:The Best
573:The Nice
469:—
431:Versions
395:—
368:—
315:Montreal
307:—
293:—
271:—
121:Atlantic
72:Released
2383:Toccata
2369:Hoedown
2059:Trilogy
1963:YouTube
1549:July 4,
928:Discogs
875:Silver
863:/sales
854:Region
735:An ELP
692:, with
553:America
537:album.
304:bottom.
255:Janáček
245:Trilogy
240:Hoedown
191:(1977)
186:(1977)
177:(1973)
137:, arr.
108:(album)
2348:Tarkus
2311:(2010)
2303:(2007)
2295:(2007)
2287:(1993)
2268:(2007)
2260:(2004)
2252:(2000)
2244:(1980)
2225:(2011)
2217:(2011)
2209:(2010)
2201:(2010)
2185:(1998)
2177:(1997)
2169:(1997)
2161:(1997)
2153:(1993)
2145:(1979)
2137:(1974)
2129:(1971)
2110:(1994)
2102:(1992)
2094:(1978)
2086:(1977)
2078:(1977)
2070:(1973)
2062:(1972)
2054:(1971)
2051:Tarkus
2046:(1970)
836:
750:Charts
251:Bartók
96:Length
62:B-side
40:Single
2319:Songs
910:(PDF)
710:Qango
661:with
567:" by
555:" by
456:DVD:
222:from
208:band
116:Label
81:Genre
1914:2017
1873:2022
1845:2012
1823:2012
1801:2012
1779:2012
1757:2012
1735:2012
1709:2012
1687:2012
1665:2012
1643:2018
1621:2012
1599:2012
1573:2012
1551:2014
1529:2012
1503:2012
1481:2012
1459:2012
1437:2012
1416:2012
1394:2012
1372:2012
1346:2012
1324:2012
1292:2012
1242:2012
1206:2012
1180:2022
1147:2022
1124:2012
1102:2012
1064:2012
1042:2012
1014:2012
989:2012
961:2012
936:2020
770:Peak
706:Asia
690:Asia
646:and
619:and
559:and
545:and
500:and
332:GX-1
253:and
1961:on
870:BPI
830:33
794:OCC
640:Yes
463:sic
42:by
2521::
1905:.
1888:.
1864:.
1853:^
1031:.
997:^
980:.
969:^
944:^
926:.
872:)
827:)
799:2
796:)
784:5
781:)
615:,
611:,
575:.
481:,
449:.
410::
360::
264:,
184:"
175:"
105:46
88:,
2435:3
2420:"
2416:"
2413:"
2409:"
2406:"
2402:"
2399:"
2395:"
2392:"
2388:"
2385:"
2381:"
2378:"
2374:"
2371:"
2367:"
2364:"
2360:"
2357:"
2353:"
2350:"
2346:"
2343:"
2339:"
2336:"
2332:"
2329:"
2325:"
1991:e
1984:t
1977:v
1916:.
1847:.
1825:.
1803:.
1781:.
1759:.
1737:.
1711:.
1689:.
1667:.
1645:.
1623:.
1601:.
1575:.
1553:.
1531:.
1505:.
1483:.
1461:.
1439:.
1418:.
1396:.
1374:.
1348:.
1326:.
1294:.
1244:.
1208:.
1182:.
1149:.
1126:.
1104:.
1066:.
1044:.
1016:.
991:.
963:.
938:.
792:(
724:.
682:.
670:.
659:3
654:.
549:,
492:,
486:,
180:"
171:"
103::
101:9
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.