Knowledge

Fanfare for the Common Man (Emerson, Lake & Palmer song)

Source 📝

386:
my permission; so that in each case, where I have given my permission, there was something that attracted me about the version that they perform, which made me think I'd like to allow them to release it. Of course, I always prefer my own version best, but (laughs) what they do is really around the piece, you might say, rather than a literal transposition of the piece, and they're a gifted group. In that particular case, I allowed it to go by because when they first play it, they play it fairly straight and when they end the piece, they play it very straight. What they do in the middle, I'm not sure exactly how they connect that with my music but (laughs) they do it someway, I suppose. But the fact that at the beginning and the end it really is the Fanfare for the Common Man gave me the feeling I ought to allow them to do it as they pleased.
321:, the only space available sufficiently large to accommodate themselves and the orchestra. During a coffee break, Lake took the lift upstairs, and was struck by the spectacle of the empty stadium under a carpet of snow, and was inspired to hold a jam session in the unique environment. They organized for their equipment to be set up early the following morning, and a video recordist to document the proceedings. Despite the extreme cold, the trio, dressed in their warmest gear, completed a version of "Fanfare" in four separate "takes", filming each member individually, then one of the trio which, assembled, is available on several "free to view" services: Youtube and Dailymotion 1210:"The intro horn is definitely a Yamaha GX1, as are all of the synth sounds used on Fanfare for the Common Man. Keith used three registrations (patches,) the intro horn, the brass like poly synth lead, and a modulated organ-like lead; I believe that that synth bass sound was simply the lower octaves of the organ-like patch. The Moog was not used at all, except occasionally on extended live versions that formed a finale. I know this because I discussed it with Keith and his keyboard engineer, Will Alexander when I met with them a couple of years ago." 29: 385:
Copland: Well, (laughs) of course it's very flattering to have one's music adopted by so popular a group, and so good a group as Emerson, Lake & Palmer. A lot depends on what they do with what they take, and naturally since I have a copyright on such material, they're not able to take it without
289:
It was just wonderful how it came about: We were recording in Montreux, Switzerland, in 1976, and Keith was playing it as a piece of classical music. I played this shuffle bass line behind him and all of a sudden it started to connect. Then Carl came in and we three started to play it. Luckily, the
364:
The interesting thing... was that we had to get the permission of Aaron Copland, the composer. The publishing house said forget it. So I got Mr Copland's home number, called him up and he was very friendly on the phone. And he says "Send it to me, let me listen." And he loved it. He called me and
268:...it needed transposing, so I did that first. I wanted to improvise in a key that was sort of bluesy. It ended up in E. The rest of it was straightforward, really. You know, in order to get the shuffle sound, the timing had to be changed, but it was common sense. 374:
In an interview with Melissa Merli of The News-Gazette, Emerson said: "I know that Aaron Copland for one admired my adaptation. The BBC radio people in England interviewed him shortly before he passed and got his opinion, and it was very complimentary."
303:
We got a very ‘live’ dirty R & B sound that was really incredible. And all done with one microphone. We hadn’t played together for quite a while before that, apart from rehearsals and stuff. 'Fanfare' was thoroughly jammed, from top to
248:
album in 1972. Although ELP did not always initially attribute the classical source for some of their pieces (only attributed in later releases of the albums), Copland was attributed as the source for both "Hoedown" and "Fanfare". Unlike
329:
Emerson's adaptation begins very much the same as Copland's original piece, though at a slightly faster tempo, up to about the thirty-second mark, where a strong rhythm line from drums, bass and Emerson on the lower rank of the
334:
begins. From that point, Emerson restates the theme before starting the modal solo (on the GX-1's solo rank) that so bewildered Copland at about the three-minute mark, returning to the main theme at the eight-minute mark.
1656: 1068:"When Emerson, Lake & Palmer failed to acknowledge Béla Bartók and Leoš Janáček on their first album, several magazine articles denounced this omission. Their later albums usually acknowledged their sources." 600:"Fanfare" became a staple of ELP's concerts and, while the opening and closing portions of the piece follow the recorded version fairly closely, Emerson's "modal" solo varied from one performance to another. 2133: 2173: 382:
Interviewer: Just before I left London, I heard a piece of music of yours, Fanfare for the Common Man, which had been taken by a rock group Emerson, Lake & Palmer. How do you feel about that?
338:
There is some ambiguity as to whether real trumpets or the Yamaha GX-1 was used for the introductory trumpet part. Anecdotal evidence suggests it was the GX-1. When performed on some of the
1273:|quote="I did use the Alembics for a while. The company built a whole series of custom basses for me. It was during the period when we did "Fanfare for the Common Man" and "Karn Evil 9."" 2149: 542: 2125: 2256: 483: 1233: 435:
An edited version, closer to Copland's original three minutes, was released May 1977 as a single and became ELP's most popular release, reaching number 2 in the
2189: 1359: 651: 1989: 721: 172: 717: 1586: 2165: 546: 389:
Interviewer: I know your original work is just over three minutes and Emerson, Lake & Palmer have managed to turn it into a nine minute work.
2549: 2205: 2181: 2157: 1472: 531:), the performance begins and ends with the orchestra that the band took with them for some of the 1977 tour supporting the release of the 1193: 2340: 2248: 502: 2058: 244: 1722: 2524: 1138: 2264: 1982: 585: 514: 860: 1516: 2497: 2240: 2221: 1450: 923: 508: 2141: 1700: 1634: 716:, which features a version of "Fanfare", amongst other ELP pieces. Palmer's band consists of himself on drums, guitarist 523: 339: 2375: 1975: 551:
which end with a piece titled "Finale" or "Medley" that contains "Fanfare" and adaptations called "America" (based on "
2450: 2042: 679: 2382: 466:] Fanfare for the Common Man became the third bestselling instrumental track ever and still holds that honour. 906: 33:
Front cover of Fanfare for the Common Man with the UK Atlantic Records catalogue number of K10946 to identify it.
1363: 290:
engineer had a two-track running, and that is what’s on the record - the first time we played through the piece.
2213: 552: 2417: 1906: 869: 635: 540:
ELP is also known to combine their rendition of Fanfare with other pieces, such as during their performances
2539: 2291: 1748: 1590: 489: 1937: 2534: 2283: 1305:
Emerson, Lake & Palmer 40th Anniversary Reunion Concert DVD booklet, page 7, Concert One Limited 2011
477: 1962: 616: 227: 1172:"Dailymotion: Emerson, Lake & Palmer - Fanfare for the Common Man - Montreal Olympic Stadium 1977" 2456: 2444: 2361: 1998: 1885: 675: 318: 209: 159: 43: 1315: 439:. The "B" side of the single was the song Brain Salad Surgery, recorded during the sessions for the 2502: 1473:"Keith Emerson Band Concert Setlist at DK Lensoveta, Saint-Petersburg, Russia on September 2, 2008" 1197: 1028: 647: 620: 1889: 793: 239: 685:
Lake also performed "Fanfare" in concert but with none of the other original members performing.
564: 2544: 2389: 697: 1793:"Gloucester Cathedral: Marco Lo Muscio Plays : Keith Emerson: Fanfare for the Common Man" 2482: 1726: 746:
has performed an arrangement of Emerson's adaptation of "Fanfare" on numerous church organs
667: 2410: 2326: 1903:"British single certifications – Emerson, Lake & Palmer – Fanfare for the Common Man" 1494: 1429: 254: 8: 2529: 2066: 1837:"Westminster Cathedral: Marco Lo Muscio Plays: Keith Emerson: Fanfare for the Common Man" 1337: 440: 1115: 977: 2307: 2197: 2098: 952: 624: 1018:"Fanfare for the Common Man (77,78,86,88,92,93,96,97,98)" - Years performed in concert 2461: 1865: 824: 778: 731:
in 2007, which consists of remixes of ELP songs, including two versions of "Fanfare".
556: 454:
Emerson, Lake & Palmer: Welcome Back My Friends, 40th Anniversary Reunion Concert
356:
Stewart Young, ELP's manager from 1972–present, made this comment on the documentary
342:
tour, "Fanfare" began and ended with real trumpets but the liner notes for the album
89: 61: 1862:"Kent Music Report No 183 – 26 December 1977 > National Top 100 Singles for 1977" 317:, during their 1977 tour of America, the band was rehearsing in the basement of the 1520: 1005: 789: 560: 436: 250: 205: 120: 85: 28: 2106: 1967: 1941: 743: 627: 603:"Fanfare" has also been performed by the band members in other bands, including: 365:
said "This is brilliant, this is fantastic. This is doing something to my music."
146: 1543:"EMERSON BERRY & PALMER (THREE): FANFARE FOR THE COMMON MAN - NEW YORK 1988" 392:
Copland: (Laughs) Exactly, well, it's those six minutes in the middle...(laughs)
2476: 2434: 2368: 2347: 2082: 2074: 1093: 658: 608: 533: 445: 344: 214: 52: 39: 1956: 1836: 1814: 1792: 1612: 1564: 1542: 1407: 1385: 1296:"I used the 8 string bass on Fanfare because of its wirey and resonant sound." 1283: 1159: 714:
Carl Palmer & His Band – Celebrates The Music of Emerson Lake & Palmer
2518: 2333: 2010: 1139:"Emerson, Lake & Palmer's 'Fanfare For The Common Man' – an oral history" 594: 407: 261: 223: 219: 138: 134: 1171: 688:
Palmer has performed "Fanfare" in concert, including a reunion concert with
2439: 2299: 1258:
Disc 4 Track 1, Castle Music UK, Audio CD, Release Date: September 17, 2007
709: 693: 662: 643: 568: 115: 2134:
Welcome Back My Friends to the Show That Never Ends – Ladies and Gentlemen
1902: 1770: 593:
as a theme song for their sports programmes. It was also used in the 1993
2471: 2466: 2396: 2024: 1678: 1078:
Milano, Domenic (October 1977). "Keith Emerson: An Exclusive Interview".
736: 705: 701: 689: 590: 423: 331: 80: 1055: 657:
Emerson and Palmer performed it together in concert as part of the band
348:
show only the three band members and no other performers on that track.
2354: 2090: 1929: 639: 411: 128: 2017: 739:
called Fanfare includes "Fanfare for the Common Man" in their shows.
612: 417: 378:
In a BBC Radio interview, Copland relayed his reaction to the piece:
282: 152: 674:
Emerson and Lake performed "Fanfare" in concert as part of the band
204:
is an instrumental piece of music adapted and played by the English
1033: 631: 572: 314: 1861: 1815:"Marco Lo Muscio Plays: Keith Emerson: Fanfare for the Common Man" 518:
contains a third version, running five minutes and forty seconds.
927: 1160:
YouTube: Emerson, Lake & Palmer - Fanfare For The Common Man
571:), both of which were played by Emerson when he was in the band 2050: 1934: 1951: 498:
Come and See the Show - The Best of Emerson Lake & Palmer
1946: 462: 1565:"Emerson Lake & Powell - Live In Detroit 17-10-1986" 460:
The instrumental reworking of Aaron Copeland's [
257:, Copland was still alive at the time of the recording. 1223:, Sanctuary Records, DVD, Release Date: August 16, 2005 230:, it is one of their most popular and enduring pieces. 924:"Emerson Lake And Palmer – Fanfare For The Common Man" 712:. Most recently, Palmer has presented a show entitled 2190:
The Original Bootleg Series from the Manticore Vaults
578: 285:
remembers the first time ELP played the adaptation:
583:This arrangement was an opening theme song for the 1997: 1219:Emerson, Lake & Palmer, "Story Of The Band," 859: 2516: 885:Shipments figures based on certification alone. 1587:"Music DVD Review Greg Lake Welcome Backstage" 665:on guitar, but not on the band's 1988 release 1983: 727:Emerson worked with producer Mike Bennett on 506:feature the full version but the compilation 2158:King Biscuit Flower Hour: Greatest Hits Live 2249:The Very Best of Emerson, Lake & Palmer 1136: 503:The Very Best of Emerson, Lake & Palmer 1990: 1976: 1725:. classicrockrevisited.com. Archived from 27: 1856: 1854: 1422: 607:Emerson performed "Fanfare" in 1990 with 351: 324: 16:1977 single by Emerson, Lake & Palmer 2265:The Essential Emerson, Lake & Palmer 1386:"Tollwood Festival München Germany 1997" 1000: 998: 515:The Essential Emerson, Lake & Palmer 2174:Live at the Isle of Wight Festival 1970 947: 945: 495:Fanfare for the Common Man - Anthology, 2550:Arrangements of classical compositions 2517: 2241:The Best of Emerson, Lake & Palmer 1879: 1851: 1077: 916: 509:The Best of Emerson, Lake & Palmer 452:From the booklet that accompanies the 238:ELP had previously adapted Copland's " 1971: 1226: 995: 634:in Glasgow on a tour in 2002; at the 1453:. rollingstone.com. 11 December 2007 972: 970: 942: 754: 299:In another interview, Lake remarks: 1930:Emerson, Lake & Palmer official 1895: 1635:"Asia - Spirit of the Night review" 1194:"Fanfare for the Common Man patch?" 524:Emerson, Lake and Palmer in Concert 13: 2222:Live at the Mar y Sol Festival '72 978:"Emerson, Lake & Palmer Songs" 807: 589:. It is also used by Australia's 14: 2561: 2193:(Vol. 1–4, 2001, 2002 & 2006) 1923: 1589:. blogcritics.org. Archived from 1267: 1056:"The Nexus of Classical and Rock" 967: 844: 579:Performances by ELP and by others 2525:Emerson, Lake & Palmer songs 1886:"Official Singles Chart Top 100" 1817:. youtube.com. 15 September 2008 1430:"Vivacitas Live At Glasgow 2002" 759: 1829: 1807: 1785: 1763: 1741: 1715: 1693: 1671: 1649: 1637:. musoscribe.com. 11 March 2011 1627: 1605: 1579: 1557: 1535: 1509: 1487: 1465: 1443: 1410:. youtube.com. 22 February 2010 1400: 1378: 1362:. skyarts.co.uk. Archived from 1352: 1330: 1316:"CBS Sports Spectacular – 1978" 1308: 1299: 1276: 1261: 1248: 1213: 1186: 1164: 1153: 1130: 1108: 1958:Video Olympic Stadium Montreal 1892:. Retrieved October 17, 2023. 1519:. nearfest.com. Archived from 1196:. kvraudio.com. Archived from 1116:"MELODY MAKER, March 12, 1977" 1086: 1071: 1048: 1021: 899: 1: 2418:I Believe in Father Christmas 2150:Live at the Royal Albert Hall 1907:British Phonographic Industry 1388:. youtube.com. 11 August 2010 1338:"Live At Nassau Coliseum '78" 893: 650:; and most recently with the 636:Ahmet Ertegun Tribute Concert 543:Live at the Royal Albert Hall 512:includes the single version. 277: 233: 1268:Cohen, Elliot, "Lucky Man", 1254:Emerson, Lake & Palmer, 729:Reworks: Brain Salad Perjury 563:) and/or "Rondo" (based on " 401: 202:"Fanfare for the Common Man" 22:"Fanfare for the Common Man" 7: 2284:The Return of the Manticore 2214:Live at Nassau Coliseum '78 1795:. youtube.com. 15 June 2011 1006:"ELP CONCERT TRACK LISTING" 478:The Return of the Manticore 430: 10: 2566: 2451:Emerson, Lake & Powell 2445:Emerson, Lake & Powell 2404:Fanfare for the Common Man 2043:Emerson, Lake & Palmer 1999:Emerson, Lake & Palmer 1408:"Japan 1990 YouTube video" 676:Emerson, Lake & Powell 597:during the intro segment. 210:Emerson, Lake & Palmer 182:Fanfare for the Common Man 160:Emerson, Lake & Palmer 44:Emerson, Lake & Palmer 2492: 2427: 2318: 2275: 2232: 2126:Pictures at an Exhibition 2117: 2034: 2005: 1701:"At B.B. King Blues Club" 1234:"Melissa Merli Interview" 882: 867: 856: 853: 822: 788: 776: 749: 166: 158: 144: 126: 114: 95: 79: 71: 59: 49: 38: 26: 21: 1094:"GUITAR WORLD, July '93" 680:self-titled studio album 678:, but not on the band's 623:on tour in Japan as the 212:, from the group's 1977 2257:The Ultimate Collection 2142:In Concert / Works Live 1890:Official Charts Company 1679:"Carl Palmer Biography" 1451:"Rolling Stone article" 484:The Ultimate Collection 443:but not released until 420:: 8-string Alembic bass 2390:Still...You Turn Me On 1935:Keith Emerson official 1875:– via Imgur.com. 586:CBS Sports Spectacular 521:On the live recording 473: 441:album of the same name 414:polyphonic synthesizer 399: 372: 352:Reactions from Copland 325:Comparison to original 311: 297: 275: 2483:To the Power of Three 1318:. Televisiontunes.com 1284:"Greg Lake One-2-One" 1118:. ladiesofthelake.com 1096:. ladiesofthelake.com 1080:Contemporary Keyboard 955:. albumlinernotes.com 668:To the Power of Three 458: 380: 362: 301: 287: 266: 67:"Brain Salad Surgery" 2411:Tiger in a Spotlight 1952:Carl Palmer official 1593:on November 12, 2011 1495:"Moogfest BB King's" 1221:Beyond the Beginning 1137:Tom Pinnock (2019). 1029:"Fanfare appears on" 823:Australian Singles ( 777:Australian Singles ( 704:on bass and with an 630:; with his old band 565:Blue Rondo à la Turk 358:Beyond the Beginning 2540:1970s instrumentals 2067:Brain Salad Surgery 1729:on October 15, 2011 1523:on October 19, 2011 1366:on October 25, 2008 1256:From The Beginning, 1200:on January 28, 2013 1058:. rockclassical.com 850: 617:Jeff "Skunk" Baxter 527:(later released as 2535:Rock instrumentals 2362:From the Beginning 2308:A Time and a Place 2292:From the Beginning 2233:Compilation albums 2198:A Time and a Place 1947:Greg Lake official 1940:2006-10-22 at the 1773:. fanfarerocks.com 1723:"CARL PALMER LIVE" 1286:. www.greglake.com 1236:. news-gazette.com 1174:. 15 November 2013 849: 652:Keith Emerson Band 490:From the Beginning 218:album. Adapted by 162:singles chronology 2512: 2511: 2462:Manticore Records 1866:Kent Music Report 1749:"AllMusic review" 1613:"Asia in Concert" 1497:. theaquarian.com 891: 890: 886: 841: 840: 834: 833: 825:Kent Music Report 803: 802: 779:Kent Music Report 742:Italian organist 722:Simon Fitzpatrick 557:Leonard Bernstein 475:The compilations 426:: timpanis, drums 242:" for the band's 199: 198: 195: 194: 90:instrumental rock 2557: 2428:Related articles 1992: 1985: 1978: 1969: 1968: 1959: 1918: 1917: 1915: 1913: 1899: 1893: 1883: 1877: 1876: 1874: 1872: 1858: 1849: 1848: 1846: 1844: 1833: 1827: 1826: 1824: 1822: 1811: 1805: 1804: 1802: 1800: 1789: 1783: 1782: 1780: 1778: 1767: 1761: 1760: 1758: 1756: 1745: 1739: 1738: 1736: 1734: 1719: 1713: 1712: 1710: 1708: 1697: 1691: 1690: 1688: 1686: 1681:. carlpalmer.com 1675: 1669: 1668: 1666: 1664: 1653: 1647: 1646: 1644: 1642: 1631: 1625: 1624: 1622: 1620: 1609: 1603: 1602: 1600: 1598: 1583: 1577: 1576: 1574: 1572: 1561: 1555: 1554: 1552: 1550: 1539: 1533: 1532: 1530: 1528: 1513: 1507: 1506: 1504: 1502: 1491: 1485: 1484: 1482: 1480: 1469: 1463: 1462: 1460: 1458: 1447: 1441: 1440: 1438: 1436: 1426: 1420: 1419: 1417: 1415: 1404: 1398: 1397: 1395: 1393: 1382: 1376: 1375: 1373: 1371: 1356: 1350: 1349: 1347: 1345: 1334: 1328: 1327: 1325: 1323: 1312: 1306: 1303: 1297: 1295: 1293: 1291: 1280: 1274: 1272: 1270:Bass Player 2011 1265: 1259: 1252: 1246: 1245: 1243: 1241: 1230: 1224: 1217: 1211: 1209: 1207: 1205: 1190: 1184: 1183: 1181: 1179: 1168: 1162: 1157: 1151: 1150: 1148: 1146: 1134: 1128: 1127: 1125: 1123: 1112: 1106: 1105: 1103: 1101: 1090: 1084: 1083: 1075: 1069: 1067: 1065: 1063: 1052: 1046: 1045: 1043: 1041: 1025: 1019: 1017: 1015: 1013: 1002: 993: 992: 990: 988: 974: 965: 964: 962: 960: 949: 940: 939: 937: 935: 920: 914: 913: 911: 903: 884: 868:United Kingdom ( 851: 848: 812: 811: 764: 763: 755: 718:Paul Bielatowicz 708:spin-off called 561:Stephen Sondheim 471: 437:UK Singles Chart 397: 370: 309: 295: 273: 228:of the same name 206:progressive rock 168: 167: 149: 131: 107: 106: 102: 86:Progressive rock 64: 31: 19: 18: 2565: 2564: 2560: 2559: 2558: 2556: 2555: 2554: 2515: 2514: 2513: 2508: 2507: 2488: 2423: 2314: 2271: 2228: 2113: 2107:In the Hot Seat 2030: 2001: 1996: 1957: 1942:Wayback Machine 1926: 1921: 1911: 1909: 1901: 1900: 1896: 1884: 1880: 1870: 1868: 1860: 1859: 1852: 1842: 1840: 1835: 1834: 1830: 1820: 1818: 1813: 1812: 1808: 1798: 1796: 1791: 1790: 1786: 1776: 1774: 1771:"Fanfare Rocks" 1769: 1768: 1764: 1754: 1752: 1747: 1746: 1742: 1732: 1730: 1721: 1720: 1716: 1706: 1704: 1699: 1698: 1694: 1684: 1682: 1677: 1676: 1672: 1662: 1660: 1655: 1654: 1650: 1640: 1638: 1633: 1632: 1628: 1618: 1616: 1611: 1610: 1606: 1596: 1594: 1585: 1584: 1580: 1570: 1568: 1563: 1562: 1558: 1548: 1546: 1541: 1540: 1536: 1526: 1524: 1517:"Nearfest 2006" 1515: 1514: 1510: 1500: 1498: 1493: 1492: 1488: 1478: 1476: 1471: 1470: 1466: 1456: 1454: 1449: 1448: 1444: 1434: 1432: 1428: 1427: 1423: 1413: 1411: 1406: 1405: 1401: 1391: 1389: 1384: 1383: 1379: 1369: 1367: 1360:"Montreux 1997" 1358: 1357: 1353: 1343: 1341: 1336: 1335: 1331: 1321: 1319: 1314: 1313: 1309: 1304: 1300: 1289: 1287: 1282: 1281: 1277: 1266: 1262: 1253: 1249: 1239: 1237: 1232: 1231: 1227: 1218: 1214: 1203: 1201: 1192: 1191: 1187: 1177: 1175: 1170: 1169: 1165: 1158: 1154: 1144: 1142: 1135: 1131: 1121: 1119: 1114: 1113: 1109: 1099: 1097: 1092: 1091: 1087: 1076: 1072: 1061: 1059: 1054: 1053: 1049: 1039: 1037: 1027: 1026: 1022: 1011: 1009: 1004: 1003: 996: 986: 984: 976: 975: 968: 958: 956: 951: 950: 943: 933: 931: 922: 921: 917: 909: 905: 904: 900: 896: 861:Certified units 847: 842: 810: 808:Year-end charts 771: 762: 752: 744:Marco Lo Muscio 581: 472: 470: 433: 404: 398: 396: 371: 369: 354: 327: 319:Olympic stadium 310: 308: 296: 294: 280: 274: 272: 236: 190: 189:"C'est la Vie" 185: 176: 145: 127: 109: 104: 100: 99: 60: 50:from the album 34: 17: 12: 11: 5: 2563: 2553: 2552: 2547: 2542: 2537: 2532: 2527: 2510: 2509: 2506: 2505: 2500: 2494: 2493: 2490: 2489: 2487: 2486: 2479: 2477:Peter Sinfield 2474: 2469: 2464: 2459: 2457:Richard Fraser 2454: 2447: 2442: 2437: 2431: 2429: 2425: 2424: 2422: 2421: 2414: 2407: 2400: 2393: 2386: 2379: 2372: 2365: 2358: 2351: 2344: 2337: 2330: 2322: 2320: 2316: 2315: 2313: 2312: 2304: 2296: 2288: 2279: 2277: 2273: 2272: 2270: 2269: 2261: 2253: 2245: 2236: 2234: 2230: 2229: 2227: 2226: 2218: 2210: 2202: 2194: 2186: 2178: 2170: 2166:Live in Poland 2162: 2154: 2146: 2138: 2130: 2121: 2119: 2115: 2114: 2112: 2111: 2103: 2095: 2087: 2083:Works Volume 2 2079: 2075:Works Volume 1 2071: 2063: 2055: 2047: 2038: 2036: 2032: 2031: 2029: 2028: 2021: 2014: 2006: 2003: 2002: 1995: 1994: 1987: 1980: 1972: 1966: 1965: 1954: 1949: 1944: 1932: 1925: 1924:External links 1922: 1920: 1919: 1894: 1878: 1850: 1828: 1806: 1784: 1762: 1751:. allmusic.com 1740: 1714: 1703:. goldstar.com 1692: 1670: 1648: 1626: 1604: 1578: 1556: 1534: 1508: 1486: 1464: 1442: 1421: 1399: 1377: 1351: 1340:. facebook.com 1329: 1307: 1298: 1275: 1260: 1247: 1225: 1212: 1185: 1163: 1152: 1129: 1107: 1085: 1070: 1047: 1020: 994: 966: 941: 915: 897: 895: 892: 889: 888: 880: 879: 876: 873: 865: 864: 858: 855: 846: 845:Certifications 843: 839: 838: 832: 831: 828: 820: 819: 816: 809: 806: 804: 801: 800: 797: 786: 785: 782: 774: 773: 768: 761: 758: 753: 751: 748: 733: 732: 725: 700:on guitar and 696:on keyboards, 686: 683: 672: 655: 621:Simon Phillips 609:John Entwistle 580: 577: 547:Live in Poland 534:Works Volume 1 468: 446:Works Volume 2 432: 429: 428: 427: 421: 415: 403: 400: 394: 367: 353: 350: 345:Works Volume I 326: 323: 306: 292: 279: 276: 270: 235: 232: 226:'s 1942 piece 215:Works Volume I 197: 196: 193: 192: 187: 178: 164: 163: 156: 155: 150: 142: 141: 132: 124: 123: 118: 112: 111: 97: 93: 92: 83: 77: 76: 73: 69: 68: 65: 57: 56: 53:Works Volume 1 47: 46: 36: 35: 32: 24: 23: 15: 9: 6: 4: 3: 2: 2562: 2551: 2548: 2546: 2545:Aaron Copland 2543: 2541: 2538: 2536: 2533: 2531: 2528: 2526: 2523: 2522: 2520: 2504: 2501: 2499: 2496: 2495: 2491: 2485: 2484: 2480: 2478: 2475: 2473: 2470: 2468: 2465: 2463: 2460: 2458: 2455: 2453: 2452: 2448: 2446: 2443: 2441: 2438: 2436: 2433: 2432: 2430: 2426: 2419: 2415: 2412: 2408: 2405: 2401: 2398: 2394: 2391: 2387: 2384: 2380: 2377: 2373: 2370: 2366: 2363: 2359: 2356: 2352: 2349: 2345: 2342: 2338: 2335: 2334:Take a Pebble 2331: 2328: 2327:The Barbarian 2324: 2323: 2321: 2317: 2310: 2309: 2305: 2302: 2301: 2297: 2294: 2293: 2289: 2286: 2285: 2281: 2280: 2278: 2274: 2267: 2266: 2262: 2259: 2258: 2254: 2251: 2250: 2246: 2243: 2242: 2238: 2237: 2235: 2231: 2224: 2223: 2219: 2216: 2215: 2211: 2208: 2207: 2203: 2200: 2199: 2195: 2192: 2191: 2187: 2184: 2183: 2179: 2176: 2175: 2171: 2168: 2167: 2163: 2160: 2159: 2155: 2152: 2151: 2147: 2144: 2143: 2139: 2136: 2135: 2131: 2128: 2127: 2123: 2122: 2120: 2116: 2109: 2108: 2104: 2101: 2100: 2096: 2093: 2092: 2088: 2085: 2084: 2080: 2077: 2076: 2072: 2069: 2068: 2064: 2061: 2060: 2056: 2053: 2052: 2048: 2045: 2044: 2040: 2039: 2037: 2035:Studio albums 2033: 2027: 2026: 2022: 2020: 2019: 2015: 2013: 2012: 2011:Keith Emerson 2008: 2007: 2004: 2000: 1993: 1988: 1986: 1981: 1979: 1974: 1973: 1970: 1964: 1960: 1955: 1953: 1950: 1948: 1945: 1943: 1939: 1936: 1933: 1931: 1928: 1927: 1908: 1904: 1898: 1891: 1887: 1882: 1867: 1863: 1857: 1855: 1839:. youtube.com 1838: 1832: 1816: 1810: 1794: 1788: 1772: 1766: 1750: 1744: 1728: 1724: 1718: 1702: 1696: 1680: 1674: 1658: 1652: 1636: 1630: 1615:. youtube.com 1614: 1608: 1592: 1588: 1582: 1567:. youtube.com 1566: 1560: 1545:. youtube.com 1544: 1538: 1522: 1518: 1512: 1496: 1490: 1474: 1468: 1452: 1446: 1431: 1425: 1409: 1403: 1387: 1381: 1365: 1361: 1355: 1339: 1333: 1317: 1311: 1302: 1285: 1279: 1271: 1264: 1257: 1251: 1235: 1229: 1222: 1216: 1199: 1195: 1189: 1173: 1167: 1161: 1156: 1140: 1133: 1117: 1111: 1095: 1089: 1081: 1074: 1057: 1051: 1036: 1035: 1030: 1024: 1007: 1001: 999: 983: 979: 973: 971: 954: 953:"Liner notes" 948: 946: 929: 925: 919: 912:. p. 56. 908: 902: 898: 887: 881: 877: 874: 871: 866: 862: 857:Certification 852: 837: 829: 826: 821: 817: 815:Chart (1977) 814: 813: 805: 798: 795: 791: 787: 783: 780: 775: 769: 767:Chart (1977) 766: 765: 760:Weekly charts 757: 756: 747: 745: 740: 738: 730: 726: 723: 719: 715: 711: 707: 703: 699: 695: 691: 687: 684: 681: 677: 673: 671: 669: 664: 660: 656: 653: 649: 645: 642:band members 641: 638:in 2007 with 637: 633: 629: 626: 622: 618: 614: 610: 606: 605: 604: 601: 598: 596: 595:Valvoline 200 592: 591:Seven Network 588: 587: 576: 574: 570: 566: 562: 558: 554: 550: 548: 544: 538: 536: 535: 530: 526: 525: 519: 517: 516: 511: 510: 505: 504: 499: 496: 493: 491: 487: 485: 480: 479: 467: 465: 464: 457: 455: 450: 448: 447: 442: 438: 425: 422: 419: 416: 413: 409: 408:Keith Emerson 406: 405: 393: 390: 387: 383: 379: 376: 366: 361: 359: 349: 347: 346: 341: 336: 333: 322: 320: 316: 305: 300: 291: 286: 284: 269: 265: 263: 262:Keith Emerson 260:According to 258: 256: 252: 247: 246: 241: 231: 229: 225: 224:Aaron Copland 221: 220:Keith Emerson 217: 216: 211: 207: 203: 188: 183: 179: 174: 170: 169: 165: 161: 157: 154: 151: 148: 143: 140: 139:Keith Emerson 136: 135:Aaron Copland 133: 130: 129:Songwriter(s) 125: 122: 119: 117: 113: 110:2:54 (single) 98: 94: 91: 87: 84: 82: 78: 74: 70: 66: 63: 58: 55: 54: 48: 45: 41: 37: 30: 25: 20: 2503:Band members 2481: 2449: 2440:Robert Berry 2403: 2306: 2300:Gold Edition 2298: 2290: 2282: 2263: 2255: 2247: 2239: 2220: 2212: 2206:High Voltage 2204: 2196: 2188: 2182:Then and Now 2180: 2172: 2164: 2156: 2148: 2140: 2132: 2124: 2105: 2097: 2089: 2081: 2073: 2065: 2057: 2049: 2041: 2023: 2016: 2009: 1910:. Retrieved 1897: 1881: 1869:. Retrieved 1841:. Retrieved 1831: 1819:. Retrieved 1809: 1797:. Retrieved 1787: 1775:. Retrieved 1765: 1753:. Retrieved 1743: 1731:. Retrieved 1727:the original 1717: 1705:. Retrieved 1695: 1683:. Retrieved 1673: 1661:. Retrieved 1651: 1641:November 29, 1639:. Retrieved 1629: 1617:. Retrieved 1607: 1595:. Retrieved 1591:the original 1581: 1569:. Retrieved 1559: 1547:. Retrieved 1537: 1525:. Retrieved 1521:the original 1511: 1499:. Retrieved 1489: 1477:. Retrieved 1475:. setlist.fm 1467: 1455:. Retrieved 1445: 1433:. Retrieved 1424: 1412:. Retrieved 1402: 1390:. Retrieved 1380: 1368:. Retrieved 1364:the original 1354: 1342:. Retrieved 1332: 1320:. Retrieved 1310: 1301: 1288:. Retrieved 1278: 1269: 1263: 1255: 1250: 1238:. Retrieved 1228: 1220: 1215: 1202:. Retrieved 1198:the original 1188: 1176:. Retrieved 1166: 1155: 1143:. Retrieved 1132: 1122:February 12, 1120:. Retrieved 1110: 1100:February 12, 1098:. Retrieved 1088: 1079: 1073: 1060:. Retrieved 1050: 1038:. Retrieved 1032: 1023: 1010:. Retrieved 1008:. tripod.com 985:. Retrieved 981: 957:. Retrieved 932:. Retrieved 918: 907:"Music Week" 901: 883: 835: 741: 734: 728: 720:and bassist 713: 694:Geoff Downes 666: 663:Robert Berry 644:Chris Squire 602: 599: 584: 582: 569:Dave Brubeck 541: 539: 532: 528: 522: 520: 513: 507: 501: 497: 494: 488: 482: 476: 474: 461: 459: 453: 451: 444: 434: 391: 388: 384: 381: 377: 373: 363: 357: 355: 343: 337: 328: 312: 302: 298: 288: 281: 267: 259: 243: 237: 213: 201: 200: 181: 51: 2498:Discography 2472:Cozy Powell 2467:Eddy Offord 2397:Karn Evil 9 2118:Live albums 2025:Carl Palmer 1843:January 31, 1821:January 31, 1799:January 31, 1777:January 28, 1755:January 25, 1733:January 30, 1707:January 29, 1685:January 29, 1663:January 27, 1619:January 25, 1597:January 25, 1571:January 29, 1527:February 1, 1501:February 1, 1479:February 1, 1457:January 25, 1435:January 25, 1414:January 25, 1392:January 25, 1370:January 27, 1344:January 27, 1322:January 24, 1290:January 24, 1240:January 24, 1204:February 4, 1141:. Uncut/NME 1062:January 27, 1040:January 31, 1012:January 29, 987:January 24, 982:musicvf.com 959:January 25, 930:. June 1977 737:tribute act 702:John Wetton 424:Carl Palmer 147:Producer(s) 75:27 May 1977 2530:1977 songs 2519:Categories 2099:Black Moon 2091:Love Beach 1912:21 January 894:References 790:UK Singles 698:Steve Howe 648:Alan White 625:supergroup 529:Works Live 412:Yamaha GX1 340:Works Live 278:Production 234:Background 2376:Jerusalem 2355:Nutrocker 2341:Lucky Man 2018:Greg Lake 1871:8 January 1659:. Pandora 1657:"Pandora" 1178:22 August 1145:22 August 818:Position 772:position 613:Joe Walsh 418:Greg Lake 402:Personnel 313:While in 283:Greg Lake 173:Jerusalem 153:Greg Lake 2276:Box sets 1938:Archived 1082:: 22–25. 1034:AllMusic 934:April 5, 878:250,000 632:The Nice 628:The Best 573:The Nice 469:—  431:Versions 395:—  368:—  315:Montreal 307:—  293:—  271:—  121:Atlantic 72:Released 2383:Toccata 2369:Hoedown 2059:Trilogy 1963:YouTube 1549:July 4, 928:Discogs 875:Silver 863:/sales 854:Region 735:An ELP 692:, with 553:America 537:album. 304:bottom. 255:Janáček 245:Trilogy 240:Hoedown 191:(1977) 186:(1977) 177:(1973) 137:, arr. 108:(album) 2348:Tarkus 2311:(2010) 2303:(2007) 2295:(2007) 2287:(1993) 2268:(2007) 2260:(2004) 2252:(2000) 2244:(1980) 2225:(2011) 2217:(2011) 2209:(2010) 2201:(2010) 2185:(1998) 2177:(1997) 2169:(1997) 2161:(1997) 2153:(1993) 2145:(1979) 2137:(1974) 2129:(1971) 2110:(1994) 2102:(1992) 2094:(1978) 2086:(1977) 2078:(1977) 2070:(1973) 2062:(1972) 2054:(1971) 2051:Tarkus 2046:(1970) 836: 750:Charts 251:Bartók 96:Length 62:B-side 40:Single 2319:Songs 910:(PDF) 710:Qango 661:with 567:" by 555:" by 456:DVD: 222:from 208:band 116:Label 81:Genre 1914:2017 1873:2022 1845:2012 1823:2012 1801:2012 1779:2012 1757:2012 1735:2012 1709:2012 1687:2012 1665:2012 1643:2018 1621:2012 1599:2012 1573:2012 1551:2014 1529:2012 1503:2012 1481:2012 1459:2012 1437:2012 1416:2012 1394:2012 1372:2012 1346:2012 1324:2012 1292:2012 1242:2012 1206:2012 1180:2022 1147:2022 1124:2012 1102:2012 1064:2012 1042:2012 1014:2012 989:2012 961:2012 936:2020 770:Peak 706:Asia 690:Asia 646:and 619:and 559:and 545:and 500:and 332:GX-1 253:and 1961:on 870:BPI 830:33 794:OCC 640:Yes 463:sic 42:by 2521:: 1905:. 1888:. 1864:. 1853:^ 1031:. 997:^ 980:. 969:^ 944:^ 926:. 872:) 827:) 799:2 796:) 784:5 781:) 615:, 611:, 575:. 481:, 449:. 410:: 360:: 264:, 184:" 175:" 105:46 88:, 2435:3 2420:" 2416:" 2413:" 2409:" 2406:" 2402:" 2399:" 2395:" 2392:" 2388:" 2385:" 2381:" 2378:" 2374:" 2371:" 2367:" 2364:" 2360:" 2357:" 2353:" 2350:" 2346:" 2343:" 2339:" 2336:" 2332:" 2329:" 2325:" 1991:e 1984:t 1977:v 1916:. 1847:. 1825:. 1803:. 1781:. 1759:. 1737:. 1711:. 1689:. 1667:. 1645:. 1623:. 1601:. 1575:. 1553:. 1531:. 1505:. 1483:. 1461:. 1439:. 1418:. 1396:. 1374:. 1348:. 1326:. 1294:. 1244:. 1208:. 1182:. 1149:. 1126:. 1104:. 1066:. 1044:. 1016:. 991:. 963:. 938:. 792:( 724:. 682:. 670:. 659:3 654:. 549:, 492:, 486:, 180:" 171:" 103:: 101:9

Index


Single
Emerson, Lake & Palmer
Works Volume 1
B-side
Genre
Progressive rock
instrumental rock
Label
Atlantic
Songwriter(s)
Aaron Copland
Keith Emerson
Producer(s)
Greg Lake
Emerson, Lake & Palmer
Jerusalem
progressive rock
Emerson, Lake & Palmer
Works Volume I
Keith Emerson
Aaron Copland
of the same name
Hoedown
Trilogy
Bartók
Janáček
Keith Emerson
Greg Lake
Montreal

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.