337:'s trial, he goes back to see Fantine at the hospital. She asks about Cosette, and the doctor lies to her saying that Cosette is at the hospital but cannot see Fantine until her health improves. She is appeased by this, and even mistakenly thinks that she hears Cosette laughing and singing. Suddenly, she and Valjean see Javert at the door. Valjean tries to privately ask Javert for three days to obtain Cosette, but he loudly refuses. Fantine realizes that Cosette was never retrieved and frantically asks where she is. Javert impatiently yells at Fantine to be silent, and additionally, tells her Valjean's true identity. Shocked by these revelations, she suffers a severe fit of trembling, falls back on her bed and dies. Valjean then walks to Fantine, whispers to her and kisses her hand. After Valjean is taken into custody, Fantine's body is unceremoniously thrown into a public grave. Later on, after escaping imprisonment, Valjean rescues Cosette and raises her on Fantine's behalf.
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poverty and starvation—the ruined girl, the abandoned mother, the hounded prostitute, remained to the very hour of her tragic death chaste as a virgin, spotless as a saint in the holy sanctuary of her own pure and undefiled soul. The brief, bitter, blasted life of
Fantine epitomizes the ghastly story of the persecuted, perishing Fantines of modern society in every land in Christendom.
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affirms that she has remained virtuous and holy before God, Fantine can finally release her hatred and love others again. Or rather, it is because he perceives the reality beyond her appearance that she finds the mayor worthy of renewed devotion. For
Valjean, the bedraggled prostitute verges on 'sanctity' through 'martyrdom' (640; sainteté . . . martyr)."
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the mayor for her misfortunes. She later takes on a lover, only for him to beat her and then abandon her. The Thénardiers send another letter saying they need forty francs to buy medicine for
Cosette who has become "ill." Desperate for the money, Fantine has her two front teeth removed and sells them.
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Hugo introduces
Fantine as one of four fair girls attached to young, wealthy students. "She was called Fantine because she had never been known by any other name..." She is described as having, "gold and pearls for her dowry; but the gold was on her head and the pearls in her mouth." Hugo elaborates:
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Bamatabois wants to buy
Fantine's services and is angered when she rejects his advances. In the novel, he is a young layabout who humiliates her by putting snow down her dress as if she is an object of fun. In the film adaptation, he appears as a mix between the two, seeking to buy her services and
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The Thénardiers then send a letter stating they need ten francs so they can "buy" a woolen skirt for
Cosette. To buy the skirt herself, Fantine has her hair cut off and sold. She then says to herself "My child is no longer cold, I have clothed her with my hair." However, she soon begins to despise
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The very name of
Fantine, the gay, guileless, trusting girl, the innocent, betrayed, self-immolating young mother, the despoiled, bedraggled, hunted and holy martyr to motherhood, to the infinite love of her child, touches to tears and haunts the memory like a melancholy dream....Fantine—child of
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Rather than being fired by a female supervisor for being an unwed mother, a fellow female worker steals her letter from the Thénardiers claiming another need for money; the worker presumes that she is a prostitute to cover her debts with the low wages. Valjean sees this, but leaves this to his
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presented her as a figure whose suffering makes her lovable, writing of the scene after she has her teeth removed, that "We run to kiss the bleeding mouth of
Fantine". Kathryn M. Grossman says she moves into a form of "maternal sainthood" and that "When Madeleine (Valjean's pseudonym as mayor)
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Fantine has been interpreted as a holy prostitute figure who becomes a quintessential mother by sacrificing her own body and dignity for the purpose of securing the life of her child. She is an example of what has been called "the cliché of the saved and saintly prostitute that pervades
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John Andrew Frey argues that the character has a political significance. Fantine is "an example of how women of the proletariat were brutalized in nineteenth-century France...Fantine represents Hugo's deep compassion for human suffering, especially for women born into low estate".
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Meanwhile, Fantine's health and her own lodging debts worsen while the Thénardiers' letters continue to grow and their financial demands become more costly. In order to continue to earn money for
Cosette, Fantine becomes a
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takes a less positive view, arguing that Hugo in effect punishes
Fantine for her sexual transgression by making her suffer so horribly. "What disasters follow from a sin of the flesh! On the matter of sex, the morality of
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playing outside. They agree to do so as long as she sends them money to provide for her. Fantine's only will to live is keeping Cosette alive. She becomes a worker in Mayor Madeleine's (a.k.a.
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a day while Cosette's lodging costs ten. Her overworking causes her to become sick with a cough and fever. She also rarely goes out, fearing the disgrace she would face from the townspeople.
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Fantine dies peacefully in hospital with Valjean at her side after entrusting him with Cosette. Javert never reveals Valjean's true identity to her, as he arrives after her death.
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and devoted motherhood. She has been portrayed by many actresses in stage and screen versions of the story and has been depicted in works of art.
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Fantine is fired by a meddlesome supervisor, Madame Victurnien, without the knowledge of the mayor, when she finds out that Fantine is an
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in 1862, the character of Fantine has been in a large number of adaptations in numerous types of media based on the novel, including
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heckles her and shoves snow down the back of her dress when she ignores him. Fantine ferociously attacks him.
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who are owners of an inn. She asks them to care for Cosette when she sees their daughters
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played Fantine in the West End. Fantine has since been played by numerous actresses.
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The death of Fantine; Valjean (as Mayor Madeleine) closes her eyes.
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Figuring Transcendence in Les Miserables: Hugo's Romantic Sublime
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The Temptation of the Impossible: Victor Hugo and Les Misérables
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By the time Cosette is approximately three, Fantine arrives at
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Les Misérables: Highlights from the Motion Picture Soundtrack
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591:. Westport, Connecticut: Greenwood Press. p. 901.
659:. Westport, Connecticut: Greenwood Press. p. 96.
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Dictionary of Literary Themes and Motifs: L-Z - Vol. 2
712:. New York City: Hermitage Press. pp. 392–393.
464:Fantine appears as a ghost to accompany Valjean to
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then putting snow down her dress after she refuses.
566:. New York City: Signet Books. pp. 103, 107.
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619:. New York City: Brentano']. p. 167.
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395:. In 1916 he wrote the essay
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118:Relatives
35:character
1177:Suddenly
875:Gavroche
865:Enjolras
708:(1948).
530:won the
516:musicals
163:grisette
107:Children
1202:Fantine
1194:Related
994:musical
860:Éponine
850:Cosette
845:Fantine
775:at the
733:at the
419:In the
256:Éponine
236:Cosette
168:Cosette
139:Fantine
111:Cosette
48:Fantine
25:Fantine
1066:(1972)
1058:(1972)
1050:(1955)
1047:Kundan
1042:(1950)
1034:(1950)
855:Marius
840:Javert
716:
688:
663:
638:
595:
570:
522:, and
466:Heaven
431:role.
319:Javert
260:Azelma
132:French
78:Female
75:Gender
1011:Manga
1006:Radio
524:games
520:plays
512:films
508:books
329:Death
96:other
1124:2019
1119:2010
1114:1995
973:2012
968:1998
963:1995
958:1982
953:1978
948:1958
943:1952
938:1948
933:1935
928:1934
923:1925
918:1917
913:1909
714:ASIN
686:ISBN
661:ISBN
636:ISBN
593:ISBN
568:ISBN
425:alto
362:and
285:sous
258:and
817:by
764:at
427:or
185:by
51:by
1236::
541:.
526:.
518:,
514:,
510:,
366:.
358:,
325:.
178:.
1179:"
1175:"
1172:"
1168:"
1165:"
1161:"
1158:"
1154:"
1151:"
1147:"
805:e
798:t
791:v
720:.
694:.
669:.
644:.
601:.
576:.
498:.
141:(
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