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sculpture is typically
Persian and undoubtly oriental, as testify the profile face & frontal chest posture. The marble sculptures were polished until obtaining a nearly completely erased grain, giving the Achaemenian Ronde-Bosse its particular quality. The use of polychromic pigments to colorize the reliefs in the fashion of those friezes seen in Suza, another Achaemenian capital remain yet an unanswered question. If Suza’s Apadana wall decoration was polychromic, if stigmatas of pigments were attested
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inscriptions. In this case, there is no possible mistake as this character is a herald and not a tribute bearer, and as he wears a typical median felt hat with a tail on the back. If the persian were ruling the empire with their former median rulers, some parts of the median tribes were considered as subjected, probably for having made the wrong choice, opposing Cyrus the Great when the founder of the
Achaemenian dynasty struggled against median king Astyages.
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let us know, by such pictorial representation, the king of kings claims his authority on all these provinces, the supremacy of the
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