56:
44:
38:
188:
in a pronounced and therefore easily audible fashion, it is usually struck very lightly (referred to as "feathering") so that the sound of the drum is felt instead of heard by the listener. Typically, this is combined with a ride cymbal and hi-hat in
57:
290:, often adhering to a consistent four-on-the-floor rhythm, which aligns more closely with traditional four-on-the-floor electronic dance music. There were several pioneers of the sgubhu genre ,inclusive of record producer Emo Kid.
45:
282:
electronic dance music, shares some traits with gqom but sets itself apart with its beat structure. Unlike standard gqom, sgubhu is characterized by a much steadier kick drum pattern although having a
244:". In reggae, four on the floor usually goes by the hand with a low end and powerful bassline. Four on the floor can be found in more modern reggae derivative styles such as
177:
use this beat as an important part of the rhythmic structure. Sometimes the term is used to refer to a 4/4 uniform drumming pattern for any drum.
237:
310:
334:
241:
31:
496:
465:
421:
347:
318:
155:
509:
947:
902:
897:
892:
887:
615:
547:
533:
24:
437:
386:
339:
329:
233:
216:
drumming, the bass drum usually hits on the third beat but sometimes drummers play four on the floor.
957:
121:
was widely used in that era, since the beat was played with the pedal-operated, drum-kit bass drum.
663:
658:
174:
84:
510:"Premiere: Emo Kid Explains South African Club Sound 'Sghubu', Shares New Track "Asbambeki""
679:
147:
8:
608:
163:
573:
761:
736:
527:
492:
461:
417:
343:
314:
194:
20:
167:
787:
442:
229:
159:
360:
952:
925:
859:
849:
701:
601:
221:
162:" from 1973), as he was the first to make extensive and distinctive use of the
92:
476:
941:
817:
807:
643:
198:
181:
37:
252:. In the roots context, it is generally referred to as a "steppers" rhythm.
844:
832:
822:
673:
638:
279:
249:
88:
837:
827:
812:
802:
751:
206:
190:
133:
458:
Love saves the day: a history of
American dance music culture, 1970-1979
914:
869:
864:
854:
653:
217:
137:
919:
792:
777:
741:
706:
668:
648:
283:
245:
185:
141:
110:
335:
Modulations: a
History of Electronic Music: Throbbing Words on Sound
19:"Four to the floor" redirects here. For the song by Starsailor, see
797:
782:
756:
716:
696:
287:
271:
711:
548:"Afropop Worldwide | The Gqom Generation of Durban, South Africa"
361:"Four On the Floor: Modern Music's Most Popular Rhythmic Pattern"
746:
225:
213:
132:
styles expanded rhythmic roles beyond the basics in the 1940s.
113:
is hit on every beat (1, 2, 3, 4). This was popularized in the
76:
236:
played four on the floor on several hits by the
Wailers like "
624:
202:
151:
129:
114:
80:
275:
266:
125:
593:
477:"Disco" on NED1, originally broadcast November 29, 2013.
309:"The Dance Music Manual: Tools, Toys and Techniques,"
939:
23:. For the British music television program, see
228:drummers who played mostly in this style. Also
144:used four-on-the-floor on some of their hits.
609:
180:A form of four-on-the-floor is also used in
489:The Complete Idiot's Guide to Playing Drums
414:The Jazz Bass Book: Technique and Tradition
616:
602:
166:cymbal throughout the playing time of an
305:
303:
255:
248:, while it is less common to find it in
36:
411:
79:used primarily in dance genres such as
940:
571:
460:. Duke University Press. pp. 120–122.
597:
507:
300:
209:are played by identical downstrokes.
87:. It is a steady, uniformly accented
41:"Four on the floor" on the bass drum
438:"Four-on-the-Floor Rhythm Explained"
387:"Four-on-the-Floor Rhythm Explained"
260:
13:
156:Harold Melvin & the Blue Notes
32:Four on the Floor (disambiguation)
14:
969:
16:Rhythm used in contemporary music
508:Keith, James (11 October 2017).
124:Four on the floor was common in
117:music of the 1970s and the term
565:
540:
501:
150:is seen as the inventor of the
481:
470:
450:
430:
405:
379:
353:
323:
1:
293:
47:play within typical rock beat
25:Four to the Floor (TV series)
7:
572:Murray, Eoin (2020-10-15).
416:. Hal Leonard. p. xi.
286:pattern reminiscent of the
154:style of rock drumming (in
136:bands of the 1960s such as
10:
974:
574:"Selections: Griffit Vigo"
532:: CS1 maint: url-status (
340:Distributed Art Publishers
264:
234:Bob Marley and the Wailers
29:
18:
880:
770:
729:
689:
631:
623:
205:), all four beats of the
184:. Instead of hitting the
664:Illuminated dance floor
948:Electronic dance music
884:List of disco artists
659:Disco Demolition Night
456:Lawrence, Tim (2003).
412:Goldsby, John (2002).
175:electronic dance music
85:electronic dance music
65:
256:Stylistic differences
40:
680:Saturday Night Fever
30:For other uses, see
393:. 25 February 2022
365:DrummingReview.com
197:makes the rhythm (
66:
935:
934:
910:Four on the floor
737:Afro/cosmic music
725:
724:
552:Afropop Worldwide
487:Miller, Michael.
367:. 9 February 2022
288:three-step rhythm
195:string instrument
119:four-on-the-floor
73:four-to-the-floor
69:Four-on-the-floor
21:Four to the Floor
965:
958:Rhythm and meter
687:
686:
618:
611:
604:
595:
594:
588:
587:
585:
584:
569:
563:
562:
560:
559:
544:
538:
537:
531:
523:
521:
520:
505:
499:
485:
479:
474:
468:
454:
448:
447:
434:
428:
427:
409:
403:
402:
400:
398:
383:
377:
376:
374:
372:
357:
351:
327:
321:
307:
261:In African music
106:
105:
104:
103:
64:
63:
62:
60:
52:
51:
50:
48:
973:
972:
968:
967:
966:
964:
963:
962:
938:
937:
936:
931:
876:
766:
721:
685:
627:
622:
592:
591:
582:
580:
570:
566:
557:
555:
554:. 21 March 2019
546:
545:
541:
525:
524:
518:
516:
506:
502:
486:
482:
475:
471:
455:
451:
446:. June 7, 2021.
443:masterclass.com
436:
435:
431:
424:
410:
406:
396:
394:
391:MasterClass.com
385:
384:
380:
370:
368:
359:
358:
354:
328:
324:
308:
301:
296:
274:, a variant of
269:
263:
258:
230:Carlton Barrett
224:was one of the
173:Many styles of
160:The Love I Lost
128:drumming until
102:
97:
96:
95:
94:
93:
58:
55:
54:
46:
43:
42:
35:
28:
17:
12:
11:
5:
971:
961:
960:
955:
950:
933:
932:
930:
929:
922:
917:
912:
907:
906:
905:
900:
895:
890:
881:
878:
877:
875:
874:
873:
872:
867:
862:
852:
847:
842:
841:
840:
835:
830:
825:
820:
810:
805:
800:
795:
790:
785:
780:
774:
772:
768:
767:
765:
764:
759:
754:
749:
744:
739:
733:
731:
727:
726:
723:
722:
720:
719:
714:
709:
704:
699:
693:
691:
684:
683:
676:
671:
666:
661:
656:
651:
646:
641:
635:
633:
629:
628:
621:
620:
613:
606:
598:
590:
589:
564:
539:
500:
480:
469:
449:
429:
422:
404:
378:
352:
330:Shapiro, Peter
322:
298:
297:
295:
292:
278:and a type of
265:Main article:
262:
259:
257:
254:
222:Sly and Robbie
98:
15:
9:
6:
4:
3:
2:
970:
959:
956:
954:
951:
949:
946:
945:
943:
928:
927:
923:
921:
918:
916:
913:
911:
908:
904:
901:
899:
896:
894:
891:
889:
886:
885:
883:
882:
879:
871:
868:
866:
863:
861:
858:
857:
856:
853:
851:
848:
846:
843:
839:
836:
834:
831:
829:
826:
824:
821:
819:
816:
815:
814:
811:
809:
806:
804:
801:
799:
796:
794:
791:
789:
786:
784:
781:
779:
776:
775:
773:
769:
763:
760:
758:
755:
753:
750:
748:
745:
743:
740:
738:
735:
734:
732:
728:
718:
715:
713:
710:
708:
705:
703:
700:
698:
695:
694:
692:
688:
682:
681:
677:
675:
672:
670:
667:
665:
662:
660:
657:
655:
652:
650:
647:
645:
644:Circuit party
642:
640:
637:
636:
634:
630:
626:
619:
614:
612:
607:
605:
600:
599:
596:
579:
575:
568:
553:
549:
543:
535:
529:
515:
511:
504:
498:
497:1-59257-162-X
494:
490:
484:
478:
473:
467:
466:0-8223-3198-5
463:
459:
453:
445:
444:
439:
433:
425:
423:9780879307165
419:
415:
408:
392:
388:
382:
366:
362:
356:
349:
348:1-891024-06-X
345:
341:
337:
336:
331:
326:
320:
319:0-240-51915-9
316:
312:
306:
304:
299:
291:
289:
285:
281:
280:South African
277:
273:
268:
253:
251:
247:
243:
239:
235:
231:
227:
223:
219:
215:
210:
208:
204:
200:
199:rhythm guitar
196:
192:
187:
183:
182:jazz drumming
178:
176:
171:
169:
165:
161:
157:
153:
149:
145:
143:
139:
135:
131:
127:
122:
120:
116:
112:
109:in which the
108:
101:
90:
86:
82:
78:
74:
70:
61:
49:
39:
33:
26:
22:
924:
909:
845:Manila sound
678:
674:Roller disco
639:Ball culture
581:. Retrieved
577:
567:
556:. Retrieved
551:
542:
517:. Retrieved
513:
503:
488:
483:
472:
457:
452:
441:
432:
413:
407:
395:. Retrieved
390:
381:
369:. Retrieved
364:
355:
333:
325:
270:
250:roots reggae
238:Is This Love
211:
179:
172:
146:
123:
118:
99:
72:
68:
67:
803:Future funk
771:Derivations
762:Space disco
752:Italo disco
311:Rick Snoman
191:syncopation
170:recording.
134:Garage rock
942:Categories
915:LGBT music
870:Dance-rock
865:Dance-punk
855:Post-disco
654:Disco ball
632:Subculture
583:2024-08-01
558:2024-08-01
519:2024-08-01
338:, London:
294:References
218:Sly Dunbar
148:Earl Young
138:the Troggs
59:Play alone
793:Eurodance
778:Acid jazz
742:Eurodisco
730:Subgenres
707:Para Para
669:Nightclub
649:Club drug
397:20 August
371:20 August
332:. (2000)
246:dancehall
193:. When a
186:bass drum
142:the Seeds
111:bass drum
926:Category
850:New wave
798:Eurobeat
783:City pop
757:Nu-disco
717:Waacking
697:Discofox
528:cite web
491:, 2004.
818:Chicago
808:Hip-hop
788:Electro
712:Popping
514:Complex
350:, p. 40
313:(2004)
240:" and "
207:measure
168:R&B
75:) is a
860:Boogie
833:Garage
823:French
747:Hi-NRG
702:Hustle
690:Dances
578:DJ Mag
495:
464:
420:
346:
317:
272:Sgubhu
242:Exodus
226:reggae
214:reggae
164:hi-hat
77:rhythm
953:Disco
838:Italo
828:Funky
813:House
625:Disco
232:from
220:from
203:banjo
152:disco
130:bebop
115:disco
81:disco
534:link
493:ISBN
462:ISBN
418:ISBN
399:2022
373:2022
344:ISBN
315:ISBN
284:kick
276:gqom
267:Gqom
158:'s "
140:and
126:jazz
107:time
89:beat
83:and
71:(or
53:and
920:Mix
903:S–Z
898:L–R
893:F–K
888:A–E
212:In
91:in
944::
576:.
550:.
530:}}
526:{{
512:.
440:.
389:.
363:.
342:,
302:^
201:,
617:e
610:t
603:v
586:.
561:.
536:)
522:.
426:.
401:.
375:.
100:4
34:.
27:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.