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1145: 1530: 508: 20: 1591: 1153: 1263: 1567: 496: 1494: 1351: 1258: 1596: 1427: 1412: 256: 1489: 474: 54:. The company was part of the Filmsonor-Cinedis group, but then passed under the direct control of the Italian producer 1326: 1499: 1504: 1397: 552: 120: 1560: 1422: 1392: 489: 1417: 47: 1586: 1407: 1402: 1133: 1127: 1122: 1117: 1112: 1107: 1102: 1097: 1092: 1087: 1082: 1077: 1072: 1067: 1062: 1057: 1052: 1047: 1042: 1037: 1032: 1027: 1022: 1017: 1012: 1007: 1002: 997: 992: 987: 982: 977: 972: 967: 962: 957: 952: 947: 942: 937: 932: 927: 922: 917: 912: 907: 902: 897: 892: 887: 882: 877: 872: 867: 862: 857: 852: 847: 842: 837: 832: 827: 822: 817: 812: 807: 802: 797: 792: 787: 782: 777: 772: 767: 762: 757: 752: 747: 742: 737: 732: 727: 722: 717: 712: 707: 702: 697: 692: 687: 682: 677: 672: 667: 662: 657: 652: 647: 642: 637: 632: 627: 622: 617: 612: 607: 602: 597: 592: 587: 582: 577: 572: 567: 562: 557: 312: 208: 1453: 1303: 304: 288: 280: 224: 192: 152: 38:
company active from the 1930s to the 1960s. It had its roots in Italian production interests before the
1601: 144: 128: 1553: 1387: 482: 264: 352: 104: 96: 1361: 1321: 320: 240: 168: 136: 328: 1382: 360: 543: 538: 344: 200: 1463: 1341: 1293: 1233: 1223: 1203: 296: 62: 504: 8: 1336: 1243: 1178: 1366: 1331: 336: 112: 1473: 1288: 1278: 1238: 1213: 523: 232: 35: 1443: 1316: 1248: 248: 1541: 1183: 512: 376: 368: 272: 216: 160: 75: 39: 1168: 1458: 1345: 1228: 1163: 31: 1311: 1537: 1468: 1356: 55: 42:, who were able to continue during the conflict due to film agreements between 1580: 1448: 1173: 1144: 528: 51: 1283: 66: 1198: 1509: 1273: 1193: 1188: 184: 43: 1268: 1208: 59: 1529: 1253: 176: 70: 19: 384: 81: 1578: 462:The Rise and Fall of the Italian Film Industry 1561: 490: 1568: 1554: 497: 483: 1327:French Syndicate of Cinema Critics Awards 18: 88: 1579: 1536:This article about a film studio is a 478: 1524: 455:The Classic French Cinema, 1930-1960 1592:Film production companies of France 1264:Réalisation d'art cinématographique 13: 14: 1613: 65:with Italy including the popular 58:in 1951. It was involved in many 1528: 1352:Prix Jacques Prévert du Scénario 1143: 506: 457:. Indiana University Press, 1993 121:The Daughter of the Green Pirate 469:Sophia Loren: Moulding the Star 440: 427: 418: 409: 400: 1: 464:. Taylor & Francis, 2016. 393: 1540:. You can help Knowledge by 450:. Simon and Schuster, 2000. 313:If All the Guys in the World 209:Two Pennies Worth of Violets 7: 1597:Film distributors of France 1454:French impressionist cinema 305:The Lovers of Manon Lescaut 225:Little World of Don Camillo 193:Between Eleven and Midnight 10: 1618: 1523: 145:A Friend Will Come Tonight 1482: 1436: 1375: 1302: 1152: 1141: 537: 519: 265:The Return of Don Camillo 471:. Intellect Books, 2009. 257:What Scoundrels Men Are! 1362:Prix Suzanne Bianchetti 1322:Globe de Cristal Awards 321:Spring, Autumn and Love 241:Article 519, Penal Code 169:Man with the Grey Glove 361:Shoot the Piano Player 69:series as well as the 24: 345:Doctor and the Healer 201:The Walls of Malapaga 22: 1490:Most expensive films 1464:New French Extremity 1413:Production designers 1342:Prix Patrick Dewaere 1234:Les Films du Poisson 1204:Les Films du Losange 1154:Production companies 297:Marianne of My Youth 89:Selected filmography 1587:French film studios 1337:Prix Romy Schneider 1244:Medialab Technology 1179:Billancourt Studios 129:Strange Inheritance 16:French film company 1332:Louis Delluc Prize 337:Dreams in a Drawer 25: 1602:Film studio stubs 1549: 1548: 1518: 1517: 1474:Surrealist cinema 1289:Victorine Studios 1279:Star Film Company 1239:Joinville Studios 1214:Francoeur Studios 524:Culture of France 233:The Three Thieves 1609: 1570: 1563: 1556: 1532: 1525: 1398:Cinematographers 1367:René Clair Award 1184:Celluloid Dreams 1147: 513:Cinema of France 511: 510: 509: 499: 492: 485: 476: 475: 467:Small, Pauline. 460:Nicoli, Marina. 446:Alpert, Hollis. 434: 431: 425: 422: 416: 413: 407: 404: 273:Journey to Italy 217:The Cape of Hope 161:Eternal Conflict 40:Second World War 1617: 1616: 1612: 1611: 1610: 1608: 1607: 1606: 1577: 1576: 1575: 1574: 1521: 1519: 1514: 1478: 1459:French New Wave 1432: 1428:Score composers 1371: 1346:Prix Jean Gabin 1298: 1229:Honkytonk Films 1164:Action Synthese 1155: 1148: 1139: 541: 533: 515: 507: 505: 503: 443: 438: 437: 432: 428: 423: 419: 414: 410: 405: 401: 396: 391: 289:Madame du Barry 281:The Two Orphans 153:The White Devil 91: 32:film production 17: 12: 11: 5: 1615: 1605: 1604: 1599: 1594: 1589: 1573: 1572: 1565: 1558: 1550: 1547: 1546: 1533: 1516: 1515: 1513: 1512: 1507: 1502: 1500:Film festivals 1497: 1492: 1486: 1484: 1480: 1479: 1477: 1476: 1471: 1469:Poetic realism 1466: 1461: 1456: 1451: 1446: 1444:Cinéma du look 1440: 1438: 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378: 377:Boccaccio '70 374: 371: 370: 366: 363: 362: 358: 355: 354: 350: 347: 346: 342: 339: 338: 334: 331: 330: 326: 323: 322: 318: 315: 314: 310: 307: 306: 302: 299: 298: 294: 291: 290: 286: 283: 282: 278: 275: 274: 270: 267: 266: 262: 259: 258: 254: 251: 250: 246: 243: 242: 238: 235: 234: 230: 227: 226: 222: 219: 218: 214: 211: 210: 206: 203: 202: 198: 195: 194: 190: 187: 186: 182: 179: 178: 174: 171: 170: 166: 163: 162: 158: 155: 154: 150: 147: 146: 142: 139: 138: 134: 131: 130: 126: 123: 122: 118: 115: 114: 110: 107: 106: 102: 99: 98: 94: 93: 86: 84: 83: 78: 77: 76:Boccaccio '70 72: 68: 64: 61: 57: 53: 49: 45: 41: 37: 33: 30:was a French 29: 21: 1542:expanding it 1535: 1520: 1312:César Awards 1218: 1174:Ariane Films 1132: 529:World cinema 468: 461: 454: 453:Crisp, C.G. 447: 441:Bibliography 433:Alpert p.308 429: 420: 415:Nicoli p.175 411: 402: 383: 375: 367: 359: 353:Resurrection 351: 343: 335: 327: 319: 311: 303: 295: 287: 279: 271: 263: 255: 247: 239: 231: 223: 215: 207: 199: 191: 183: 175: 167: 159: 151: 143: 135: 127: 119: 111: 105:Final Accord 103: 97:Happy Arenas 95: 80: 74: 52:Vichy France 36:distribution 27: 26: 23:company logo 1284:StudioCanal 1156:and studios 544:Films (A–Z) 137:Night Shift 113:Abandonment 79:(1962) and 67:Don Camillo 1581:Categories 1495:Box office 1449:Cinéma pur 1344:(formerly 1294:Wild Bunch 1199:EuropaCorp 424:Small p.65 406:Crisp p.79 394:References 1510:Unifrance 1423:Producers 1393:Directors 1388:Animators 1376:Personnel 1274:Sofracima 1219:Francinex 1194:Def2shoot 1189:Ciby 2000 553:1892–1909 369:Garibaldi 185:Vire-vent 44:Mussolini 28:Francinex 1437:Movement 1269:Sciapode 1209:Folimage 329:Napoléon 85:(1963). 60:post-war 1408:Editors 1403:Critics 1224:Gaumont 448:Fellini 177:Monelle 71:Fellini 1383:Actors 1304:Awards 388:(1963) 380:(1962) 372:(1961) 364:(1960) 356:(1958) 348:(1957) 340:(1957) 332:(1955) 324:(1955) 316:(1955) 308:(1955) 300:(1955) 292:(1954) 284:(1954) 276:(1954) 268:(1953) 260:(1953) 252:(1953) 244:(1952) 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Index


film production
distribution
Second World War
Mussolini
Italy
Vichy France
Angelo Rizzoli
post-war
co-productions
Don Camillo
Fellini
Boccaccio '70
8½
Happy Arenas
Final Accord
Abandonment
The Daughter of the Green Pirate
Strange Inheritance
Night Shift
A Friend Will Come Tonight
The White Devil
Eternal Conflict
Man with the Grey Glove
Monelle
Vire-vent
Between Eleven and Midnight
The Walls of Malapaga
Two Pennies Worth of Violets
The Cape of Hope

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