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dissolution to such society as might take its place), the income to be devoted to the encouragement of
British painting and sculpture, by "the purchase of works of fine art of the highest merit ... that can be obtained." The funds might be allowed to accumulate for not more than five years; works by British or foreign artists, dead or living, might be acquired, so long as such works were entirely executed within Great Britain, the artists having been in residence there during the execution and completion. The prices to be paid were to be "liberal," and no sympathy for an artist or his family was to influence the selection or the purchase of works, which were to be acquired solely on the ground of intrinsic merit. No commission or orders might be given: the works must be finished before purchase. Conditions were made as to the exhibition of the works, in the confident expectation that the government or the country would provide a suitable gallery for their display; and an annual sum of £300 and £50 was to be paid to the president and the secretary of the
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119:), where his family had a small farm. His father, who also dabbled in carpentry and wood-carving, died when Francis was twelve; and his mother remarried, leaving him without a clear career to follow. At fifteen, he was working for a grocer in Sheffield, when, having seen some wood-carving in a shop-window, he asked to be apprenticed as a carver instead, and was placed with a woodcarver and gilder called Ramsay in Sheffield.
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He visited Paris in 1814, and again in 1815, this time with his wife, Thomas
Stothard, and D. A. Alexander, visiting the Louvre where he especially admired the works of Raphael and Titian. In 1819 he went to Italy, accompanied by the painter John Jackson, and an old friend named Read. In Rome he met
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By his will, dated 31 December 1840, Chantrey (who had no children) left his whole residuary personal estate after the decease or on the second marriage of his widow (less certain specified annuities and bequests) in trust for the president and trustees of the Royal
Academy (or in the event of its
322:
wrote that
Chantrey "had a great gift for characterisation, his ability to render the softness of flesh was much admired" and that "though compelled by the fashion of the day to produce, on occasions, classicizing works, his robust common sense and his enormous talent is better displayed in works
63:
Britain, producing busts and statues of many notable figures of the time. Chantrey's most notable works include the statues of King George IV (Trafalgar Square); King George III (Guildhall), and George
Washington (Massachusetts State House). He also executed four monuments to military heroes for
238:
placed the bust of Tooke between two of his own, and the prominence given to it is said to have had a significant influence on
Chantrey's career. In the wake of the exhibition he received commissions amounting to £12,000. In 1813 he was able to raise his price for a bust to a hundred and fifty
313:
Those who wish to trace the return of
English sculpture from the foreign artificial and allegorical style, to its natural and original character—from cold and conceited fiction to tender and elevated truth, will find it chiefly in the history of Francis Chantrey and his productions.
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By the end of 1905, 203 works had been bought—all but two from living artists—at a cost of nearly £68,000. Of these, 175 were oil paintings, 12 were watercolours, and 16 were sculptures. The bequest remained the main source of funding for expanding the collection of what is now
540:; Chantrey's biographer, James Holland, however gave more credence to another account of its history, according to which Stothard had merely made a drawing from Chantrey's preliminary model. Another popular work, much reproduced, was a small statue, made for
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Chantrey was a prolific sculptor. According to an article published in 1842, he produced, besides his busts and reliefs, three equestrian statues, 18 standing ones, 18 seated ones and 14 recumbent figures. His most notable works include the statues of
532:, a monument to two girls of the Robinson family, depicting them asleep in one another's arms, the younger holding a bunch of snowdrops. It attracted a great deal of attention when shown at the Royal Academy in 1817, before its installation in
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215:. By this time he was settled permanently in London, His wife brought £10,000 into the marriage, which allowed Chantrey to pay off his debts, and for the couple to move into a house at 13 Eccleston Street,
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were his chief assistants, and made many of the works produced under
Chantrey's name. The debilitating effects of heart disease made him even more reliant on assistants in the last few years of his life.
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Asked later in life, as a witness in a court case, whether he had ever worked for any other sculptors, he replied: "No, and what is more, I never had an hour's instruction from any sculptor in my life".
219:, (recorded as Chantrey's address in the Royal Academy catalogues from 1810). He also bought land to build two more houses, a studio and offices. In 1811, he showed six busts in the Royal Academy.
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should be its future home, but that the trustees and director of the
National Gallery should have no power over what works were to be transferred there, or added to the collection at a later date.
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Chantrey developed a procedure of making a portrait sculpture in which he would begin by making two life-sized drawings of his sitter's head, one full-face and one in profile, with the aid of a
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He died suddenly at his home in
Eccleston Street, Pimlico, London, on 25 November 1841, having suffered from heart disease for some years. He was buried in a tomb constructed by his assistant
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In 1802, Chantrey paid £50 to buy himself out of his apprenticeship with Ramsay and immediately set up a studio as a portrait artist in Sheffield, which allowed him a reasonable income.
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In 1828 Chantrey set up his own foundry in Eccleston Place, not far from his house and studio, where large-scale works in bronze, including equestrian statues, could be cast.
672:(reduced to 2½% in 1903), which was producing an available annual income varying between £2,100 and £2,500 by around 1910. Initially the works acquired were shown at the
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who recognised his artistic potential and gave him lessons in painting, and was later to help advance his career by introducing him to potential patrons.
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668:, and two years later the fund became available for the purchase of paintings and sculptures. The capital sum available amounted to £105,000 in 3%
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Chantrey was rare among the leading sculptors of his time in not having visited Italy at a formative stage in his career. A writer in Blackwood's
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284:. His assistants would then make a clay model based on the drawings, to which Chantrey would add the finishing touches in front of the sitter. A
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in Calcutta, a replica of which was made for St Paul's Cathedral in London. Other good examples of his church monuments are those to the
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Initially installed in St John's church, Calcutta it was transferred to the city's new cathedral in 1847. Whinney 1971, p. 172
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80:) for the purchase of works of art for the nation, which was available from 1878 after the death of his widow.
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Report of the trial of the cause Carew against Burrell, Bt and another, executors of the late Earl of Egremont
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499:, and (in a single monument) Major-Generals Gore and Skerrett. He was also responsible for the memorials to
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Holland, pp. 43–4, disputes the claim, frequently made, that his apprenticeship had only six months to run.
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59:(7 April 1781 – 25 November 1841) was an English sculptor. He became the leading portrait sculptor in
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For several years he divided his time between Sheffield and London, studying intermittently at the
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The Royal Academy: A Complete Dictionary of Contributors from its Foundations in 1769 to 1904
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respectively, for the discharge of their duties in carrying out the provisions of the will.
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431:, originally commissioned, on the instructions of the king himself, to stand on top of the
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190:, for which he received £10 each. Three of them were shown at the Royal Academy that year.
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which combine an almost classical simplicity of form with naturalism in presentation".
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for a few years from 1804, but from 1807 onwards devoted himself mainly to sculpture.
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1377:"Perfected by the Hand of Taste: Funerary Monuments at St Patrick's Cathedral, Armagh"
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1176:"Preliminary drawings for busts and statues by Sir Francis Chantrey, circa 1807–40"
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515:(1826) in Urney Parish Church, Cavan and Mary Anne Boulton (1834) in Great Tew In
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His first recorded marble bust was one of the Rev. James Wilkinson (1805–06), for
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1992:
1622:. Victoria and Albert Museum Monographs. London: Her Majesty's Stationery Office.
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Memorials of Sir Francis Chantry, R. A., sculptor, in Hallamshire and Elsewhere
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in the churchyard of his native village, Norton in Derbyshire (now a suburb of
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Monument to Amelia Ann Smyth, d. 1817 (wife of acting Lt. Gov. of Nova Scotia
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1977:
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1722:
Report from the Select Committee of the House of Lords on the Chantrey Trust
1660:. Vol. 5 (11th ed.). Cambridge University Press. pp. 847–848.
1610:
Sir Francis Chantrey, R. A. Recollections of his Life, Practice and Opinions
1151:"British bronze sculpture founders and plaster figure makers, 1800–1980 – C"
140:, where he fell very ill, losing all his hair. He exhibited pictures at the
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Theorizing museums: representing identity and diversity in a changing world
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A controversial publication by the leading assailant of the Royal Academy.
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1967:
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Former Fellows of The Royal Society of Edinburgh, 1783–2002: Part 1 (A–J)
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would be made of the clay model, and then a marble replica made of that.
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in 1820 saw him as liberating English sculpture from foreign influence:
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commissioned him to make four monumental plaster busts of the admirals
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462:, Tory politician, coalowner and essayist, in the parish church of
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This article incorporates text from a publication now in the
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Dictionary of British Sculptors 1660-1851 by Rupert Gunnis p.196
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443:. The horses in these two works are identical. A third, of the
248:
137:
97:
69:
1726:
Proceedings of the Committee, Minutes of Evidence and Appendix
1021:"Vice-Admiral Horatio Nelson (1758–1805), 1st Viscount Nelson"
1000:. Vol. 10. London: Smith, Elder & Co. pp. 44–47.
544:
of the young Louisa, Lady Russell, depicted cradling a dove.
211:
On 23 November 1809, he married his cousin, Mary Ann Wale at
156:
1328:. Bell's Cathedrals. London: George Bell and Sons. pp.
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1524:
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1417:
Collins Pocket Guide to English Parish Churches: the North
1259:. Vol. II. London: Bradbury & Evans. p. 163.
536:. The design of the monument was widely rumoured to be by
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1754:"Archival material relating to Francis Leggatt Chantrey"
1692:. A complete illustrated record of the purchases, etc..
1519:
1455:. Marine Heritage Society. 2 March 2016. Archived from
1255:
Knight, Charles, ed. (1858). "Chantrey, Sir Francis".
807:
122:
At Ramsay's house he met the draughtsman and engraver
1293:"Chantrey's Statue of George IV in Trafalgar Square"
1087:. Vol. 2. London: Henry Graves. pp. 40–41.
1221:(online ed.). Oxford University Press. 2004.
1206:
487:He executed four monuments to military heroes for
1818:, from the Friendship's Offering annual for 1826.
1743:157 artworks by or after Francis Leggatt Chantrey
451:in London, was completed after Chantrey's death.
2621:
1897:
1550:Macdonald, Sharon; Fyfe, Gordon (29 June 1998).
765:C D Waterston; A Macmillan Shearer (July 2006).
575:in Ontario after him. He received the degree of
567:in 1816 and a full Academician in 1818. In 1822
36:Portrait of Chantrey standing next to a bust of
2205:Miravan Breaking Open the Tomb of his Ancestors
660:Lady Chantrey died in 1875 and was buried with
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700:until the 1920s, and it remains active today.
623:Grave of Lady Mary Ann Chantrey (née Wale) in
251:, getting to know the latter especially well.
1883:
1845:, from The Literary Souvenir annual for 1826.
1583:(Exhibition Catalogue). Royal Academy. 2007.
1549:
1273:"Sir Francis Chantrey and Allan Cunningham".
155:. His first imaginative sculpture, a head of
1794:Profile on Royal Academy of Arts Collections
1890:
1876:
1776:
1762:
1712:: CS1 maint: location missing publisher (
1699:The Administration of the Chantrey Bequest
1686:: CS1 maint: location missing publisher (
1540:Treasury Letter, 18054-98, 7 December 1898
925:
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388:and in Greenock (also a bust, plus one of
2112:Gen. Johnson Saving Officer from Tomahawk
1860:for the Forget Me Not annual for 1829 on
1770:Portraits of Sir Francis Leggatt Chantrey
1360:
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1208:"Stevens T. 'Weekes, Henry (1807–1877)',
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953:. London: William Nicol. 1841. p. 64
847:Dictionary of British sculptors,1660–1751
563:Chantrey was elected an Associate of the
159:was shown at the Royal Academy in 1808.
136:. In the summer of 1802, he travelled to
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1402:"Mary Anne Boulton (1834) at Great Tew"
1218:Oxford Dictionary of National Biography
1210:Oxford Dictionary of National Biography
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729:"Chantrey, Francis Leggatt, 1781–1841"
519:church there is a notable monument to
423:He made a bronze equestrian statue of
2184:A Philosopher Lecturing on the Orrery
1871:
1784:Works by Sir Francis Leggatt Chantrey
1606:
1248:
868:
838:
239:guineas, and in 1822 to two hundred.
2680:People from Derbyshire (before 1933)
2212:The Alchemist Discovering Phosphorus
1671:
1199:
1091:
257:
1257:The English Cyclopædia of Biography
1165:
1045:. Twickenham Museum. Archived from
965:
495:, Major-General Bowes, and Colonel
24:
1665:
1441:
844:
25:
2711:
2700:19th-century English male artists
2364:Derby Racecourse Roman settlement
1774:National Portrait Gallery, London
1736:
1479:"St James's-Palace, July 1, 1835"
1363:Irish Church Monuments, 1570–1880
656:King George IV by Chantrey (1827)
526:One of his most famous works was
491:: they commemorate Major-General
2198:Romeo and Juliet: the Tomb Scene
1848:
1821:
1798:
1634:
1556:. Wiley-Blackwell. p. 214.
1325:The Cathedral Church of St. Paul
997:Dictionary of National Biography
991:"Chantrey, Francis Legatt"
680:, which had been erected by Sir
466:, where he was lord of the manor
270:by Sir Francis Chantrey (1832),
1543:
1534:
1498:
1489:
1471:
1432:
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1419:. London: Collins. p. 349.
1408:
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1336:
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1285:
1190:
1125:
1116:
1035:
1013:
1004:
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678:National Gallery of British Art
2685:19th-century British sculptors
2460:British Rail Research Division
1728:(Wyman & Sons, 1904), and
887:
853:
758:
746:
721:
709:
13:
1:
2690:19th-century English painters
2177:Grotto in the Gulf of Salerno
1732:(separate publication, 1904).
703:
427:(now Chennai) and another of
394:St. Mary's Church, Handsworth
2675:Fellows of the Royal Society
2640:Burials at Highgate Cemetery
2432:Whitehurst & Son sundial
1899:Derby Museum and Art Gallery
1652:Chantrey, Sir Francis Legatt
1602:. Sheffield: J. Pearce, Jun.
1415:Betjeman, John, ed. (1968).
1381:www.buildingconservation.com
1242:UK public library membership
1102:"Francis Chantrey, sculptor"
213:St Mary's Church, Twickenham
92:King George IV by Chantrey,
52:Sir Francis Leggatt Chantrey
27:English sculptor (1781–1841)
7:
2465:Derby Philosophical Society
1620:English Sculpture 1720–1830
1485:(19285): 1283. 3 July 1835.
1178:. National Portrait Gallery
1153:. National Portrait Gallery
447:for a site in front of the
439:, but eventually placed in
425:Sir Thomas Munro for Madras
10:
2716:
2455:Andrew Handyside & Co.
2379:Heath Wood barrow cemetery
2240:A Philosopher by Lamplight
2065:Bonnie Prince Charlie Room
1618:Whinney, Margaret (1971).
1573:
1023:. National Maritime Museum
776:Royal Society of Edinburgh
674:Victoria and Albert Museum
614:
558:
2583:
2478:
2447:
2440:
2412:
2341:
2303:Chelsea porcelain factory
2295:
2157:
2139:William Richardson Linton
2121:
2073:
2057:
2011:
1905:
1788:National Portrait Gallery
1361:Potterton, Homan (1975).
1083:Graves, Algernon (1905).
872:Annual Register volume 83
688:. It was agreed that the
380:, London (in bronze); of
201:by Sir Francis Chantrey,
199:Massachusetts State House
115:village, now a suburb of
2359:Strutt's Park Roman fort
1913:Francis Leggatt Chantrey
1827:Lady Louisa Jane Russell
1674:Chantrey and His Bequest
1404:. flickr. 28 April 2006.
598:
505:St James' Church, Sydney
458:Chantrey's memorial for
374:William Pitt the Younger
326:
300:
2601:Pickford's House Museum
2531:Sir George Harpur Crewe
2470:Derby Exhibition (1839)
2413:Science and engineering
1864:in Lichfield Cathedral.
1854:The Sculptured Children
1696:MacColl, D. S. (1904).
1657:Encyclopædia Britannica
1322:Dimock, Arthur (1901).
1303:: 128. 24 February 1844
1297:Illustrated London News
551:has an unusual bust of
162:In 1809, the architect
153:Sheffield parish church
83:
2660:English male sculptors
2650:Artists from Sheffield
2506:6th Duke of Devonshire
2162:paintings and drawings
2081:9th/12th Royal Lancers
2003:Joseph Wright of Derby
1816:The Child's Last Sleep
1607:Jones, George (1849).
1598:Holland, John (n.d.).
1449:"About Chantry Island"
1227:10.1093/ref:odnb/28969
1131:Jones 1849, pp. 27–29.
1043:"Sir Francis Chantrey"
869:Burke, Edmund (1842).
657:
641:
627:
484:
467:
360:in the State-house at
344:
316:
275:
272:Victoria Park, Halifax
222:The subjects included
208:
164:Daniel Asher Alexander
100:
48:
38:William Hyde Wollaston
2695:English male painters
2226:The Blacksmith's Shop
1862:The Sleeping Children
1806:., an image drawn by
1672:Fish, Arthur (1904).
655:
633:
622:
569:Henry Wolsey Bayfield
529:The Sleeping Children
476:The Sleeping Children
473:
457:
362:Boston, Massachusetts
334:
311:
265:
196:
134:Royal Academy Schools
103:Chantrey was born at
91:
35:
2645:History of Sheffield
2349:Creswellian culture
2286:Vesuvius in Eruption
2144:William Hunt Painter
2019:Ashford Black Marble
1928:Derby Sketching Club
1758:UK National Archives
1724:, together with the
1429:Holland, pp. 267– 74
1351:Whinney 1971, p. 172
1049:on 11 September 2014
1010:Holland, pp. 125–127
929:Whinney 1971, p. 147
893:Whinney 1971, p. 148
639:Manchester Town Hall
460:Isaac Hawkins Browne
414:Lord President Blair
410:Manchester Town Hall
337:George Stracey Smyth
2328:William Billingsley
2096:Francis O. Grenfell
1837:and accompanied by
1833:from the statue at
1810:and accompanied by
1613:. London: E. Moxon.
1516:, pp. 847–848.
1112:: 3–10. April 1820.
859:Holland, pp. 43, 50
534:Lichfield Cathedral
489:St Paul's Cathedral
481:Lichfield Cathedral
197:George Washington,
66:St Paul's Cathedral
2665:Royal Academicians
2374:Great Heathen Army
1943:Count Holtzendorff
1918:Ernest Ellis Clark
1843:The Child and Dove
1581:Citizens and Kings
1483:The London Gazette
1459:on 8 February 2017
1106:Edinburgh Magazine
911:Holland, pp. 42–44
795:on 24 January 2013
753:Citizens and Kings
715:Sometimes spelled
658:
642:
628:
501:Sir James Brisbane
485:
468:
464:Badger, Shropshire
445:Duke of Wellington
345:
307:Edinburgh Magazine
276:
209:
207:, 26 February 1861
184:Royal Naval Asylum
124:John Raphael Smith
101:
49:
2655:English sculptors
2617:
2616:
2579:
2578:
2571:Charles Sylvester
2536:Llewellynn Jewitt
2427:Benjamin Vulliamy
2318:Pinxton Porcelain
2313:Royal Crown Derby
2170:Richard Arkwright
1953:Alfred John Keene
1948:Richard Hurleston
1590:978-1-903973-23-3
1275:Fraser's Magazine
1240:(Subscription or
1122:Jones 1849, p. 16
666:Highgate Cemetery
625:Highgate Cemetery
437:Buckingham Palace
404:in Liverpool; of
386:Westminster Abbey
358:George Washington
341:St. Paul's Church
258:Working practices
16:(Redirected from
2707:
2670:Knights Bachelor
2556:5th Earl Ferrers
2526:Alfred E. Goodey
2445:
2444:
2333:William Duesbury
2261:The Captive King
2233:The Earthstopper
2149:Joseph Whittaker
2074:Military history
1958:Henry Lark Pratt
1892:
1885:
1878:
1869:
1868:
1852:
1825:
1802:
1780:
1766:
1761:
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1088:
1080:
1071:
1070:Jones 1849, p. 9
1068:
1059:
1058:
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891:
885:
884:
882:
880:
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860:
857:
851:
850:
845:Gunnis, Robert.
842:
836:
830:
805:
804:
802:
800:
794:
788:. Archived from
773:
762:
756:
750:
744:
743:
741:
739:
725:
719:
713:
441:Trafalgar Square
372:(in bronze); of
320:Margaret Whinney
290:Allan Cunningham
236:Joseph Nollekens
94:Trafalgar Square
74:Chantrey Bequest
58:
21:
18:Francis Chantrey
2715:
2714:
2710:
2709:
2708:
2706:
2705:
2704:
2620:
2619:
2618:
2613:
2608:Central Library
2589:Derby Silk Mill
2575:
2561:George Sorocold
2551:Joseph Pickford
2474:
2436:
2421:Atlas Coelestis
2408:
2389:Duffield Castle
2369:Hanson Log Boat
2342:Ancient Britain
2337:
2308:Derby Porcelain
2291:
2161:
2153:
2122:Natural history
2117:
2069:
2058:Decorative arts
2053:
2049:John Whitehurst
2007:
1993:Ernest Townsend
1901:
1896:
1752:
1739:
1705:
1704:
1679:
1678:
1668:
1666:Further reading
1650:, ed. (1911). "
1635:
1633:
1591:
1579:
1576:
1571:
1564:
1548:
1544:
1539:
1535:
1527:
1520:
1512:
1508:
1503:
1499:
1495:Holland, p. 329
1494:
1490:
1477:
1476:
1472:
1462:
1460:
1447:
1446:
1442:
1438:Holland, p. 276
1437:
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1399:
1395:
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1383:
1375:
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1370:
1359:
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1341:
1337:
1320:
1316:
1306:
1304:
1291:
1290:
1286:
1272:
1271:
1264:
1253:
1249:
1239:
1231:
1229:
1205:
1204:
1200:
1196:Holland, p. 295
1195:
1191:
1181:
1179:
1174:
1173:
1166:
1156:
1154:
1149:
1148:
1135:
1130:
1126:
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1117:
1100:
1099:
1092:
1081:
1074:
1069:
1062:
1052:
1050:
1041:
1040:
1036:
1026:
1024:
1019:
1018:
1014:
1009:
1005:
986:Stephen, Leslie
983:
966:
956:
954:
947:
946:
942:
937:
933:
928:
915:
910:
906:
901:
897:
892:
888:
878:
876:
867:
863:
858:
854:
843:
839:
831:
808:
798:
796:
792:
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771:
763:
759:
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747:
737:
735:
727:
726:
722:
714:
710:
706:
617:
605:James Heffernan
601:
561:
538:Thomas Stothard
513:Earl of Farnham
390:William Murdoch
329:
318:More recently,
303:
260:
228:Francis Burdett
204:Harper's Weekly
86:
54:
28:
23:
22:
15:
12:
11:
5:
2713:
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2597:
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2581:
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2574:
2573:
2568:
2563:
2558:
2553:
2548:
2543:
2538:
2533:
2528:
2523:
2518:
2513:
2511:James Ferguson
2508:
2503:
2501:Erasmus Darwin
2498:
2493:
2488:
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2480:
2476:
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2472:
2467:
2462:
2457:
2451:
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2437:
2435:
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2416:
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2299:
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2289:
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2271:
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2257:
2250:
2243:
2236:
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2215:
2208:
2201:
2194:
2187:
2180:
2173:
2165:
2163:
2155:
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2152:
2151:
2146:
2141:
2136:
2131:
2129:Allenton hippo
2125:
2123:
2119:
2118:
2116:
2115:
2108:
2103:
2098:
2093:
2088:
2083:
2077:
2075:
2071:
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2068:
2067:
2061:
2059:
2055:
2054:
2052:
2051:
2046:
2041:
2036:
2031:
2029:William Martin
2026:
2021:
2015:
2013:
2009:
2008:
2006:
2005:
2000:
1995:
1990:
1985:
1980:
1975:
1970:
1965:
1960:
1955:
1950:
1945:
1940:
1938:Harold Gresley
1935:
1930:
1925:
1920:
1915:
1909:
1907:
1903:
1902:
1895:
1894:
1887:
1880:
1872:
1866:
1865:
1858:Felicia Hemans
1846:
1839:Felicia Hemans
1831:Henry Corbould
1819:
1812:Felicia Hemans
1808:Henry Corbould
1804:Sleeping Child
1796:
1791:
1781:
1767:
1750:
1738:
1737:External links
1735:
1734:
1733:
1719:
1693:
1667:
1664:
1663:
1662:
1648:Chisholm, Hugh
1625:
1624:
1615:
1604:
1595:
1589:
1575:
1572:
1570:
1569:
1562:
1542:
1533:
1531:, p. 848.
1518:
1506:
1497:
1488:
1470:
1453:Chantry Island
1440:
1431:
1422:
1407:
1393:
1368:
1353:
1344:
1335:
1314:
1284:
1281:: 664–5. 1843.
1262:
1247:
1198:
1189:
1164:
1133:
1124:
1115:
1090:
1072:
1060:
1034:
1012:
1003:
988:, ed. (1887).
964:
940:
938:Holland, p. 50
931:
913:
904:
895:
886:
861:
852:
837:
835:, p. 847.
806:
784:
757:
755:(2007), p. 302
745:
720:
707:
705:
702:
616:
613:
600:
597:
583:, and that of
573:Chantry Island
560:
557:
553:William Strutt
521:Viscount Downe
509:Reginald Heber
493:Daniel Hoghton
449:Royal Exchange
435:, in front of
429:King George IV
420:in Edinburgh.
402:George Canning
398:William Roscoe
378:Hanover Square
328:
325:
302:
299:
259:
256:
85:
82:
72:. He left the
26:
9:
6:
4:
3:
2:
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2602:
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2569:
2567:
2566:Joseph Strutt
2564:
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2554:
2552:
2549:
2547:
2546:William Mundy
2544:
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2527:
2524:
2522:
2521:R. K. Freeman
2519:
2517:
2514:
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2507:
2504:
2502:
2499:
2497:
2494:
2492:
2491:P. P. Burdett
2489:
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2481:
2477:
2471:
2468:
2466:
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2450:
2448:Organisations
2446:
2443:
2439:
2433:
2430:
2428:
2425:
2423:
2422:
2418:
2417:
2415:
2411:
2405:
2404:The Long Lane
2402:
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2384:Codnor Castle
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2323:André Planché
2321:
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2304:
2301:
2300:
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2275:Thomas Borrow
2272:
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2256:
2255:
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2249:
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2244:
2242:
2241:
2237:
2235:
2234:
2230:
2228:
2227:
2223:
2221:
2220:
2219:Virgil's Tomb
2216:
2214:
2213:
2209:
2207:
2206:
2202:
2200:
2199:
2195:
2193:
2192:
2188:
2186:
2185:
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2178:
2174:
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2167:
2166:
2164:
2160:
2159:Joseph Wright
2156:
2150:
2147:
2145:
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2137:
2135:
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2130:
2127:
2126:
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2104:
2102:
2099:
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2092:
2089:
2087:
2086:William Goate
2084:
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2032:
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2025:
2022:
2020:
2017:
2016:
2014:
2010:
2004:
2001:
1999:
1998:George Turner
1996:
1994:
1991:
1989:
1986:
1984:
1981:
1979:
1978:Louise Rayner
1976:
1974:
1973:Samuel Rayner
1971:
1969:
1966:
1964:
1961:
1959:
1956:
1954:
1951:
1949:
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1944:
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1911:
1910:
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1904:
1900:
1893:
1888:
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1879:
1874:
1873:
1870:
1863:
1859:
1856:., a poem by
1855:
1851:
1847:
1844:
1840:
1836:
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1828:
1824:
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1694:
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1683:
1675:
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1659:
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1653:
1649:
1644:
1643:public domain
1632:
1631:
1630:
1629:
1621:
1616:
1612:
1611:
1605:
1601:
1596:
1592:
1586:
1582:
1578:
1577:
1565:
1563:0-631-20151-3
1559:
1555:
1554:
1546:
1537:
1530:
1529:Chisholm 1911
1525:
1523:
1515:
1514:Chisholm 1911
1510:
1501:
1492:
1484:
1480:
1474:
1458:
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1128:
1119:
1111:
1107:
1103:
1097:
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1079:
1077:
1067:
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1048:
1044:
1038:
1022:
1016:
1007:
999:
998:
992:
987:
981:
979:
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975:
973:
971:
969:
952:
951:
944:
935:
926:
924:
922:
920:
918:
908:
899:
890:
875:. p. 232
874:
873:
865:
856:
848:
841:
834:
833:Chisholm 1911
829:
827:
825:
823:
821:
819:
817:
815:
813:
811:
791:
787:
781:
777:
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724:
718:
712:
708:
701:
699:
693:
691:
687:
683:
679:
675:
671:
667:
663:
654:
650:
648:
647:Royal Academy
640:
636:
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626:
621:
612:
610:
606:
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590:
586:
582:
578:
574:
570:
566:
565:Royal Academy
556:
554:
550:
545:
543:
539:
535:
531:
530:
524:
523:by Chantrey.
522:
518:
514:
510:
506:
502:
498:
497:Henry Cadogan
494:
490:
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418:Lord Melville
415:
411:
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391:
387:
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379:
375:
371:
367:
363:
359:
356:, London; of
355:
351:
343:, Nova Scotia
342:
338:
333:
324:
321:
315:
310:
308:
298:
295:
291:
287:
283:
282:
281:camera lucida
274:, Nova Scotia
273:
269:
264:
255:
252:
250:
246:
240:
237:
233:
232:Benjamin West
229:
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191:
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149:
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142:Royal Academy
139:
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130:
127:
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120:
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106:
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95:
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79:
78:Chantrey Fund
75:
71:
67:
62:
57:
53:
47:
43:
39:
34:
30:
19:
2606:
2599:
2593:Lombe's Mill
2587:
2516:Arthur Keily
2419:
2394:Icknield St.
2284:
2278:
2274:
2266:
2259:
2252:
2245:
2238:
2231:
2224:
2217:
2210:
2203:
2196:
2191:Indian Widow
2189:
2182:
2175:
2168:
2134:King of Rome
2110:
2106:David Spence
2091:Robert Kells
2044:White Watson
1988:William Tate
1983:Thomas Smith
1933:Harry Fidler
1923:W. J. Coffee
1912:
1861:
1842:
1835:Woburn Abbey
1829:., drawn by
1815:
1745: at the
1729:
1725:
1721:
1698:
1673:
1655:
1628:Attribution:
1627:
1626:
1619:
1609:
1599:
1580:
1552:
1545:
1536:
1509:
1500:
1491:
1482:
1473:
1461:. Retrieved
1457:the original
1452:
1443:
1434:
1425:
1416:
1410:
1396:
1384:. Retrieved
1380:
1371:
1362:
1356:
1347:
1338:
1324:
1317:
1305:. Retrieved
1300:
1296:
1287:
1278:
1274:
1256:
1250:
1230:. Retrieved
1216:
1209:
1201:
1192:
1180:. Retrieved
1155:. Retrieved
1127:
1118:
1109:
1105:
1084:
1051:. Retrieved
1047:the original
1037:
1025:. Retrieved
1015:
1006:
995:
955:. Retrieved
949:
943:
934:
907:
898:
889:
877:. Retrieved
871:
864:
855:
846:
840:
799:18 September
797:. Retrieved
790:the original
767:
760:
752:
748:
736:. Retrieved
732:
723:
716:
711:
698:Tate Britain
694:
690:Tate Gallery
662:George Jones
659:
643:
602:
562:
549:Derby Museum
546:
542:Woburn Abbey
527:
525:
486:
474:
422:
346:
317:
312:
306:
304:
294:Henry Weekes
286:plaster cast
279:
277:
268:Walter Scott
253:
241:
221:
210:
202:
161:
150:
146:
131:
128:
121:
105:Jordanthorpe
102:
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738:24 December
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