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189:. After completing the series from the existing plates of Turner's "Liber" Short turned to the subjects which Turner and his assistants had left incomplete. Several remarkable plates resulted from this study, bearing the simple lettering "F. Short, Sculp., after J. M. W. Turner, R.A.," which told little of the work expended on their production even before the copper was touched. He was consulted by Whistler for his expertise in printmaking and became friends.
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267:"Moonrise, Ramsgate", "Orion over the Thames", "The Night Picket Boat at Hammersmith", "The Shadowed Valley", "Headlights over the Hill, Seaford", "The Angry Cloud, Seaford", "Exceat Farm and Hindover Hill, Alfriston near Seaford, Sussex", "Ebbtide, Putney Bridge," "The Weary Moon was in the Wane," "Solway Fishers," "The Lifting Cloud," and "A Slant of Light in Polperro Harbour," mezzotints.
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Coastal landscapes, river estuaries, meadows and foreshores in Devon, Norfolk, Sussex, Cornwall and the north of
England captivated him for his entire working life. Short's subtle and reticent drawing of the receding lines of the low banks and shallows of river estuaries and flat shores can be seen
177:(1885 seq.), examples of painstaking devotion and skill, were among his earliest successes, combining sympathetic study of the originals with a full knowledge of the resources of engraving and unwearied patience. Short received praise, constant advice and encouragement from
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Short wrote several influential books on original printmaking: "On the Making of
Etchings" was first published in 1888 and republished in 1911, 1912, 1951 and is still in print today. "British Mezzotints" from 1924 is a standard reference on original mezzotints.
333:, a catalogue raisonne by Martin Hardie, in three volumes (Print Collector's Club, London, 1938–40) catalogues and describes 399 prints (many illustrated). Previously, a work with the same title by Edward F Strange (1908), describes 285 plates by the artist.
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RE, Percival
Gaskell RE, Margaret Kemp-Welch RE, Martin Hardin RE, Job Nixon RE, Robert Austin RA, PPRE, Mary Annie Sloane, ARE, Malcolm Osborne RA, PPRE, Henry Rushbury RA, RE, Dorothy Woollard RE, Frederick Griggs RA, RE, Stanley Anderson RA, RE,
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Short was elected a member of the Royal
Society of Painter-Etchers and Engravers in 1885, and took a prominent part in conducting its affairs, becoming assessor (vice-president) in 1902. In 1910 he succeeded Sir
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Short received, amongst other distinctions, the gold medal for engraving at the Paris
International Exhibition, 1889, and another gold medal for mezzotint (Rappel) 1900. In 1906 Short was elected an
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Short was engaged on various works in the
Midlands until 1881, when he came to London as assistant to Baldwin Latham in connection with the Parliamentary Inquiry into the pollution of the
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275:, South Kensington from 1892 to 1920 and the inaugural Professor of Engraving from 1920 to 1924, Short had enormous influence on younger painter-etchers and engravers, including
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200:, all remarkable as faithful and imaginative renderings. His own fine quality as a watercolour painter made him also a sympathetic engraver of the landscapes of
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in many of his original etchings, mezzotints, and aquatints, notably "Low Tide and the
Evening Star" and "The Solway at Mid-day." Other notable plates are:
79:. Short also wrote about printmaking to educate a wider public and was President of the Royal Society of Painter Etcher & Engavers (now styled the
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258:"Dutch Greengrocery," "Noon on the Zuider Zee," "De-venter," "Strolling Players at Lydd," "The clay pit", and "Staithes," all etchings
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141:(the first name of the current Royal College of Art) in 1883. Short also studied at the life class under Professor
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His real life-work now became that of an original and translator engraver. He was a keen student of the works of
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as its second president for 28 years, steering the society through the First World War and the end of the
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Print REbels: Haden - Palmer - Whistler and the origins of the RE (Royal
Society of Painter-Printmakers)
510:. Vol. 32 (12th ed.). London & New York: The Encyclopædia Britannica Company. p. 465.
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ARE amongst many others. It is well recorded that Short was an outstanding and inspirational teacher.
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261:"A Wintry Blast on the Stourbridge Canal," "Peveril's Castle," and "Niagara Falls," dry points
196:, "Orpheus and Eurydice," "Diana and Endymion," "Love and Death," "Hope," and the portrait of
706:. 91 pages from this 348-page volume is devoted to Frank Short's life, work and achievements.
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264:"The Curfew," "A Span of old Battersea Bridge," and "Sunrise on Whitby Scaur," aquatints
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Amongst many galleries and museums that hold examples of Frank Short's prints include:
315:, when membership as Associate Engraver was revived; and in 1911 he was elected a full
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137:. Having studied at the Stourbridge School of Art in his early years he joined the
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PPRE (19 June 1857 – 22 April 1945) was a
British printmaker and teacher of
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explores the works he did in Sussex in his later life, and includes 40 images.
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Diana and
Endymion, etching and mezzotint, printed in brown ink, 1891, after
547:"Your Search Results - Search the Collections - Victoria and Albert Museum"
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675:. Vol. 24 (11th ed.). Cambridge University Press. p. 1007.
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This article incorporates text from a publication now in the
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323:. Short was Treasurer of the Royal Academy from 1919 to 1932.
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A blue plaque marks Short's former home from 1898 to 1927 at
683:, Edward F. Strange, 1908, (George Allen & Sons, London)
255:"The Ferry over the Blyth," "Walberswick Pier," soft-ground
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For the California lawyer and states' rights advocate, see
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Short also translated into mezzotints several pictures of
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The etched and engraved work of Frank Short, A.R.A., R.E.
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Francis (Frank) Job Short was born on 19 June 1857, in
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In October 2018 a new book about Short was published.
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597:"Sir Frank Job Short, RA, RI, PRE - The Collection"
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67:, while expanding the expressive power of line in
572:"Collection search: You searched for Frank Short"
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698:. London: Royal Society of Painter-Printmakers.
171:; and his etchings and mezzotints from Turner's
149:, and for a short time at the Schools of the
727:Profile on Royal Academy of Arts Collections
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321:Royal Institute of Painters in Water Colours
151:Royal Institute of Painters in Water Colours
83:) from 1910 to 1938. He was a member of the
331:The Etched and Engraved Work of Frank Short
246:"Gathering the Flock on Maxwell Bank," a
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271:As head of the Engraving School at the
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410:. Stourbridge: HOW. pp. 199–200.
308:of the 1920s and its crash from 1929.
81:Royal Society of Painter-Printmakers
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717:2 artworks by or after Frank Short
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252:"New moon over the Bure", aquatint
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825:19th-century English male artists
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457:. British Council. Archived from
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122:. He was first educated to be a
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622:"Frank SHORT - Artists - NGV"
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500:Chisholm, Hugh, ed. (1922).
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354:Victoria & Albert Museum
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295:Blue plaque, 56 Brook Green
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502:"Short, Sir Francis Job"
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187:Stopford Augustus Brooke
183:William George Rawlinson
785:People from Stourbridge
780:English watercolourists
694:Twohig, Edward (2018).
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507:Encyclopædia Britannica
219:, Hammersmith, London.
100:Ebb Tide, Putney Bridge
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760:19th-century engravers
408:A History of Wollaston
372:, Melbourne, Australia
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395:. 1901. p. 123.
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273:Royal College of Art
32:Frank Hamilton Short
775:English printmakers
483:on 30 January 2013.
477:The Daily Telegraph
461:on 28 January 2013.
282:Constance Mary Pott
248:soft-ground etching
810:Royal Academicians
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626:www.ngv.vic.gov.au
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770:English engravers
704:978-1-5272-1775-1
455:"Sir Frank Short"
317:Royal Academician
18:Francis Job Short
16:(Redirected from
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232:Watercolour
217:Brook Green
179:John Ruskin
116:Stourbridge
57:printmaking
744:Categories
531:15 October
377:References
143:Fred Brown
661:(1911). "
202:David Cox
112:Wollaston
104:mezzotint
91:Biography
77:engraving
63:and pure
61:mezzotint
366:, Sussex
69:drypoint
65:aquatint
669:(ed.).
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234:study,
145:at the
73:etching
721:Art UK
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665:". In
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284:, and
106:, 1885
631:8 May
606:8 May
581:8 May
556:8 May
223:Works
723:site
700:ISBN
633:2019
608:2019
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558:2019
533:2018
412:ISBN
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