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The Queen also spoke (mostly in German) to her daughters and other attendants about her grandchildren. At the end of the sitting, the Queen approved Bell-Smith’s work. This anecdotal episode demonstrated Bell-Smith’s influence and popularity in
Britain. Indeed, Bell-Smith contemplated moving to Britain in the 1890s. However, he decided to divide his time between Canada and Europe, continuing to paint until his death, becoming less active towards the end of his life.
223:, offered free travel passes to several artists who would sketch and paint vistas of the Canadian west. The CPR wanted artistic works that would heighten public interest in transcontinental travel. Bell-Smith’s stylistically conservative paintings were popular in both eastern Canada and Britain, and he frequently returned to the west to work. He was particularly fond of the natural splendour of the area around
300:
and an advocate of Bell-Smith. The
Princesses used their influence to persuade the Queen to sit for Bell-Smith. The cordial sitting lasted for over an hour, during which Queen Victoria permitted Bell-Smith to position her as he wished; Princess Louise, an artist herself, offered Bell-Smith advice.
254:, which portrays the intersection of Yonge and King Streets in Toronto in 1894. Bell-Smith depicted himself in the painting as the man buying a newspaper, his son is the man raising his hat, and the policeman is Bill Redford, the constable actually stationed at the corner.
317:(1872), of which he was president (1905-1908); the Royal British Colonial Society of Artists (1908); the Palette Club, Montreal (1892); and the New Water Colour Society, Toronto (1900). In 1908 he was a founding member of the
284:, who normally disliked having her portrait taken by anyone aside from a few select portraitists. According to Bell-Smith, he followed the advice of a Canadian senator to approach Lord Clinton and
230:
These experiences led Bell-Smith to advocate for a
Canadian school of art which drew its uniqueness from the use of the Canadian landscape as its subject matter. Later artists, including
172:, where he helped his father, John Bell-Smith, "a painter of miniature portraits of considerable talent," to found the Society of Canadian Artists in 1867. In 1871, he moved to
187:(1881–1888); in St. Thomas, Ontario as Art Director of Alma College (1881–1890) and then as director of the Toronto Art School in 1889. He returned to study in Paris at the
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about a sitting with the Queen, but, received discouraging replies from both men. Bell-Smith was able to obtain sittings with
Princesses Beatrice and
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Bell-Smith also created many paintings of late
Victorian and Edwardian eastern Canada and Britain. One of his most famous and playful paintings is
408:(1885), watercolour and gouache, 23 x 38 ins ( 58.4 x 96.5 cms ), Auction Estimate: $ 15,000.00 - $ 20,000.00, realized a price of $ 66,000.00.
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in 1880. He also belonged to the
Society of Canadian Artists (1867) which he helped found; a founder member of the
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In 1886 Bell-Smith seized the opportunity to paint the
Canadian Rockies when the Vice-President of the
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Boyanoski, Christine (2015). "Figures in the landscape en plein air". In Thom, Ian M. (ed.).
577:. The Oxford History of the British Empire Companion Series. Oxford: Oxford University Press.
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of An
Important Private Collection of Canadian Art, December 6, 2023, lot 102, Bell-Smith's
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615:. Vancouver and London: Vancouver Art Gallery and Black Dog Publishing. pp. 59ff.
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In connection with a series of paintings related to the death of Prime
Minister Sir
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Throughout the 1870s and 1880s he sketched, painted, and taught art classes in
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Embracing Canada: Landscapes from
Krieghoff to the Group of Seven
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and by the turn of the century he made annual trips to the west.
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from England in 1866. He had studied painting in England at the
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The Great Adventure: 100 Years at The Arts & Letters Club
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in 1894, Bell-Smith managed to negotiate a sitting with
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543:"School's Out, 1885 by Frederic Marlett Bell-Smith"
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633:. Toronto: The Arts and Letters Club of Toronto.
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176:and married Anne Myra Dyde. In 1874 he moved to
622:Art Gallery of Ontario: The Canadian Collection
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733:British emigrants to pre-Confederation Ontario
675:. Vol. XV (1921–1930) (online ed.).
753:Members of the Royal Canadian Academy of Arts
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586:. Victoria: Art Gallery of Greater Victoria.
168:and worked as an artist and photographer in
669:. In Cook, Ramsay; BĂ©langer, RĂ©al (eds.).
650:Canada - 1892: Portrait of a Promised Land
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665:Ungar, Molly Pulver; Bach, Vicky (2005).
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573:Beinart, William; Hughes, Lotte (2007).
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584:Frederic Marlett Bell-Smith (1846-1923)
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748:20th-century Canadian male artists
743:19th-century Canadian male artists
738:Canadian people of British descent
652:. Toronto: McClelland and Stewart.
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672:Dictionary of Canadian Biography
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319:Arts and Letters Club of Toronto
309:He was a founding member of the
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723:20th-century Canadian painters
713:19th-century Canadian painters
684:HBC Corporate Collections: Art
667:"Bell-Smith, Frederic Marlett"
311:Royal Canadian Academy of Arts
292:, the latter being married to
166:South Kensington School of Art
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593:"Frederic Marlett Bell-Smith"
591:Boulet, Roger (21 May 2008).
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195:Painting the Rocky Mountains
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728:Canadian landscape painters
677:University of Toronto Press
629:McBurney, Margaret (2007).
221:William Cornelius Van Horne
136:known for his works of the
118:Frederic Marlett Bell-Smith
25:Frederic Marlett Bell-Smith
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385:Mists and Glaciers of the
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315:Ontario Society of Artists
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298:Governor General of Canada
620:Bradfield, Helen (1970).
597:The Canadian Encyclopedia
506:Beinart & Hughes 2007
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111:Annie Myra Dyde (m. 1871)
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758:Canadian watercolourists
217:Canadian Pacific Railway
160:Bell-Smith emigrated to
763:Canadian genre painters
624:. Toronto: McGraw-Hill.
549:. Cowley Abbott Auction
258:Painting Queen Victoria
252:Lights of a City Street
246:Lights of a City Street
718:Canadian male painters
582:Boulet, Roger (1977).
575:Environment and Empire
273:
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648:Newman, Paul (1992).
402:Cowley Abbott Auction
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162:British North America
688:Hudson's Bay Company
267:The Artist Painting
203:Bell-Smith painting
508:, pp. 221–223.
296:, who was a former
396:Record sale prices
369:Westminster Bridge
294:the Duke of Argyll
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213:
189:Académie Colarossi
50:September 26, 1846
496:, pp. 18–19.
286:Hafiz Abdul Karim
174:Hamilton, Ontario
134:landscape painter
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551:. Retrieved
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406:School’s Out
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70:(1923-06-23)
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708:1923 deaths
703:1846 births
518:Newman 1992
467:Boulet 1977
452:Boulet 1977
437:Boulet 1977
425:Boulet 2008
232:Tom Thomson
225:Lake Louise
207:(named for
205:Lake Louise
88:Nationality
697:Categories
602:10 January
553:7 December
412:References
372:, ca. 1897
238:, and the
236:Emily Carr
211:), c. 1908
46:1846-09-26
341:, c. 1883
191:in 1896.
387:Selkirks
170:Montreal
140:and the
131:Canadian
92:Canadian
82:, Canada
400:At the
325:Gallery
305:Honours
219:(CPR),
178:Toronto
80:Ontario
76:Toronto
58:England
637:
390:, 1911
290:Louise
272:, 1895
156:Career
146:Quebec
108:Spouse
54:London
150:Maine
635:ISBN
604:2024
555:2023
148:and
65:Died
40:Born
686:at
122:RCA
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