46:
368:(one of the ten orthodox styles of poetry which focused on conveying romantic emotion, with characteristic undertones of nostalgia and regret). His style was sometimes summarized as "old diction, new treatment". He wrote that poems "should somehow... produce an effect of both charm and of mystery and depth. If it is a good poem, it will possess a kind of atmosphere distinct from its words and their configuration and yet accompanying them." An example:
432:
420:"Very late at night he would sit by his bed in front of an oil lamp so dim it was difficult to tell whether it was burning or not, and with a tattered court robe thrown over his shoulders and an old court cap pulled down to his ears, he would lean on an armrest, hugging a wooden brazier for warmth, while he recited verse to himself in an undertone. Deep into the night, when everyone else was asleep, he would sit there bent over, weeping softly.
301:
288:(1144–1184), who was on the opposing side (the one which did not hold the capital where Shunzei lived), ventured into enemy territory to Shunzei's residence, asking him to include a particular poem of his. Tadanori then managed to successfully escape back to his own forces without being apprehended. Shunzei eventually did decide to include Tadanori's poem, but attributed it ("tactfully" as
688:
writing, stimulated by father and son either to agreement or disagreement, contributed also toward the high level of poetic theory, but we may say that
Shunzei and Teika were most representative of the age." This quote is sourced to Odagiri Hideo in pg 10 of his "Nihon ni okeru bungei hyōron no
523:"...there is the further problem, the rendition of the name in romanized form. Teika probably referred to himself as Sadaie, and his father probably called himself Toshinari, but the Sino-Japanese versions of their names were used by their contemporaries, and this practice is still observed."
267:
describes as "pitiably low"), admired him. Go-Shirakawa's trust in
Shunzei is significant, as imperial anthologies were landmarks in the poetic circles of the court, second to no other events in significance; poets were willing to risk their lives just for the chance to have a poem included.
480:, succeeded him in prominence as a poet, and was more successful in court politics than his father. Teika is considered one of the four best poets in Japanese history. Shunzei's granddaughter, Fujiwara Toshinari no Musume (
45:
458:(釈阿). Most of his critical philosophy of poetry is known from his sole major work of criticism, written a decade (in 1197, and revised in 1201) after he was asked by the emperor to compile the anthology,
364:, and after his 30s and 40s, he was especially known for his criticism and judgments at various poetry gatherings and contests, where he favored poems that displayed his preferred poetic style of
171:
182:
197:
460:
491:"), whom he raised and taught, was also successful as a poet in the vein of Teika (who sought her advice after Shunzei died).
326:, he began writing and composing poetry at a young age. He tended to hew to an older style of poetry such as that seen in the
876:
896:
684:) in this age depends chiefly upon the poetic writings of Fujiwara Shunzei and his son Teika. The other theorists of
626:
590:
536:
891:
340:
505:
813:) says that this quote is actually from Shunzei's son, Teika, when Teika was describing his father to
805:
by Robert H. Brower and Earl Miner (Monumenta
Nipponica, Vol. 18, No. 1/4. (1963), pp. 352–364.
557:
211:(顕広), but in 1167, when he was 53, he returned to the house he had been born into and took the name
644:"How to Establish a Poetic School in Early Medieval Japan: Fujiwara no Shunzei's Man'yōshū Jidaikō"
881:
202:
187:
176:
886:
618:
582:
263:, who despite Shunzei's low rank (he was "Chamberlain to the Empress Dowager", a nominal rank
488:
272:
167:
761:
871:
866:
697:("Collection of Discussions of Art"), Tokyo 1962; see Shun'ichi H. Takayanagi 's review of
260:
8:
798:
703:
806:
766:
708:
611:
527:
355:
311:
253:
155:
843:
835:
663:
622:
586:
575:
532:
477:
334:
328:
285:
236:
59:
318:
As
Shunzei's father and grandfather and a number of other relatives were all men of
244:
146:
655:
257:
500:
113:
348:
53:
860:
667:
436:
360:
193:
141:
121:
20:
345:
306:
289:
166:
Fujiwara no
Shunzei was born in 1114. He was a descendant of the statesman
125:
847:
659:
411:
His style was disciplined, determinedly sensitive and emotional. The poet
581:. Translated by Burton Watson. Columbia University Press. 2006. pp.
447:
810:
794:
712:
319:
281:
264:
643:
431:
801:
Press, LC 68-17138 However, Shun'ichi H. Takayanagi in his review of
443:
300:
219:
is the Sino-Japanese reading for the same characters used to write
117:
196:. His father died when he was ten years old and he was adopted by
415:(1406–1475) wrote the following about his composition of poetry:
412:
24:
839:
323:
723:
Miner attributes the source for his translation to
Shunzei's "
736:
365:
304:
Shunzei reciting his poem on the hotogisu (bird) from the
531:. Columbia University Press. pp. 681–692 (note 2).
344:—but he also drew upon recently imported and translated
775:. Stanford University Press. p. 109. LC 68-17138.
745:. Stanford University Press. p. 102. LC 68-17138.
358:
perspective, he notably was an early supporter of the
231:Shunzei attained at the imperial court the post of
610:
574:
858:
674:
517:
376:
332:and even wrote his first poetic commentary on
140:(顕広). He was noted for his innovations in the
105:
51:
755:Miner attributes the source for his poem to "
468:"). He died on December 22, 1204, at age 90.
207:. As Akiyori's adopted son, he took the name
446:vows in 1176 when he was 62. He adopted the
829:
242:He was commissioned in 1183 to compile the
192:of the influential aristocratic and poetic
834:. Stanford University Press. p. 265.
44:
707:, Vol. 18, No. 1/4. (1963), pp. 352-364.
16:Japanese poet and court noble (1114–1204)
791:An Introduction to Japanese Court Poetry
785:pg. 34; Miner adds this in a footnote: "
773:An Introduction to Japanese Court Poetry
743:An Introduction to Japanese Court Poetry
569:
567:
554:An Introduction to Japanese Court Poetry
430:
401:And the quails raise their plaintive cry
299:
50:Shunzei with page and armed attendants (
830:Miner, Earl; Brower, Robert H. (1961).
731:, II, 358." ("NKGT" here refers to the
403:In the deep grass of Fukakusa village.
276:relates that Shunzei was compiling the
859:
701:by Robert H. Brower and Earl Miner in
466:Notes on Poetic Style through the Ages
825:
823:
779:
770:
759:, IV: 291", where SKKS refers to the
749:
740:
735:edited by N, Sasaki and published in
641:
617:. Columbia University Press. p.
608:
564:
551:
524:
739:in 1935, and its various reprints.)
680:"The high quality of poetic theory (
613:The Pleasures of Japanese Literature
604:
602:
397:From along the moors the autumn wind
370:
642:Citko, Malgorzata Karolina (2019).
292:characterizes it) to "Anonymous".
136:(釈阿) and when younger (1123–67) as
13:
820:
691:The Rise of Art Criticism in Japan
14:
908:
599:
717:
635:
545:
250:Collection of a Thousand Years
152:Collection of a Thousand Years
144:poetic form and compiling the
1:
511:
481:
161:
7:
877:12th-century Japanese poets
560:. p. 110. LC 68-17138.
506:Japanese poetry anthologies
494:
471:
399:Blows chill into the heart;
377:
52:
10:
913:
110:, 1114 – 22 December 1204)
18:
558:Stanford University Press
295:
226:
106:
90:
75:
67:
43:
36:
897:Japanese Buddhist clergy
94:Poet, courtier, and monk
487:; often simply called "
426:
256:of waka poetry, by the
239:(non-counsellor 非参議).
128:. He was also known as
609:Keene, Donald (1988).
577:The Tales of the Heike
525:Keene, Donald (1999).
439:
393:
374:
315:
235:(皇太后宮大夫) and held the
832:Japanese Court Poetry
803:Japanese Court Poetry
725:Jichin Oshō Jikaawase
699:Japanese Court Poetry
660:10.1353/mni.2019.0023
434:
303:
273:The Tale of the Heike
172:Fujiwara no Toshitada
168:Fujiwara no Michinaga
130:Fujiwara no Toshinari
892:Hyakunin Isshu poets
771:Miner, Earl (1968).
769:, compiled ~ 1206).
741:Miner, Earl (1968).
552:Miner, Earl (1968).
799:Stanford University
733:Nihon Kagaku Taikei
704:Monumenta Nipponica
648:Monumenta Nipponica
435:Shunzei drawing by
101:Fujiwara no Shunzei
38:Fujiwara no Shunzei
767:imperial anthology
762:Shin Kokin Wakashū
528:Seeds in the Heart
489:Shunzei's Daughter
440:
356:literary criticism
316:
312:Hishikawa Moronobu
254:imperial anthology
156:imperial anthology
478:Fujiwara no Teika
409:
408:
395:As evening falls,
386:Fukakusa no sato.
341:Man'yōshū Jidaikō
286:Taira no Tadanori
237:Senior Third Rank
183:Mikohidari branch
98:
97:
86:December 22, 1204
60:Utagawa Kuniyoshi
904:
852:
851:
827:
818:
787:Sasamegoto, NKGT
783:
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678:
672:
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639:
633:
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561:
549:
543:
542:
521:
486:
483:
388:
371:
252:"), the seventh
233:Kōtai Gōgū-daibu
206:
191:
180:
158:of waka poetry.
154:"), the seventh
111:
109:
108:
85:
83:
57:
48:
34:
33:
912:
911:
907:
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905:
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828:
821:
784:
780:
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722:
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695:Geijutsuron-shū
679:
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640:
636:
629:
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593:
573:
572:
565:
550:
546:
539:
522:
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501:Japanese poetry
497:
484:
476:Shunzei's son,
474:
429:
405:
402:
400:
398:
396:
390:
385:
384:Uzura naku nari
383:
381:
380:Nobe no akikaze
379:
298:
258:Retired Emperor
229:
200:
185:
174:
164:
103:
81:
79:
63:
39:
32:
17:
12:
11:
5:
910:
900:
899:
894:
889:
884:
882:Buddhist poets
879:
874:
869:
854:
853:
819:
778:
748:
716:
673:
654:(2): 173–209.
634:
627:
598:
591:
563:
544:
537:
515:
513:
510:
509:
508:
503:
496:
493:
473:
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428:
425:
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423:
407:
406:
391:
349:Chinese poetry
297:
294:
278:Senzai Wakashū
245:Senzai Wakashū
228:
225:
198:Hamuro Akiyori
163:
160:
147:Senzai Wakashū
96:
95:
92:
88:
87:
77:
73:
72:
69:
65:
64:
54:Hyakunin Isshu
49:
41:
40:
37:
15:
9:
6:
4:
3:
2:
909:
898:
895:
893:
890:
888:
887:Fujiwara clan
885:
883:
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873:
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868:
865:
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628:0-231-06736-4
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592:9780231138031
588:
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538:0-231-11441-9
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490:
479:
469:
467:
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457:
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442:Shunzei took
438:
437:Kikuchi Yosai
433:
421:
418:
417:
416:
414:
404:
392:
389:
387:
382:Mi ni shimite
373:
372:
369:
367:
363:
362:
361:Tale of Genji
357:
352:
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194:Fujiwara clan
189:
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178:
173:
169:
159:
157:
153:
149:
148:
143:
139:
135:
131:
127:
123:
122:Buddhist monk
119:
115:
114:Japanese poet
102:
93:
91:Occupation(s)
89:
78:
74:
70:
66:
61:
56:
55:
47:
42:
35:
30:
26:
22:
21:Japanese name
831:
817:son, Tameie.
814:
802:
790:
786:
781:
772:
760:
756:
751:
742:
732:
728:
724:
719:
702:
698:
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685:
681:
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651:
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612:
576:
553:
547:
526:
519:
475:
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459:
455:
451:
441:
419:
410:
394:
375:
359:
353:
346:Tang dynasty
339:
333:
327:
317:
310:(drawing by
307:Shinkokinshu
305:
290:Donald Keene
277:
271:
270:
261:Go-Shirakawa
249:
243:
241:
232:
230:
220:
216:
212:
208:
165:
151:
145:
137:
133:
129:
126:Heian period
124:of the late
100:
99:
28:
872:1204 deaths
867:1114 births
789:, V, 268".
693:), pub. by
689:seiritsu" (
485: 1200
448:dharma name
284:, and that
280:during the
201: [
186: [
175: [
170:and son of
58:: print by
861:Categories
795:Earl Miner
512:References
452:Shakuagaku
320:literature
282:Genpei War
265:Earl Miner
162:Early life
82:1204-12-22
765:(the 8th
668:1880-1390
454:(釈阿覚) or
378:Yū sareba
335:Man'yōshū
329:Man'yōshū
221:Toshinari
213:Toshinari
840:61-10925
797:. 1968,
495:See also
472:Children
461:Fūteishō
444:Buddhist
118:courtier
29:Fujiwara
19:In this
811:2383146
713:2383146
413:Shinkei
354:From a
217:Shunzei
209:Akihiro
181:of the
138:Akihiro
25:surname
848:326761
846:
838:
809:
711:
666:
625:
589:
535:
456:Shakua
324:poetry
296:Poetry
227:Career
134:Shakua
120:, and
112:was a
23:, the
807:JSTOR
793:, by
737:Tokyo
709:JSTOR
686:tanka
682:karon
585:–77.
366:yugen
205:]
190:]
179:]
107:藤原 俊成
844:OCLC
836:LCCN
757:SKKS
729:NKGT
664:ISSN
623:ISBN
587:ISBN
533:ISBN
427:Monk
322:and
223:.)
142:waka
76:Died
71:1114
68:Born
815:his
727:in
656:doi
450:of
215:. (
132:or
27:is
863::
842:.
822:^
662:.
652:74
650:.
646:.
621:.
619:61
601:^
583:75
566:^
556:.
482:c.
464:("
351:.
248:("
203:ja
188:ja
177:ja
150:("
116:,
850:.
670:.
658::
631:.
595:.
541:.
422:"
338:—
314:)
104:(
84:)
80:(
62:)
31:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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