544:, Sedad Hakkı Eldem and Kemali Söylemezoğlu. The personal archives of the architects were digitized and catalogued, and became part of ADAT. A chronological approach was organized in the field of design history in Turkey by Archive Curator Karakuş with images from the personal and institutional archives belonging to a number of important Turkish designers including the KareMetal Group of the 1950s, the Koz family (MPD), Yıldırım Kocacıklıoğlu (INTERNO), ceramicist Sadi Diren, Gorbon ceramics,
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clichés that accompany the debates on change and transformation that have been going on in
Istanbul for a long time. The database included artist videos, photography series, architectural projects, TV news items and cartoons reflecting the current state of the city, and was projected onto the walls of the exhibition space, allowing each user to browse the database by using a mouse connected to the system.
50:. Through its various exhibitions, lectures, conferences, workshops and publications, GG filled a great gap regarding its areas of expertise in the city and the country in general. GG was the first venue in Turkey to host the exhibitions of works by internationally renowned architects and designers such as
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is one of the long-term research and publication projects begun by GG to discuss the method of exhibition as part of the exhibition content itself, and has now been passed on to SALT. For the purposes of the exhibition, an interactive database has been constructed to help defy the received wisdom and
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and strategies, this design was a different and productive scenario that displayed the contradictions and vicious circles in the ongoing debates concerning the area. Following
Project MUTEN, the number of experimental works at GG increased and their content became more varied. As one of the stages of
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GG organized a 12-session “Transdisciplines
Lecture Series” in collaboration with Platform Garanti in 2008 and 2009. The lectures aimed to open to discussion the production environment that would transcend disciplines as envisioned by the new institution to be formed by GG and Platform Garanti while
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exhibitions and a book the intellectual and architectural journey of Turgut
Cansever, one of the most original and dissident architects of Republic Era Turkey. Directed by Uğur Tanyeli and Atilla Yücel, this project was the first retrospective exhibition of an architect based on archival documents.
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dealt with turbulence as a formal principle and a condition of the global metropolis. Novak examined the turbulent topologies of currents, links, connections, networks and stratifications by using high-tech fragile statues and a virtual environment that the bodies of visitors turned into physical
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as the joint project of GG and
Platform Garanti, with the aim of demonstrating the historical development in the fields of architecture and design in Turkey. ADAT treats architecture and design as two main factors that complete each other, and as two separate denominators of a shared practice.
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produced after the 1950s, accompanied by drawings, texts, video recordings of performances and video works based on these compositions. As part of this exhibition, a concert of spatial music works was organized, a first in Turkey. In another project GG cooperated with OBARC to depict in two
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were used as tactics at the outskirts of fashion. Throughout the six-week period while the exhibition was open, Busch held workshops with artists and designers who proposed new work methods within the fashion system. The aim of the workshops was to create a variety of practical low-level
569:. A serious and research-based investment is now under way to include the canonical and most recent publications of a great variety of disciplines that will contribute to the fields of architecture, design and urban planning. The library's holdings open to the public at
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that were digitalized and catalogued. During the three initial years of active research, ADAT collected over 20,000 digital images and more than 4000 physical material. Since 2010, ADAT continues its activities as a part of
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GG supported the content of all exhibitions with lectures, conferences, panel discussions and workshops, thereby aiming to create an environment of discussion and production. The most radical example of this was
94:. Throughout its active period, its programs were shaped by the contribution of an advisory committee made up of Bülent Tanju, UğurTanyeli, Han Tümertekin, Alpay Er, Semra Öndeş and honorary members
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process. The life-size prototype made of woven hollow fibers developed in time as the fibers were filled with concrete one month later and as the concrete then solidified. Curated and designed by
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In 2007, GG began to expand the modest library it had formed with the purpose of aiding the research necessary for its exhibitions and events. In 2008 it merged with the library of
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Archival work followed two different research methodologies in the fields of architecture and design. Architectural research began with the “senior architects” in Turkey including
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the process of unification and change undertaken by these two entities still continued. Lecturers in chronological order were Marcos Novak, Marie-Ange Brayer,
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268:(Bahrain, 2009) in Al Manama. Curators of the exhibition, Pelin Derviş, Bülent Tanju and Uğur Tanyeli, edited the multi-authored dictionary
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was exhibited at
Palazzetto Tito (Fondazione Bevilacqua La Masa, 2008) concurrently with the 11th Venice Architecture Biennial and at IVAM (
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interventions and perspectives from which to look upon fashion both as a phenomenon as well as a material that can be transformed.
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Between 2005 and 2010, GG published exhibition yearbooks as well as various books related to exhibitions and other projects.
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ISTANBUL PARA-DOXA / Conversations on the City and
Architecture, Boğaçhan Dündaralp, Aslı Kıyak İngin, Nilüfer Kozikoğlu
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and Sibel Asna. GG was directed by Münevver Eminoğlu (2003–2005) and Pelin Derviş (2005–2010). In 2010, GG merged with
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The exhibitions at GG aimed to explore all types of design and to open them to discussion. The exhibition entitled
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questioned the concept of social responsibility in architecture by focusing on the experiences the students of
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Architecture and Design
Archive Turkey (ADAT) became active in 2008 under the direction of the historian of
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between
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The range of topics GG opened up for debate in the area of design included the digital world.
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Wearing
Architecture Inside Out, Rural Studio: Architecture as Transgression and Ambiguity
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Hackers and Haute Couture Heretics: Subconstructive Strategies in the Fashion System
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exhibited not the design product per se but rather a phase in the
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HHCH: Subconstructive Strategies in the Fashion System
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the long-term project Fibrous Structures directed by
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sound and images. After the exhibition in Istanbul,
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participating in the applied architecture workshop “
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