38:
447:
with increasingly repressive governmental practices. Used as a metaphor for state surveillance, the jellyfish was described by
Indiana as “an organism with no brain and a thousand poisonous tentacles collecting what you could call data.” Photographs of young Cuban men appeared next to the video.
1235:
1243:
406:
Speaking of his acting style generally, Indiana told an interviewer, "I wasn't trained, and certainly didn't have the technique of a professional. Directors would cast me because of the way I was, not what I could pretend to be."
319:
37:
458:, which extends the video's themes by juxtaposing the artist's experiences of Cuba as it is slowly being drawn into the global economy with commentary on the ideas of
2139:
2134:
1690:
1846:
1354:
1339:
1324:
1892:
324:
2124:
2119:
2144:
2040:
1704:
150:
Indiana has written, directed and acted in a dozen plays, mostly during the early 1980s. Performed in small New York City venues like
2129:
2089:
2069:
1746:
2006:
257:
In 2023, two of
Indiana's books were reprinted, amid what could be considered a modern reappraisal of his work. His 1994 novel
1531:
1509:
1674:
1484:
1768:
1602:
1382:
2054:
1794:
122:” that characterized American life at the millennium's end. In the introduction to the recently re-published edition of
1228:
1214:
1192:
1179:
1165:
1151:
1137:
1124:
1110:
1097:
1083:
1070:
1056:
1042:
1028:
1011:
998:
984:
970:
956:
943:
929:
916:
903:
890:
876:
863:
850:
836:
822:
808:
794:
780:
767:
740:
717:
704:
686:
673:
660:
647:
634:
621:
608:
594:
581:
566:
552:
537:
524:
2114:
2104:
1447:
2020:
1578:
2099:
1418:
2094:
1986:
2109:
2074:
1664:
1272:
486:
335:
364:
1343:
199:
163:
110:
weekly newspaper from 1985 to 1988. Indiana is best known for his classic
American true-crime trilogy,
104:; 1950) is an American writer, actor, artist, and cultural critic. He served as the art critic for the
1996:
1313:
2030:
1978:
1328:
494:
444:
1621:
389:
254:
by replacing all dialogue with an "almost incomprehensible" obscenity-laden libidinal glossolalia.
1358:
369:
2084:
756:(Jane Dickson catalogue for Goldie Paley Gallery, Moore College of Art and Design; contributor)
1252:
1298:
119:
1302:
2079:
1642:
439:
62:
493:(2004–2005), which records readings by and conversations between Indiana and photographer
8:
155:
1974:
1950:
1287:
573:
1268:
294:
139:
127:
1911:
1847:"Sleep When I'm Dead: Gary Indiana Might Be Out of Print, But He's Still Going Strong"
544:
1920:
1670:
1490:
1480:
1443:
1224:
1210:
1188:
1175:
1161:
1147:
1133:
1120:
1106:
1093:
1079:
1066:
1052:
1038:
1024:
1007:
994:
980:
966:
952:
939:
925:
912:
899:
886:
872:
859:
846:
832:
818:
804:
790:
776:
763:
736:
713:
700:
682:
669:
656:
643:
630:
617:
604:
590:
577:
562:
548:
533:
520:
282:
226:
159:
1824:
2055:
The Art of
Fiction (250) Interview with Gary Indiana, The Paris Review, Winter 2021
1964:
1421:
696:
420:
1868:
1772:
1725:
1606:
1386:
428:
339:
314:
262:
1556:
1510:"Review: Last Seen Entering the Biltmore: Plays, Short Fiction, Poems 1975–2010"
2021:"Writer Gary Indiana on his new memoir, Susan Sontag and why he hates the '80s"
381:
351:
247:
231:'s Art Critic from 1985 to 1988. A collection of Indiana's nonfiction writing,
221:
185:
1940:
1930:
2063:
1896:
1494:
1425:
478:
433:
343:
306:
243:
207:
135:
106:
47:
20:
1437:
1691:"New York Times Style Magazine: Gary Indiana Doesn't Travel in Any Circles"
1283:
451:
359:
286:
266:
179:
1470:
897:
The
Schwarzenegger Syndrome: Politics and Celebrity in the Age of Contempt
242:, was staged in May 2013 at Participant Inc. It drastically alters a 1922
1954:
1476:
845:(for Goldie Paley Gallery, Moore College of Art and Design; contributor)
1221:
Blank
Fictions: Consumerism, Culture and the Contemporary American Novel
1902:
424:
203:
680:
Last Seen
Entering the Biltmore: Plays, Short Fiction, Poems 1975–2010
1407:
1018:
789:(Nancy Chunn catalogue for the Corcoran Gallery of Art; contributor)
470:
459:
331:
213:
In the early 1980s, Indiana contributed essays on mid-century art to
151:
1174:
by Jean-Patrick
Manchette (afterword for the NYRB Classics edition)
979:
by Henry de
Montherlant (introduction to the NYRB Classics edition)
1347:
377:
215:
399:
reflects his experiences on set, particularly his time working on
1442:. Semiotext(e) / Native Agents. Semiotext(e). 25 September 2015.
754:
Life Under Neon: Paintings and
Drawings of Times Square 1981–1988
1207:
Shopping in Space: Essays on American "Blank Generation" Fiction
1199:
1332:
1119:(for the Museum of Contemporary Art North Miami; contributor)
817:(for the Los Angeles Museum of Contemporary Art; contributor)
1359:
Pathologies of the Après Garde: On Gary Indiana’s “Rent Boy.”
1037:
by Pierre Guyotat (introduction to the Semiotext(e) edition)
454:
published 22 pamphlets for the biennial, including Indiana's
2007:"Unhappy Thoughts: Gary Indiana Gets Personal In New Memoir"
1987:"I Can Give You Anything but Love: A Memoir by Gary Indiana"
1906:
1747:"North (2001), Dir. John Boskovich, Starring Gary Indiana"
1786:
112:
Resentment, Three Month Fever: The Andrew Cunanan Story,
2041:"The Book Jean-Patrick Manchette Didn’t Live to Finish"
885:(for the New Museum of Contemporary Art; contributor)
16:
American writer, playwright, poet, photographer, actor
305:, 1981, where he plays a bellhop at the bellhopless
1795:"The Interview - Art of Fiction (250) Gary Indiana"
1420:Gary Indiana’s Helter-Skelter Prose Experiments by
1186:
Vile Days: The Village Voice Art Columns, 1985–1988
1603:"GLBTQ >> literature >> Indiana, Gary"
1344:Down There: A Review of Rent Boy by Gary Indiana."
1236:"Louche Life: The Literary Crimes of Gary Indiana"
831:(for the Museum of Contemporary Art; contributor)
423:. Combining footage of a former Cuban prison, the
166:'s East 3rd Street studio. Earlier plays included
134:to describe Indiana's writing, in contrast to the
2061:
857:BFI Film Classics: Salò or The 120 Days of Sodom
1311:
1065:(for MALBA FundaciĂłn Costantini, Buenos Aires)
993:(for the Weatherspoon Art Museum; contributor)
803:(for Colby College Museum of Art; contributor)
443:, the work connects the consequences of global
1250:
1233:
910:Kathe Burkhart: Bad Girl: Works from 1983–2000
293:, 1979, which he co-wrote with the director),
1200:Critical studies and essays on Indiana's work
320:Dorian Gray in the Mirror of the Yellow Press
176:A Coupla White Faggots Sitting Around Talking
2043:, an excerpt from Indiana's introduction to
1282:
265:, under their McNally Editions imprint, and
2047:by Jean-Patrick Manchette (NYRB Classics);
1314:"Chronicling the Last Days of Old New York"
1005:Andy Warhol and the Can that Sold the World
628:Three Month Fever: The Andrew Cunanan Story
118:, chronicling the less permanent state of “
1051:(monograph on Timothy Carey; contributor)
559:Disorderly Conduct: The VLS Fiction Reader
36:
2140:21st-century American non-fiction writers
2135:20th-century American non-fiction writers
2003:, Issue 297; July, August, September 2014
380:kills his character with a machine gun).
1554:
1303:"The Dry-Eyed Mourning of Gary Indiana."
374:Terror 2000: Intensivstation Deutschland
1866:
1792:
1766:
1662:
1507:
1380:
2062:
1961:, Vol. 28 No. 24; 14 December 14, 2006
1941:"Resentment: A Comedy by Gary Indiana"
1844:
1643:"Reading: Mrs. Watson's Missing Parts"
1619:
1576:
1529:
1023:(for Kunsthaus Bregenz; contributor)
42:Gary Indiana on the cover of his book
1532:"Two Strangers Meet Through an Actor"
1329:Gary Indiana Hates in Order to Love."
1090:Edgewise: A Picture of Cookie Mueller
1468:
1374:
1312:Jeremy Lybarger (November 8, 2018).
431:, jellyfish and cuts from the films
281:Indiana has acted in several mostly
1555:Jeppesen, Travis (April 25, 2011).
1408:Gary Indiana Semiotext(e) Biography
1251:Francine Prose (December 3, 2015).
1209:by Elizabeth Young, Graham Caveney
206:. The latter was filmed in 1994 by
13:
2125:21st-century American male writers
2120:20th-century American male writers
1953:, Indiana's posthumous profile of
1705:"Irma Vep Interviews Gary Indiana"
1577:Holden, Stephen (August 4, 1995).
843:Valie Export: Ob/De+Con(Struction)
733:Lucas Samaras: Chairs and Drawings
388:features Indiana reading from the
14:
2156:
2145:American male non-fiction writers
1921:"Diaries 1989–90 by Gary Indiana"
1886:
1663:Indiana, Gary (10 January 2023).
1253:"A Talent for the Low & High"
225:, which led to a position as the
2011:I Can Give You Anything but Love
1827:. Whitney Museum of American Art
1131:I Can Give You Anything But Love
1104:A Significant Loss of Human Life
950:Utopia's Debris: Selected Essays
711:Tiny Fish that Only Want to Kiss
456:A Significant Loss of Human Life
419:(2013) was included in the 2014
2130:Novelists from New York (state)
2090:21st-century American novelists
2070:20th-century American novelists
2023:, an interview with Indiana in
1999:, an interview with Indiana in
1860:
1845:Miller, M.H. (April 22, 2014).
1838:
1817:
1760:
1739:
1718:
1697:
1683:
1656:
1635:
1613:
1595:
1530:Holden, Stephen (May 3, 1992).
829:Barbara Kruger: Thinking of You
504:
233:Let It Bleed: Essays, 1985-1995
142:of other contemporary writing.
1971:, Vol. 35 No. 10; May 23, 2013
1620:Barron, Michael (April 2016).
1570:
1548:
1523:
1501:
1462:
1430:
1412:
1401:
1362:The Cleveland Review of Books.
1117:Tracey Emin: Angel Without You
761:Let It Bleed: Essays 1985–1995
1:
2031:"Interview with Gary Indiana"
1997:"This is Cannibal Island Now"
1793:Indiana, Gary (Winter 2021).
1622:"Interview with Gary Indiana"
1508:Maxwell, Justin (Fall 2011).
1367:
724:
518:Scar Tissue and Other Stories
477:(2004–2012), inspired by the
168:Alligator Girls Go to College
1867:Indiana, Gary (April 2014).
1825:"Gary Indiana: Stanley Park"
1257:The New York Review of Books
1234:Andrew Marzoni (Fall 2017).
870:BFI Film Classics: Viridiana
487:the Society of the Spectacle
178:(1980), which was filmed by
7:
1967:, an article by Indiana in
1937:, Issue 46; January 1, 1994
1927:, Issue 34; January 1, 1990
1771:. glbtq.com. Archived from
1385:. glbtq.com. Archived from
883:John Waters: Change of Life
749:(for Robert Miller Gallery)
301:, 1980), Melvie Arslanian (
240:Mrs. Watson's Missing Parts
60:1950 (age 73–74)
10:
2161:
1993:, Issue 127; April 1, 2014
1983:, Issue 10; September 2013
1969:The London Review of Books
1959:The London Review of Books
1931:"Rent Boy by Gary Indiana"
1707:. Uncanca. 8 February 2009
1277:Semiotext(e)/Native Agents
1240:The Quarterly Conversation
774:Aura Rosenberg: Head Shots
509:
145:
18:
1769:"Indiana, Gary (b. 1950)"
1749:. The Renaissance Society
1383:"Indiana, Gary (b. 1950)"
991:Dike Blair: Now and Again
654:Do Everything in the Dark
445:environmental degradation
271:Do Everything in the Dark
246:theatrical adaptation of
235:, was published in 1996.
69:
54:
35:
28:
2115:The Village Voice people
2105:American LGBTQ novelists
1989:, an excerpt carried in
1977:, a story by Indiana in
1947:, Issue 60; July 1, 1997
1943:, an excerpt carried in
1933:, an excerpt carried in
1645:. ART HAPS. May 12, 2013
1579:"2 Extremes of Gay Life"
392:novel of the same name.
269:reissued his 2003 novel
2100:American male novelists
1912:Gary Indiana's articles
1893:The Gary Indiana Papers
1849:. The New York Observer
1728:. Turner Classic Movies
1265:(subscription required)
1146:(for Cheim & Read)
699:with Louise Bourgeois)
601:Living With the Animals
370:Christoph Schlingensief
276:
202:for performance artist
172:Curse of the Dog People
2037:, Issue 16; April 2016
1469:Boch, Richard (2017).
1342:(February 20, 2023). "
693:To Whom It May Concern
603:(editor, contributor)
410:
130:has coined the phrase
2095:American film critics
2025:The Los Angeles Times
1899:, New York University
1475:. Port Townsend, WA:
1357:(August 22, 2023). "
1299:Sarah Nicole Prickket
641:Depraved Indifference
531:White Trash Boulevard
198:(1992), written with
192:Phantoms of Louisiana
120:depraved indifference
116:Depraved Indifference
46:published in 1988 by
44:White Trash Boulevard
2110:American gay writers
2075:American art critics
2017:; September 15, 2015
1767:Kaczorowski, Craig.
1669:. McNally Editions.
1381:Kaczorowski, Craig.
1242:(49). Archived from
1144:Tal R: Altstadt Girl
1063:Bye Bye American Pie
801:Hunt Slonem: Exotica
667:The Shanghai Gesture
615:Resentment: A Comedy
473:by Indiana includes
469:, publicly screened
440:The Shanghai Gesture
365:The Practice of Love
291:Seduction of Patrick
238:A more recent play,
162:and the backyard of
132:deflationary realism
63:Derry, New Hampshire
1871:. Harper's Magazine
1775:on October 15, 2012
1389:on October 15, 2012
1327:(April 28, 2022). "
1301:(October 4, 2018).
735:(for Pace Gallery)
489:and mass hypnosis;
485:(2005), concerning
346:), Lothar Lambert (
196:Roy Cohn/Jack Smith
1965:"Diary: In Havana"
1624:. The White Review
1583:The New York Times
1536:The New York Times
1269:Christopher Glazek
1223:by James Annesley
309:), Jackie Raynal (
295:Scott B and Beth B
285:by, among others,
283:experimental films
252:The Torture Garden
140:hysterical realism
128:Christopher Glazek
19:For the city, see
2027:; October 8, 2015
1726:"Stiletto (1981)"
1676:978-1-946022-52-3
1486:978-1-62731-051-2
695:(limited edition
376:, 1994, in which
160:Performing Garage
124:Three Month Fever
95:
94:
2152:
2051:; April 23, 2018
2049:The Paris Review
2035:The White Review
1880:
1879:
1877:
1876:
1864:
1858:
1857:
1855:
1854:
1842:
1836:
1835:
1833:
1832:
1821:
1815:
1814:
1812:
1810:
1799:The Paris Review
1790:
1784:
1783:
1781:
1780:
1764:
1758:
1757:
1755:
1754:
1743:
1737:
1736:
1734:
1733:
1722:
1716:
1715:
1713:
1712:
1701:
1695:
1694:
1687:
1681:
1680:
1660:
1654:
1653:
1651:
1650:
1639:
1633:
1632:
1630:
1629:
1617:
1611:
1610:
1605:. Archived from
1599:
1593:
1592:
1590:
1589:
1574:
1568:
1567:
1565:
1564:
1557:"New York Dolls"
1552:
1546:
1545:
1543:
1542:
1527:
1521:
1520:
1518:
1517:
1505:
1499:
1498:
1466:
1460:
1459:
1457:
1456:
1434:
1428:
1422:Joseph Nechvatal
1416:
1410:
1405:
1399:
1398:
1396:
1394:
1378:
1321:
1295:
1271:(Winter 2016). "
1264:
1247:
1021:: Well and Truly
815:Christopher Wool
491:Unfinished Story
421:Whitney Biennial
415:Indiana's video
401:Cold in Columbia
395:Indiana's novel
356:Cold in Columbia
328:
261:was reissued by
40:
26:
25:
2160:
2159:
2155:
2154:
2153:
2151:
2150:
2149:
2060:
2059:
1889:
1884:
1883:
1874:
1872:
1865:
1861:
1852:
1850:
1843:
1839:
1830:
1828:
1823:
1822:
1818:
1808:
1806:
1791:
1787:
1778:
1776:
1765:
1761:
1752:
1750:
1745:
1744:
1740:
1731:
1729:
1724:
1723:
1719:
1710:
1708:
1703:
1702:
1698:
1689:
1688:
1684:
1677:
1661:
1657:
1648:
1646:
1641:
1640:
1636:
1627:
1625:
1618:
1614:
1601:
1600:
1596:
1587:
1585:
1575:
1571:
1562:
1560:
1559:. 3:AM Magazine
1553:
1549:
1540:
1538:
1528:
1524:
1515:
1513:
1506:
1502:
1487:
1479:. p. 204.
1467:
1463:
1454:
1452:
1450:
1436:
1435:
1431:
1417:
1413:
1406:
1402:
1392:
1390:
1379:
1375:
1370:
1202:
1197:
977:Chaos and Night
727:
722:
512:
507:
465:In addition to
429:Presidio Modelo
413:
348:Fräulein Berlin
340:Delphine Seyrig
322:
315:Ulrike Ottinger
279:
263:McNally Jackson
148:
136:magical realism
102:Gary Hoisington
91:
61:
59:
58:Gary Hoisington
50:
31:
24:
17:
12:
11:
5:
2158:
2148:
2147:
2142:
2137:
2132:
2127:
2122:
2117:
2112:
2107:
2102:
2097:
2092:
2087:
2082:
2077:
2072:
2058:
2057:
2052:
2038:
2028:
2018:
2009:, a review of
2004:
1994:
1984:
1980:Sensitive Skin
1972:
1962:
1948:
1938:
1928:
1918:
1909:
1900:
1888:
1887:External links
1885:
1882:
1881:
1859:
1837:
1816:
1785:
1759:
1738:
1717:
1696:
1682:
1675:
1655:
1634:
1612:
1609:on 2012-10-15.
1594:
1569:
1547:
1522:
1500:
1485:
1461:
1448:
1429:
1411:
1400:
1372:
1371:
1369:
1366:
1365:
1364:
1352:
1337:
1322:
1309:
1296:
1280:
1273:Cunanan/Bovary
1266:
1248:
1246:on 2019-06-24.
1231:
1229:978-0312215347
1217:
1215:978-1852422554
1201:
1198:
1196:
1195:
1193:978-1635900378
1182:
1180:978-1681372105
1168:
1166:978-3791356600
1160:(contributor)
1154:
1152:978-0991468157
1140:
1138:978-0847846863
1127:
1125:978-0847841158
1113:
1111:978-1584351504
1100:
1098:978-3942214209
1092:(contributor)
1086:
1084:978-8881588688
1077:Damián Aquiles
1073:
1071:978-9871271429
1059:
1057:978-0980232424
1045:
1043:978-1584350897
1031:
1029:978-3865608161
1014:
1012:978-0465002337
1001:
999:978-1890949129
987:
985:978-1590173046
973:
971:978-8496954595
965:(contributor)
959:
957:978-0465002481
946:
944:978-3775717267
938:(contributor)
932:
930:978-8888064482
919:
917:978-0976544302
906:
904:978-1565849518
893:
891:978-0810943063
879:
877:978-1844570416
866:
864:978-0851708072
853:
851:978-1584420514
839:
837:978-0262112505
825:
823:978-3931141912
811:
809:978-0964444836
797:
795:978-0847820818
783:
781:978-1881616566
770:
768:978-1852423322
757:
750:
747:Roberto Juarez
743:
741:978-9997028365
728:
726:
723:
721:
720:
718:978-0991219667
707:
705:978-1900828369
689:
687:978-1584350903
676:
674:978-0982015100
663:
661:978-0312312053
650:
648:978-0060197261
637:
635:978-1584351986
624:
622:978-1584351726
611:
609:978-0571198504
597:
595:978-1852423247
584:
582:978-1852423360
569:
567:978-1852422455
561:(contributor)
555:
553:978-0802111104
540:
538:978-0937815205
527:
525:978-0930762094
513:
511:
508:
506:
503:
412:
409:
382:John Boskovich
352:Dieter Schidor
311:Hotel New York
278:
275:
248:Octave Mirbeau
222:Art in America
186:Roman Polanski
147:
144:
93:
92:
90:
89:
86:
83:
80:
77:
73:
71:
67:
66:
56:
52:
51:
41:
33:
32:
29:
15:
9:
6:
4:
3:
2:
2157:
2146:
2143:
2141:
2138:
2136:
2133:
2131:
2128:
2126:
2123:
2121:
2118:
2116:
2113:
2111:
2108:
2106:
2103:
2101:
2098:
2096:
2093:
2091:
2088:
2086:
2085:Living people
2083:
2081:
2078:
2076:
2073:
2071:
2068:
2067:
2065:
2056:
2053:
2050:
2046:
2042:
2039:
2036:
2032:
2029:
2026:
2022:
2019:
2016:
2012:
2008:
2005:
2002:
1998:
1995:
1992:
1991:BOMB Magazine
1988:
1985:
1982:
1981:
1976:
1973:
1970:
1966:
1963:
1960:
1956:
1952:
1949:
1946:
1945:BOMB Magazine
1942:
1939:
1936:
1935:BOMB Magazine
1932:
1929:
1926:
1925:BOMB Magazine
1922:
1919:
1917:
1913:
1910:
1908:
1904:
1901:
1898:
1897:Fales Library
1894:
1891:
1890:
1870:
1869:"The Terrace"
1863:
1848:
1841:
1826:
1820:
1804:
1800:
1796:
1789:
1774:
1770:
1763:
1748:
1742:
1727:
1721:
1706:
1700:
1692:
1686:
1678:
1672:
1668:
1667:
1659:
1644:
1638:
1623:
1616:
1608:
1604:
1598:
1584:
1580:
1573:
1558:
1551:
1537:
1533:
1526:
1511:
1504:
1496:
1492:
1488:
1482:
1478:
1474:
1473:
1472:The Mudd Club
1465:
1451:
1449:9781584351726
1445:
1441:
1440:
1433:
1427:
1426:Hyperallergic
1424:published at
1423:
1419:
1415:
1409:
1404:
1388:
1384:
1377:
1373:
1363:
1360:
1356:
1353:
1350:
1349:
1345:
1341:
1338:
1335:
1334:
1330:
1326:
1323:
1319:
1318:Boston Review
1315:
1310:
1307:
1304:
1300:
1297:
1293:
1289:
1288:"Modern Love"
1286:(Fall 2016).
1285:
1281:
1278:
1274:
1270:
1267:
1262:
1258:
1254:
1249:
1245:
1241:
1237:
1232:
1230:
1226:
1222:
1218:
1216:
1212:
1208:
1204:
1203:
1194:
1190:
1187:
1183:
1181:
1177:
1173:
1169:
1167:
1163:
1159:
1155:
1153:
1149:
1145:
1141:
1139:
1135:
1132:
1128:
1126:
1122:
1118:
1114:
1112:
1108:
1105:
1101:
1099:
1095:
1091:
1087:
1085:
1081:
1078:
1074:
1072:
1068:
1064:
1060:
1058:
1054:
1050:
1046:
1044:
1040:
1036:
1032:
1030:
1026:
1022:
1020:
1015:
1013:
1009:
1006:
1002:
1000:
996:
992:
988:
986:
982:
978:
974:
972:
968:
964:
963:Paul Pfeiffer
960:
958:
954:
951:
947:
945:
941:
937:
936:Cameron Jamie
933:
931:
927:
924:
920:
918:
914:
911:
907:
905:
901:
898:
894:
892:
888:
884:
880:
878:
874:
871:
867:
865:
861:
858:
854:
852:
848:
844:
840:
838:
834:
830:
826:
824:
820:
816:
812:
810:
806:
802:
798:
796:
792:
788:
784:
782:
778:
775:
771:
769:
765:
762:
758:
755:
751:
748:
744:
742:
738:
734:
730:
729:
719:
715:
712:
708:
706:
702:
698:
697:artist's book
694:
690:
688:
684:
681:
677:
675:
671:
668:
664:
662:
658:
655:
651:
649:
645:
642:
638:
636:
632:
629:
625:
623:
619:
616:
612:
610:
606:
602:
598:
596:
592:
589:
585:
583:
579:
576:
575:
574:Gone Tomorrow
570:
568:
564:
560:
556:
554:
550:
547:
546:
541:
539:
535:
532:
528:
526:
522:
519:
515:
514:
502:
500:
496:
492:
488:
484:
483:Plutot la vie
480:
479:Francis Ponge
476:
472:
468:
463:
461:
457:
453:
449:
446:
442:
441:
436:
435:
434:Touch of Evil
430:
426:
422:
418:
408:
404:
402:
398:
397:Gone Tomorrow
393:
391:
387:
384:’s 2001 film
383:
379:
375:
371:
367:
366:
361:
357:
353:
349:
345:
344:Doctor Mabuse
341:
337:
333:
330:, 1984, with
329:
326:
321:
316:
312:
308:
307:Chelsea Hotel
304:
300:
299:The Trap Door
296:
292:
288:
284:
274:
272:
268:
264:
260:
255:
253:
249:
245:
244:Grand Guignol
241:
236:
234:
230:
229:
228:Village Voice
224:
223:
218:
217:
211:
209:
208:Jill Godmilow
205:
201:
197:
193:
189:
187:
181:
177:
173:
169:
165:
161:
157:
153:
143:
141:
137:
133:
129:
125:
121:
117:
113:
109:
108:
107:Village Voice
103:
99:
87:
84:
81:
78:
75:
74:
72:
68:
64:
57:
53:
49:
48:Hanuman Books
45:
39:
34:
27:
22:
21:Gary, Indiana
2048:
2044:
2034:
2024:
2014:
2010:
2000:
1990:
1979:
1968:
1958:
1951:"Ackerville"
1944:
1934:
1924:
1915:
1903:Gary Indiana
1873:. Retrieved
1862:
1851:. Retrieved
1840:
1829:. Retrieved
1819:
1807:. Retrieved
1805:(238): 30–60
1802:
1798:
1788:
1777:. Retrieved
1773:the original
1762:
1751:. Retrieved
1741:
1730:. Retrieved
1720:
1709:. Retrieved
1699:
1685:
1665:
1658:
1647:. Retrieved
1637:
1626:. Retrieved
1615:
1607:the original
1597:
1586:. Retrieved
1582:
1572:
1561:. Retrieved
1550:
1539:. Retrieved
1535:
1525:
1514:. Retrieved
1503:
1471:
1464:
1453:. Retrieved
1438:
1432:
1414:
1403:
1393:December 29,
1391:. Retrieved
1387:the original
1376:
1361:
1355:Bailey Trela
1346:
1340:Harry Tafoya
1331:
1325:Paul McAdory
1317:
1305:
1291:
1284:Tobi Haslett
1276:
1260:
1256:
1244:the original
1239:
1220:
1206:
1185:
1171:
1157:
1143:
1130:
1116:
1103:
1089:
1076:
1062:
1049:Dead Flowers
1048:
1034:
1017:
1004:
990:
976:
962:
949:
935:
923:Paul Kostabi
922:
909:
896:
882:
869:
856:
842:
828:
814:
800:
786:
773:
760:
753:
746:
732:
710:
692:
679:
666:
653:
640:
627:
614:
600:
587:
572:
558:
543:
530:
517:
505:Bibliography
499:Young Ginger
498:
490:
482:
474:
467:Stanley Park
466:
464:
455:
452:Semiotext(e)
450:
438:
432:
417:Stanley Park
416:
414:
405:
400:
396:
394:
385:
373:
368:, 1985) and
363:
360:Valie Export
355:
347:
318:
310:
302:
298:
290:
287:Michel Auder
280:
270:
267:Semiotext(e)
258:
256:
251:
239:
237:
232:
227:
220:
214:
212:
195:
191:
183:
180:Michel Auder
175:
171:
167:
149:
131:
123:
115:
111:
105:
101:
98:Gary Indiana
97:
96:
43:
30:Gary Indiana
2080:1950 births
2045:Ivory Pearl
1955:Kathy Acker
1809:14 December
1512:. Rain Taxi
1477:Feral House
1172:Ivory Pearl
787:Front Pages
545:Horse Crazy
336:Dorian Gray
323: [
194:(1981) and
2064:Categories
1875:2018-05-15
1853:2018-05-15
1831:2018-05-15
1779:2018-05-14
1753:2018-05-14
1732:2018-05-17
1711:2018-05-17
1649:2018-05-17
1628:2018-05-17
1588:2018-05-14
1563:2018-05-14
1541:2018-05-14
1516:2018-05-14
1455:2020-12-23
1439:Resentment
1368:References
725:Nonfiction
495:Lynn Davis
425:Panopticon
204:Ron Vawter
200:Jack Smith
70:Occupation
2001:Flash Art
1495:972429558
1158:Roni Horn
1019:Roni Horn
471:video art
460:Karl Marx
358:, 1985),
350:, 1984),
332:Veruschka
313:, 1984),
250:'s novel
182:in 1981;
164:Bill Rice
152:Mudd Club
126:, critic
79:filmmaker
1666:Rent Boy
1348:Substack
588:Rent Boy
501:(2014).
378:Udo Kier
303:Stiletto
259:Rent Boy
216:Artforum
190:(1981);
174:(1980);
170:(1979);
2015:ARTnews
1975:"Gizmo"
1219:(1998)
1205:(1992)
1184:(2018)
1170:(2018)
1156:(2017)
1142:(2015)
1129:(2015)
1115:(2015)
1102:(2014)
1088:(2014)
1075:(2013)
1061:(2012)
1047:(2011)
1033:(2010)
1016:(2010)
1003:(2010)
989:(2010)
975:(2009)
961:(2009)
948:(2008)
934:(2006)
921:(2005)
908:(2005)
895:(2005)
881:(2004)
868:(2004)
855:(2000)
841:(2000)
827:(1999)
813:(1998)
799:(1997)
785:(1997)
772:(1996)
759:(1996)
752:(1989)
745:(1987)
731:(1987)
709:(2016)
691:(2011)
678:(2010)
665:(2009)
652:(2003)
639:(2002)
626:(1999)
613:(1997)
599:(1994)
586:(1994)
571:(1993)
557:(1991)
542:(1989)
529:(1988)
516:(1987)
510:Fiction
156:Club 57
146:Writing
1673:
1493:
1483:
1446:
1333:Gawker
1306:LitHub
1227:
1213:
1191:
1178:
1164:
1150:
1136:
1123:
1109:
1096:
1082:
1069:
1055:
1041:
1027:
1010:
997:
983:
969:
955:
942:
928:
915:
902:
889:
875:
862:
849:
835:
821:
807:
793:
779:
766:
739:
716:
703:
685:
672:
659:
646:
633:
620:
607:
593:
580:
565:
551:
536:
523:
497:; and
481:poem;
427:-like
390:CĂ©line
158:, the
100:(born
88:critic
82:artist
76:Writer
65:, U.S.
1294:(26).
1263:(19).
386:North
327:]
188:Story
85:actor
1916:Vice
1914:for
1907:IMDb
1811:2021
1671:ISBN
1491:OCLC
1481:ISBN
1444:ISBN
1395:2012
1225:ISBN
1211:ISBN
1189:ISBN
1176:ISBN
1162:ISBN
1148:ISBN
1134:ISBN
1121:ISBN
1107:ISBN
1094:ISBN
1080:ISBN
1067:ISBN
1053:ISBN
1039:ISBN
1035:Coma
1025:ISBN
1008:ISBN
995:ISBN
981:ISBN
967:ISBN
953:ISBN
940:ISBN
926:ISBN
913:ISBN
900:ISBN
887:ISBN
873:ISBN
860:ISBN
847:ISBN
833:ISBN
819:ISBN
805:ISBN
791:ISBN
777:ISBN
764:ISBN
737:ISBN
714:ISBN
701:ISBN
683:ISBN
670:ISBN
657:ISBN
644:ISBN
631:ISBN
618:ISBN
605:ISBN
591:ISBN
578:ISBN
563:ISBN
549:ISBN
534:ISBN
521:ISBN
475:Soap
437:and
338:and
277:Film
219:and
184:The
114:and
55:Born
2033:in
2013:in
1957:in
1923:in
1905:at
1895:at
1292:N+1
1275:".
411:Art
342:as
334:as
273:.
138:or
2066::
1803:63
1801:.
1797:.
1581:.
1534:.
1489:.
1316:.
1290:.
1261:62
1259:.
1255:.
1238:.
462:.
403:.
325:de
210:.
154:,
1878:.
1856:.
1834:.
1813:.
1782:.
1756:.
1735:.
1714:.
1693:.
1679:.
1652:.
1631:.
1591:.
1566:.
1544:.
1519:.
1497:.
1458:.
1397:.
1351:.
1336:.
1320:.
1308:.
1279:.
372:(
362:(
354:(
317:(
297:(
289:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
