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art to the left, and German and
Flemish art to the right. Completing the circuit takes the visitor first forward, then backward, in time. The numbering system starting on the north side of the museum covers mostly Northern European art, then British art. A visitor following along the southern side will go through mostly Italian and Southern European art. The main floor galleries contain some 850 works in 53 rooms, with around 400 more in several rooms off a corridor downstairs, which are also open to visitors.
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1561:(Old Master Gallery), originally formed part of the remarkable art collection of the Jewish businessman Harry Fuld Senior. They are the latest pieces of Nazi-looted art to have been successfully recovered by his heirs, although hundreds of items remain missing. The panels by the Italian artist Giovanni di Paolo depict two scenes of the life of St. Clare of Assisi. The Clothing of St. Clare By St. Francis, and St. Clare Rescuing the Shipwrecked. Both date from around 1455.
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671:. In 1992 the museum administrations of East and West were re-united, but uniting the collections physically took longer. The current building on the Kulturforum was completed in 1998, and displays some 1,250 paintings, although yet another move currently seems likely (see below). Other works are displayed elsewhere, as the museum forms part of the Berlin State Museums and does not own a distinct collection as most museums do. For example,
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464:. The building consists of 72 rooms providing a two-kilometer (1.25 mi) floor. Upstairs the rooms flow around a large central hall, described by the museum as a "meditation hall". The hall sometimes displays sculpture, but is mostly empty, allowing easy crossing between rooms, and somewhere for school parties to sit. There are also works downstairs, a gallery devoted to frames, and a digital gallery.
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that served as a bomb shelter. Many important altarpieces and other large works were lost, and the collection remains short of very large works compared to the other major
European collections. Furthermore, several hundred paintings were looted by Russian or American soldiers or confiscated by the
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prides itself on its scientific methodology in collecting and displaying art. Each room can be taken in as a single statement about one to five artists in a certain period or following a certain style. The German collection is the finest and most comprehensive in the world, rivaled only by Vienna
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The collection is arranged more or less chronologically starting from the entrance and moving toward the farthest room; however there are many doors back to the long central space, so it is straightforward to reach any other room at any point. The visitor chooses between southern, mainly
Italian,
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and the 20th-century collection of Ulla and Heiner
Pietzsch, bequeathed on condition that it be displayed in its entirety. The proposal has provoked controversy and criticism, particularly since there are no permanent plans for a new structure that would house the collection in its full scope.
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and Munich, and the Early
Netherlandish and Italian collections are also exceptionally comprehensive. The holdings of Spanish, French, and British art are much smaller. Especially notable rooms include the octagonal Rembrandt room and a room containing five different
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in 1871 the funds available greatly increased, and purchases accelerated, as Berlin strove to catch up with the greatest
European collections. In 1874 the collection acquired the best of the collection of mostly north European art formed by the industrialist
397:. The two paintings are historically connected; after hearing of the scandalous portrayal of the theme "love conquers all" in Caravaggio's work, a Roman bishop commissioned Baglione's reply, which mimics Carvaggio's style, including the features of
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has restituted a 16th-century painting by Hans
Baldung Grien to the heirs of Hans Purrmann, a friend of Henri Matisse who was persecuted by the Nazis as a "degenerate" artist and was forced to sell the work from his collection after losing his
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604:, who had joined in 1872, and was to be the Berlin Museums' greatest Director. He headed the sculpture collections from 1883, then the paintings from 1890, becoming general head of the Berlin Museums from 1890 to 1920. A specialist in
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beginning in 1815. From the first the museum was intended to reflect the full range of
European art, giving a different emphasis from that of older royal collections, including the royal collection of Saxony, now mostly in the
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635:, but most of the collection survived the war in shelters across Germany. At the end of the war, however, 400 works that were regarded as too large to take to the remoter hiding places were destroyed in a fire in a
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moralistic paintings which stretch across the north side of the museum, showing an interplay between the religious motives of the artists' patrons and the often sensual inspirations of the artists. In the
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The plan to move the collection was later scrapped following the public backlash and financial considerations regarding the new buildings. The paintings will remain in their current location.
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It holds one of the world's leading collections of
European paintings from the 13th to the 18th centuries. Its collection includes masterpieces from such artists as
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and Dutch painting, he made very significant additions in those areas but did not neglect
Italian painting. His leadership marked the rise of the
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on the lower. At this point, the collection contained nearly 1200 paintings, with a core of 160 from the 17th-century collection of Marchese
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Germany has returned two late medieval panels to the heirs of a famous Jewish art collector. The religious paintings, which were in Berlin's
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In 2012, the gallery's collection faced a pending move to a temporary site on Berlin's Museumsinsel, to make room for the expansion of the
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collection is not essentially formed around the former dynastic royal collection, but created by a process of acquisition by the
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Gentili di Giuseppe's art collection had been plundered by Nazis and disposed of via a series of Paris sales in 1942; the
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The collection was first opened to the public in 1830, on completion of construction of the Royal Museum, now called the
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The current gallery sits in the southwest corner of the Kulturforum, a modern-styled answer to the old Museumsinsel (
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Prestel, 4–6. The King bought some 3,000 works from Solly with his own money, allowing Waagen to take his pick.
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Purchases continued throughout the 19th century, with 345 works acquired during the inaugural directorship of
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from 1830 to 1868, though paintings competed with antiquities for rather reduced purchasing budgets.
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was forced to sell the work from his collection after losing his livelihood due to Nazi persecution.
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Senior who had been looted by Nazis. In 1940 the panels by the Italian artist Giovanni di Paolo,
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after his business collapsed. This was handled for the museum by the art historian
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This article is about a museum in Berlin. For other museums with the same name, see
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Western paintings in the Berlin State Museums is usually said to be around 3,000.
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shows Eros prevailing over other human endeavors: war, music, science, government.
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Purchases for the West Berlin collection eventually resumed after the war, with
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Unlike most major national European collections (with the exception of the
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Information about all cultural institutions at the "Kulturforum" in Berlin
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Red Army and never returned, although in June 2006 a small painting by
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Prestel, 10–11; see 2012 press references below for the 3,000 figures.
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had acquired it from the French art dealer Cailleux, in 1979.
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1408:[The old masters stay in the Gemäldegalerie].
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being priorities for successive directors before the
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restituted to the heirs of the Jewish art collector
1352:"Wir lassen uns nicht auf Meisterwerke reduzieren"
520:. The paintings occupied the upper floor with the
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909:Category:Paintings in the Gemäldegalerie, Berlin
261:Category:Paintings in the Gemäldegalerie, Berlin
1325:"Old Masters face eviction from Berlin gallery"
274:(1602–1603). Oil on canvas. 156 x 113 cm.
1620:, Prestel Museum Guide, 1998, Prestel Verlag,
1709:Art museums and galleries established in 1830
1505:"Looted by the Nazis, a Romanino is Returned"
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1180:Christ Giving the Keys to Saint Peter
1159:Moses Breaking the Tablets of the Law
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1515:from the original on 17 August 2016
735:St. Clare Rescuing the Shipwrecked,
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1666:Association of the friends of the
1641:, Bologna, Scripta Maneant, 2014,
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370:Other notable experiences include
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1584:from the original on 24 June 2020
1545:from the original on 24 June 2020
1377:Rauterberg, Hanno (9 July 2012).
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32:Gemäldegalerie (disambiguation)
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871:(1939–2017), 1996 until 2004
846:(1929–2009), 1957 until 1960
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1242:List of largest art museums
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685:. The whole collection of
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364:Woman with a Pearl Necklace
351:There are two paintings by
301:Gemäldegalerie Alte Meister
174:Staatliche Museen zu Berlin
157:[ɡəˈmɛːldəɡaləˌʁiː]
137:Woman with a Pearl Necklace
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1673:www.kulturforum-berlin.com
1252:List of museums in Germany
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67:Interactive fullscreen map
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1689:Google Arts & Culture
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1247:List of museums in Berlin
1007:Pieter Brueghel the Elder
986:Pieter Brueghel the Elder
890:(* 1956), 2016 until 2021
884:(* 1951), 2004 until 2016
827:(* 1931), 1973 until 1990
813:Cornelius Müller Hofstede
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284:National Gallery, London
180:museum district west of
1028:Lucas Cranach the Elder
764:Gustav Friedrich Waagen
625:Kaiser Friedrich Museum
549:Gustav Friedrich Waagen
506:Karl Friedrich Schinkel
389:is displayed alongside
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1679:Virtual tour of the
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896:(* 1973), since 2021
679:Jean-Antoine Watteau
526:Vincenzo Giustiniani
474:Neue Nationalgalerie
170:Berlin State Museums
1237:List of art museums
894:Dagmar Hirschfelder
888:Michael Eissenhauer
496:religious paintings
355:in the collection,
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241:Thomas Gainsborough
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719:In 2019, Berlin's
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865:, 1990 until 1996
852:, 1960 until 1990
844:Hans Werner Grohn
740:In 2020 Berlin's
642:Alessandro Allori
508:and sited by the
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391:Giovanni Baglione
318:Company at a Meal
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1667:
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1554:
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1538:
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1508:
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1490:
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1473:
1464:
1459:Prestel, 8–9
1455:
1450:Prestel, 7–8
1446:
1441:Prestel, 6–7
1437:
1428:
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1409:
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1382:
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1355:
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1329:The Guardian
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1304:The Guardian
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1293:
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1275:
1270:Prestel, 4–5
1266:
1220:
1199:
1178:
1157:
1136:
1133:Hans Memling
1115:
1094:
1073:
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989:
970:St Sebastian
968:
947:
926:
863:Henning Bock
855:
838:Ludwig Justi
832:
825:Henning Bock
809:, since 1957
799:
770:Julius Meyer
739:
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730:
718:
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692:In 1999 the
691:
672:
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633:World War II
617:In 1904 the
616:
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538:Quattrocento
530:Edward Solly
514:Royal Palace
502:Altes Museum
499:
479:
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458:Heinz Hilmer
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436:
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384:
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316:
281:
269:
205:Jan van Eyck
197:Hans Holbein
186:
173:
161:
144:
142:
135:
36:
1616:"Prestel":
1601:livelihood.
1418:19 November
1414:(in German)
1385:(in German)
1358:(in German)
1204:, ca. 1660
1138:St Benedict
1096:Malle Babbe
1012:Two Monkeys
878: [
706:, entitled
629:Bode Museum
581:The Concert
427: 1645
377:Renaissance
178:Kulturforum
113: /
88:Coordinates
1698:Categories
1626:3791319124
1611:References
1541:. Artnet.
1091:Frans Hals
1057:, ca. 1465
1015:, ca. 1565
907:See also:
727:Harry Fuld
687:Old Master
659:, Italian
637:Flak tower
627:, now the
510:Lustgarten
455:architects
381:Caravaggio
276:Caravaggio
259:See also:
255:Collection
221:Caravaggio
213:Botticelli
101:13°21′53″E
98:52°30′31″N
1594:Berlin's
1154:Rembrandt
869:Jan Kelch
758:Directors
606:Rembrandt
420:Rembrandt
233:Rembrandt
1685:, Berlin
1588:30 April
1582:Archived
1549:30 April
1543:Archived
1519:30 April
1513:Archived
1383:Die Zeit
1356:Die Zeit
1231:See also
952:ca. 1489
534:Trecento
494:medieval
405:Building
342:Madonnas
73:Location
60:, Berlin
1389:21 July
1362:21 July
1335:21 July
1309:21 July
903:Gallery
484:History
372:Flemish
353:Vermeer
346:Raphael
307:Dresden
286:), the
209:Raphael
81:Germany
1645:
1624:
1217:Titian
1162:, 1659
1141:, 1487
1078:, 1526
1036:, 1546
994:, 1559
973:, 1475
931:, 1557
598:Aachen
452:Munich
217:Titian
166:Berlin
77:Berlin
1258:Notes
882:]
1643:ISBN
1622:ISBN
1590:2021
1551:2021
1521:2021
1420:2020
1391:2012
1364:2012
1337:2012
1311:2012
733:and
567:1526
536:and
460:and
399:Amor
333:The
247:and
143:The
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