612:
1590:
1549:
1470:
1427:
1385:
1334:
1146:). Further, the unmodified canticle text and chant melody not only appeared in the outer movements but also in one of the middle movements (the duet, No. 5). The text of the final movement was a generic doxology which could be appended to any religious chant, while other chorale cantatas commonly ended with a text that only appeared in the hymn from which it was quoted.
67:
868:, near the middle of the cantata (movement 4, "Meine Seele erhebt den Herrn", in Johann Ludwig's cantata, and movement 5, "Er denket der Barmherzigkeit" in BWV 10). This characteristic sets BWV 10 apart from Bach's other chorale cantatas, which as a rule contained quotes from Lutheran hymns, not from biblical prose.
1167:
In 1724 the feast of the
Visitation fell on the fourth Sunday after Trinity, thus the next cantata Bach composed was a chorale cantata for the fifth Sunday after Trinity. Bach did apparently not compose a cantata for the sixt Sunday after Trinity in 1724 while absent from Leipzig. Bach's second year
851:
Several characteristics of the
Magnificats and Visitation cantatas of the first half of the 18th century are combined in Bach's German Magnificat: it uses text of Luther's translation of the Magnificat, like BWV Anh. 21 and Picander's 1728 libretto, and it uses text paraphrased from the
714:
357:
each have one aria, and the two recitatives are sung by the tenor. The text of the arias and recitatives is paraphrased and expanded from Luke 1:49–53 and 55. The text of the duet is Luther's translation of Luke 1:54. The melody associated with Luther's German
Magnificat appears in
740:
based on Luther's German translation of the
Magnificat. The portfolio of performance parts of this composition was updated until well into Bach's time in Leipzig. The work, known as Kleines Magnificat (Little Magnificat), was for some time attributed to Bach, but later
604:, verse 54 for the fifth movement, and the doxology for the seventh movement. He paraphrased verse 49 for the second movement, verses 50–51 for the third, verses 52–53 for the fourth, and verse 55 for the sixth movement, the latter expanded by a reference to the
1127:
Libretto publications in Bach's
Leipzig more than once grouped the first four cantatas after Trinity, or started a new publication with the cantata for the fifth occasion after Trinity. In 1724 that fifth occasion was Visitation, for which Bach composed
678:
660:
491:, BWV 10, for Visitation, is the fifth chorale cantata Bach presented in 1724. Its text is based on Luther's German translation of the Magnificat. The singing tune associated with that version of the Magnificat, a German variant of the
1726:
illustrates the fall, which the voice also suggests in descending phrases. The second aspect of the text, the exaltation of the humble, is shown by rising figures, and the final emptiness ("bloß und leer", bare and empty) by pauses.
759:, Bach's predecessor as Thomaskantor, composed a Latin Magnificat in two versions: one version with only the Latin text of the Magnificat for Marian feasts such as Visitation, and another version expanded with four German and Latin
713:
1704:: textually both movements treat the same part of the Magnificat (the end of Luke 1:51), and, although the other movement is set for five-part chorus and tutti orchestra, he considers the closure of this recitative of the
974:. According to this research the chronology of the first six chorale cantatas Bach presented in 1724 is updated as follows (K numbers of the first edition of the chronological Zwang catalogue are given between brackets):
899:
assumes that this should be interpreted as trumpet for the original 1724 version, replaced by two oboes in the 1740s revival version, the same modification that occurred to the related movement of the Latin
Magnificat.
379:. In 20th- and 21st-century concert and recording practice the cantata is often combined with other German-language cantatas, but also several times with settings of the Latin Magnificat, by Bach and other composers.
791:
A repeat performance of BWV 243a may have accompanied the first performance of BWV 10 on 2 July 1724. The libretto of the cantata performed in
Leipzig at the feast of the Visitation of 1725 survives.
715:
1741:" (He remembers his mercy), the text returns to the original German Magnificat, and the music to the psalm tone. It is played by oboes and trumpet as the cantus firmus, while alto and tenor sing in imitation.
883:. The movements with respectively the German and Latin text of Luke 1:54 present the tonus peregrinus melody associated with Luther's German Magnificat as a cantus firmus played by wind instruments. The
853:
676:
658:
1780:" (His seed must be scattered as plentifully as sand on the shore and as stars in the firmament, the Savior was born), the lively chords of the added strings emphasize the importance of the promise kept.
5240:
5507:
753:, a Visitation cantata on a libretto that paraphrases the text of the Magnificat canticle, also seems rather to have been composed by Hoffmann than by Bach, to whom this work used to be attributed.
706:
1648:" (for he has looked at the humble state of his handmaid), the cantus firmus appears in the alto. Certain words, such as "freuet" (rejoice) and "selig preisen" (call me blessed) are adorned with
477:, falling around Easter. Several traditions regarding these Marian feasts, such as the selection of readings for the church services, were continued from the period before Leipzig had adopted
6301:
4830:
415:. The cantatas of that cycle were often based on music he had composed before his Leipzig period. From the first Sunday after Trinity in 1724, that year falling on 11 June, he started
677:
659:
6397:
916:
of 1725. In this chorale cantata format he retained the original text and melody of the chorale on which the cantata was based in the outer stanzas, typically treating the first as a
329:. Luther's translation of Luke 1:46–48 is the text of the first movement. The canticle's doxology is the text of the last movement. The five middle movements are a succession of
5203:
3963:
302:, on the same tune. Bach based his BWV 10 cantata on Luther's German Magnificat and its traditional setting, working text and melody into the composition as he had done with
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6657:
7802:
8010:
7337:
6315:
5854:
8504:
7138:
8812:
9169:
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7207:
966:
Spitta described Bach's chorale cantatas rather as a group than as a cycle, and thought that most of them, including BWV 10, were not composed before the mid-1730s.
3957:
9049:
8097:
6731:
7840:
6517:
5207:
836:). Besides transposing, he also applied a few modifications: for instance in the movement that has Luke 1:54 as text he replaced the trumpet as performer of the
804:. It is not known whether Bach set the libretto, neither which setting of the libretto was used for the 1725 Visitation feast in Leipzig. A year later Bach performed
8005:
6652:
8897:
439:
504:
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7494:
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8337:
8317:
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6647:
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1846:
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German regions. Practices rooted in older traditions included the occasional performance of a Latin
Magnificat on occasions such as Marian Feasts or Christmas.
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8690:
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8227:
7486:
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writes about these first four cantatas of the chorale cantata cycle: "Together they make a fascinating and contrasted portfolio of choral fantasia openings."
8892:
8857:
2003:
combined BWV 10 with the
Christmas versions of Bach's and Kuhnau's Magnificat, thus allowing to compare similar works of two consecutive Thomaskantors.
1056:
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1089:
1071:
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8499:
6642:
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2755:
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The thought that God "also uses force with His arm" is expressed with emphasis, and the final "will be scattered like straw by His hand" is an extended
935:
19th-century Bach scholars were largely unaware of the composition history of the chorale cantatas, and how Bach conceived the cycle of these cantatas:
8157:
8072:
7110:
6831:
5259:"A Cantata-Text Cycle of 1728 from Nuremberg: a Preliminary Report on a Discovery relating to J. S. Bach's so-called 'Third Annual Cantata Cycle'"
1947:
1672:, expressing praise for God's works in the first section, while the more reticent middle section covers thankfulness for his help in times of distress.
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8484:
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9183:
8907:
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Details about the history, organisation and coherence of the cycle were only elucidated in the second half of the 20th century, by scholars such as
8902:
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1168:
in
Leipzig passed without composing a chorale cantata specifically for the fourth Sunday after Trinity. He composed one for this occasion in 1732,
1082:
1175:, one of the later additions to the chorale cantata cycle. Also for Trinity VI Bach composed a chorale cantata at a later date (BWV 9).
9074:
8212:
7773:
7380:
7070:
4996:
4909:
2135:
2130:
1164:' translation): "if ever a work deserved the description 'chorale cantata' it is this, for it is based on a genuine (Gregorian) chorale melody".
451:
8725:
6902:
5784:"Sankt-Peterburg (Sankt Petersburg), Rossijskaja nacional'naja biblioteka (National library): RUS-SPsc F. 446 Lwow A. F., Nr. 65"
5044:
1934:
which also featured another German cantata by Bach. On Richter's 1978 LP release BWV 10 was also combined with other German Bach cantatas.
9094:
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8937:
8462:
8422:
8232:
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7875:
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651:
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8197:
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7297:
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796:
is the possible author of this Magnificat paraphrase. Around a decade before the libretto was reprinted in Leipzig it had already been set by
9179:
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9034:
8650:
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8568:
8474:
7930:
7910:
7553:
7498:
7457:
7441:
7224:
6687:
6537:
6492:
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545:). This gospel reading is a biblical episode that is often represented in art, especially in music where it has become a traditional part of
8665:
8509:
8357:
8052:
7362:
6917:
6677:
6627:
1249:, adding "Luther" for the movements kept in his translation, and "anon." for paraphrased and expanded versions of the unknown librettist.
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8402:
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7181:
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1747:
The voices often sing in parallel thirds and sixths, as they do also in the corresponding movement from Bach's Latin Magnificat, the duet
8817:
8553:
8514:
8489:
8432:
8397:
8362:
8297:
8057:
7783:
7585:
7535:
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7277:
7047:
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6947:
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6169:"Magnificat in E flat major (first version) BWV 243a; BC E 13: Magnificat (The Visitation of Mary, 2 July)"
2763:
8608:
7436:
9104:
8710:
8675:
8437:
8382:
7890:
7342:
7252:
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6342:
1853:
published the same music of BWV 10 as No. 357 in Part IV of his 1780s collected edition of four-part chorales by his father.
1116:, in which the cantus firmus was given to the tenor. The next day followed a cantata opening with a movement in vocal and instrumental
8862:
8117:
8041:
7960:
7616:
6821:
6801:
1652:. The movement is concluded by a vocal setting without cantus firmus embedded in the music of the introduction, framing the movement.
1096:
The strong coherence between the first four cantatas of this series, as belonging to the same set, has been described for instance by
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8598:
8563:
8543:
8272:
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6816:
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2730:
1169:
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9059:
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8787:
8750:
8603:
8573:
8558:
8519:
8452:
8412:
8352:
8292:
8035:
7965:
7631:
7416:
7367:
7191:
7158:
7153:
7143:
7105:
7002:
6967:
6736:
6632:
6512:
778:
17:
8781:
8745:
8735:
7860:
7626:
6962:
6781:
6532:
6148:"Leipzig, Stadtbibliothek Leipzig, Musikbibliothek: D-LEb Peters Ms. R 18 = Choralsammlung Dietel (Depositum im Bach-Archiv)"
1942:'s 1978 recording of BWV 10 were issued on LPs which included their respective performances of Bach's Latin Magnificat. Also
9039:
8852:
8655:
8635:
8578:
8457:
8447:
8386:
8367:
8287:
8282:
8252:
8102:
8067:
8020:
7995:
7920:
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7753:
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7357:
7352:
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7042:
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6826:
6746:
6572:
6552:
6463:
6211:
6186:
1025:
1003:
466:
317:
in Leipzig. BWV 10 is the fifth of 40 chorale cantatas he started that year. The outer movements of the cantata are set for
8822:
8494:
8327:
7990:
7558:
7282:
6897:
6882:
2438:
1047:
875:
sees a similar musical treatment at the end of the respective movements based on the Luke 1:51 text, which are the central
777:, on the same text as Kuhnau's, for Christmas. Another composition presented by Bach at that year's feast of the Visitation was
8977:
8740:
8122:
8025:
7935:
7865:
7758:
7610:
7317:
7115:
7032:
6786:
6776:
3157:
2810:
481:. Cantatas with a text in the native language had, since the early 18th century, become the dominant genre of figural music in
8837:
8765:
8427:
7813:
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7267:
7027:
6637:
6487:
884:
8392:
8307:
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7133:
7085:
6997:
6542:
5930:
5731:
5405:
4504:
4149:
3663:
3611:
2369:
1789:
In the final movement, the two verses of the doxology are set on the psalm tone for four parts, with all instruments playing
1749:
1638:" (My soul magnifies the Lord). The cantus firmus is in the soprano, doubled by a trumpet, whereas the lower voices add free
8882:
8695:
8092:
7855:
7390:
6557:
6502:
9004:
8984:
8957:
8952:
8887:
8847:
8538:
8342:
8267:
8207:
8192:
8147:
8137:
8132:
8087:
8082:
7955:
7798:
7646:
7636:
7272:
7237:
6992:
6766:
6717:
6682:
6662:
6567:
6527:
6482:
6477:
6468:
1104:, with the soprano singing the cantus firmus of the chorale. The opening movement of the cantata for the next Sunday is in
8755:
8047:
7900:
7467:
6836:
6522:
5293:
5131:
4117:
Zur Chronologie der Leipziger Vokalwerke J. S. Bachs, 2. Auflage: Mit Anmerkungen und Nachträgen versehener Nachdruck aus
1722:" (The mighty God casts from their thrones) is set for bass and continuo. A descending bass line in the continuo over two
8588:
8127:
7945:
7940:
7540:
7462:
6507:
1845:. The music of the cantata's closing movement is included in the Dietel collection, a 1730s manuscript containing 149 of
8872:
4724:
8932:
8832:
8775:
8262:
7568:
7421:
6907:
2714:
Gielen-Edition: Johann Sebastian Bach Magnificat D-dur BWV 243 Kantate BWV 10 "Meine Seel' Erhebt den Herren"
2547:
1769:
1157:
1109:
522:
8770:
8700:
8670:
8532:
8417:
8077:
7870:
7850:
7830:
7763:
7621:
7302:
7257:
7219:
7012:
6867:
6707:
6622:
6433:
6194:"Meine Seel erhebt den Herren BWV 10; BC A 175: Chorale cantata (The Visitation of Mary, 2 July)"
5772:
5496:
5373:
5249:
4173:
4085:
3999:
3656:
3603:
2442:
2048:
983:
8970:
8312:
6806:
4267:
2204:
375:'s 1780s collection of his father's four-part chorales. The entire cantata was published in the first volume of the
8177:
8162:
8107:
7845:
7327:
6927:
6791:
6612:
6091:
3374:
431:
1617:(lively). Bach begins the movement with an instrumental introduction that is unrelated to the psalm tone. It is a
1527:
1490:
1447:
1405:
1354:
1300:
542:
286:, are spoken by Mary. Traditionally, Luther's translation of the biblical text is sung to a German variant of the
104:
8827:
8797:
8618:
7980:
7605:
7472:
7017:
6458:
4028:
1621:
of the violins and the continuo, with the oboes doubling the violin, and the viola filling the harmony. The main
6264:
6147:
6126:
6008:"Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz: D-B Mus. ms. autogr. Hoffmann, M. 3 N"
6007:
5783:
4363:
4310:
4068:
3809:
3692:
1019:
793:
636:
8998:
8912:
8479:
8217:
7950:
7768:
7080:
7007:
6957:
5426:
5135:
3395:
1134:. It is not a typical second cycle chorale cantata in the sense that it was based on a prose text (lacking the
820:
416:
229:
8142:
6443:
5803:
5692:[An unknown Leipzig cantata text publication from the year 1735: News regarding Bach and Stölzel]. In
5546:
3837:
1666:" (Lord, you who are strong and mighty) is a concerto of the voice and the oboes, accompanied by the strings.
9174:
9159:
9064:
8922:
8802:
8277:
7411:
7196:
7186:
6598:
3324:
3011:
Bach Cantatas Vol. 2: Paris/Zürich / For the 2nd Sunday after Trinity / For the 3rd Sunday after Trinity
1974:
1839:
for organ transcribed from the cantata's fifth movement. It was first published around 1748 as fourth of the
550:
412:
403:(music director) in Leipzig. He remained in that office until his death in 1750. From the first Sunday after
244:
118:
6218:
5899:"Bach, Johann Sebastian / Now my soul exalts the Lord BWV 10 / Cantata for the Feast of Visitation B. V. M."
5841:
840:
by two oboes. Around a decade later Bach prepared two Latin Magnificats by other composers for performance (
470:
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8645:
7905:
6582:
6309:
6193:
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3040:
733:
392:
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4011:
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3877:
3752:
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3565:
7710:
5715:
4097:
2292:
2207:
1777:
Sein Same mußte sich so sehr wie Sand am Meer und Stern am Firmament ausbreiten, der Heiland ward geboren
1041:
956:
888:
534:
271:
2466:
1063:
997:
948:
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632:
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8468:
8062:
7242:
6811:
5664:
5236:
2959:
2578:
1078:
979:
423:
composed to new librettos. Each of these librettos was based on the text of a known chorale, usually a
407:
in 1723, that year falling on 30 May, to Trinity Sunday of the next year he presented a series of
5845:
3854:
9219:
8807:
7525:
5538:
5041:
4054:
2570:
2122:
1857:
1813:
score and the parts used for the cantata's first performance survive. The score, previously owned by
435:
376:
263:
94:
77:
72:
4991:
4904:
3798:
1642:
on motifs from the introduction. Bach treats the second verse similarly, but with the third verse, "
825:
9149:
8867:
6429:
6295:
3505:
3027:
2649:
2457:
1911:
1533:
1156:(Luke 2:29–32), does not have these exceptions to the second cycle format: it is based on Luther's
7695:
5886:
5882:
5542:
4064:
3791:
7680:
6066:
5894:
5866:
5397:
5167:
3838:
Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz: D-B Mus. ms. 2755, Fascicle 1
3529:
3058:
3045:
2888:
1992:
1984:
1966:
1869:
1814:
396:
5690:"Ein unbekanntes Leipziger Kantatentextheft aus dem Jahr 1735: Neues zum Thema Bach und Stölzel"
4834:
4243:"Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach's Cantatas"
2828:
2749:
2020:
1970:
1192:, and are based on the chant melody. They frame recitatives, arias and a duet of the soloists: (
9144:
8202:
7736:
7703:
7684:
7375:
6852:
5898:
5660:
4496:
3593:
3308:
2479:
1958:
1745:
interprets the bass line of "emphatic downward semitone intervals" as "sighs of divine mercy".
871:
Some musical similarities between BWV 10 and Bach's Latin Magnificat have been described.
765:
relating to Christmas. When Bach presented his Latin Magnificat in 1723 (E-flat major version,
565:. Different from the other chorale cantatas of the cycle, the base for text and music is not a
530:
462:
252:
54:
45:
6260:(facsimile and description of US-Wc ML30.8b.B2 M4, Bach's autograph score of BWV 10)
5920:
4951:; pp. 23–24 (liner notes by Dingeman van Wijnen), 64 (sung texts) and 185 (tracklist) of
4682:
4386:
4320:
4277:
3702:
3648:
3414:
3389:
3175:
2463:
912:, especially the 40 he presented consecutively from the first Sunday after Trinity of 1724 to
558:
283:
9164:
9154:
9140:
9136:
7731:
7670:
6847:
6473:
6411:
6406:
5764:
5711:
5689:
5488:
5463:
5199:
5162:
5094:
4492:
4184:
4153:
4038:
3341:
909:
737:
611:
562:
267:
206:
82:
58:
6357:
6326:
5750:
2646:
6375:
6353:
6070:
6058:: description of D-B Mus. ms. autogr. Hoffmann, M. 3 N, performance parts of the
5447:
3092:
2537:
1939:
1915:
1160:
and its metrical hymn melody. Nonetheless, Dürr writes about BWV 10 (here rendered in
891:
the trumpet has been replaced by two oboes. In the corresponding movement of BWV 10 ("
729:
5697:
5559:
5419:
5224:
3810:
Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz: D-B Mus. ms. Bach P 39
1841:
367:
8:
6247:
6235:(BDW 736, with links to descriptions of the first print and later manuscript copies)
5818:
5415:
5387:
5341:
4004:
3949:
3259:
3018:
2914:
2215:
2119:
1952:
1822:
1245:
1209:
1161:
1121:
6083:(facsimile of D-B Mus. ms. autogr. Hoffmann, M. 3 N, performance parts of the
4090:
3948:, Wilfried Jochens, Hans-Georg Wimmer, Stephan Schreckenberger, Harry van der Kamp, the
2686:
1962:
1232:
The "tromba" or trumpet is only used to highlight the cantus firmus and may have been a
924:
chorale setting, while the inner stanzas were reworded by a librettist as the basis for
7482:
6067:"Hoffmann, Melchior: Magnificat; S, orch; a-Moll; BWV Anh. 1:21/Anh. 3:168; TWV 1:1748"
5858:(in German). Hamburg: Berlin, Kommissionsverlag von L. Liepmannssohn. pp. 117–119.
5676:
5362:
5119:
4952:
4246:
2990:
2956:
2950:
2030:
2012:
1152:
812:
3249:
2672:
2285:
1935:
6051:
5996:
5966:
5926:
5822:
5768:
5737:
5727:
5668:
5605:
5492:
5401:
5369:
5273:
5123:
4944:
4922:
4885:
4877:
4858:
4850:
4812:
4804:
4785:
4777:
4758:
4750:
4731:
4705:
4697:
4647:
4639:
4500:
4169:
4145:
3659:
3652:
3607:
3599:
3230:
2743:
2497:
2372:
2034:
2004:
1818:
1793:. Wind instruments and violin I join the soprano part. The setting is mostly in
1701:
1233:
1205:
605:
354:
5582:
4915:
2005, 1999, German, Sound, Recorded music edition: Complete cantatas. Vol. 11 / Bach
4050:
2882:
1991:
with the 1723 Christmas version of his Latin Magnificat (BWV 243a). Gardiner's
1980:
1768:" (What God, in times past, to our forefathers), referring to God's promise, begins
1614:
940:
887:
of the Latin Magnificat has that cantus firmus performed by a trumpet. In the later
7676:
6164:(description of Dietel's collection of four-part chorales by Johann Sebastian Bach)
5874:
5849:
5719:
5526:
5070:
5001:
3860:
3100:
3024:
2909:
2847:
2738:
2363:
2026:
2000:
1889:
1865:
1861:
1610:
1306:
917:
801:
601:
492:
400:
287:
2899:
1825:
in 1948. The original parts remained in Leipzig, where they were entrusted to the
577:. The text is based on Luther's translation of the biblical song to German in the
361:
The music of two of the cantata's movements was published in the 18th century: an
279:
5973:: description of US-Wc ML30.8b.B2 M4, Bach's autograph score of BWV 10)
5916:
5758:
5566:
5476:
5451:
5444:"Die Leipziger Neukirchenmusik und das 'Kleine Magnificat' BWV Anh. 21"
5391:
5258:
5229:
5048:
4727:
4675:
4482:
4242:
4138:
4093:
4007:
3967:
3236:
3110:
2823:
2662:
2640:
2588:
2244:
2157:
1836:
1629:
1589:
1548:
1469:
1426:
1384:
1333:
1139:
1113:
1101:
1097:
797:
456:
420:
307:
6281:(description of US-Wc ML30.8b.B2 M4, Bach's autograph score of BWV 10)
5393:
The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
4086:
Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750
4000:
Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750
2657:
6291:
6119:
5651:
5301:
4080:
3994:
3619:
3267:
3254:
3244:
3086:
3050:
2875:
J. S. Bach: Magnificat in E flat major BWV 243a – Cantata BWV 10
2818:
2721:
2565:
2555:
2484:
2397:
2230:
1943:
1321:
1317:
1227:
1188:
Bach structured the cantata in seven movements. The first and last are set for
1135:
896:
872:
784:, an expanded version of an Advent cantata composed before his Leipzig period (
526:
510:
408:
404:
326:
322:
275:
247:"), the title translates as "My soul magnifies the Lord". Also known as Bach's
210:
6327:"Chapter 6 BWV 10 Mein Seel erhebt den Herren / My soul doth magnify the Lord"
5901:
5878:
5869:(1995). "Bach, Johann Sebastian: Meine Seele erhebt den Herren, BWV 10".
5587:(BWV 10) in the Context of Other Uses of the Magnificat Text for the Feast of
5472:
5443:
5383:
5357:
4831:
Cantata: Johann Sebastian Bach Magnificat + Kantate BWV 10 Michael Gielen
4112:
3864:
3588:
3548:
1237:
1100:. The first of these cantatas begins with a chorale fantasia in the form of a
971:
220:
9198:
6115:
5826:
5741:
5707:
5672:
5609:
5484:
5459:
5420:"Cantatas for the Second Sunday after Trinity / Basilique Saint-Denis, Paris"
5337:
5318:
5277:
4119:
3945:
3188:
3180:
3170:
2982:
2972:
2891:
2841:
2833:
2405:
2323:
2238:
2113:
2038:
1923:
1850:
1742:
1700:
Spitta compares the end of this movement with the end of the 7th movement of
1622:
1214:"Festo Visitationis | Mariae | Meine Seel erhebt den Herren. | â | 4. Voc: |
1143:
865:
837:
761:
756:
553:
was regularly sung in Leipzig in vespers in a four-part setting of the ninth
447:
424:
372:
303:
233:
124:
6097:
4914:
3551:. "An Investigation into the Authenticity of Bach's 'Kleine Magnificat'" in
1875:
The cantata was also published with a singable English version of the text:
819:'s libretto for the Visitation cantata of 1728 may have been set as part of
66:
9115:
7726:
7665:
6268:
6222:
6197:
6172:
6151:
6130:
6011:
6003:: description of D-LEb Thomana 10, Bach's performance parts of BWV 10)
5787:
5693:
5511:
5213:
3932:
3898:
3881:
3841:
3813:
3756:
3723:
3635:
3569:
3165:
3035:
2768:
2560:
2544:
2474:
2392:
2387:
2310:
2300:
2198:
2145:
2140:
1927:
1893:
1826:
1669:
1618:
1570:
1376:
1117:
1112:, Bach wrote a cantata with an opening movement in the style of an Italian
742:
578:
574:
474:
388:
314:
299:
5625:
5127:
4948:
4930:
4889:
4881:
4862:
4854:
4816:
4789:
4762:
4735:
4709:
4701:
4651:
4643:
4140:
Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung
3615:
3598:. Preface in English and German. Wiesbaden: Breitkopf & Härtel, 1998.
2041:, the orchestra on Büchner's recording, performs on historic instruments.
9110:
6101:
5508:"Johann Sebastian Bach / Magnify the Lord, my soul / Visitation / BWV 10"
4926:
4808:
4781:
3953:
3151:
3123:
2977:
2967:
2804:
2667:
2381:
2305:
2220:
1996:
1790:
913:
845:
746:
505:
List of church cantatas by liturgical occasion § Visitation (2 July)
482:
478:
318:
6055:
6032:
6000:
5977:
5970:
5680:
4754:
3596:: Kleine Ausgabe, nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe
1753:(And your compassion), in both cases expressing mildness and compassion.
1243:
In the following table of the movements, the column "text" links to the
626:
6239:
5723:
5473:"Bachs Es-Dur-Magnificat BWV 243a – eine genuine Weihnachtsmusik?"
3115:
1919:
1695:
1411:
1108:
style, with the cantus firmus sung by the alto. For the next occasion,
925:
852:
Magnificat like BWV 189 and the 1725 Visitation cantata. Like the
689:
620:
615:
The text of the first two verses with the music of the Ninth psalm tone
593:
589:
554:
538:
443:
362:
334:
291:
237:
6143:(facsimile and description of Bach's performance parts of BWV 10)
4300:
4298:
2523:
Johann Sebastian Bach: Magnificat D-dur – Meine Seel erhebt den Herren
313:
By early July 1724 Bach was more than a month into his second year as
6006:
5947:
5053:
3511:
2489:
1931:
1810:
1798:
1794:
1639:
685:
5368:(in German). Vol. 1 (4 ed.). Deutscher Taschenbuchverlag.
5157:
1856:
The entire cantata was published in 1851 in the first volume of the
895:") the cantus firmus is performed by the trumpet and the two oboes.
7725:
6065:
4958:
J.S. Bach Complete Edition: Liner Notes, Sung Texts, Full Tracklist
4439:
4295:
4189:
3787:
3535:
2582:
1649:
908:
Bach followed a specific structure for most of the cantatas of his
848:). Probably around the same time Bach performed BWV 10 again.
841:
816:
785:
766:
585:
570:
514:
295:
240:
4185:
Johann Sebastian Bach: Correspondance Catalogues Zwang — Schmieder
1212:
is listed on the folder containing the original parts as follows:
903:
832:
Around 1733 Bach transposed his Latin Magnificat to D major (
365:
transcription of the duet was published around 1748 as one of the
6265:"Washington, D.C., Library of Congress: US-Wc ML30.8b.B2 M4"
5219:
3856:
Werke zweifelhafter Echtheit, Bearbeitungen fremder Kompositionen
2097:
1832:
1505:
1462:
1326:
1215:
1193:
1147:
960:
833:
750:
566:
546:
518:
350:
148:
6219:"Meine Seele erhebt den Herren (Schübler chorales) BWV 648"
5949:
Bach, Johann Sebastian: Meine Seel' erhebt den Herren in G minor
4677:
Karl Richter in München (1951 - 1981) - Zeitzeugen erinnern sich
3729:
1868:(Neue Bach-Ausgabe, NBA) published the score in 1995, edited by
4463:
3797:
Leipzig: Joh. Theod. Boetii Tochter (1732; 2nd printing 1737),
2619:
2409:
2093:
1723:
1689:
1369:
1223:
805:
4326:
3079:
J. S. Bach: Cantatas Vol. 23 (Cantatas from Leipzig 1725)
2528:
Bach Kantaten: Magnificat D-dur – Meine Seel erhebt den Herren
1801:
for the final "von Ewigkeit zu Ewigkeit" (for ever and ever).
829:
quoted from Luther's German translation of Luke 1:46–47.
5649:(BWV 10) as Chorale Cantata and Magnificat Paraphrase".
4918:
3859:(Volume 9 of Series II: Masses, Passions, Oratorios from the
3454:
3452:
3450:
2618:
Die Bach Kantate: BWV 10 Meine Seel erhebt den Herren –
1882:– English version by E. H. Thorne and G. W. Daisley
1201:
1105:
952:
346:
6405:
4534:
4510:
4089:, translated by Clara Bell and J. A. Fuller Maitland –
4003:, translated by Clara Bell and J. A. Fuller Maitland –
3668:
2449:
Bach Cantatas Vol. 3: Ascension Day – Whitsun – Trinity
943:
listed Bach's chorale cantatas as a cycle in 1878 he ranged
6024:(facsimile and description of the performance parts of the
5228:
No. 4: transcription of BWV 10's 5th movement as
1674:
It is the first soprano aria in the chorale cantata cycle.
1360:
1311:
1219:
1197:
1189:
929:
921:
597:
342:
338:
330:
168:
5861:
Grundlage einer Ehren-Pforte (Mattheson, Johann) at Scores
5103:
5075:
5006:
4599:
4597:
3517:
3447:
5535:
Joh. Seb. Bach's Kirchenkantaten: Erster Band (Nos. 1–10)
4546:
4427:
4405:
4403:
4401:
4399:
4397:
4395:
4378:
4376:
4374:
4372:
4370:
4368:
4366:
4199:
3911:
3909:
3907:
3771:
3769:
3767:
3765:
3224:(Cantatas for the Complete Liturgical Year Vol. 7)
2105:
Johann Sebastian Bach: Cantata 10 – Cantata 47
1872:, with the critical commentary published the same year.
856:
used for JLB 13 the cantata not only starts with a
573:, a biblical song in prose concluded by the traditional
509:
The prescribed readings for the feast day were from the
427:, the tune of which was adopted by Bach in his setting.
5021:
5019:
4969:
4967:
4594:
4415:
4283:
4060:
Thematisches Verzeichniss der Kirchencantaten No. 1–120
3493:
3483:
3481:
3479:
3425:
3423:
3406:
3404:
3402:
3400:
3398:
3381:
3379:
3377:
3352:
3350:
3333:
3331:
3329:
3327:
2534:
2437:
Kantaten: Meine Seel' erhebt den Herren, BWV 10 –
1150:, Bach's chorale cantata for Purification based on the
885:"Suscepit Israel" movement of the BWV 243a version
823:: the libretto, surviving without music, starts with a
584:
In the format of the chorale cantata cycle, an unknown
5877:(in German). Vol. Series I: Cantatas, Vol. 28/2.
5560:"Bach Magnificat in D & E flat BWV 243 & 243a"
4522:
4211:
4016:
3015:
2272:
Bach: Magnificat in D major – Cantata No. 10
1906:
1625:
stands for joy and is set in "rhythmical propulsion".
932:, usually with music independent of the chorale tune.
728:
One of Bach's predecessors as director musices of the
670:
Fourth movement (Recitative) and fifth movement (Aria)
6127:"Leipzig, Bach-Archiv Leipzig: D-LEb Thomana 10"
5979:
Bach, Johann Sebastian: Meine Seel' erhebt den Herren
4609:
4451:
4392:
4353:
4351:
4349:
4347:
4345:
4343:
4341:
3904:
3762:
2947:
627:
Magnificats and Visitation cantatas in Bach's Leipzig
169:
5204:
Meine Seele Erhebt den Herren, a 2 Clav. & Pedal
5016:
4964:
4255:
3990:
3988:
3819:
3680:
3512:
D-B Mus. ms. autogr. Hoffmann, M. 3 N 2017
3476:
3420:
3362:
3347:
3227:
1995:
featured BWV 10 in a concert recorded in 2000.
1688:" (The goodness and love of the Highest) ends on an
904:
Place of BWV 10 in Bach's chorale cantata cycle
6238:
6093:
J.S. Bach - Cantatas, Vol.23 (BWV 10, 93, 178, 107)
5804:"One Verse, Two Settings, and Three Strange Youths"
5652:
Bach: Journal of the Riemenschneider Bach Institute
4570:
4469:
4223:
3464:
3435:
2360:
1120:with the cantus firmus sung by the bass. Conductor
881:"Des Höchsten Güt und Treu" movement of BWV 10
864:, directly quoted from Luther's translation of the
637:
Magnificat (Bach) § Other Magnificats by Bach?
377:
19th-century first complete edition of Bach's works
321:and an orchestra consisting of trumpet, two oboes,
5361:
5160:in Recording Reviews section, pp. 508–511 of
5152:
5150:
5148:
5146:
5144:
4558:
4338:
3973:
3591:, Yoshitake Kobayashi (eds.), Kirsten Beißwenger.
3536:SBB Mus.ms.autogr. Hoffmann, M. 3 N 2014
2637:
2282:
2047:Instrumental groups playing period instruments in
877:"Fecit potentiam" movement of the Latin Magnificat
600:. He used the original verses 46–48 for the first
588:retained some parts of Luther's wording, while he
465:Visitation was the third of such occasions, after
5242:Johann Sebastian Bachs Vierstimmige Choralgesänge
4772:
4770:
3985:
3083:
2879:
2718:
2066:, BWV 10, issued on LP, CD, SACD and/or DVD
2037:for their complete Bach cantata recordings. Also
337:, with, between the fourth and sixth movement, a
282:. In that narrative the words of the Magnificat,
9196:
6125:
5529:(1851). "Cantate (Am Feste Mariae Heimsuchung):
5172:
4845:
4843:
4656:
4621:
4582:
4516:
2943:Bach Edition Vol. 20: Cantatas Vol. XI
2620:BWV 93 Wer nur den lieben Gott lässt walten
2110:
2011:series in 2007. The same year, a concert at the
623:which was familiar to the Leipzig congregation.
5760:Bach's Major Vocal Works: Music, Drama, Liturgy
5141:
4745:
4743:
4692:
4690:
2454:
2195:
1240:gives the duration of the piece as 23 minutes.
6039:Répertoire International des Sources Musicales
6031:
5984:Répertoire International des Sources Musicales
5976:
5954:Répertoire International des Sources Musicales
5946:
5090:
5088:
5036:
5034:
4986:
4984:
4982:
4940:
4938:
4899:
4897:
4872:
4870:
4799:
4797:
4767:
4445:
4304:
3847:
3651:. Oxford University Press, 2009, pp. 277–280.
3584:
3582:
3580:
3578:
3523:
3148:
2801:
1930:'s recordings of the cantata were released on
1821:, among others, came in the possession of the
7711:
7131:Later additions to the chorale cantata cycle:
6391:
6343:"Cantata BWV 10 Meine Seel erhebt den Herren"
5925:. Oxford University Press. pp. 275–279.
5294:"Sortable Index of the Chorales by J.S. Bach"
4840:
4826:
4824:
4719:
4717:
4235:
3959:Missa Brevis "Allein Gott in der Höh sei Ehr"
1957:combined Bach's German and Latin Magnificat.
769:) it had the same expandable format: without
6865:Chorale cantatas between Trinity and Easter:
5487:(in German). Vol. 89. Merseburger (for
5462:(in German). Vol. 68. Merseburger (for
5291:
4740:
4687:
4552:
4133:
4131:
3781:
2628:
2616:
2350:
1775:
1763:
1736:
1717:
1683:
1661:
1643:
1633:
1562:
1520:
1483:
1440:
1398:
1347:
1293:
1129:
1062:2 July, Visitation (in 1724 coinciding with
1045:
1023:
1001:
811:, a Visitation cantata by his second cousin
116:
35:
5922:Johann Sebastian Bach: The Learned Musician
5781:
5645:Peters, Mark A. (2012). "J. S. Bach's
5505:
5085:
5031:
4979:
4935:
4894:
4867:
4794:
4603:
4074:
3793:Ernst-Schertzhaffte und Satyrische Gedichte
3575:
3499:
2052:
1804:
7718:
7704:
6398:
6384:
4821:
4714:
3641:
949:cantata for the sixth Sunday after Trinity
498:
371:, and the closing chorale was included in
65:
6320:International Music Score Library Project
6263:
6034:Hoffmann, Melchior: Magnificat in A minor
5525:
5382:
4905:Kantaten Vol. 11: Erato 8573-80215-2
4615:
4457:
4433:
4382:
4316:
4273:
4158:
4128:
4034:
3698:
3410:
3385:
3337:
2439:Ach Herr, mich armen Sünder, BWV 135
2009:Cantatas for the Complete Liturgical Year
1902:– based on the NBA edition for the score.
889:BWV 243 version of the same movement
747:BWV Anh. 21 / Anh. III 168‑>
619:Bach's music is based on the traditional
537:, which includes her song of praise, the
9205:Church cantatas by Johann Sebastian Bach
6090:
5580:
5470:
5441:
5414:
5156:Bradley Lehman and Andrew White (2009).
5025:
4973:
4421:
4409:
4217:
4022:
3938:
3915:
3686:
3487:
3429:
3368:
3356:
2051:are highlighted green under the header "
1183:
610:
6324:
6217:
6167:
5840:
5801:
5557:
5342:"BWV 10 – Meine Seel erhebt den Herren"
5256:
5198:
4540:
4528:
3825:
3775:
3739:
3674:
3470:
3311:, a thematic catalogue of Bach's works.
3158:Amsterdam Baroque Orchestra & Choir
2811:Amsterdam Baroque Orchestra & Choir
1892:by Christoph Großpietsch, published by
1645:Denn er hat seine elende Magd angesehen
743:listed as spurious in the BWV catalogue
633:Church cantata (Bach) § Visitation
27:Church cantata by Johann Sebastian Bach
14:
9197:
6192:
6146:
5748:
5644:
5364:Die Kantaten von Johann Sebastian Bach
5336:
5216:: Johann Georg Schübler. pp. 8–9.
4564:
4357:
3979:
3735:
3458:
3441:
432:post Trinitatem (after Trinity) season
7699:
6379:
5915:
4261:
4205:
4044:
721:Performed by The Tudor Consort (2006)
569:, but the German Magnificat. It is a
6316:Meine Seel erhebt den Herren, BWV 10
6292:Meine Seel erhebt den Herren, BWV 10
5893:
5865:
5687:
5623:
5356:
5316:
5235:
5178:
4662:
4627:
4588:
4576:
4475:
4332:
4289:
4229:
2092:Johann Sebastian Bach: Cantatas 10,
1977:include a recording of BWV 10.
1543:
1421:
1158:versified paraphrase of the canticle
957:for the seventh Sunday after Trinity
438:(24 June) and the Feast of the
5209:Sechs Chorale von verschiedener Art
5122:, Program 2007–2008, no. 420:
4992:J.S. Bach: Glissando 779 019-2
4166:Guide pratique des cantates de Bach
1907:Concert performances and recordings
1663:Herr, der du stark und mächtig bist
1502:Tromba & both oboes unis., bc.
1349:Herr, der du stark und mächtig bist
1084:Wer nur den lieben Gott läßt walten
736:. Around 1707 he composed a German
702:Doxology of Bach's Latin Magnificat
692:; L'anthologie sonore No. 23 (1935)
24:
6298:(video and background information)
5755:Settings BWV 243 and 10"
2548:Neues Bachisches Collegium Musicum
2190:J.S. Bach – Fritz Werner: Cantatas
2049:historically informed performances
2019:cantata with a 2005 Magnificat by
387:Late May 1723 Bach took office as
266:(2 July), which commemorates
76:, occasion of the song of praise,
25:
9231:
7068:Continuation of the second cycle:
6588:Köthen: BWV Anh. 5
6285:
5250:Johann Gottlob Immanuel Breitkopf
2731:SWF-Sinfonieorchester Baden-Baden
2443:Ein ungefärbt Gemüte, BWV 24
495:, appears in Bach's composition.
5751:"A Female Voice: Mary in Bach's
5166:, Vol. XXXVII, No. 3.
4495:, 1984 (reissued in 2010 by the
3790:(=Christian Friedrich Henrici).
3219:Johann Sebastian Bach: Cantatas
1765:Was Gott den Vätern alter Zeiten
1588:
1564:Lob und Preis sei Gott dem Vater
1547:
1522:Was Gott den Vätern alter Zeiten
1468:
1425:
1383:
1332:
1171:Ich ruf zu dir, Herr Jesu Christ
1027:Christ unser Herr zum Jordan kam
1005:Ach Gott, vom Himmel sieh darein
807:Der Herr wird ein Neues im Lande
711:
674:
656:
5506:Großpietsch, Christoph (2009).
5113:
4668:
4633:
4178:
4106:
4102:endnote 3 pp. 285–287
3921:
3887:
3870:
3831:
3803:
3745:
3708:
3624:
3558:
3541:
1774:Starting with the added words "
1708:cantata "equally picturesque".
1208:(B). The orchestra of typical
780:Herz und Mund und Tat und Leben
469:, falling in the period of the
5136:Indiana University Bloomington
3301:
2205:Heinrich-Schütz-Chor Heilbronn
2185:J-S Bach: Les grandes cantates
2074:Conductor / Choir / Orchestra
1719:Gewaltige stößt Gott vom Stuhl
1442:Gewaltige stößt Gott vom Stuhl
773:for Visitation, and with four
442:(2 July). In Bach's time
13:
1:
6185:(BDW 303, with links to
5647:Meine Seel' erhebt den Herren
5585:Meine Seele erhebt den Herren
5531:Meine Seel' erhebt den Herren
5071:Cantatas Magnificat (DBD0026)
4164:Philippe (and Gérard) Zwang.
3555:XXXVI (3), 1955 – pp. 233–236
3318:
2269:
2007:recorded BWV 10 for his
1914:programmed BWV 10 along
1880:My soul doth magnify the Lord
1581:Tromba. 2 oboes, strings, bc
382:
245:Meine Seele erhebt den Herren
236:'s German translation of the
119:Meine Seele erhebt den Herren
7179:Other late chorale cantatas:
6310:Choral Public Domain Library
6304:Meine Seel erhebt den Herren
6242:Meine Seel erhebt den Herren
6214:and manuscript descriptions)
6210:(BDW 12, with links to
6189:and manuscript descriptions)
6114:With English liner notes by
5855:Grundlage einer Ehren-Pforte
5688:Pfau, Marc-Roderich (2008).
5628:Meine Seel erhebt den Herren
5475:. In Schulze, Hans-Joachim;
2346:
2064:Meine Seel erhebt den Herren
2017:Meine Seel erhebt den Herren
1983:'s 2000 recording, with the
1738:Er denket der Barmherzigkeit
1635:Meine Seel erhebt den Herren
1599:
1485:Er denket der Barmherzigkeit
1295:Meine Seel erhebt den Herren
1255:Meine Seel erhebt den Herren
1131:Meine Seel erhebt den Herren
1068:Meine Seel erhebt den Herren
945:Meine Seel erhebt den Herren
893:Er denket der Barmherzigkeit
794:Maria Aurora von Königsmarck
707:Gloria Patri part of BWV 243
645:Meine Seele rühmt und preist
489:Meine Seel erhebt den Herren
280:1st chapter, verses 39 to 56
260:Meine Seel erhebt den Herren
215:Meine Seel erhebt den Herren
37:Meine Seel erhebt den Herren
7:
7518:Council election (Leipzig):
6610:Between Trinity and Advent:
5871:Kantaten zu Marienfesten II
5842:Stölzel, Gottfried Heinrich
5716:Evangelische Verlagsanstalt
5710:(in German). Vol. 94.
5545:. pp. XV–XVII and XX (
5257:Blanken, Christine (2015).
5237:Bach, Carl Philipp Emmanuel
3141:
3008:
2293:Stuttgarter Kammerorchester
2208:Pforzheim Chamber Orchestra
2089:
1900:Now my soul exalts the Lord
1762:The recitative for tenor, "
1628:The chorus enters after 12
1049:Ach Herr, mich armen Sünder
821:Bach's fourth cantata cycle
10:
9236:
5665:Baldwin Wallace University
5581:Lundberg, Mattias (2013).
5541:(in German). Vol. I.
5471:Glöckner, Andreas (2003).
5442:Glöckner, Andreas (1982).
5187:
4335:, pp. 131ff. (score).
3944:Maria Zadori, Kai Wessel,
3216:
2960:Netherlands Bach Collegium
2940:
2872:
2793:
2613:
2520:
2434:
630:
502:
9126:
7744:
7661:
7400:
7206:
6846:
6597:
6419:
5802:Rizzuti, Alberto (2013).
5604:. Bach Network UK: 9–31.
5539:Bach-Gesellschaft Ausgabe
5272:. Bach Network UK: 9–30.
5248:. Vol. IV. Leipzig:
4681:Conventus Musicus, 2013,
4055:Bach-Gesellschaft Ausgabe
3952:, the Kleine Konzert and
3853:Kirsten Beißwenger (ed.)
3217:
3144:Bach - Kuhnau: Magnificat
3142:
3077:
3076:
3009:
2941:
2873:
2794:
2712:
2711:
2614:
2571:Hermann Christian Polster
2521:
2435:
2347:
2270:
2183:
2182:
2123:English Chamber Orchestra
2090:
2085:
2082:
2079:
2076:
2073:
2070:
1886:Magnify the Lord, my soul
1858:Bach-Gesellschaft Ausgabe
1847:Bach's four-part chorales
1776:
1764:
1737:
1718:
1685:Des Höchsten Güt und Treu
1684:
1662:
1644:
1634:
1563:
1521:
1484:
1441:
1400:Des Höchsten Güt und Treu
1399:
1348:
1294:
1282:
1279:
1276:
1273:
1270:
1267:
1264:
1261:
1230:| di Sigl. | J. S. Bach."
1046:
1024:
1002:
985:O Ewigkeit, du Donnerwort
436:Feast of John the Baptist
177:
164:
156:
130:
123:" (German Magnificat) by
117:
111:
100:
90:
64:
53:
43:
34:
7235:Liturgical year 1725–26:
6325:Mincham, Julian (2010).
6296:Netherlands Bach Society
5782:Rettinghaus, K. (2017).
4470:Library of Congress 1740
4446:RISM 000102323 2017
4305:RISM 200020894 2017
3294:
3028:English Baroque Soloists
2650:Bach-Collegium Stuttgart
2467:Münchener Bach-Orchester
1973:' and Suzuki's complete
1918:at his first concert in
1805:Manuscripts and editions
1735:In the fifth movement, "
1178:
461:. In the context of the
417:his second cantata cycle
230:his second cantata cycle
18:German Magnificat (Bach)
5749:Rathey, Markus (2016).
5632:. Bach Cantatas Website
5398:Oxford University Press
5168:Oxford University Press
4488:Bach sources in America
4484:Bach-Quellen in Amerika
4144:Books on Demand, 2011.
3927:Bach Digital Work
3751:Bach Digital Work
3630:Bach Digital Work
3564:Bach Digital Work
2889:Regensburger Domspatzen
2796:Bach: Complete Cantatas
2370:Choir of King's College
1999:'s concert at the 2003
1993:Bach Cantata Pilgrimage
1985:Regensburger Domspatzen
1975:Bach cantata recordings
1946:'s concert at the 1991
1922:in 1957. In the 1960s,
1851:C. P. E. Bach
1815:Wilhelm Friedemann Bach
1702:Bach's Latin Magnificat
581:, and on the doxology.
499:Readings, text and tune
446:Leipzig observed three
430:The first weeks of the
413:his first cantata cycle
373:C. P. E. Bach
137:; 300 years ago
6723:From Advent to Trinity
6356:. 2001. Archived from
5811:Gli Spazi della Musica
5626:"Cantata BWV 10:
5558:Jenkins, Neil (2000).
5543:Breitkopf & Härtel
5200:Bach, Johann Sebastian
4913:(1 August 2001);
4497:University of Michigan
4252:, 2009, pp. 88–89
4065:Breitkopf & Härtel
3594:Bach Werke Verzeichnis
3309:Bach-Werke-Verzeichnis
2629:
2617:
2351:
1938:'s 1968 recording and
1916:Bruckner's 150th Psalm
1557:
1515:
1478:
1435:
1393:
1342:
1288:
1138:of a hymn text) and a
1130:
892:
880:
860:but also has a second
616:
549:. In Bach's time, the
471:Sundays after Epiphany
358:movements 1, 5 and 7.
298:, translated from the
36:
7732:Johann Sebastian Bach
7671:List of Bach cantatas
6412:Johann Sebastian Bach
6294:: performance by the
5765:Yale University Press
5712:Neue Bachgesellschaft
5489:Neue Bachgesellschaft
5464:Neue Bachgesellschaft
5448:Schulze, Hans-Joachim
5042:Bachfest Leipzig 2003
5000:(1 April 2001);
4517:D-LEb Thomana 10 2017
4493:Neue Bachgesellschaft
4383:Dürr & Jones 2006
4317:Dürr & Jones 2006
4274:Dürr & Jones 2006
4035:Dürr & Jones 2006
3699:Dürr & Jones 2006
3547:Frederick Hudson and
3411:Dürr & Jones 2006
3386:Dürr & Jones 2006
3338:Dürr & Jones 2006
2033:and Ton Koopman used
2001:Leipzig Bach Festival
1829:in the 20th century.
1817:, Philipp Spitta and
1555:
1513:
1476:
1433:
1391:
1340:
1286:
1184:Structure and scoring
910:chorale cantata cycle
738:Magnificat in A minor
614:
563:Johann Hermann Schein
523:Isaiah 11:1–5
262:for the Feast of the
207:Johann Sebastian Bach
83:Unionskirche, Idstein
6363:on 19 September 2015
6354:Oregon Bach Festival
6329:. jsbachcantatas.com
6118:(pp. 6–11) and
6071:Berlin State Library
5624:Oron, Aryeh (2014).
5416:Gardiner, John Eliot
5388:Jones, Richard D. P.
5304:on 25 September 2021
5132:Sven-David Sandström
5002:Magnificat (DBX6040)
4835:Christoph Prégardien
4776:Münchinger LP: e.g.
4125:. Kassel. p. 16
3093:Bach Collegium Japan
2829:Christoph Prégardien
2750:Christoph Prégardien
2634:, Vol. 17 (CD)
2538:Hans-Joachim Rotzsch
2100:: Sanctus in D major
2021:Sven-David Sandström
1940:Hans-Joachim Rotzsch
1784:
1757:
1730:
1716:The following aria "
1711:
1677:
1655:
1604:
1448:Luke 1:52–53
1406:Luke 1:50–51
1301:Luke 1:46–48
543:Luke 1:39–56
294:, concluding with a
107:(partly paraphrased)
105:Luke 1:46–55
9215:Magnificat settings
7217:After Trinity 1725:
6248:Library of Congress
5883:Critical Commentary
5819:University of Turin
5718:. pp. 99–122.
5583:"J. S. Bach's
5491:). pp. 37–45.
5466:). pp. 97–102.
5317:Dahn, Luke (2017).
5252:. pp. 167–218.
5193:By author or editor
4849:Leonhardt LP: e.g.
4292:, pp. 366–368.
4192:.musiqueorguequebec
4069:"Vorwort" (Preface)
3950:Rheinische Kantorei
3524:RISM 464000199 2017
3260:Jan van der Crabben
3019:John Eliot Gardiner
2464:Münchener Bach-Chor
2355:(Complete Cantatas)
2291:Wiener Akademiechor
2216:Maria Friesenhausen
2192:. Vol. 2 (CD)
2120:London Bach Society
2067:
1823:Library of Congress
1316:'Tromba', 2 Oboes,
1258:
1246:World English Bible
1236:, a slide trumpet.
1210:baroque instruments
1162:Richard D. P. Jones
1122:John Eliot Gardiner
592:other passages for
274:as narrated in the
253:his chorale cantata
251:, the work follows
5941:By title as issued
5881:. pp. 67ff. (
5724:10.13141/bjb.v2008
5704:Bach Yearbook 2008
5699:Bach-Jahrbuch 2008
5598:Understanding Bach
5481:Bach-Jahrbuch 2003
5456:Bach-Jahrbuch 1982
5266:Understanding Bach
5218:(first edition of
5120:Indiana University
5047:2017-07-01 at the
4953:Brilliant Classics
4696:Steinitz LP: e.g.
4248:Understanding Bach
4241:Tatiana Shabalina
4208:, p. 275–278.
3966:2015-03-23 at the
3893:Bach Digital Work
3876:Bach Digital Work
3714:Bach Digital Work
2991:Brilliant Classics
2957:Holland Boys Choir
2951:Pieter Jan Leusink
2647:Gächinger Kantorei
2187:. Vol. 1 (LP)
2061:
2035:period instruments
2031:Pieter-Jan Leusink
2013:Indiana University
1987:, combined Bach's
1971:Brilliant Classics
1660:The soprano aria "
1252:
1153:Canticle of Simeon
1142:melody (lacking a
920:and the last as a
854:Meiningen libretto
813:Johann Ludwig Bach
617:
173:choir and soloists
9210:1724 compositions
9192:
9191:
7693:
7692:
7547:1139.1, 1140–1141
6085:Kleine Magnificat
6060:Kleine Magnificat
6026:Kleine Magnificat
5932:978-0-393-32256-9
5850:Mattheson, Johann
5767:. pp. 8–34.
5733:978-3-374-02668-5
5527:Hauptmann, Moritz
5407:978-0-19-929776-4
5323:bach-chorales.com
4876:Rilling LP: e.g.
4803:Rotzsch LP: e.g.
4749:Richter LP: e.g.
4674:Johannes Martin.
4553:Dahn (table) 2017
4541:BDW 736 2015
4505:978-3-7618-0724-8
4150:978-3-8423-5725-9
3675:BDW 303 2015
3664:978-0-19-971662-3
3649:Choral Repertoire
3612:978-3-7651-0249-3
3553:Music and Letters
3292:
3291:
3231:Sigiswald Kuijken
2756:Anton Scharingere
2744:Cornelia Kallisch
2728:Anton-Webern-Chor
2498:Archiv Produktion
2373:Leonhardt-Consort
2059:
2058:
2005:Sigiswald Kuijken
1989:German Magnificat
1860:(BGA), edited by
1842:Schübler Chorales
1819:Paul Wittgenstein
1706:German Magnificat
1597:
1596:
1528:Luke 1:55
1491:Luke 1:54
1372:.), strings, bc.
1355:Luke 1:49
1234:tromba da tirarsi
734:Melchior Hoffmann
716:
679:
661:
551:German Magnificat
529:the narration of
368:Schübler Chorales
284:Luke 1:46–55
249:German Magnificat
203:
202:
16:(Redirected from
9227:
9220:Chorale cantatas
9184:Secular cantatas
9145:Chorale cantatas
9119:
7734:
7720:
7713:
7706:
7697:
7696:
7677:Monteverdi Choir
7519:
7461:
7414:
7374:
7236:
7218:
7180:
7132:
7069:
6866:
6724:
6611:
6414:
6400:
6393:
6386:
6377:
6376:
6372:
6370:
6368:
6362:
6350:Discovery Series
6347:
6338:
6336:
6334:
6318:: Scores at the
6280:
6278:
6276:
6259:
6257:
6255:
6244:. Notated Music"
6234:
6232:
6230:
6209:
6207:
6205:
6184:
6182:
6180:
6163:
6161:
6159:
6142:
6140:
6138:
6113:
6111:
6109:
6104:. 2003. BIS-1331
6082:
6080:
6078:
6049:
6047:
6045:
6023:
6021:
6019:
5994:
5992:
5990:
5964:
5962:
5960:
5936:
5917:Wolff, Christoph
5912:
5910:
5908:
5890:
5875:New Bach Edition
5859:
5846:"Melch. Hofmann"
5837:
5835:
5833:
5808:
5798:
5796:
5794:
5778:
5745:
5684:
5663:Bach Institute (
5641:
5639:
5637:
5620:
5618:
5616:
5595:
5589:Visitatio Mariae
5577:
5575:
5573:
5564:
5554:
5533:– No. 10".
5522:
5520:
5518:
5502:
5477:Wolff, Christoph
5467:
5452:Wolff, Christoph
5438:
5436:
5434:
5424:
5411:
5379:
5367:
5353:
5351:
5349:
5344:. Emmanuel Music
5333:
5331:
5329:
5313:
5311:
5309:
5300:. Archived from
5288:
5286:
5284:
5263:
5253:
5247:
5225:Schübler Chorale
5217:
5182:
5176:
5170:
5154:
5139:
5117:
5111:
5110:
5107:
5105:
5098:
5092:
5083:
5082:
5079:
5077:
5068:
5065:
5063:
5061:
5059:
5057:
5055:
5038:
5029:
5023:
5014:
5013:
5010:
5008:
4990:Norbert Rüdell.
4988:
4977:
4971:
4962:
4942:
4933:
4901:
4892:
4874:
4865:
4847:
4838:
4828:
4819:
4801:
4792:
4774:
4765:
4747:
4738:
4723:Werner LP: e.g.
4721:
4712:
4694:
4685:
4672:
4666:
4660:
4654:
4637:
4631:
4625:
4619:
4613:
4607:
4604:Großpietsch 2009
4601:
4592:
4586:
4580:
4574:
4568:
4562:
4556:
4550:
4544:
4538:
4532:
4526:
4520:
4514:
4508:
4479:
4473:
4467:
4461:
4455:
4449:
4443:
4437:
4431:
4425:
4419:
4413:
4407:
4390:
4380:
4361:
4355:
4336:
4330:
4324:
4314:
4308:
4302:
4293:
4287:
4281:
4271:
4265:
4259:
4253:
4239:
4233:
4227:
4221:
4215:
4209:
4203:
4197:
4196:
4193:
4191:
4182:
4176:
4162:
4156:
4137:Günther Zedler.
4135:
4126:
4110:
4104:
4094:Novello & Co
4078:
4072:
4048:
4042:
4032:
4026:
4020:
4014:
4012:pp. 380–381
4008:Novello & Co
3992:
3983:
3977:
3971:
3942:
3936:
3925:
3919:
3913:
3902:
3891:
3885:
3874:
3868:
3861:New Bach Edition
3851:
3845:
3835:
3829:
3823:
3817:
3807:
3801:
3799:pp. 153–155
3785:
3779:
3773:
3760:
3749:
3743:
3733:
3727:
3712:
3706:
3696:
3690:
3684:
3678:
3672:
3666:
3645:
3639:
3628:
3622:
3586:
3573:
3562:
3556:
3545:
3539:
3533:
3527:
3521:
3515:
3509:
3503:
3500:Rettinghaus 2017
3497:
3491:
3485:
3474:
3468:
3462:
3459:BDW 12 2017
3456:
3445:
3439:
3433:
3427:
3418:
3408:
3393:
3383:
3372:
3366:
3360:
3354:
3345:
3335:
3312:
3305:
3279:
3277:
3235:
3234:
3233:
3222:
3203:
3201:
3156:
3155:
3154:
3135:
3133:
3101:Yukari Nonoshita
3091:
3090:
3089:
3070:
3068:
3025:Monteverdi Choir
3023:
3022:
3021:
3002:
3000:
2955:
2954:
2953:
2934:
2932:
2910:Markus Brutscher
2887:
2886:
2885:
2860:
2858:
2848:Antoine Marchand
2809:
2808:
2807:
2782:
2780:
2772:
2752:
2739:Christiane Oelze
2726:
2725:
2724:
2700:
2698:
2645:
2644:
2643:
2632:
2630:Die Bach Kantate
2623:
2602:
2600:
2543:
2542:
2541:
2540:
2509:
2507:
2462:
2461:
2460:
2422:
2420:
2368:
2367:
2366:
2364:Gustav Leonhardt
2354:
2352:Das Kantatenwerk
2349:Joh:Sebas:Bach:
2335:
2333:
2290:
2289:
2288:
2258:
2256:
2203:
2202:
2201:
2171:
2169:
2118:
2117:
2116:
2068:
2060:
2054:
2044:
2043:
2027:Gustav Leonhardt
2015:combined Bach's
1956:
1948:Bodenseefestival
1890:critical edition
1866:New Bach Edition
1862:Moritz Hauptmann
1781:
1779:
1778:
1767:
1766:
1754:
1740:
1739:
1721:
1720:
1699:
1687:
1686:
1682:The recitative "
1673:
1665:
1664:
1647:
1646:
1637:
1636:
1611:chorale fantasia
1593:
1592:
1566:
1565:
1552:
1551:
1524:
1523:
1487:
1486:
1473:
1472:
1444:
1443:
1430:
1429:
1402:
1401:
1388:
1387:
1379:
1351:
1350:
1337:
1336:
1307:Chorale fantasia
1297:
1296:
1259:
1251:
1226:. | Viola | e |
1133:
1054:
1053:
1042:Trinity III
1032:
1031:
1010:
1009:
918:chorale fantasia
802:Johann Mattheson
718:
717:
681:
680:
663:
662:
621:ninth psalm tone
559:tonus peregrinus
525:), and from the
493:tonus peregrinus
460:
421:chorale cantatas
401:director musices
308:chorale cantatas
288:tonus peregrinus
225:
222:
171:
152:
151:
145:
143:
138:
135:2 July 1724
122:
121:
85:
69:
39:
32:
31:
21:
9235:
9234:
9230:
9229:
9228:
9226:
9225:
9224:
9195:
9194:
9193:
9188:
9141:Church cantatas
9122:
9108:
9107:— discography;
7740:
7730:
7724:
7694:
7689:
7657:
7656:
7517:
7456:
7410:
7402:
7396:
7395:
7372:
7234:
7216:
7202:
7201:
7178:
7130:
7067:
6864:
6854:
6850:
6842:
6841:
6722:
6609:
6600:
6593:
6592:
6449:1138.1 & .2
6421:
6415:
6410:
6407:Church cantatas
6404:
6366:
6364:
6360:
6345:
6341:
6332:
6330:
6306:, BWV 10,
6302:Free scores of
6288:
6274:
6272:
6253:
6251:
6228:
6226:
6203:
6201:
6178:
6176:
6157:
6155:
6136:
6134:
6107:
6105:
6076:
6074:
6043:
6041:
6017:
6015:
5988:
5986:
5958:
5956:
5933:
5906:
5904:
5831:
5829:
5806:
5792:
5790:
5775:
5734:
5661:Riemenschneider
5635:
5633:
5614:
5612:
5593:
5571:
5569:
5562:
5516:
5514:
5499:
5432:
5430:
5429:. pp. 9–10
5427:Soli Deo Gloria
5422:
5408:
5376:
5347:
5345:
5327:
5325:
5307:
5305:
5282:
5280:
5261:
5245:
5230:chorale prelude
5190:
5185:
5177:
5173:
5158:"Bach Cantatas"
5155:
5142:
5118:
5114:
5102:
5097:BWV 20 - 2 - 10
5096:
5093:
5086:
5074:
5052:
5049:Wayback Machine
5039:
5032:
5024:
5017:
5005:
4989:
4980:
4972:
4965:
4943:
4936:
4902:
4895:
4875:
4868:
4848:
4841:
4829:
4822:
4802:
4795:
4775:
4768:
4748:
4741:
4722:
4715:
4695:
4688:
4673:
4669:
4661:
4657:
4638:
4634:
4626:
4622:
4614:
4610:
4602:
4595:
4587:
4583:
4575:
4571:
4563:
4559:
4551:
4547:
4539:
4535:
4531:, pp. 8–9.
4527:
4523:
4515:
4511:
4480:
4476:
4468:
4464:
4456:
4452:
4444:
4440:
4432:
4428:
4424:, pp. 7–8.
4420:
4416:
4408:
4393:
4381:
4364:
4356:
4339:
4331:
4327:
4315:
4311:
4303:
4296:
4288:
4284:
4272:
4268:
4260:
4256:
4240:
4236:
4228:
4224:
4216:
4212:
4204:
4200:
4188:
4183:
4179:
4168:. Paris, 1982.
4163:
4159:
4136:
4129:
4111:
4107:
4079:
4075:
4051:Dörffel, Alfred
4049:
4045:
4033:
4029:
4021:
4017:
3993:
3986:
3978:
3974:
3970:Capriccio, 2004
3968:Wayback Machine
3943:
3939:
3926:
3922:
3914:
3905:
3892:
3888:
3875:
3871:
3852:
3848:
3836:
3832:
3824:
3820:
3808:
3804:
3786:
3782:
3774:
3763:
3750:
3746:
3734:
3730:
3713:
3709:
3697:
3693:
3685:
3681:
3673:
3669:
3647:Dennis Shrock.
3646:
3642:
3629:
3625:
3587:
3576:
3563:
3559:
3546:
3542:
3534:
3530:
3522:
3518:
3510:
3506:
3498:
3494:
3486:
3477:
3469:
3465:
3457:
3448:
3440:
3436:
3428:
3421:
3409:
3396:
3384:
3375:
3367:
3363:
3355:
3348:
3336:
3325:
3321:
3316:
3315:
3306:
3302:
3297:
3284:
3282:
3280:
3275:
3273:
3264:
3250:Petra Noskaiová
3237:La Petite Bande
3229:
3228:
3221:BWV 20 - 2 - 10
3220:
3210:
3199:
3197:
3185:
3150:
3149:
3131:
3129:
3120:
3111:Makoto Sakurada
3085:
3084:
3066:
3064:
3059:Soli Deo Gloria
3055:
3046:James Gilchrist
3017:
3016:
2998:
2996:
2987:
2949:
2948:
2930:
2928:
2923:
2919:
2881:
2880:
2865:
2863:
2861:
2856:
2854:
2846:
2844:
2838:
2824:Annette Markert
2803:
2802:
2798:, Vol. 11
2787:
2785:
2783:
2778:
2776:
2766:
2760:
2748:
2720:
2719:
2705:
2703:
2701:
2696:
2694:
2689:
2685:
2683:
2677:
2673:Wolfgang Schöne
2663:Margit Neubauer
2641:Helmuth Rilling
2639:
2638:
2626:
2607:
2605:
2603:
2598:
2596:
2591:
2589:Berlin Classics
2587:
2585:
2575:
2536:
2535:
2533:
2526:
2514:
2512:
2510:
2505:
2503:
2494:
2456:
2455:
2447:
2427:
2425:
2423:
2418:
2416:
2402:
2362:
2361:
2340:
2338:
2336:
2331:
2329:
2320:
2316:Marius Rintzler
2286:Karl Münchinger
2284:
2283:
2277:The Decca Sound
2275:
2263:
2261:
2259:
2254:
2252:
2247:
2245:Warner Classics
2243:
2241:
2235:
2197:
2196:
2188:
2176:
2174:
2172:
2167:
2165:
2160:
2156:
2154:
2150:
2112:
2111:
2103:
1950:
1936:Karl Münchinger
1909:
1837:chorale prelude
1807:
1797:, but turns to
1787:
1773:
1760:
1750:Et misericordia
1746:
1733:
1714:
1693:
1680:
1667:
1658:
1607:
1602:
1587:
1569:translation of
1546:
1467:
1424:
1382:
1375:
1331:
1190:four-part choir
1186:
1181:
1140:Gregorian chant
1114:violin concerto
1102:French overture
1098:Christoph Wolff
998:Trinity II
906:
798:Reinhard Keiser
732:in Leipzig was
726:
725:
724:
723:
722:
719:
712:
709:
703:
697:
696:
695:
694:
693:
688:; conducted by
682:
675:
672:
666:
665:
664:
657:
654:
648:
639:
629:
547:Vesper services
507:
501:
463:liturgical year
454:
409:church cantatas
397:St. Thomas
385:
223:
199:
147:
141:
139:
136:
134:
86:
81:
55:Chorale cantata
49:
28:
23:
22:
15:
12:
11:
5:
9233:
9223:
9222:
9217:
9212:
9207:
9190:
9189:
9187:
9186:
9177:
9175:Picander cycle
9172:
9167:
9162:
9157:
9152:
9147:
9134:
9127:
9124:
9123:
9121:
9120:
9102:
9097:
9092:
9087:
9082:
9077:
9072:
9067:
9062:
9057:
9052:
9047:
9042:
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9022:
9017:
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9002:
8995:
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8940:
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8925:
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8915:
8910:
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8900:
8895:
8890:
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8870:
8865:
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8820:
8815:
8810:
8805:
8800:
8795:
8790:
8785:
8778:
8773:
8768:
8763:
8758:
8753:
8748:
8743:
8738:
8733:
8728:
8723:
8718:
8713:
8708:
8703:
8698:
8693:
8688:
8683:
8678:
8673:
8668:
8663:
8658:
8653:
8648:
8643:
8638:
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8621:
8616:
8611:
8606:
8601:
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8522:
8517:
8512:
8507:
8502:
8497:
8492:
8487:
8482:
8477:
8472:
8465:
8460:
8455:
8450:
8445:
8440:
8435:
8430:
8425:
8420:
8415:
8410:
8405:
8400:
8395:
8390:
8380:
8375:
8370:
8365:
8360:
8355:
8350:
8345:
8340:
8335:
8330:
8325:
8320:
8315:
8310:
8305:
8300:
8295:
8290:
8285:
8280:
8275:
8270:
8265:
8260:
8255:
8250:
8245:
8240:
8235:
8230:
8225:
8220:
8215:
8210:
8205:
8200:
8195:
8190:
8185:
8180:
8175:
8170:
8165:
8160:
8155:
8150:
8145:
8140:
8135:
8130:
8125:
8120:
8115:
8110:
8105:
8100:
8095:
8090:
8085:
8080:
8075:
8070:
8065:
8060:
8055:
8050:
8045:
8038:
8033:
8028:
8023:
8018:
8013:
8008:
8003:
7998:
7993:
7988:
7983:
7978:
7973:
7968:
7963:
7958:
7953:
7948:
7943:
7938:
7933:
7928:
7923:
7918:
7913:
7908:
7903:
7898:
7893:
7888:
7883:
7878:
7873:
7868:
7863:
7858:
7853:
7848:
7843:
7838:
7833:
7828:
7821:
7816:
7811:
7806:
7796:
7791:
7786:
7781:
7776:
7771:
7766:
7761:
7756:
7751:
7745:
7742:
7741:
7723:
7722:
7715:
7708:
7700:
7691:
7690:
7688:
7687:
7673:
7668:
7662:
7659:
7658:
7655:
7654:
7649:
7644:
7639:
7634:
7629:
7624:
7619:
7613:
7608:
7603:
7598:
7593:
7588:
7582:
7577:
7571:
7566:
7561:
7556:
7550:
7543:
7538:
7533:
7528:
7523:
7515:
7510:
7480:
7475:
7470:
7465:
7454:
7449:
7444:
7439:
7434:
7429:
7424:
7419:
7412:Picander cycle
7407:
7406:
7404:
7398:
7397:
7394:
7393:
7388:
7383:
7378:
7370:
7365:
7360:
7355:
7350:
7345:
7340:
7335:
7330:
7325:
7320:
7315:
7310:
7305:
7300:
7295:
7290:
7285:
7280:
7275:
7270:
7265:
7260:
7255:
7250:
7245:
7240:
7232:
7227:
7222:
7213:
7212:
7210:
7204:
7203:
7200:
7199:
7194:
7189:
7184:
7176:
7171:
7166:
7161:
7156:
7151:
7146:
7141:
7136:
7128:
7123:
7118:
7113:
7108:
7103:
7098:
7093:
7088:
7083:
7078:
7073:
7065:
7060:
7055:
7050:
7045:
7040:
7035:
7030:
7025:
7020:
7015:
7010:
7005:
7000:
6995:
6990:
6985:
6980:
6975:
6970:
6965:
6960:
6955:
6950:
6945:
6940:
6935:
6930:
6925:
6920:
6915:
6910:
6905:
6900:
6895:
6890:
6885:
6880:
6875:
6870:
6861:
6860:
6858:
6844:
6843:
6840:
6839:
6834:
6829:
6824:
6819:
6814:
6809:
6804:
6799:
6794:
6789:
6784:
6779:
6774:
6769:
6764:
6759:
6754:
6749:
6744:
6739:
6734:
6729:
6720:
6715:
6710:
6705:
6700:
6695:
6690:
6685:
6680:
6675:
6670:
6665:
6660:
6655:
6650:
6645:
6640:
6635:
6630:
6625:
6620:
6615:
6606:
6605:
6603:
6595:
6594:
6591:
6590:
6585:
6580:
6575:
6570:
6565:
6560:
6555:
6550:
6545:
6540:
6535:
6530:
6525:
6520:
6515:
6510:
6505:
6500:
6495:
6490:
6485:
6480:
6471:
6466:
6461:
6456:
6451:
6446:
6441:
6436:
6426:
6425:
6423:
6417:
6416:
6403:
6402:
6395:
6388:
6380:
6374:
6373:
6339:
6322:
6313:
6299:
6287:
6286:External links
6284:
6283:
6282:
6261:
6236:
6215:
6190:
6165:
6144:
6123:
6120:Masaaki Suzuki
6088:
6063:
6029:
6004:
5974:
5938:
5937:
5931:
5913:
5891:
5863:
5838:
5799:
5779:
5773:
5746:
5732:
5685:
5642:
5621:
5578:
5555:
5523:
5503:
5497:
5468:
5439:
5412:
5406:
5380:
5374:
5354:
5338:Dellal, Pamela
5334:
5314:
5289:
5254:
5233:
5189:
5186:
5184:
5183:
5171:
5140:
5112:
5084:
5030:
5015:
4978:
4963:
4934:
4893:
4866:
4839:
4820:
4793:
4766:
4739:
4713:
4686:
4667:
4655:
4632:
4620:
4616:Hauptmann 1851
4608:
4593:
4581:
4579:, p. 206.
4569:
4557:
4545:
4533:
4521:
4509:
4481:Gerhard Herz.
4474:
4462:
4458:Autograph 2017
4450:
4438:
4436:, p. 303.
4434:Hauptmann 1851
4426:
4414:
4391:
4362:
4337:
4325:
4309:
4294:
4282:
4266:
4264:, p. 275.
4254:
4234:
4232:, p. 108.
4222:
4210:
4198:
4177:
4157:
4127:
4105:
4098:pp. 89–99
4081:Philipp Spitta
4073:
4043:
4027:
4015:
3995:Philipp Spitta
3984:
3972:
3937:
3920:
3903:
3886:
3869:
3846:
3830:
3818:
3802:
3780:
3761:
3744:
3738:, p. 64;
3728:
3707:
3691:
3679:
3667:
3640:
3623:
3574:
3557:
3540:
3528:
3516:
3504:
3492:
3475:
3463:
3446:
3434:
3419:
3394:
3373:
3361:
3346:
3322:
3320:
3317:
3314:
3313:
3299:
3298:
3296:
3293:
3290:
3289:
3286:
3270:
3265:
3263:
3262:
3257:
3255:Marcus Ullmann
3252:
3247:
3245:Siri Thornhill
3241:
3239:
3225:
3215:
3214:
3211:
3209:
3208:
3205:
3193:
3191:
3186:
3184:
3183:
3178:
3176:Jörg Dürmüller
3173:
3168:
3162:
3160:
3146:
3140:
3139:
3136:
3126:
3121:
3119:
3118:
3113:
3108:
3103:
3097:
3095:
3087:Masaaki Suzuki
3081:
3075:
3074:
3071:
3061:
3056:
3054:
3053:
3051:Stephen Varcoe
3048:
3043:
3038:
3032:
3030:
3013:
3007:
3006:
3003:
2993:
2988:
2986:
2985:
2980:
2975:
2970:
2964:
2962:
2945:
2939:
2938:
2935:
2925:
2920:
2918:
2917:
2912:
2907:
2902:
2896:
2894:
2883:Roland Büchner
2877:
2871:
2870:
2867:
2851:
2839:
2837:
2836:
2831:
2826:
2821:
2819:Sibylla Rubens
2815:
2813:
2799:
2792:
2791:
2789:
2773:
2761:
2759:
2758:
2753:
2746:
2741:
2735:
2733:
2722:Michael Gielen
2716:
2710:
2709:
2707:
2691:
2678:
2676:
2675:
2670:
2665:
2660:
2654:
2652:
2635:
2612:
2611:
2609:
2593:
2576:
2574:
2573:
2568:
2566:Peter Schreier
2563:
2558:
2556:Mitsuko Shirai
2552:
2550:
2531:
2519:
2518:
2516:
2500:
2495:
2493:
2492:
2487:
2485:Peter Schreier
2482:
2477:
2471:
2469:
2452:
2433:
2432:
2429:
2413:
2403:
2401:
2400:
2398:Max van Egmond
2395:
2390:
2385:
2377:
2375:
2358:
2357:, Vol. 3
2345:
2344:
2342:
2326:
2321:
2319:
2318:
2313:
2308:
2303:
2297:
2295:
2280:
2268:
2267:
2265:
2249:
2236:
2234:
2233:
2231:Barry McDaniel
2228:
2223:
2218:
2212:
2210:
2193:
2181:
2180:
2178:
2162:
2151:
2149:
2148:
2143:
2138:
2133:
2127:
2125:
2108:
2088:
2087:
2084:
2081:
2078:
2075:
2072:
2062:Recordings of
2057:
2056:
1981:Roland Büchner
1944:Michael Gielen
1908:
1905:
1904:
1903:
1897:
1883:
1806:
1803:
1786:
1783:
1759:
1756:
1732:
1729:
1713:
1710:
1679:
1676:
1657:
1654:
1606:
1603:
1601:
1598:
1595:
1594:
1585:
1582:
1579:
1576:
1573:
1567:
1560:
1554:
1553:
1544:
1542:
1539:
1536:
1531:
1525:
1518:
1512:
1511:
1508:
1503:
1500:
1497:
1496:duet, chorale
1494:
1488:
1481:
1475:
1474:
1465:
1460:
1457:
1454:
1451:
1445:
1438:
1432:
1431:
1422:
1420:
1417:
1414:
1409:
1403:
1396:
1390:
1389:
1380:
1373:
1366:
1363:
1358:
1352:
1345:
1339:
1338:
1329:
1324:
1314:
1309:
1304:
1298:
1291:
1285:
1284:
1281:
1278:
1275:
1272:
1269:
1266:
1263:
1185:
1182:
1180:
1177:
1173:, BWV 177
1110:St. John's Day
1094:
1093:
1079:Trinity V
1075:
1060:
1051:, BWV 135
1038:
1020:St. John's Day
1016:
994:
980:Trinity I
968:
967:
964:
955:) and the one
941:Alfred Dörffel
905:
902:
897:Masaaki Suzuki
879:and the third
873:Philipp Spitta
782:, BWV 147
720:
710:
705:
704:
701:
700:
699:
698:
683:
673:
668:
667:
655:
652:First movement
650:
649:
647:, BWV 189
643:
642:
641:
640:
628:
625:
606:birth of Jesus
527:Gospel of Luke
511:Book of Isaiah
500:
497:
384:
381:
304:Lutheran hymns
276:Gospel of Luke
258:Bach composed
211:church cantata
201:
200:
198:
197:
194:
191:
188:
185:
181:
179:
175:
174:
166:
162:
161:
158:
154:
153:
132:
128:
127:
113:
109:
108:
102:
98:
97:
92:
88:
87:
70:
62:
61:
51:
50:
44:
41:
40:
26:
9:
6:
4:
3:
2:
9232:
9221:
9218:
9216:
9213:
9211:
9208:
9206:
9203:
9202:
9200:
9185:
9181:
9178:
9176:
9173:
9171:
9168:
9166:
9163:
9161:
9158:
9156:
9153:
9151:
9148:
9146:
9142:
9138:
9135:
9133:
9129:
9128:
9125:
9118:
9117:
9112:
9106:
9103:
9101:
9098:
9096:
9093:
9091:
9088:
9086:
9083:
9081:
9080:1138.1–1139.1
9078:
9076:
9073:
9071:
9068:
9066:
9063:
9061:
9058:
9056:
9053:
9051:
9048:
9046:
9043:
9041:
9038:
9036:
9033:
9031:
9028:
9026:
9023:
9021:
9018:
9016:
9013:
9011:
9008:
9006:
9003:
9001:
9000:
8996:
8993:
8989:
8986:
8982:
8980:
8979:
8975:
8973:
8972:
8968:
8965:
8961:
8959:
8956:
8954:
8951:
8949:
8946:
8944:
8941:
8939:
8936:
8934:
8931:
8929:
8926:
8924:
8921:
8919:
8916:
8914:
8911:
8909:
8906:
8904:
8901:
8899:
8896:
8894:
8891:
8889:
8886:
8884:
8881:
8879:
8876:
8874:
8871:
8869:
8866:
8864:
8861:
8859:
8856:
8854:
8851:
8849:
8846:
8844:
8841:
8839:
8836:
8834:
8831:
8829:
8826:
8824:
8821:
8819:
8816:
8814:
8811:
8809:
8806:
8804:
8801:
8799:
8796:
8794:
8791:
8789:
8786:
8783:
8779:
8777:
8774:
8772:
8769:
8767:
8764:
8762:
8759:
8757:
8754:
8752:
8749:
8747:
8744:
8742:
8739:
8737:
8734:
8732:
8729:
8727:
8724:
8722:
8719:
8717:
8714:
8712:
8709:
8707:
8704:
8702:
8699:
8697:
8694:
8692:
8689:
8687:
8684:
8682:
8679:
8677:
8674:
8672:
8669:
8667:
8664:
8662:
8659:
8657:
8654:
8652:
8649:
8647:
8644:
8642:
8639:
8637:
8634:
8632:
8631:
8627:
8625:
8622:
8620:
8617:
8615:
8612:
8610:
8607:
8605:
8602:
8600:
8597:
8595:
8592:
8590:
8587:
8585:
8582:
8580:
8577:
8575:
8572:
8570:
8567:
8565:
8562:
8560:
8557:
8555:
8552:
8550:
8547:
8545:
8542:
8540:
8537:
8534:
8530:
8528:
8527:
8523:
8521:
8518:
8516:
8513:
8511:
8508:
8506:
8503:
8501:
8498:
8496:
8493:
8491:
8488:
8486:
8483:
8481:
8478:
8476:
8473:
8470:
8466:
8464:
8461:
8459:
8456:
8454:
8451:
8449:
8446:
8444:
8441:
8439:
8436:
8434:
8431:
8429:
8426:
8424:
8421:
8419:
8416:
8414:
8411:
8409:
8406:
8404:
8401:
8399:
8396:
8394:
8391:
8388:
8384:
8381:
8379:
8376:
8374:
8371:
8369:
8366:
8364:
8361:
8359:
8356:
8354:
8351:
8349:
8346:
8344:
8341:
8339:
8336:
8334:
8331:
8329:
8326:
8324:
8321:
8319:
8316:
8314:
8311:
8309:
8306:
8304:
8301:
8299:
8296:
8294:
8291:
8289:
8286:
8284:
8281:
8279:
8276:
8274:
8271:
8269:
8266:
8264:
8261:
8259:
8256:
8254:
8251:
8249:
8246:
8244:
8241:
8239:
8236:
8234:
8231:
8229:
8226:
8224:
8221:
8219:
8216:
8214:
8211:
8209:
8206:
8204:
8201:
8199:
8196:
8194:
8191:
8189:
8186:
8184:
8181:
8179:
8176:
8174:
8171:
8169:
8166:
8164:
8161:
8159:
8156:
8154:
8151:
8149:
8146:
8144:
8141:
8139:
8136:
8134:
8131:
8129:
8126:
8124:
8121:
8119:
8116:
8114:
8111:
8109:
8106:
8104:
8101:
8099:
8096:
8094:
8091:
8089:
8086:
8084:
8081:
8079:
8076:
8074:
8071:
8069:
8066:
8064:
8061:
8059:
8056:
8054:
8051:
8049:
8046:
8043:
8039:
8037:
8034:
8032:
8029:
8027:
8024:
8022:
8019:
8017:
8014:
8012:
8009:
8007:
8004:
8002:
7999:
7997:
7994:
7992:
7989:
7987:
7984:
7982:
7979:
7977:
7974:
7972:
7969:
7967:
7964:
7962:
7959:
7957:
7954:
7952:
7949:
7947:
7944:
7942:
7939:
7937:
7934:
7932:
7929:
7927:
7924:
7922:
7919:
7917:
7914:
7912:
7909:
7907:
7904:
7902:
7899:
7897:
7894:
7892:
7889:
7887:
7884:
7882:
7879:
7877:
7874:
7872:
7869:
7867:
7864:
7862:
7859:
7857:
7854:
7852:
7849:
7847:
7844:
7842:
7839:
7837:
7834:
7832:
7829:
7827:
7826:
7822:
7820:
7817:
7815:
7812:
7810:
7807:
7804:
7800:
7797:
7795:
7792:
7790:
7787:
7785:
7782:
7780:
7777:
7775:
7772:
7770:
7767:
7765:
7762:
7760:
7757:
7755:
7752:
7750:
7747:
7746:
7743:
7738:
7733:
7728:
7721:
7716:
7714:
7709:
7707:
7702:
7701:
7698:
7686:
7682:
7678:
7675:Discography:
7674:
7672:
7669:
7667:
7664:
7663:
7660:
7653:
7650:
7648:
7645:
7643:
7640:
7638:
7635:
7633:
7630:
7628:
7625:
7623:
7620:
7618:
7614:
7612:
7609:
7607:
7604:
7602:
7599:
7597:
7594:
7592:
7589:
7587:
7583:
7581:
7578:
7576:
7572:
7570:
7567:
7565:
7562:
7560:
7557:
7555:
7551:
7548:
7544:
7542:
7539:
7537:
7534:
7532:
7529:
7527:
7524:
7522:
7516:
7514:
7511:
7508:
7504:
7500:
7496:
7492:
7488:
7484:
7481:
7479:
7476:
7474:
7471:
7469:
7466:
7464:
7459:
7458:Late parodies
7455:
7453:
7450:
7448:
7445:
7443:
7440:
7438:
7435:
7433:
7430:
7428:
7425:
7423:
7420:
7418:
7413:
7409:
7408:
7405:
7399:
7392:
7389:
7387:
7384:
7382:
7379:
7377:
7371:
7369:
7366:
7364:
7361:
7359:
7356:
7354:
7351:
7349:
7346:
7344:
7341:
7339:
7336:
7334:
7331:
7329:
7326:
7324:
7321:
7319:
7316:
7314:
7311:
7309:
7306:
7304:
7301:
7299:
7296:
7294:
7291:
7289:
7286:
7284:
7281:
7279:
7276:
7274:
7271:
7269:
7266:
7264:
7261:
7259:
7256:
7254:
7251:
7249:
7246:
7244:
7241:
7239:
7233:
7231:
7228:
7226:
7223:
7221:
7215:
7214:
7211:
7209:
7205:
7198:
7195:
7193:
7190:
7188:
7185:
7183:
7177:
7175:
7172:
7170:
7167:
7165:
7162:
7160:
7157:
7155:
7152:
7150:
7147:
7145:
7142:
7140:
7137:
7135:
7129:
7127:
7124:
7122:
7119:
7117:
7114:
7112:
7109:
7107:
7104:
7102:
7099:
7097:
7094:
7092:
7089:
7087:
7084:
7082:
7079:
7077:
7074:
7072:
7066:
7064:
7061:
7059:
7056:
7054:
7051:
7049:
7046:
7044:
7041:
7039:
7036:
7034:
7031:
7029:
7026:
7024:
7021:
7019:
7016:
7014:
7011:
7009:
7006:
7004:
7001:
6999:
6996:
6994:
6991:
6989:
6986:
6984:
6981:
6979:
6976:
6974:
6971:
6969:
6966:
6964:
6961:
6959:
6956:
6954:
6951:
6949:
6946:
6944:
6941:
6939:
6936:
6934:
6931:
6929:
6926:
6924:
6921:
6919:
6916:
6914:
6911:
6909:
6906:
6904:
6901:
6899:
6896:
6894:
6891:
6889:
6886:
6884:
6881:
6879:
6876:
6874:
6871:
6869:
6863:
6862:
6859:
6856:
6849:
6845:
6838:
6835:
6833:
6830:
6828:
6825:
6823:
6820:
6818:
6815:
6813:
6810:
6808:
6805:
6803:
6800:
6798:
6795:
6793:
6790:
6788:
6785:
6783:
6780:
6778:
6775:
6773:
6770:
6768:
6765:
6763:
6760:
6758:
6755:
6753:
6750:
6748:
6745:
6743:
6740:
6738:
6735:
6733:
6730:
6728:
6721:
6719:
6716:
6714:
6711:
6709:
6706:
6704:
6701:
6699:
6696:
6694:
6691:
6689:
6686:
6684:
6681:
6679:
6676:
6674:
6671:
6669:
6666:
6664:
6661:
6659:
6656:
6654:
6651:
6649:
6646:
6644:
6641:
6639:
6636:
6634:
6631:
6629:
6626:
6624:
6621:
6619:
6616:
6614:
6608:
6607:
6604:
6602:
6596:
6589:
6586:
6584:
6581:
6579:
6576:
6574:
6571:
6569:
6566:
6564:
6561:
6559:
6556:
6554:
6551:
6549:
6546:
6544:
6541:
6539:
6536:
6534:
6531:
6529:
6526:
6524:
6521:
6519:
6516:
6514:
6511:
6509:
6506:
6504:
6501:
6499:
6496:
6494:
6491:
6489:
6486:
6484:
6481:
6479:
6475:
6472:
6470:
6467:
6465:
6462:
6460:
6457:
6455:
6452:
6450:
6447:
6445:
6442:
6440:
6437:
6435:
6431:
6428:
6427:
6424:
6418:
6413:
6408:
6401:
6396:
6394:
6389:
6387:
6382:
6381:
6378:
6359:
6355:
6351:
6344:
6340:
6328:
6323:
6321:
6317:
6314:
6311:
6307:
6305:
6300:
6297:
6293:
6290:
6289:
6270:
6266:
6262:
6249:
6245:
6243:
6237:
6224:
6220:
6216:
6213:
6199:
6195:
6191:
6188:
6174:
6170:
6166:
6153:
6149:
6145:
6132:
6128:
6124:
6121:
6117:
6116:Klaus Hofmann
6103:
6099:
6095:
6094:
6089:
6086:
6072:
6068:
6064:
6061:
6057:
6053:
6040:
6036:
6035:
6030:
6027:
6013:
6009:
6005:
6002:
5998:
5985:
5981:
5980:
5975:
5972:
5968:
5955:
5951:
5950:
5945:
5944:
5943:
5942:
5934:
5928:
5924:
5923:
5918:
5914:
5903:
5900:
5896:
5892:
5888:
5884:
5880:
5876:
5872:
5868:
5864:
5862:
5857:
5856:
5851:
5847:
5843:
5839:
5828:
5824:
5820:
5816:
5812:
5805:
5800:
5789:
5785:
5780:
5776:
5774:9780300219517
5770:
5766:
5762:
5761:
5756:
5754:
5747:
5743:
5739:
5735:
5729:
5725:
5721:
5717:
5713:
5709:
5708:Bach-Jahrbuch
5705:
5701:
5700:
5695:
5694:Wollny, Peter
5691:
5686:
5682:
5678:
5674:
5670:
5666:
5662:
5658:
5654:
5653:
5648:
5643:
5631:
5629:
5622:
5611:
5607:
5603:
5599:
5592:
5590:
5586:
5579:
5568:
5561:
5556:
5552:
5548:
5544:
5540:
5536:
5532:
5528:
5524:
5513:
5509:
5504:
5500:
5498:9783374020324
5494:
5490:
5486:
5485:Bach-Jahrbuch
5482:
5478:
5474:
5469:
5465:
5461:
5460:Bach-Jahrbuch
5457:
5453:
5449:
5445:
5440:
5428:
5421:
5417:
5413:
5409:
5403:
5399:
5395:
5394:
5389:
5385:
5381:
5377:
5375:3-423-04080-7
5371:
5366:
5365:
5359:
5355:
5343:
5339:
5335:
5324:
5320:
5315:
5303:
5299:
5295:
5290:
5279:
5275:
5271:
5267:
5260:
5255:
5251:
5244:
5243:
5238:
5234:
5231:
5227:
5226:
5221:
5215:
5211:
5210:
5205:
5201:
5197:
5196:
5195:
5194:
5180:
5175:
5169:
5165:
5164:
5159:
5153:
5151:
5149:
5147:
5145:
5137:
5133:
5129:
5125:
5121:
5116:
5109:
5100:
5091:
5089:
5081:
5072:
5067:
5050:
5046:
5043:
5037:
5035:
5027:
5026:Gardiner 2010
5022:
5020:
5012:
5003:
4999:
4998:
4997:Klassik Heute
4993:
4987:
4985:
4983:
4975:
4974:BIS-1331 2003
4970:
4968:
4961:
4959:
4954:
4950:
4946:
4941:
4939:
4932:
4928:
4924:
4920:
4916:
4912:
4911:
4910:Klassik Heute
4906:
4900:
4898:
4891:
4887:
4883:
4879:
4873:
4871:
4864:
4860:
4856:
4852:
4846:
4844:
4836:
4832:
4827:
4825:
4818:
4814:
4810:
4806:
4800:
4798:
4791:
4787:
4783:
4779:
4773:
4771:
4764:
4760:
4756:
4752:
4746:
4744:
4737:
4733:
4729:
4726:
4720:
4718:
4711:
4707:
4703:
4699:
4693:
4691:
4684:
4680:
4678:
4671:
4664:
4659:
4653:
4649:
4645:
4641:
4636:
4629:
4624:
4617:
4612:
4605:
4600:
4598:
4590:
4585:
4578:
4573:
4566:
4561:
4554:
4549:
4542:
4537:
4530:
4525:
4518:
4513:
4507:), p. 24
4506:
4502:
4498:
4494:
4491:
4489:
4485:
4478:
4471:
4466:
4459:
4454:
4447:
4442:
4435:
4430:
4423:
4422:BIS-1331 2003
4418:
4411:
4410:BIS-1331 2003
4406:
4404:
4402:
4400:
4398:
4396:
4388:
4384:
4379:
4377:
4375:
4373:
4371:
4369:
4367:
4359:
4354:
4352:
4350:
4348:
4346:
4344:
4342:
4334:
4329:
4322:
4318:
4313:
4306:
4301:
4299:
4291:
4286:
4279:
4275:
4270:
4263:
4258:
4251:
4249:
4245:pp. 77–99 in
4244:
4238:
4231:
4226:
4220:, p. 16.
4219:
4218:Gardiner 2010
4214:
4207:
4202:
4195:
4186:
4181:
4175:
4174:2-221-00749-2
4171:
4167:
4161:
4155:
4151:
4147:
4143:
4141:
4134:
4132:
4124:
4121:
4120:Bach-Jahrbuch
4118:
4114:
4109:
4103:
4099:
4095:
4092:
4088:
4087:
4082:
4077:
4071:, p. VII
4070:
4066:
4062:
4061:
4056:
4052:
4047:
4040:
4036:
4031:
4025:, p. 11.
4024:
4023:BIS-1331 2003
4019:
4013:
4009:
4006:
4002:
4001:
3996:
3991:
3989:
3981:
3976:
3969:
3965:
3962:
3960:
3955:
3951:
3947:
3946:David Cordier
3941:
3934:
3930:
3924:
3917:
3916:Gardiner 2010
3912:
3910:
3908:
3900:
3896:
3890:
3883:
3879:
3873:
3866:
3862:
3858:
3857:
3850:
3843:
3839:
3834:
3827:
3822:
3815:
3811:
3806:
3800:
3796:
3795:, Volume III.
3794:
3789:
3784:
3778:, p. 18.
3777:
3772:
3770:
3768:
3766:
3758:
3754:
3748:
3741:
3737:
3732:
3725:
3721:
3717:
3711:
3704:
3700:
3695:
3688:
3687:Glöckner 2003
3683:
3676:
3671:
3665:
3661:
3658:
3657:0-19-971662-5
3654:
3650:
3644:
3637:
3633:
3627:
3621:
3617:
3613:
3609:
3605:
3604:3-7651-0249-0
3601:
3597:
3595:
3590:
3585:
3583:
3581:
3579:
3571:
3567:
3561:
3554:
3550:
3544:
3537:
3532:
3525:
3520:
3513:
3508:
3501:
3496:
3489:
3488:Glöckner 1982
3484:
3482:
3480:
3472:
3467:
3460:
3455:
3453:
3451:
3444:, p. 30.
3443:
3438:
3431:
3430:BIS-1331 2003
3426:
3424:
3416:
3412:
3407:
3405:
3403:
3401:
3399:
3391:
3387:
3382:
3380:
3378:
3370:
3369:Lundberg 2013
3365:
3358:
3357:BIS-1331 2003
3353:
3351:
3343:
3339:
3334:
3332:
3330:
3328:
3323:
3310:
3304:
3300:
3287:
3271:
3269:
3266:
3261:
3258:
3256:
3253:
3251:
3248:
3246:
3243:
3242:
3240:
3238:
3232:
3226:
3223:
3212:
3206:
3195:
3194:
3192:
3190:
3187:
3182:
3181:Klaus Mertens
3179:
3177:
3174:
3172:
3171:Bogna Bartosz
3169:
3167:
3164:
3163:
3161:
3159:
3153:
3147:
3145:
3137:
3127:
3125:
3122:
3117:
3114:
3112:
3109:
3107:
3106:Matthew White
3104:
3102:
3099:
3098:
3096:
3094:
3088:
3082:
3080:
3072:
3062:
3060:
3057:
3052:
3049:
3047:
3044:
3042:
3041:Daniel Taylor
3039:
3037:
3034:
3033:
3031:
3029:
3026:
3020:
3014:
3012:
3004:
2994:
2992:
2989:
2984:
2983:Bas Ramselaar
2981:
2979:
2976:
2974:
2973:Sytse Buwalda
2971:
2969:
2966:
2965:
2963:
2961:
2958:
2952:
2946:
2944:
2936:
2926:
2921:
2916:
2913:
2911:
2908:
2906:
2903:
2901:
2900:Susanne Rydén
2898:
2897:
2895:
2893:
2892:Musica Florea
2890:
2884:
2878:
2876:
2868:
2852:
2849:
2843:
2840:
2835:
2834:Klaus Mertens
2832:
2830:
2827:
2825:
2822:
2820:
2817:
2816:
2814:
2812:
2806:
2800:
2797:
2790:
2774:
2770:
2765:
2762:
2757:
2754:
2751:
2747:
2745:
2742:
2740:
2737:
2736:
2734:
2732:
2729:
2723:
2717:
2715:
2708:
2692:
2688:
2682:
2679:
2674:
2671:
2669:
2666:
2664:
2661:
2659:
2656:
2655:
2653:
2651:
2648:
2642:
2636:
2633:
2631:
2624:
2622:
2621:
2610:
2594:
2590:
2584:
2580:
2577:
2572:
2569:
2567:
2564:
2562:
2559:
2557:
2554:
2553:
2551:
2549:
2546:
2539:
2532:
2529:
2524:
2517:
2501:
2499:
2496:
2491:
2488:
2486:
2483:
2481:
2480:Anna Reynolds
2478:
2476:
2473:
2472:
2470:
2468:
2465:
2459:
2453:
2450:
2445:
2444:
2440:
2430:
2414:
2411:
2407:
2406:Das Alte Werk
2404:
2399:
2396:
2394:
2391:
2389:
2386:
2383:
2379:
2378:
2376:
2374:
2371:
2365:
2359:
2356:
2353:
2343:
2327:
2325:
2322:
2317:
2314:
2312:
2309:
2307:
2304:
2302:
2299:
2298:
2296:
2294:
2287:
2281:
2279:, CD 36
2278:
2273:
2266:
2250:
2246:
2240:
2237:
2232:
2229:
2227:
2224:
2222:
2219:
2217:
2214:
2213:
2211:
2209:
2206:
2200:
2194:
2191:
2186:
2179:
2163:
2159:
2152:
2147:
2144:
2142:
2139:
2137:
2136:Shirley Minty
2134:
2132:
2131:Sally Le Sage
2129:
2128:
2126:
2124:
2121:
2115:
2114:Paul Steinitz
2109:
2106:
2101:
2099:
2095:
2069:
2065:
2050:
2046:
2045:
2042:
2040:
2039:Musica Florea
2036:
2032:
2028:
2024:
2022:
2018:
2014:
2010:
2006:
2002:
1998:
1994:
1990:
1986:
1982:
1978:
1976:
1972:
1968:
1964:
1960:
1954:
1949:
1945:
1941:
1937:
1933:
1929:
1925:
1924:Paul Steinitz
1921:
1917:
1913:
1901:
1898:
1895:
1891:
1887:
1884:
1881:
1878:
1877:
1876:
1873:
1871:
1867:
1863:
1859:
1854:
1852:
1848:
1844:
1843:
1838:
1834:
1830:
1828:
1824:
1820:
1816:
1812:
1802:
1800:
1796:
1792:
1782:
1771:
1755:
1752:
1751:
1744:
1743:Klaus Hofmann
1728:
1725:
1709:
1707:
1703:
1697:
1691:
1675:
1671:
1653:
1651:
1641:
1631:
1626:
1624:
1620:
1616:
1612:
1591:
1586:
1583:
1580:
1577:
1574:
1572:
1568:
1561:
1559:
1556:
1550:
1545:
1540:
1537:
1535:
1532:
1529:
1526:
1519:
1517:
1514:
1509:
1507:
1504:
1501:
1498:
1495:
1492:
1489:
1482:
1480:
1477:
1471:
1466:
1464:
1461:
1458:
1455:
1452:
1449:
1446:
1439:
1437:
1434:
1428:
1423:
1418:
1415:
1413:
1410:
1407:
1404:
1397:
1395:
1392:
1386:
1381:
1378:
1374:
1371:
1367:
1364:
1362:
1359:
1356:
1353:
1346:
1344:
1341:
1335:
1330:
1328:
1325:
1323:
1319:
1315:
1313:
1310:
1308:
1305:
1302:
1299:
1292:
1290:
1287:
1277:Instruments
1260:
1256:
1253:Movements of
1250:
1248:
1247:
1241:
1239:
1235:
1231:
1229:
1225:
1221:
1217:
1211:
1207:
1203:
1199:
1195:
1191:
1176:
1174:
1172:
1165:
1163:
1159:
1155:
1154:
1149:
1145:
1144:musical metre
1141:
1137:
1132:
1125:
1123:
1119:
1115:
1111:
1107:
1103:
1099:
1091:
1087:
1085:
1080:
1076:
1073:
1069:
1065:
1061:
1058:
1052:
1050:
1043:
1039:
1036:
1030:
1028:
1021:
1017:
1014:
1008:
1006:
999:
995:
992:
988:
987:, BWV 20
986:
981:
977:
976:
975:
973:
965:
962:
958:
954:
950:
946:
942:
938:
937:
936:
933:
931:
927:
923:
919:
915:
911:
901:
898:
894:
890:
886:
882:
878:
874:
869:
867:
866:New Testament
863:
859:
855:
849:
847:
843:
842:BWV 1082
839:
838:cantus firmus
835:
830:
828:
827:
822:
818:
814:
810:
809:, JLB 13
808:
803:
799:
795:
789:
787:
786:BWV 147a
783:
781:
776:
772:
768:
767:BWV 243a
764:
763:
758:
757:Johann Kuhnau
754:
752:
748:
744:
739:
735:
731:
708:
691:
687:
671:
653:
646:
638:
634:
624:
622:
613:
609:
607:
603:
599:
595:
591:
587:
582:
580:
576:
572:
568:
564:
560:
556:
552:
548:
544:
540:
536:
532:
528:
524:
520:
516:
512:
506:
496:
494:
490:
486:
484:
480:
476:
472:
468:
464:
458:
453:
452:figural music
449:
448:Marian feasts
445:
441:
437:
434:included the
433:
428:
426:
425:Lutheran hymn
422:
418:
414:
410:
406:
402:
398:
394:
390:
380:
378:
374:
370:
369:
364:
359:
356:
352:
348:
344:
340:
336:
332:
328:
324:
320:
316:
311:
309:
305:
301:
297:
293:
289:
285:
281:
277:
273:
269:
265:
261:
256:
254:
250:
246:
242:
239:
235:
234:Martin Luther
232:. Taken from
231:
228:, as part of
227:
217:
216:
212:
209:composed the
208:
195:
192:
189:
186:
183:
182:
180:
176:
172:
167:
163:
159:
155:
150:
133:
129:
126:
125:Martin Luther
120:
114:
110:
106:
103:
99:
96:
93:
89:
84:
79:
78:Rubens school
75:
74:
68:
63:
60:
56:
52:
47:
42:
38:
33:
30:
19:
9132:Compositions
9114:
8997:
8976:
8969:
8628:
8524:
7823:
7793:
7666:Bach cantata
7554:BWV 34a
7521:BWV 119
7417:BWV 149
7238:BWV 110
7220:BWV 168
7182:BWV 117
6887:
6848:Second cycle
6365:. Retrieved
6358:the original
6349:
6331:. Retrieved
6312:(ChoralWiki)
6303:
6273:. Retrieved
6269:Bach Digital
6252:. Retrieved
6241:
6227:. Retrieved
6223:Bach Digital
6202:. Retrieved
6198:Bach Digital
6177:. Retrieved
6173:Bach Digital
6156:. Retrieved
6152:Bach Digital
6135:. Retrieved
6131:Bach Digital
6122:(p. 11)
6106:. Retrieved
6092:
6084:
6075:. Retrieved
6059:
6042:. Retrieved
6033:
6025:
6016:. Retrieved
6012:Bach Digital
5987:. Retrieved
5978:
5957:. Retrieved
5948:
5940:
5939:
5921:
5905:. Retrieved
5870:
5853:
5830:. Retrieved
5814:
5810:
5791:. Retrieved
5788:Bach Digital
5759:
5752:
5703:
5698:
5656:
5650:
5646:
5634:. Retrieved
5627:
5613:. Retrieved
5601:
5597:
5588:
5584:
5572:23 September
5570:. Retrieved
5549:), 275–303 (
5534:
5530:
5515:. Retrieved
5512:Carus-Verlag
5480:
5455:
5431:. Retrieved
5392:
5384:Dürr, Alfred
5363:
5358:Dürr, Alfred
5346:. Retrieved
5326:. Retrieved
5322:
5306:. Retrieved
5302:the original
5298:lukedahn.net
5297:
5292:Dahn, Luke.
5281:. Retrieved
5269:
5265:
5241:
5223:
5220:BWV 648
5208:
5202:(c. 1748). "
5192:
5191:
5174:
5161:
5115:
4995:
4957:
4908:
4903:Éva Pintér.
4676:
4670:
4658:
4635:
4623:
4611:
4584:
4572:
4560:
4548:
4536:
4529:Bach c. 1748
4524:
4512:
4487:
4483:
4477:
4465:
4453:
4441:
4429:
4417:
4412:, p. 7.
4328:
4312:
4285:
4269:
4257:
4247:
4237:
4225:
4213:
4201:
4180:
4165:
4160:
4139:
4122:
4116:
4113:Dürr, Alfred
4108:
4091:Vol. 3.
4084:
4076:
4058:
4046:
4030:
4018:
4005:Vol. 2.
3998:
3975:
3958:
3956:(conductor)
3940:
3933:Bach Digital
3923:
3918:, p. 9.
3899:Bach Digital
3889:
3882:Bach Digital
3872:
3855:
3849:
3842:Bach Digital
3833:
3828:, p. 1.
3826:Jenkins 2000
3821:
3814:Bach Digital
3805:
3792:
3783:
3776:Blanken 2015
3757:Bach Digital
3747:
3742:, p. 1.
3740:Rizzuti 2013
3731:
3724:Bach Digital
3710:
3694:
3682:
3670:
3643:
3636:Bach Digital
3626:
3592:
3570:Bach Digital
3560:
3552:
3543:
3531:
3519:
3507:
3495:
3471:Stölzel 1740
3466:
3437:
3432:, p. 8.
3371:, p. 9.
3364:
3359:, p. 6.
3303:
3218:
3166:Deborah York
3143:
3078:
3036:Lisa Larsson
3010:
2942:
2915:Peter Harvey
2874:
2795:
2713:
2658:Arleen Augér
2627:
2615:
2561:Doris Soffel
2545:Thomanerchor
2527:
2522:
2475:Edith Mathis
2458:Karl Richter
2448:
2436:
2393:Kurt Equiluz
2388:Paul Esswood
2348:
2311:Werner Krenn
2301:Elly Ameling
2276:
2271:
2226:Georg Jelden
2199:Fritz Werner
2189:
2184:
2146:Neil Howlett
2141:Nigel Rogers
2104:
2098:BWV 241
2091:
2063:
2025:
2016:
2008:
1988:
1979:
1928:Fritz Werner
1912:Karl Richter
1910:
1899:
1885:
1879:
1874:
1855:
1840:
1833:BWV 648
1831:
1827:Bach Archive
1809:Both Bach's
1808:
1788:
1761:
1748:
1734:
1715:
1705:
1681:
1670:da capo aria
1659:
1627:
1609:The opening
1608:
1571:Gloria Patri
1541:strings, bc
1534:Accompagnato
1377:B-flat major
1254:
1244:
1242:
1213:
1187:
1170:
1166:
1151:
1126:
1118:counterpoint
1095:
1083:
1067:
1048:
1029:, BWV 7
1026:
1007:, BWV 2
1004:
984:
969:
961:BWV 107
947:between the
944:
934:
907:
870:
861:
857:
850:
834:BWV 243
831:
824:
806:
790:
779:
774:
770:
760:
755:
751:BWV 189
727:
644:
618:
583:
579:Luther Bible
533:'s visit to
508:
488:
487:
475:Annunciation
467:Purification
429:
389:Thomaskantor
386:
366:
360:
315:Thomaskantor
312:
300:Gloria Patri
270:'s visit to
259:
257:
248:
219:
214:
213:
204:
178:Instrumental
71:
29:
7463:BWV 36
7376:BWV 82
7208:Third cycle
7134:BWV 80
6868:BWV 20
6727:BWV 40
6613:BWV 75
6599:First cycle
6478:BWV 61
5902:Bärenreiter
5885:), 131ff. (
5879:Bärenreiter
5714:. Leipzig:
5163:Early Music
5040:Yo Tomita.
4884:; CD: e.g.
4857:; CD: e.g.
4811:; CD: e.g.
4784:; CD: e.g.
4757:; CD: e.g.
4730:; CD: e.g.
4704:; CD: e.g.
4683:p. 257
4565:Dietel 2017
4358:Dellal 2012
4276:, pp.
4057:Volume 27:
3980:Rathey 2016
3954:Hermann Max
3865:Bärenreiter
3736:Peters 2012
3614:, pp.
3589:Alfred Dürr
3549:Alfred Dürr
3442:Peters 2012
3152:Ton Koopman
2978:Knut Schoch
2968:Ruth Holton
2905:Drew Minter
2805:Ton Koopman
2767: [
2668:Aldo Baldin
2382:boy soprano
2306:Helen Watts
2221:Emmy Lisken
1997:Ton Koopman
1951: [
1791:colla parte
1238:Alfred Dürr
972:Alfred Dürr
926:recitatives
914:Palm Sunday
846:BWV Anh. 30
594:recitatives
590:paraphrased
479:Lutheranism
455: [
419:with forty
335:recitatives
319:mixed choir
73:Heimsuchung
9199:Categories
7615:Doubtful:
7071:BWV 6
6434:BWV 4
6100:, Sweden:
6098:Åkersberga
5753:Magnificat
5667:): 29–64.
5319:"BWV 10.7"
5232:for organ)
5106:.muziekweb
5078:.muziekweb
5009:.muziekweb
4385:, p.
4319:, p.
4262:Wolff 2002
4206:Wolff 2002
4154:p. 32
4037:, p.
3701:, p.
3413:, p.
3388:, p.
3340:, p.
3319:References
3207:2004 (DVD)
3116:Peter Kooy
1920:Ottobeuren
1696:coloratura
1613:is marked
1412:Recitative
1070:, BWV 10 (
1064:Trinity IV
953:BWV 9
690:Curt Sachs
631:See also:
586:librettist
555:psalm tone
539:Magnificat
503:See also:
450:requiring
444:Protestant
440:Visitation
383:Background
292:psalm tone
264:Visitation
238:Magnificat
142:1724-07-02
101:Bible text
95:Visitation
59:J. S. Bach
9170:3rd cycle
9165:2nd cycle
9160:1st cycle
9085:1140–1141
7573:Funeral:
7552:Wedding:
7403:and other
6601:(1723–24)
6056:464000199
6001:200020894
5971:000102323
5895:Wolf, Uwe
5867:Wolf, Uwe
5827:2240-7944
5742:0084-7682
5673:0005-3600
5610:1750-3078
5348:20 August
5278:1750-3078
5179:Oron 2014
5128:291046339
5099:(DBX8925)
5095:Cantatas
4949:836243736
4931:775056224
4921:website;
4890:937062548
4882:638325897
4863:317446251
4855:731396126
4817:949900636
4790:813930323
4763:724824165
4736:946461026
4710:705343169
4702:181673660
4663:Wolf 2015
4652:855200738
4644:937981959
4628:Wolf 1995
4589:Dahn 2017
4577:Bach 1787
4333:Wolf 1995
4290:Dürr 1981
4230:Pfau 2008
3307:"BWV" is
2924:Classics
2764:Intercord
2490:Kurt Moll
2380:(unnamed
2158:Lyrichord
2077:Soloists
1967:Koopman's
1811:autograph
1799:polyphony
1795:homophony
1640:polyphony
1600:Movements
1493:, Luther
1368:2 Oboes (
1303:, Luther
1257:, BWV 10
1090:K 79
1072:K 78
1057:K 77
1040:25 June,
1035:K 76
1018:24 June,
1013:K 75
996:18 June,
991:K 74
978:11 June,
922:four-part
730:Neukirche
686:Max Meili
535:Elizabeth
411:known as
306:in other
290:or ninth
272:Elizabeth
190:2 violins
157:Movements
131:Performed
9182: ;
9139: ;
9137:Cantatas
9116:spurious
9111:doubtful
7803:oratorio
7727:Cantatas
6855:cantatas
6212:libretto
6204:18 April
6187:libretto
5919:(2002).
5897:(2015).
5844:(1740).
5821:: 1–11.
5681:41640620
5636:18 April
5479:(eds.).
5454:(eds.).
5418:(2010).
5390:(2006).
5360:(1981).
5340:(2012).
5239:(1787).
5045:Archived
4927:47682636
4809:19862464
4782:11905855
4728:38609051
4115:(1976).
4096:, 1899,
4053:(1878).
4010:, 1899,
3964:Archived
3788:Picander
2687:Hänssler
2681:Claudius
2583:Eurodisc
1963:Hänssler
1959:Teldec's
1870:Uwe Wolf
1668:It is a
1650:melismas
1630:measures
1584:G minor
1575:Chorale
1530:, anon.
1450:, anon.
1408:, anon.
1357:, anon.
1228:Continuo
1220:Hautbois
1204:(T) and
1086:, BWV 93
1077:9 July,
817:Picander
684:Sung by
602:movement
575:doxology
571:canticle
515:prophecy
483:Reformed
327:continuo
296:doxology
255:format.
241:canticle
205:In 1724
196:continuo
112:Based on
91:Occasion
9130:Lists:
9105:Anh. 18
9100:Anh. 11
9030:248 III
7681:Koopman
7584:Other:
7545:(lost:
6853:chorale
6422:Leipzig
6308:in the
5852:(ed.).
5706:].
5696:(ed.).
5567:Novello
5547:Preface
5188:Sources
5138:website
5064:/tomita
4837:website
4755:3449243
4278:422–425
3935:website
3901:website
3884:website
3867:, 2000.
3844:website
3816:website
3759:website
3726:website
3638:website
3572:website
3390:676–678
3288:Period
3285:(SACD)
3274: (
3213:Period
3198: (
3138:Period
3130: (
3073:Period
3065: (
3005:Period
2997: (
2937:Period
2929: (
2869:Period
2855: (
2845:(later:
2777: (
2695: (
2597: (
2504: (
2431:Period
2417: (
2330: (
2253: (
2166: (
2086:Instr.
1926:'s and
1724:octaves
1506:D minor
1463:F major
1327:G minor
1318:strings
1274:Voices
1224:Violini
1222:. | 2.
1218:. | 2.
1194:soprano
1148:BWV 125
567:chorale
519:Messiah
517:of the
405:Trinity
351:Soprano
323:strings
187:2 oboes
184:Trumpet
149:Leipzig
140: (
9155:Weimar
9095:Anh. 9
9090:Anh. 5
9045:248 VI
9035:248 IV
9025:248 II
7739:number
7685:Teldec
6474:Weimar
6420:Before
6367:11 May
6333:11 May
6275:15 May
6271:. 2017
6254:29 May
6250:. 1740
6229:4 June
6225:. 2015
6200:. 2017
6179:29 May
6175:. 2015
6158:4 June
6154:. 2017
6133:. 2017
6108:31 May
6096:(CD).
6077:4 June
6073:. 2014
6054:
6044:4 June
6018:4 June
6014:. 2017
5999:
5989:16 May
5969:
5959:16 May
5929:
5832:29 May
5825:
5793:4 June
5771:
5740:
5730:
5679:
5671:
5608:
5495:
5433:4 July
5404:
5372:
5328:4 June
5308:4 June
5283:1 June
5276:
5126:
5056:.music
4947:
4925:
4888:
4880:
4861:
4853:
4815:
4807:
4788:
4780:
4761:
4753:
4734:
4708:
4700:
4650:
4642:
4503:
4172:
4148:
3662:
3655:
3610:
3602:
3281:(rec.)
3268:Accent
3204:(rec.)
2862:(rec.)
2784:(rec.)
2410:Teldec
2080:Label
2071:Title
2053:Instr.
1864:. The
1690:arioso
1632:with "
1615:vivace
1265:Title
1216:Tromba
862:dictum
858:dictum
826:dictum
775:laudes
771:laudes
762:laudes
635:, and
513:, the
473:, and
399:) and
393:Kantor
224:
9150:Early
9040:248 V
9020:248 I
8387:motet
7401:Later
7373:1727:
6851:(and
6430:Early
6361:(PDF)
6346:(PDF)
6137:9 May
5907:8 May
5887:Score
5848:. In
5817:(2).
5807:(PDF)
5702:[
5677:JSTOR
5659:(1).
5615:8 May
5594:(PDF)
5563:(PDF)
5551:Score
5517:8 May
5446:. In
5423:(PDF)
5262:(PDF)
5246:(PDF)
5214:Zella
4919:Trove
4039:31–32
3929:08303
3895:01338
3878:01268
3753:01672
3720:00181
3716:00180
3632:00229
3566:01329
3295:Notes
3189:Naxos
2866:(CD)
2842:Erato
2788:(CD)
2771:]
2706:(CD)
2690:(CD)
2608:(CD)
2592:(CD)
2530:(CD)
2515:(CD)
2451:(CD)
2428:(CD)
2341:(CD)
2324:Decca
2264:(CD)
2248:(CD)
2239:Erato
2177:(CD)
2161:(CD)
2107:(CD)
2083:Year
1955:]
1894:Carus
1835:is a
1770:secco
1623:motif
1578:SATB
1453:Aria
1283:Time
1271:Type
1268:Text
1202:tenor
1200:(A),
1196:(S),
1179:Music
1136:metre
1106:motet
939:When
930:arias
598:arias
561:) by
459:]
363:organ
347:tenor
331:arias
193:viola
165:Vocal
9180:Late
9075:1127
9070:1083
9065:1045
9060:1040
9055:249b
9050:249a
9015:244a
8958:216a
8923:210a
8908:208a
8898:207a
8883:205a
8838:197a
8813:193a
8793:190a
8701:173a
8564:147a
8490:134a
8469:131a
8408:120b
8403:120a
7596:120b
7591:190a
7580:244a
7564:120a
7513:1083
7427:197a
6498:147a
6488:186a
6369:2017
6335:2017
6277:2017
6256:2017
6231:2017
6206:2017
6181:2017
6160:2017
6139:2017
6110:2017
6079:2017
6052:RISM
6046:2017
6020:2017
5997:RISM
5991:2017
5967:RISM
5961:2017
5927:ISBN
5909:2017
5834:2017
5823:ISSN
5795:2017
5769:ISBN
5738:ISSN
5728:ISBN
5669:ISSN
5638:2017
5617:2017
5606:ISSN
5574:2014
5519:2017
5493:ISBN
5435:2011
5402:ISBN
5370:ISBN
5350:2022
5330:2017
5310:2017
5285:2017
5274:ISSN
5124:OCLC
5058:.qub
4945:OCLC
4923:OCLC
4886:OCLC
4878:OCLC
4859:OCLC
4851:OCLC
4813:OCLC
4805:OCLC
4786:OCLC
4778:OCLC
4759:OCLC
4751:OCLC
4732:OCLC
4706:OCLC
4698:OCLC
4648:OCLC
4640:OCLC
4501:ISBN
4170:ISBN
4146:ISBN
4123:1957
4100:and
3718:and
3660:ISBN
3653:ISBN
3608:ISBN
3600:ISBN
3283:2008
3276:2007
3272:2007
3200:2003
3196:2003
3132:2002
3128:2002
3067:2000
3063:2000
2999:2000
2995:2000
2931:2000
2927:2000
2922:Pure
2864:2001
2857:1999
2853:1999
2786:1995
2779:1991
2775:1991
2704:1985
2702:(LP)
2697:1979
2693:1979
2684:(LP)
2625:(LP)
2606:1996
2604:(LP)
2599:1979
2595:1979
2586:(LP)
2525:(LP)
2513:1993
2511:(LP)
2506:1976
2502:1976
2446:(LP)
2426:1985
2424:(LP)
2419:1972
2415:1972
2339:2011
2337:(LP)
2332:1969
2328:1969
2274:(LP)
2262:2004
2260:(LP)
2255:1966
2251:1966
2242:(LP)
2175:2008
2173:(LP)
2168:1965
2164:1965
2155:(LP)
2153:Oryx
2102:(LP)
1965:'s,
1619:trio
1510:6/8
1499:A T
1459:bc.
1419:bc.
1370:unis
1361:Aria
1312:SATB
1280:Key
1262:No.
1206:bass
1198:alto
928:and
800:and
596:and
531:Mary
355:bass
353:and
345:and
343:alto
341:for
339:duet
333:and
325:and
268:Mary
170:SATB
9113:);
9010:224
9005:223
8999:222
8992:221
8985:220
8978:219
8971:218
8964:217
8953:216
8948:215
8943:214
8938:213
8933:212
8928:211
8918:210
8913:209
8903:208
8893:207
8888:206
8878:205
8873:204
8868:203
8863:202
8858:201
8853:200
8848:199
8843:198
8833:197
8828:196
8823:195
8818:194
8808:193
8803:192
8798:191
8788:190
8782:189
8776:188
8771:187
8766:186
8761:185
8756:184
8751:183
8746:182
8741:181
8736:180
8731:179
8726:178
8721:177
8716:176
8711:175
8706:174
8696:173
8691:172
8686:171
8681:170
8676:169
8671:168
8666:167
8661:166
8656:165
8651:164
8646:163
8641:162
8636:161
8630:160
8624:159
8619:158
8614:157
8609:156
8604:155
8599:154
8594:153
8589:152
8584:151
8579:150
8574:149
8569:148
8559:147
8554:146
8549:145
8544:144
8539:143
8533:142
8526:141
8520:140
8515:139
8510:138
8505:137
8500:136
8495:135
8485:134
8480:133
8475:132
8463:131
8458:130
8453:129
8448:128
8443:127
8438:126
8433:125
8428:124
8423:123
8418:122
8413:121
8398:120
8393:119
8383:118
8378:117
8373:116
8368:115
8363:114
8358:113
8353:112
8348:111
8343:110
8338:109
8333:108
8328:107
8323:106
8318:105
8313:104
8308:103
8303:102
8298:101
8293:100
8193:80a
8133:69a
8113:66a
7956:36c
7951:36b
7946:36a
7931:34a
7906:30a
7737:BWV
7735:by
7729:by
7652:224
7647:223
7642:221
7637:220
7632:217
7627:189
7622:142
7606:158
7586:194
7575:157
7569:197
7559:195
7536:120
7526:193
7495:III
7483:248
7478:200
7473:191
7452:174
7447:145
7442:159
7437:156
7432:171
7422:188
7391:173
7343:169
7313:102
7303:187
7298:170
7278:146
7248:151
7225:164
7192:100
7187:192
7164:177
7159:140
7154:112
7144:129
7139:137
7126:176
7121:175
7106:183
7101:128
7091:108
7086:103
7058:127
7053:126
7048:125
7038:111
7028:124
7023:123
7013:122
7008:133
7003:121
6988:116
6978:139
6973:115
6963:180
6948:114
6943:130
6918:113
6913:101
6903:178
6898:107
6883:135
6837:184
6812:166
6807:104
6797:134
6777:181
6772:144
6752:154
6742:153
6737:190
6698:109
6688:148
6678:138
6663:69a
6658:179
6648:105
6643:136
6638:186
6633:147
6628:167
6583:163
6578:162
6573:161
6568:199
6563:185
6553:165
6548:172
6533:182
6528:80a
6513:155
6508:152
6493:132
6483:70a
6469:143
6464:150
6459:196
6454:106
6439:131
6409:by
6102:BIS
5720:doi
5206:".
5134:at
5108:.nl
5104:www
5101:at
5080:.nl
5076:www
5073:at
5062:.uk
5060:.ac
5054:www
5051:at
5011:.nl
5007:www
5004:at
4994:at
4917:at
4907:at
4833:at
4725:BnF
4499:as
4387:679
4321:676
4194:.ca
4190:www
4187:at
3931:at
3897:at
3880:at
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3840:at
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3755:at
3722:at
3703:670
3634:at
3620:459
3616:458
3568:at
3415:678
3124:BIS
2579:VEB
2055:".
1932:LPs
1322:bc.
1066:):
788:).
749:).
395:at
221:BWV
57:by
46:BWV
9201::
9143::
8288:99
8283:98
8278:97
8273:96
8268:95
8263:94
8258:93
8253:92
8248:91
8243:90
8238:89
8233:88
8228:87
8223:86
8218:85
8213:84
8208:83
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8093:63
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8036:52
8031:51
8026:50
8021:49
8016:48
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8006:46
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7996:44
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7986:42
7981:41
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7971:39
7966:38
7961:37
7941:36
7936:35
7926:34
7921:33
7916:32
7911:31
7901:30
7896:29
7891:28
7886:27
7881:26
7876:25
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7866:23
7861:22
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7851:20
7846:19
7841:18
7836:17
7831:16
7825:15
7819:14
7814:13
7809:12
7799:11
7794:10
7617:53
7611:50
7601:51
7541:69
7531:29
7507:VI
7505:,
7501:,
7499:IV
7497:,
7493:,
7491:II
7489:,
7468:30
7415::
7386:34
7381:84
7368:52
7363:55
7358:98
7353:49
7348:56
7338:47
7333:27
7328:19
7323:17
7318:35
7308:45
7293:88
7288:39
7283:43
7273:72
7268:13
7263:32
7258:16
7253:28
7243:57
7230:79
7197:97
7174:14
7149:58
7116:68
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7096:87
7081:85
7076:42
7043:92
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6998:91
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6983:26
6968:38
6953:96
6933:99
6928:78
6923:33
6908:94
6893:93
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6827:44
6822:37
6817:86
6802:67
6792:66
6787:23
6782:22
6767:83
6762:81
6757:73
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6732:64
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6718:70
6713:90
6708:60
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