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Meine Seele erhebt den Herren

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74: 122:'s German translation of the Magnificat ("Meine Seele erhebt den Herren") is a German variant of the tonus peregrinus. Typical for all German variants of the tonus peregrinus, it starts with the same note as the tenor and then moves a 460: 126:
up before returning to the tenor note. Particular for the version associated with Luther's German translation of the Magnificat is that the same two notes are repeated at the start of the second half of the melodic formula.
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This article is about Luther's translation of the Magnificat and its traditional setting. For other German Magnificats, see
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Other German Baroque composers that adopted Luther's German Magnificat in their compositions include
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Free scores of Deutsches Magnificat - Meine Seele erhebt den Herren, SWV 494 (Heinrich Schütz)
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is an exceptional psalm tone in Gregorian chant: there it was most clearly associated with
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or Aeolian mode. For the traditional setting of Luther's German Magnificat that is the
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adopted text and/or melody of Luther's German Magnificat in various compositions:
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Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music
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Free scores of Meine Seele erhebt den Herren, SWV 426 (Heinrich Schütz)
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canticle. It is traditionally sung to a German variant of the
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Meine Seele erhebt den Herren (Walther, Johann Gottfried)
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Meine Seele erhebt den Herren, SWV 494 (Schütz, Heinrich)
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Free scores of Deutsches Magnificat (Samuel Scheidt)
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Index

German Magnificat
Martin Luther
Magnificat
tonus peregrinus
psalm tone
Gregorian chant
ninth mode
minor mode
melodic formula
tonic
fifth

D minor
ninth tone
tonus peregrinus
Psalm 113
vespers
Lutheranism
Magnificat
Luther
minor third
Johann Sebastian Bach
Magnificat
cantus firmus
BWV 10
Chorale harmonisations
BWV 323
324
Schübler Chorale
BWV 648

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