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German pavilion

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1041: 19: 1501: 1513: 93:. On the recommendation of an advisory committee of museum directors and art experts, the ministry appoints a curator (formerly called a commissioner) responsible for the selection of the artists and the organisation of the contribution. This appointment is usually for two years in succession. The Sparkassen-Kulturfonds (culture fund) of the 65:
Outside of the central, international exhibition, individual nations produce their own shows, known as pavilions, as their national representation. Nations that own their pavilion buildings, such as the 30 housed on the
58:", the Biennale is a prestigious event for contemporary artists known for propelling career visibility. The festival has become a constellation of shows: a central exhibition curated by that year's artistic director, 62:
hosted by individual nations, and independent exhibitions throughout Venice. The Biennale parent organization also hosts regular festivals in other arts: architecture, dance, film, music, and theater.
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Becker, Christoph (2009). "The Venice Biennale and Germany's Contributions from 1895 to 1942". In Moore, Elke aus dem; Zeller, Ursula; Institut für Auslandsbeziehungen (eds.).
434: 791: 429: 736: 179: 70:, are responsible for their own upkeep and construction costs as well. Nations without dedicated buildings create pavilions in venues throughout the city. 302: 627: 755: 645: 572: 385: 367: 123:
At the 1993 Biennale, Germany's exhibition "Germania" by Hans Haacke involved destroying the Nazi era marble floor of the German pavilion.
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organized its own exhibitions in the former Pavilion of Decorative Art. Germany's pavilion was redesigned by
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Under the Name Natascha Süder Happelmann, Natascha Sadr Haghighian Will Rep Germany at 2019 Venice Biennale
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Leister, Wiebke (July 2014). "Photography In-the-Round: Gerhard Richter's '48 Portraits', 1972 and 1998".
1533: 1491: 868:. Translated by Bohan, Ann Marie; Laurie, Eileen; Nichols, Catherine. Cologne: DuMont. pp. 63–88. 117: 109: 1117: 1054: 561: 513: 422: 381: 90: 202: 184: 1478: 1473: 1468: 1463: 1458: 1453: 1448: 1443: 1438: 1433: 1428: 1423: 1418: 1413: 1408: 1403: 1398: 1393: 1388: 1383: 1378: 1373: 1368: 1363: 1358: 1353: 1348: 1343: 1338: 1333: 1328: 1323: 1318: 1313: 1308: 1303: 1298: 1293: 1288: 1283: 1278: 1273: 1268: 1263: 506: 495: 448: 307: 8: 1243: 1107: 557:(Curator: Susanne Pfeffer)- (Winner of the Golden Lion for "Best National Participation") 473: 1040: 1517: 1238: 1172: 1127: 1087: 932:. Translated by Bohan, Ann Marie; Laurie, Eileen; Nichols, Catherine. Cologne: DuMont. 916: 577: 276: 79: 59: 316: 1233: 1203: 1182: 1137: 1112: 1102: 1009: 988: 943: 933: 920: 908: 879: 869: 841: 715: 631: 455: 410: 390: 349: 338: 243: 210: 190: 175: 164: 31: 928:
Moore, Elke aus dem; Zeller, Ursula; Institut für Auslandsbeziehungen, eds. (2009).
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works. The building was torn down and rebuilt by Ernst Haiger's design in 1938.
1505: 1228: 1187: 1167: 1157: 979: 961: 740: 723: 702: 568: 539: 532: 528: 334: 323: 247: 228: 673:"Gregor Muir on Hans Haacke's 'Germania' Pavilion at the 45th Venice Biennale" 646:"ARTINFO's Comprehensive Guide to the 2011 Venice Biennale National Pavilions" 1527: 1013: 992: 947: 912: 883: 414: 403: 342: 327: 265: 261: 224: 51: 756:"Anne Imhof, Fierce Young Artist and Choreographer, Wins Venice's Top Prize" 145: 927: 547: 543: 502: 360: 294: 232: 194: 113: 47: 491: 484: 418: 399: 353: 298: 254: 198: 628:
Down but not out, European countries invest in Venice Biennale pavilions
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Ostrow, Saul (June 2009). "Liam Gillick: Practical Considerations".
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Volpi, Cristiana (2013). "Germany". In Re Rebaudengo, Adele (ed.).
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Kunst-Biennale Venedig: Florian Ebner kuratiert deutschen Pavillon
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The commissioner for the German contribution to Biennial is the
1512: 167:, Hans Uhlmann, Mac Zimmermann (Curator: Eberhard Hanfstaengl) 816:"The Venice Biennale: Everything You Could Ever Want to Know" 774:
Anne Imhof Will Represent Germany at the 2017 Venice Biennale
213:, Wilhelm Wessel, Hans Wimmer (Curator: Eberhard Hanfstaengl) 550:, Jasmina Metwaly and Philip Rizk (Curator: Florian Ebner) 257:, Günter Haese, Ferdinand Ris (Commissioner: Eduard Trier) 930:
Germany's contributions to the Venice Biennale 1895–2007
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Germany's contributions to the Venice Biennale 1895–2007
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Verhagen, Erik; Penwarden, Charles (September 2011).
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Architect Daniele Donghi designed the pavilion in a
593: 999: 1525: 608: 82:. It was built in 1909 and originally displayed 620: 235:, Alfred Lörcher, Brigitte Meier-Denninghoff, 1062: 73: 1002:"Georg Baselitz: 'I'm not a good student.'" 1069: 1055: 1039: 54:. Often described as "the Olympics of the 699:Biggest Biennale, The 42, Opens In Venice 126: 46:The Venice Biennale is an international 17: 890: 838:Pavilions and Garden of Venice Biennale 813: 602: 1526: 976: 954: 863: 753: 638: 116:and inaugurated in 1938 by the ruling 1050: 835: 772:Alex Greenberger (October 27, 2016), 614: 95:Deutscher Sparkassen- und Giroverband 720:Venice Biennale Opens With Surprises 670: 201:, Hans Platschek, E. Andreas Rauch, 97:is the pavilion's main sponsor. The 1076: 790:Andrew Russeth (October 25, 2018), 652:. Louise Blouin Media. May 30, 2011 13: 856: 814:Russeth, Andrew (April 17, 2019). 103:ifa Friends of the German Pavilion 14: 1550: 1026: 356:(Commissioner: Johannes Cladders) 345:(Commissioner: Johannes Cladders) 151:1954 — Heinz Battke, Leo Cremer, 1511: 1499: 840:. Rome: Contrasto. p. 182. 697:Michael Brenson (July 1, 1986), 671:Muir, Gregor (January 7, 2019). 806: 784: 766: 535:(Curator: Susanne Gaensheimer) 148:(Curator: Eberhard Hanfstaengl) 141:(Curator: Eberhard Hanfstaengl) 957:"Venice Preview: Liam Gillick" 754:Farago, Jason (May 13, 2017). 747: 730: 709: 691: 664: 626:Gareth Harris (May 15, 2013), 516:(Curator: Susanne Gaensheimer) 465:(Commissioner: Udo Kittelmann) 458:(Commissioner: Gudrun Inboden) 451:(Commissioner: Gudrun Inboden) 377:(Commissioner: Dierk Stemmler) 363:(Commissioner: Dierk Stemmler) 330:(Commissioner: Klaus Gallwitz) 319:(Commissioner: Klaus Gallwitz) 312:(Commissioner: Klaus Gallwitz) 290:(Commissioner: Dieter Honisch) 283:(Commissioner: Dieter Honisch) 268:(Commissioner: Alfred Hentzen) 178:, Rolf Cavael, Werner Gilles, 1: 955:Ostrow, Saul (June 2, 2009). 586: 406:(Commissioner: Klaus Bußmann) 395:(Commissioner: Klaus Bußmann) 41: 905:10.1080/17540763.2014.933399 250:(Commissioner: Eduard Trier) 7: 1118:Czech Republic and Slovakia 564:(Curator: Franciska Zólyom) 271:1970 — Kaspar-Thomas Lenk, 10: 1555: 110:German Democratic Republic 1252: 1086: 108:From 1982 until 1990 the 74:Organization and building 562:Natascha Sadr Haghighian 487:(Curator: Julian Heynen) 476:(Curator: Julian Heynen) 239:(Curator: Konrad Röthel) 205:, Johanna Schütz-Wolff, 1539:German contemporary art 1195:(Sweden/Norway/Finland) 514:Christoph Schlingensief 32:national representation 423:Jean-Christophe Ammann 382:Bernd and Hilla Becher 131: 127:Representation by year 91:Federal Foreign Office 23: 315:1978 — Dieter Krieg, 203:Karl Schmidt-Rottluff 193:, Heinrich Kirchner, 101:and, since 2013, the 21: 507:Nicolaus Schafhausen 496:Nicolaus Schafhausen 449:Katharina Sieverding 474:Martin Kippenberger 50:exhibition held in 22:Padiglione Germania 1534:National pavilions 760:The New York Times 277:Georg Karl Pfahler 180:Otto Herbert Hajek 105:are also funders. 80:neoclassical style 60:national pavilions 24: 1487: 1486: 939:978-3-8321-9249-5 875:978-3-8321-9249-5 847:978-88-6965-440-4 744:, March 27, 2014. 716:Michael Kimmelman 632:The Art Newspaper 456:Rosemarie Trockel 411:Katharina Fritsch 350:Lothar Baumgarten 339:Gotthard Graubner 303:Reiner Ruthenbeck 244:Joseph Fassbender 211:K.R.H. Sonderborg 191:Wassily Kandinsky 176:de:Julius Bissier 165:Rudolf Schlichter 30:houses Germany's 1546: 1516: 1515: 1504: 1503: 1502: 1495: 1256: 1193:Nordic countries 1090: 1080: 1071: 1064: 1057: 1048: 1047: 1043: 1038: 1037: 1035:Official website 1021: 996: 973: 971: 969: 951: 924: 887: 851: 832: 830: 828: 800: 788: 782: 770: 764: 763: 751: 745: 734: 728: 718:(May 28, 1990), 713: 707: 695: 689: 688: 686: 684: 668: 662: 661: 659: 657: 642: 636: 624: 618: 612: 606: 600: 581: 525:Romuald Karmakar 481:Thomas Scheibitz 463:Gregor Schneider 446: 394: 376: 311: 218:Willi Baumeister 188: 174:, Fred Thieler, 139:Der Blaue Reiter 84:Munich Secession 38:arts festivals. 1554: 1553: 1549: 1548: 1547: 1545: 1544: 1543: 1524: 1523: 1522: 1510: 1500: 1498: 1490: 1488: 1483: 1255:Art exhibitions 1254: 1248: 1188:the Netherlands 1088: 1082: 1079:Venice Biennale 1078: 1075: 1033: 1032: 1029: 1024: 967: 965: 940: 876: 859: 857:Further reading 854: 848: 826: 824: 809: 804: 803: 789: 785: 771: 767: 752: 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Penck 306: [ 299:Jochen Gerz 255:Horst Antes 199:Otto Pankok 183: [ 34:during the 1528:Categories 615:Volpi 2013 587:References 571:(Curator: 555:Anne Imhof 505:(Curator: 494:(Curator: 273:Heinz Mack 153:Edgar Ende 146:Die Brücke 42:Background 1244:Venezuela 1108:Australia 1089:Pavilions 1018:EBSCOhost 1014:0245-5676 1006:Art Press 993:0004-3214 948:406143089 921:191598180 913:1754-0763 884:406143089 827:April 22, 521:Ai Weiwei 157:Paul Klee 56:art world 968:June 20, 68:Giardini 1506:Germany 1492:Portals 1239:Uruguay 1204:Romania 1173:Hungary 1153:Germany 1143:Finland 1133:Denmark 1123:Belgium 1103:Austria 821:ARTnews 796:ARTnews 778:ARTnews 683:May 16, 650:ARTINFO 567:2022 — 560:2019 — 553:2017 — 538:2015 — 519:2013 — 512:2011 — 501:2009 — 490:2007 — 479:2005 — 468:2003 — 461:2001 — 454:1999 — 428:1997 — 409:1995 — 398:1993 — 380:1990 — 366:1988 — 359:1986 — 348:1984 — 333:1982 — 322:1980 — 293:1976 — 286:1972 — 260:1968 — 253:1966 — 242:1964 — 223:1962 — 216:1960 — 170:1958 — 144:1952 — 137:1950 — 1214:Serbia 1209:Russia 1199:Poland 1178:Israel 1168:Greece 1148:France 1128:Brazil 1113:Canada 1098:Angola 1012:  991:  946:  936:  919:  911:  882:  872:  844:  677:Frieze 1224:Spain 1183:Japan 1158:Ghana 1138:Egypt 917:S2CID 679:(200) 580:] 445:] 393:] 375:] 310:] 187:] 1479:2024 1474:2022 1469:2019 1464:2017 1459:2015 1454:2013 1449:2011 1444:2009 1439:2007 1434:2005 1429:2003 1424:2001 1419:1999 1414:1997 1409:1995 1404:1993 1399:1990 1394:1988 1389:1986 1384:1984 1379:1982 1374:1980 1369:1978 1364:1976 1359:1972 1354:1970 1349:1968 1344:1966 1339:1964 1334:1962 1329:1960 1324:1958 1319:1956 1314:1954 1309:1952 1304:1950 1299:1948 1294:1942 1289:1940 1284:1938 1279:1936 1274:1934 1269:1932 1264:1930 1010:ISSN 989:ISSN 970:2018 944:OCLC 934:ISBN 909:ISSN 880:OCLC 870:ISBN 842:ISBN 829:2019 685:2022 658:2011 26:The 901:doi 435:arz 132:Art 1530:: 1004:. 985:97 983:. 959:. 942:. 915:. 907:. 895:. 878:. 818:. 758:. 675:. 648:. 595:^ 578:de 546:, 542:, 531:, 527:, 523:, 483:, 472:, 447:, 443:it 441:; 439:de 437:; 417:, 413:, 402:, 391:de 384:, 373:de 352:, 341:, 337:, 326:, 308:de 301:, 297:, 279:, 275:, 264:, 246:, 231:, 227:, 209:, 189:, 185:de 163:, 155:, 1494:: 1070:e 1063:t 1056:v 1020:. 995:. 972:. 950:. 923:. 903:: 897:7 886:. 850:. 831:. 799:. 781:. 762:. 727:. 706:. 687:. 660:. 635:. 617:. 605:. 582:) 509:) 498:) 425:)

Index


national representation
Venice Biennale
art biennial
Venice, Italy
art world
national pavilions
Giardini
neoclassical style
Munich Secession
Federal Foreign Office
Deutscher Sparkassen- und Giroverband
Goethe-Institut
German Democratic Republic
Ernst Haiger
Nazi government
Der Blaue Reiter
Die Brücke
Edgar Ende
Paul Klee
Oskar Schlemmer
Rudolf Schlichter
Karl Otto Götz
de:Julius Bissier
Otto Herbert Hajek
de
Wassily Kandinsky
Fritz Koenig
Otto Pankok
Karl Schmidt-Rottluff

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