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Giliap

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494: 333:: "These people are evasively walking around each other, saying curious things of the type 'we are destruction people' and 'we live like migratory birds' and in the end I get the impression that Roy Andersson has got his whole philosophy of life from some film club that has gone through the dark French pre-war cinema with him, you know the one in which 175:
as a man who takes a job as a waiter at a hotel. It was a financial and critical failure, and it led to Andersson's not making another feature film for 25 years. Andersson admitted that the film contains flaws, and he said that the main reason for them was that he was not completely in control of the
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After work one day Anna takes the man to her borrowed apartment and tries to persuade him to go away with her somewhere. She tries to hug him but he is reluctant and returns to his room. There The Count visits him and reveals a plan he has that would bring them both lots of money. But in order to
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The rescue operation for The Count's friend fails because of poor preparation and ends in confusion. After fleeing, The Count becomes seriously ill, and lying in his bed surrounded by colleagues he asks for Anna - who is at first reluctant but eventually appears, to The Count's satisfaction.
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for Anna, but arriving at her apartment he is greeted by The Count who tells him she has left for that seaside hotel. Giliap goes there, finds her and embraces her. She starts to cry and they share dinner in a room she is sharing with another girl working at the same hotel.
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Later Anna tries to have a talk with Giliap about feelings. She thinks he is mysterious, but Giliap claims that his secret is that he doesn't have any secrets. Anna says that she fears that he is going to take all her feelings and then just disappear.
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The man befriends two co-workers: the talkative Gustav "The Count" Svensson and the beautiful waitress Anna. Anna says that she is only there working temporarily, just like the man himself, and that she will soon move on to work at a seaside hotel.
239:. In the morning Anna once again tries to persuade Giliap to go away with her, before leaving for work. Outside she runs into The Count, who shows her lots of money, but she dismisses him. He then brings out a gun and shoots her. 242:
Giliap and Anna's roommate walk out and find the money scattered all over the beach and start to collect it, before discovering Anna's body in the sand. Afterwards Anna's friends leaves on a train, leaving Giliap alone.
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The reviews were very negative with almost no exception, calling it pretentious, old fashioned and reactionary on the level of a high school student caught up in French films from the
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production, and therefore he had to compromise in several scenes. He also suggested that the audience was not ready for the film, expecting it to be more similar to his previous film
204:, "crook"). He is installed in a small room and soon begins to serve customers under the supervision of a strict, wheelchair-using manager suffering from an exaggerated 216:
realize it they will first have to free a friend of The Count who happens to be in jail. The Count gives the man the code name "Giliap" to use during the operation.
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A man arrives in an unidentified Swedish port city to work as a waiter at the Hotel Busarewski (a play on the Swedish word
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one of the sketches involves an archetypical Swedish cinéaste, speaking unfavourably about
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After the initial reviews, the film gained some recognition, both in Sweden and abroad. In
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should be read, and further comparing the atmosphere to the poetry of
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always got shot right on the final step towards liberation."
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to be the only decent Swedish film from the last 25 years.
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Interviews with European Film Directors - Roy Andersson
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The Count arrives at the seaside hotel and asks for
529: 636: 579:A Pigeon Sat on a Branch Reflecting on Existence 515: 449:Summary and critique at Svenskfilmdatabas.se 412:Kompromisslös - Interview with Roy Andersson 522: 508: 492: 27: 637: 503: 444: 442: 365: 13: 439: 14: 686: 461: 660:Films directed by Roy Andersson 490:Swedish Film Institute Database 267:as Gustav Svensson, "The Count" 422: 404: 320:wrote in the Swedish magazine 1: 397: 665:Films scored by Björn Isfält 655:1970s Swedish-language films 307: 7: 563:Songs from the Second Floor 10: 691: 227:Later Giliap has bought a 109:16 November 1975 597: 538: 468:Entry on Royandersson.com 436:. Retrieved on 2009-02-09 143: 133: 123: 100: 90: 72: 58: 48: 38: 26: 21: 303:as Girl at Summer Hotel 246: 195: 453:Swedish Film Institute 374:'s 1996 comedy series 547:A Swedish Love Story 179:A Swedish Love Story 675:1970s Swedish films 670:Films set in hotels 650:Swedish drama films 387:Fanny and Alexander 271:Lars-Levi Læstadius 614:Something Happened 530:Films directed by 366:In popular culture 350:, a member of the 261:as Anna Gustavsson 632: 631: 587:About Endlessness 434:EuroScreenwriters 318:Sverker Andréason 295:Arne Leif Nielsen 153: 152: 33:Swedish DVD cover 16:1975 Swedish film 682: 524: 517: 510: 501: 500: 496: 455: 446: 437: 426: 420: 414:." (in Swedish) 408: 331: 279:as "The Vulture" 265:Willie Andréason 116: 114: 85:Willie Andréason 31: 19: 18: 690: 689: 685: 684: 683: 681: 680: 679: 635: 634: 633: 628: 593: 571:You, the Living 534: 528: 464: 459: 458: 447: 440: 427: 423: 409: 405: 400: 368: 352:Swedish Academy 325: 310: 301:Pernilla August 253:Thommy Berggren 249: 198: 173:Thommy Berggren 126: 119: 112: 110: 103: 83: 79: 77:Thommy Berggren 65: 34: 17: 12: 11: 5: 688: 678: 677: 672: 667: 662: 657: 652: 647: 630: 629: 627: 626: 622:World of Glory 618: 610: 606:The White Game 601: 599: 595: 594: 592: 591: 583: 575: 567: 559: 551: 542: 540: 536: 535: 527: 526: 519: 512: 504: 498: 497: 481: 470: 463: 462:External links 460: 457: 456: 438: 421: 402: 401: 399: 396: 382:Ingmar Bergman 367: 364: 360:Gustaf Fröding 309: 306: 305: 304: 298: 292: 286: 280: 274: 268: 262: 256: 248: 245: 229:flower bouquet 197: 194: 186:came out with 151: 150: 145: 141: 140: 135: 131: 130: 127: 124: 121: 120: 118: 117: 106: 104: 101: 98: 97: 92: 88: 87: 74: 70: 69: 67:Göran Lindgren 60: 56: 55: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 9: 6: 4: 3: 2: 687: 676: 673: 671: 668: 666: 663: 661: 658: 656: 653: 651: 648: 646: 643: 642: 640: 624: 623: 619: 616: 615: 611: 608: 607: 603: 602: 600: 596: 589: 588: 584: 581: 580: 576: 573: 572: 568: 565: 564: 560: 557: 556: 552: 549: 548: 544: 543: 541: 539:Feature films 537: 533: 532:Roy Andersson 525: 520: 518: 513: 511: 506: 505: 502: 495: 491: 487: 486: 482: 480: 476: 475: 471: 469: 466: 465: 454: 451:(in Swedish) 450: 445: 443: 435: 431: 425: 419: 418: 417:Rocky Magasin 413: 407: 403: 395: 393: 390:and claiming 389: 388: 383: 379: 378: 373: 372:Killinggänget 363: 361: 357: 356:Göran Sonnevi 353: 349: 348:Lars Forssell 345: 344: 338: 336: 332: 329: 324: 319: 315: 302: 299: 296: 293: 290: 287: 284: 281: 278: 275: 272: 269: 266: 263: 260: 257: 254: 251: 250: 244: 240: 238: 233: 230: 225: 221: 217: 213: 209: 207: 203: 193: 191: 190: 185: 181: 180: 174: 170: 169:Roy Andersson 166: 163: 159: 158: 149: 146: 142: 139: 136: 132: 128: 122: 108: 107: 105: 99: 96: 93: 89: 86: 82: 78: 75: 71: 68: 64: 61: 57: 54: 53:Roy Andersson 51: 47: 44: 43:Roy Andersson 41: 37: 30: 25: 20: 620: 612: 604: 585: 577: 569: 561: 554: 553: 545: 483: 473: 433: 424: 415: 406: 391: 385: 375: 369: 341: 339: 321: 311: 297:as Simonsson 289:Julie Bernby 283:Rainer Mieth 277:Henry Olhans 259:Mona Seilitz 241: 234: 226: 222: 218: 214: 210: 201: 199: 189:Barry Lyndon 187: 177: 167:directed by 156: 155: 154: 125:Running time 102:Release date 95:Björn Isfält 81:Mona Seilitz 598:Other films 377:Percy tårar 326: [ 285:as Fat chef 255:as "Giliap" 171:, starring 63:Kalle Boman 59:Produced by 39:Directed by 645:1975 films 639:Categories 398:References 335:Jean Gabin 206:self image 165:drama film 160:is a 1975 113:1975-11-16 49:Written by 343:Expressen 308:Reception 291:as Singer 273:as Kreip 144:Language 129:137 min. 91:Music by 73:Starring 488:at the 323:Chaplin 237:whiskey 184:Kubrick 162:Swedish 148:Swedish 134:Country 111: ( 625:(1991) 617:(1987) 609:(1968) 590:(2019) 582:(2014) 574:(2007) 566:(2000) 558:(1975) 555:Giliap 550:(1970) 485:Giliap 474:Giliap 392:Giliap 157:Giliap 138:Sweden 22:Giliap 330:] 479:IMDb 247:Cast 202:buse 196:Plot 477:at 384:'s 370:In 314:30s 641:: 441:^ 432:" 362:. 346:, 328:sv 316:. 208:. 523:e 516:t 509:v 428:" 410:" 115:)

Index


Roy Andersson
Roy Andersson
Kalle Boman
Göran Lindgren
Thommy Berggren
Mona Seilitz
Willie Andréason
Björn Isfält
Sweden
Swedish
Swedish
drama film
Roy Andersson
Thommy Berggren
A Swedish Love Story
Kubrick
Barry Lyndon
self image
flower bouquet
whiskey
Thommy Berggren
Mona Seilitz
Willie Andréason
Lars-Levi Læstadius
Henry Olhans
Rainer Mieth
Julie Bernby
Arne Leif Nielsen
Pernilla August

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