494:
333:: "These people are evasively walking around each other, saying curious things of the type 'we are destruction people' and 'we live like migratory birds' and in the end I get the impression that Roy Andersson has got his whole philosophy of life from some film club that has gone through the dark French pre-war cinema with him, you know the one in which
175:
as a man who takes a job as a waiter at a hotel. It was a financial and critical failure, and it led to
Andersson's not making another feature film for 25 years. Andersson admitted that the film contains flaws, and he said that the main reason for them was that he was not completely in control of the
215:
After work one day Anna takes the man to her borrowed apartment and tries to persuade him to go away with her somewhere. She tries to hug him but he is reluctant and returns to his room. There The Count visits him and reveals a plan he has that would bring them both lots of money. But in order to
223:
The rescue operation for The Count's friend fails because of poor preparation and ends in confusion. After fleeing, The Count becomes seriously ill, and lying in his bed surrounded by colleagues he asks for Anna - who is at first reluctant but eventually appears, to The Count's satisfaction.
231:
for Anna, but arriving at her apartment he is greeted by The Count who tells him she has left for that seaside hotel. Giliap goes there, finds her and embraces her. She starts to cry and they share dinner in a room she is sharing with another girl working at the same hotel.
29:
219:
Later Anna tries to have a talk with Giliap about feelings. She thinks he is mysterious, but Giliap claims that his secret is that he doesn't have any secrets. Anna says that she fears that he is going to take all her feelings and then just disappear.
211:
The man befriends two co-workers: the talkative Gustav "The Count" Svensson and the beautiful waitress Anna. Anna says that she is only there working temporarily, just like the man himself, and that she will soon move on to work at a seaside hotel.
239:. In the morning Anna once again tries to persuade Giliap to go away with her, before leaving for work. Outside she runs into The Count, who shows her lots of money, but she dismisses him. He then brings out a gun and shoots her.
242:
Giliap and Anna's roommate walk out and find the money scattered all over the beach and start to collect it, before discovering Anna's body in the sand. Afterwards Anna's friends leaves on a train, leaving Giliap alone.
312:
The reviews were very negative with almost no exception, calling it pretentious, old fashioned and reactionary on the level of a high school student caught up in French films from the
176:
production, and therefore he had to compromise in several scenes. He also suggested that the audience was not ready for the film, expecting it to be more similar to his previous film
204:, "crook"). He is installed in a small room and soon begins to serve customers under the supervision of a strict, wheelchair-using manager suffering from an exaggerated
216:
realize it they will first have to free a friend of The Count who happens to be in jail. The Count gives the man the code name "Giliap" to use during the operation.
270:
317:
264:
84:
322:
294:
467:
578:
288:
282:
276:
664:
659:
521:
654:
200:
A man arrives in an unidentified
Swedish port city to work as a waiter at the Hotel Busarewski (a play on the Swedish word
448:
354:, urged everybody to see it, arguing that this film should be viewed in the same way a poetry collection by
674:
669:
649:
562:
514:
327:
484:
613:
429:
507:
452:
489:
546:
380:
one of the sketches involves an archetypical
Swedish cinéaste, speaking unfavourably about
340:
After the initial reviews, the film gained some recognition, both in Sweden and abroad. In
178:
411:
8:
644:
416:
386:
192:, people accepted that – it's the same mood. But these things take time."
493:
586:
478:
94:
359:
66:
161:
147:
499:
371:
355:
570:
351:
300:
252:
183:
172:
76:
621:
605:
381:
228:
376:
638:
531:
347:
313:
168:
52:
42:
258:
188:
80:
62:
472:
334:
205:
164:
358:
should be read, and further comparing the atmosphere to the poetry of
342:
236:
182:: "I think they didn't understand what I was doing. Later, when
137:
337:
always got shot right on the final step towards liberation."
28:
394:
to be the only decent
Swedish film from the last 25 years.
430:
Interviews with
European Film Directors - Roy Andersson
235:
The Count arrives at the seaside hotel and asks for
529:
636:
579:A Pigeon Sat on a Branch Reflecting on Existence
515:
449:Summary and critique at Svenskfilmdatabas.se
412:Kompromisslös - Interview with Roy Andersson
522:
508:
492:
27:
637:
503:
444:
442:
365:
13:
439:
14:
686:
461:
660:Films directed by Roy Andersson
490:Swedish Film Institute Database
267:as Gustav Svensson, "The Count"
422:
404:
320:wrote in the Swedish magazine
1:
397:
665:Films scored by Björn Isfält
655:1970s Swedish-language films
307:
7:
563:Songs from the Second Floor
10:
691:
227:Later Giliap has bought a
109:16 November 1975
597:
538:
468:Entry on Royandersson.com
436:. Retrieved on 2009-02-09
143:
133:
123:
100:
90:
72:
58:
48:
38:
26:
21:
303:as Girl at Summer Hotel
246:
195:
453:Swedish Film Institute
374:'s 1996 comedy series
547:A Swedish Love Story
179:A Swedish Love Story
675:1970s Swedish films
670:Films set in hotels
650:Swedish drama films
387:Fanny and Alexander
271:Lars-Levi Læstadius
614:Something Happened
530:Films directed by
366:In popular culture
350:, a member of the
261:as Anna Gustavsson
632:
631:
587:About Endlessness
434:EuroScreenwriters
318:Sverker Andréason
295:Arne Leif Nielsen
153:
152:
33:Swedish DVD cover
16:1975 Swedish film
682:
524:
517:
510:
501:
500:
496:
455:
446:
437:
426:
420:
414:." (in Swedish)
408:
331:
279:as "The Vulture"
265:Willie Andréason
116:
114:
85:Willie Andréason
31:
19:
18:
690:
689:
685:
684:
683:
681:
680:
679:
635:
634:
633:
628:
593:
571:You, the Living
534:
528:
464:
459:
458:
447:
440:
427:
423:
409:
405:
400:
368:
352:Swedish Academy
325:
310:
301:Pernilla August
253:Thommy Berggren
249:
198:
173:Thommy Berggren
126:
119:
112:
110:
103:
83:
79:
77:Thommy Berggren
65:
34:
17:
12:
11:
5:
688:
678:
677:
672:
667:
662:
657:
652:
647:
630:
629:
627:
626:
622:World of Glory
618:
610:
606:The White Game
601:
599:
595:
594:
592:
591:
583:
575:
567:
559:
551:
542:
540:
536:
535:
527:
526:
519:
512:
504:
498:
497:
481:
470:
463:
462:External links
460:
457:
456:
438:
421:
402:
401:
399:
396:
382:Ingmar Bergman
367:
364:
360:Gustaf Fröding
309:
306:
305:
304:
298:
292:
286:
280:
274:
268:
262:
256:
248:
245:
229:flower bouquet
197:
194:
186:came out with
151:
150:
145:
141:
140:
135:
131:
130:
127:
124:
121:
120:
118:
117:
106:
104:
101:
98:
97:
92:
88:
87:
74:
70:
69:
67:Göran Lindgren
60:
56:
55:
50:
46:
45:
40:
36:
35:
32:
24:
23:
15:
9:
6:
4:
3:
2:
687:
676:
673:
671:
668:
666:
663:
661:
658:
656:
653:
651:
648:
646:
643:
642:
640:
624:
623:
619:
616:
615:
611:
608:
607:
603:
602:
600:
596:
589:
588:
584:
581:
580:
576:
573:
572:
568:
565:
564:
560:
557:
556:
552:
549:
548:
544:
543:
541:
539:Feature films
537:
533:
532:Roy Andersson
525:
520:
518:
513:
511:
506:
505:
502:
495:
491:
487:
486:
482:
480:
476:
475:
471:
469:
466:
465:
454:
451:(in Swedish)
450:
445:
443:
435:
431:
425:
419:
418:
417:Rocky Magasin
413:
407:
403:
395:
393:
390:and claiming
389:
388:
383:
379:
378:
373:
372:Killinggänget
363:
361:
357:
356:Göran Sonnevi
353:
349:
348:Lars Forssell
345:
344:
338:
336:
332:
329:
324:
319:
315:
302:
299:
296:
293:
290:
287:
284:
281:
278:
275:
272:
269:
266:
263:
260:
257:
254:
251:
250:
244:
240:
238:
233:
230:
225:
221:
217:
213:
209:
207:
203:
193:
191:
190:
185:
181:
180:
174:
170:
169:Roy Andersson
166:
163:
159:
158:
149:
146:
142:
139:
136:
132:
128:
122:
108:
107:
105:
99:
96:
93:
89:
86:
82:
78:
75:
71:
68:
64:
61:
57:
54:
53:Roy Andersson
51:
47:
44:
43:Roy Andersson
41:
37:
30:
25:
20:
620:
612:
604:
585:
577:
569:
561:
554:
553:
545:
483:
473:
433:
424:
415:
406:
391:
385:
375:
369:
341:
339:
321:
311:
297:as Simonsson
289:Julie Bernby
283:Rainer Mieth
277:Henry Olhans
259:Mona Seilitz
241:
234:
226:
222:
218:
214:
210:
201:
199:
189:Barry Lyndon
187:
177:
167:directed by
156:
155:
154:
125:Running time
102:Release date
95:Björn Isfält
81:Mona Seilitz
598:Other films
377:Percy tårar
326: [
285:as Fat chef
255:as "Giliap"
171:, starring
63:Kalle Boman
59:Produced by
39:Directed by
645:1975 films
639:Categories
398:References
335:Jean Gabin
206:self image
165:drama film
160:is a 1975
113:1975-11-16
49:Written by
343:Expressen
308:Reception
291:as Singer
273:as Kreip
144:Language
129:137 min.
91:Music by
73:Starring
488:at the
323:Chaplin
237:whiskey
184:Kubrick
162:Swedish
148:Swedish
134:Country
111: (
625:(1991)
617:(1987)
609:(1968)
590:(2019)
582:(2014)
574:(2007)
566:(2000)
558:(1975)
555:Giliap
550:(1970)
485:Giliap
474:Giliap
392:Giliap
157:Giliap
138:Sweden
22:Giliap
330:]
479:IMDb
247:Cast
202:buse
196:Plot
477:at
384:'s
370:In
314:30s
641::
441:^
432:"
362:.
346:,
328:sv
316:.
208:.
523:e
516:t
509:v
428:"
410:"
115:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.