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205:, for assurances that his libretto violated no copyright, noting that he had heard of a French treatment of the subject. Solera denied that Schiller's play was the source of his work and wrote that the work was "an entirely original Italian drama I have not allowed myself to be imposed upon by the authority either of Schiller or Shakespeare
727:("always at dawn and in the evening"). Budden also calls it a work of "brilliant patches", says that "the best things in it surpass anything that Verdi had written up to that time", and finds the soprano part to be of "rare distinction" and the solo numbers and many of the ensembles to be of "high caliber".
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the chasm between Verdi's best and worst music." He praises some of the solo and ensemble music, but finds that the choruses "embody 19th century taste at its most abysmal". Parker says that the musical emphasis was on Joan herself and includes some "powerfully original ensembles", but says that the
235:
two years earlier. She was paired with her husband, tenor
Antonio Poggi, as Charles, King of France. Baritone Filippo Colini portrayed Giovanna's father Giacomo. Verdi himself thought highly of the opera but was unhappy with the way it was staged and "with the deteriorating standards of Merelli's
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Giovanna has been captured by the
English army and is awaiting her death at the stake. She has visions of battlefield victories and begs God to stand by her, explaining how she has shown her obedience by forsaking her worldly love for the King as the voices had commanded. Giacomo overhears her
236:
productions" overall. Due to
Merelli's underhand negotiations to acquire the rights to the score from Ricordi, the composer vowed never to deal with the impresario nor set foot on the stage of La Scala again. La Scala did not stage another Verdi premiere until the revised version of
271:
had steady success in Italy, with stagings in
Florence, Lucca, and Senigallia in 1845, Turin and Venice in 1846, Mantua in 1848, and Milan in 1851, 1858, and 1865. It was also presented elsewhere in Europe, Over the course of the nineteenth century, stagings declined to a very few.
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The villagers of Reims have gathered in the
Cathedral square to celebrate Giovanna's victory over the English army. The French soldiers lead Charles into the Cathedral. Giacomo has decided he must repudiate his daughter who, he believes, has entered a pact with the Devil. (Aria:
213:
believes that "invention was not Solera's strong suit" and describes Solera's work as "merely
Schiller diluted". He criticized the flow of the libretto compared to the play, writing that "characters are reduced to a minimum" and "for poetry and humanity we are given theatrical
682:
642:
is scored for piccolo (briefly doubling second flute), flute, two oboes (second doubling cor anglais), two clarinets, two bassoons, four horns, two trumpets, six or nine offstage trumpets, three trombones, cimbasso, timpani, snare drum, bass drum and cymbals
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Commander Talbot of the
English army tries to convince his discouraged soldiers that their imminent surrender to the French is not due to forces of evil. Giacomo arrives and offers up his daughter, believing her to be under the influence of the Devil:
588: – "O prophetic forest"). Charles confesses his love for Giovanna. She withdraws despite her feelings toward the King, because her voices have warned her against earthly love. Charles is taken to the Cathedral at Reims for his coronation.
631: – "Which of my truest friends"). As her body is carried in, Giovanna suddenly revives. Giacomo reclaims his daughter, and the King professes his love. The angels sing of salvation and victory, as Giovanna dies and ascends into heaven.
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Charles (the not-yet-crowned King of France) describes to his officers and the villagers his vision of the Virgin Mary commanding him to surrender to the invading
English army and laying down his weapons at the foot of a giant oak tree. (Aria:
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Baldini's assessment is mixed. He endorses
Massimo Mila's view that the opera demonstrates "that way of making a hedonistic and vacuously melodious opera which was the norm in contemporary Italian theatres." Baldini found merit in Giovanna's
546:, the Demons' Waltz). She cries out that she is ready to do so. Charles overhears her and thrills at her courage. Her father Giacomo weeps, believing that his daughter has given her soul to the Devil out of her devotion to the future King.
542:– "always at dawn and in the evening"). Suddenly, Charles arrives, prepared to lay down his arms at the base of the tree. Meanwhile, the sleeping Giovanna has visions in which angels ask her to become a soldier and lead France to victory (
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For the opera's first production in Rome, three months after the Milan premiere, the papal censor required that the plot be cleared of any direct religious connotations. The title was changed to
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Giacomo pleads with the King, first for punishment and then for forgiveness, which
Charles grants. Charles learns of the French victory on the battlefield but also of Giovanna's death. (Aria:
284:
sang the title role in Naples, Milan (a studio-recorded broadcast) and Paris, in a tour that led to further revivals. The US premiere was given in March 1966, in a concert performance at
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By a giant oak tree, Giacomo prays for the safety of his daughter Giovanna, who before she falls asleep by a nearby shrine offers prayers to be chosen to lead the French forces. (Aria:
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610: – "Heaven has forced me to appear") and they are persuaded, although the King refuses to listen. Charles pleads with Giovanna to defend herself, but she refuses.
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pleas and recognizes his error. He loosens his daughter's bonds and she escapes. She rushes to the battlefield to turn the French defeat into victory once more.
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and the heroine, now of Genoese descent, became a leader of the Lesbians against the Turks. Performances under this title were also given in Palermo in 1848.
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While the critics were rather dismissive of the opera, it was "ecstatically received" by audiences. and was given a respectable 17 performances.
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Few scholars regard the quality of the music very highly. David Kimball writes: "For modern ears no opera illustrates more disconcertingly than
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651:), triangle, bell, cannon, wind band, wind band of brass instruments only, offstage band, bass drum for band, harp, harmonium, strings.
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755:. Domingo sang the tenor role of Carlo on that recording and the baritone role of Giacomo in a live performance recorded in 2013 with
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choruses were "probably intended as a sequel to the grand choral tableau works Verdi and Solera had previously created together."
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526:– "Beneath an oak she appeared to me"). Later, he expresses his frustration with the limitations of being a ruler. (Aria:
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By the middle of the 19th century, the story of Joan of Arc had served as the basis for many operas, including those of
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201:(1830), both of which were strongly reminiscent of Schiller's play. Solera was asked by Verdi's publisher,
166:. Verdi wrote the music during the autumn and winter of 1844/45 and the opera had its first performance at
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Preparations are under way for Charles' coronation. Giovanna longs for her simple life back home. (Aria:
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This opera is not to be confused with Rossini's cantata of the same name, which was composed in 1832 for
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La Scala, Milan, presented the opera for the first time in 150 years in 2015 in a new production with
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French and English soldiers, French courtiers, villagers, nobles, angels, demons – Chorus
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as Giovanna. In September 2013, Chicago Opera Theater staged performances of the opera.
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1708:(critical edition), Series 1: Operas. Chicago: University Of Chicago Press, 2009.
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The first Giovanna was Erminia Frezzolini, who had previously appeared in Verdi's
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in the title role. Its first stage performance in the US was given in 1976 by
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have been released. The only studio recording dates from 1972 and features
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Disegno per copertina di libretto, drawing for Giovanna d'Arco (undated).
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1741:. New York: Knopf, 1962. Chicago: University of Chicago Press, 1982.
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in June 1980 as part of its short-lived "Verdi Festival", and by the
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in the Prologue where she prays to be chosen to lead the forces:
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1321:"Giovanna d'Arco review – a first night to remember at La Scala"
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1576:. Chicago & London: University of Chicago Press, 1998.
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The Golden Century of Italian Opera from Rossini to Puccini
1414:
The Story of Giuseppe Verdi: Oberto to Un Ballo in Maschera
1689:. London & New York: Oxford University Press, 1993.
1669:
Nineteenth-Century Italian Opera: From Rossini to Puccini
1653:. Oxford & New York: Oxford University Press, 2007.
1256:"San Diego Opera | Performance HistoryPast Seasons"
42:
Title page of a variant of the first edition vocal score
1704:: Dramma lirico in Four Acts by Temistocle Solera", in
1432:
The Operas of Verdi, Volume 1: From Oberto to Rigoletto
1468:. Cambridge et al.: Cambridge University Press, 1981.
1416:. Cambridge et al.: Cambridge University Press, 1980.
1258:. Archived from the original on 25 September 2015
156:and appears to be loosely based on the 1801 play
3333:
1508:, Volume 2. London: Macmillan Publishers, 1998.
1276:: CS1 maint: bot: original URL status unknown (
1381:Recordings on operadis-opera-discography.org.uk
3316:Cross-dressing, gender identity, and sexuality
1602:, Chicago: University of Chicago Press, 2006.
249:Antonio Poggi who sang the role of Charles VII
177:and piano, and runs approximately 15 minutes.
2750:
1840:
1574:Verdi’s Theater: Creating Drama Through Music
1006:Festival della Valle d'Itria, Martina Franca
307:Fully staged productions were mounted by the
2961:Joan of Arc Kissing the Sword of Deliverance
2471:Orchestra Sinfonica di Milano Giuseppe Verdi
1385:
3342:Operas based on works by Friedrich Schiller
1651:The New Grove Guide to Verdi and His Operas
1617:. New York: Dodd, Mead and Company, 1983.
1600:Divas and Scholar: Performing Italian Opera
735:Several recordings of live performances of
2757:
2743:
1847:
1833:
1344:List of singers taken from Budden, p. 204.
1203:"'Giovanna d'Arco,' Verdi Without a Spark"
1200:
1106:, 21 (2):242, 2005 (by subscription only).
893:(Staged and directed by German film maker
487:Temistocle Solera, librettist of the opera
275:
36:
3259:Szenen aus dem Leben der Heiligen Johanna
1792:International Music Score Library Project
1412:Baldini, Gabriele (trans. Roger Parker),
1318:
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1088:
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1062:David Kimball (2001), in Holden, p. 983.
553:
482:
349:
244:
179:
3189:Jeannette: The Childhood of Joan of Arc
3173:The Messenger: The Story of Joan of Arc
3058:The Trial of Joan of Arc at Rouen, 1431
2908:Richard Beauchamp, 13th Earl of Warwick
1671:. Portland, OR: Amadeus Press, 1995.
1572:De Van, Gilles (trans. Gilda Roberts),
1466:Verdi in the Age of Italian Romanticism
1040:
209:" (emphasis in original). Musicologist
3334:
3321:Alternative historical interpretations
1201:Schoenberg, Harold C. (2 March 1966).
1058:
1056:
1054:
1052:
572:("I am French, but in my heart…") and
517:Scene 1: The French village of Domrémy
354:Erminia Frezzolini, the first Giovanna
221:
152:The work partly reflects the story of
2738:
1828:
1546:. New York: Thames and Hudson, 1980.
1096:"Verdi Onstage in the United States:
1083:
1065:
338:presented the opera in March 2018 at
300:. It received its UK premiere at the
1319:Maddocks, Fiona (13 December 2015).
1253:San Diego Opera's 1980 performance:
137:, who had prepared the libretti for
1049:
13:
1854:
1732:Giuseppe Verdi: His Life and Works
1635:. New York: Da Capo Press, 1969.
1494:. New York: Alfred A. Knopf, 1987.
1453:. New York: Penguin Putnam, 2001.
661:
580:Scene 2: The French court at Reims
125:with a prologue and three acts by
14:
3388:
3372:Opera world premieres at La Scala
1810:Tebaldi sings "Pronto sono" from
1775:
1506:The New Grove Dictionary of Opera
1004:Chorus of Teatro Petruzzelli Bari
1002:Orchestra Internazionale d'Italia
530:– "A deadly burden, a torment").
260:, the setting was shifted to the
2817:Siege of Saint-Pierre-le-Moûtier
2720:
2719:
2670:Giuseppe Verdi's Rigoletto Story
2398:
1784:on giuseppeverdi.it (in English)
1782:Verdi: "The story" and "History"
1763:. New York: Vienna House, 1973.
1615:Verdi: His Music, Life and Times
1362:Mila, p. 163, in Baldini, p. 98.
1290:Chicago Opera Theater website:
701:Problems playing this file? See
679:
634:
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1817:in this 1951 live recording in
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1347:
1338:
1312:
1284:
1247:
1220:
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1178:
1144:
604:Speme al vecchio era una figlia
421:shepherd and father of Giovanna
367:Premiere Cast, 15 February 1845
226:
149:. It is Verdi's seventh opera.
1911:I Lombardi alla prima crociata
1881:Oberto, Conte di San Bonifacio
1761:Verdi: The Man and His Letters
1529:The Oxford Dictionary of Opera
1527:Warrack, John and West, Ewan,
1135:
1126:
1109:
1074:
1031:
809:RAI Milano Symphonic Orchestra
608:Comparire il ciel m'ha stretto
576:("I know that original sin").
233:I Lombardi alla prima crociata
170:in Milan on 15 February 1845.
1:
1020:
730:
2690:Casa di Riposo per Musicisti
2435:Theatres named after Verdi (
1492:Verdi: A Life in the Theatre
725:Sempre all'alba ed alla sera
540:Sempre all'alba ed alla sera
7:
2780:Maid of Lorraine prophecies
2429:Memorials to Giuseppe Verdi
1706:The Works of Giuseppe Verdi
1633:The Complete Opera of Verdi
1451:The New Penguin Opera Guide
511:
478:
188:
10:
3393:
3311:National symbols of France
3101:The Passion of Joan of Arc
2539:Portrait of Giuseppe Verdi
1700:Rizzuti, Alberto (ed.), "
1445:Kimbell, David (2001), in
964:MĂĽnchner Rundfunkorchester
889:Teatro Comunale di Bologna
779:Opera House and Orchestra
574:So che per via dei triboli
304:in London on 23 May 1966.
86:15 February 1845
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2559:Verdi, the King of Melody
2529:
2420:
2387:String Quartet in E minor
2358:
2255:
2172:
1871:
1862:
1504:in Stanley Sadie, (Ed.),
1434:. London: Cassell, 1984.
1191:. Retrieved 19 June 2013.
1009:Audio CD and DVD: Dynamic
846:London Symphony Orchestra
767:
524:Sotto una quercia parvemi
469:
298:Brooklyn Academy of Music
81:
65:
57:
47:
35:
27:
20:
3377:Operas about Joan of Arc
3347:Operas by Giuseppe Verdi
3275:The Survival of St. Joan
3157:The Trial of Joan of Arc
3141:Joan of Arc at the Stake
2898:Jean II, Duke of Alençon
2227:Libiamo ne' lieti calici
1734:. New York: Knopf, 1931.
1683:Phillips-Matz, Mary Jane
654:
613:
591:
549:
345:
159:Die Jungfrau von Orleans
75:Die Jungfrau von Orleans
3352:Italian-language operas
3283:Das Mädchen aus Domrémy
3267:The Triumph of St. Joan
2934:The Tale of Joan of Arc
2464:Giuseppe Verdi Monument
2191:Bella figlia dell'amore
2011:La battaglia di Legnano
1531:. New York: OUP, 1992.
1464:Kimbell, David (1981),
1309:Retrieved 8 April 2013.
1046:Budden, p. 205 ff.
629:Quale al piĂą fido amico
528:Pondo è letal, martirio
330:in the title role. The
276:20th and 21st centuries
2071:Les vĂŞpres siciliennes
1229:"NYGO | About Us"
968:Philharmonia Chor Wien
851:Ambrosian Opera Chorus
689:Played in 1991 by the
666:
559:
488:
355:
302:Royal Academy of Music
267:For the next 20 years
250:
185:
164:Friedrich von Schiller
2873:Charles VII of France
2236:Un dì, felice, eterea
1185:Performances in Italy
990:Jean-François Borras,
929:Teatro Regio di Parma
891:Orchestra and Chorus.
665:
557:
486:
353:
248:
183:
3367:Operas set in France
3133:Daughters of Destiny
2698:Verdi Transcriptions
2348:Un ballo in maschera
2294:La forza del destino
2121:La forza del destino
2111:Un ballo in maschera
1865:List of compositions
1123:, 14 (2): 164, 1997.
597:The Cathedral square
442:an English Commander
332:Berliner Operngruppe
3251:The Maid of Orleans
3181:The Silence of Joan
3109:Saint Joan the Maid
3034:The Maid of Orleans
2918:Cultural depictions
2773:Life and background
2530:Cultural depictions
2409:Quattro pezzi sacri
2257:Opera discographies
1235:on 3 September 2012
1226:NYGO's repertoire:
1121:The Opera Quarterly
1119:. Giuseppe Verdi",
1104:The Opera Quarterly
1011:Cat: 8007144376765
974:Deutsche Grammophon
563:Scene 1: Near Reims
313:Royal Opera, London
222:Performance history
207:My play is original
2785:Hundred Years' War
2457:Milan Conservatory
2378:Inno delle nazioni
2359:Other compositions
2081:I vespri siciliani
1891:Un giorno di regno
1687:Verdi: A Biography
1160:"Libretti d'opera"
1141:Weaver, p. 123 ff.
825:Montserrat Caballé
814:Audio CD: Melodram
806:Alfredo Simonetto,
745:Montserrat Caballé
667:
586:O fatidica foresta
560:
489:
465:Napoleone Marconi
451:Francesco Lodetti
389:Erminia Frezzolini
356:
340:Konzerthaus Berlin
315:in June 1996 with
251:
186:
129:set to an Italian
3329:
3328:
3293:
3292:
3227:(1999 miniseries)
2732:
2731:
2572:(1982 miniseries)
2569:The Life of Verdi
2506:Verdi, California
2218:La donna è mobile
1722:978-0-226-85330-7
1659:978-0-19-531314-7
1560:978-0-500-27501-6
1542:Weaver, William,
1502:"Giovanna d'Arco"
1482:978-0-521-31678-1
1393:"Giovanna d'Arco"
1189:librettodopera.it
1155:librettodopera.it
1015:
1014:
874:Vincenzo La Scola
684:
534:Scene 2: A forest
476:
475:
371:Eugenio Cavallini
288:, New York, with
168:Teatro alla Scala
135:Temistocle Solera
107:
106:
98:Teatro alla Scala
52:Temistocle Solera
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3010:Washington, D.C.
3005:Portland, Oregon
2923:
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2893:Guy XIV de Laval
2795:Siege of Orléans
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1665:Pistone, Danièle
1629:Osborne, Charles
1613:Martin, George,
1488:Osborne, Charles
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1389:
1383:
1378:
1372:
1369:
1363:
1360:
1354:
1351:
1345:
1342:
1336:
1335:
1333:
1331:
1316:
1310:
1308:
1306:
1304:
1299:on 28 March 2013
1295:. Archived from
1288:
1282:
1281:
1275:
1267:
1265:
1263:
1251:
1245:
1244:
1242:
1240:
1231:. Archived from
1224:
1218:
1217:
1215:
1213:
1198:
1192:
1182:
1176:
1175:
1173:
1171:
1162:. Archived from
1151:Orietta di Lesbo
1148:
1142:
1139:
1133:
1130:
1124:
1113:
1107:
1092:
1081:
1078:
1072:
1069:
1063:
1060:
1047:
1044:
1038:
1035:
924:Bruno Bartoletti
914:Svetla Vassileva
884:Riccardo Chailly
762:
761:
743:conducting with
691:U.S. Marine Band
686:
685:
664:
458:a French officer
358:
357:
317:Vladimir Chernov
294:Vincent La Selva
258:Orietta di Lesbo
242:36 years later.
239:Simon Boccanegra
203:Giovanni Ricordi
101:
93:
91:
40:
18:
17:
3392:
3391:
3387:
3386:
3385:
3383:
3382:
3381:
3332:
3331:
3330:
3325:
3289:
3243:Giovanna d'Arco
3230:
3203:
3072:
3021:
3016:Jeanne au Sacre
2975:
2948:
2912:
2903:Jean V de Bueil
2883:André de Lohéac
2847:
2841:
2805:Meung-sur-Loire
2768:
2763:
2733:
2728:
2712:
2705:
2695:
2688:
2677:
2667:
2657:
2647:
2637:
2627:
2617:
2607:
2596:
2586:
2576:
2566:
2556:
2546:
2536:
2525:
2518:
2511:
2504:
2497:
2490:
2483:
2476:
2469:
2462:
2455:
2434:
2427:
2416:
2406:
2393:
2385:
2375:
2368:Suona la tromba
2365:
2354:
2345:
2336:
2327:
2318:
2309:
2300:
2291:
2282:
2273:
2264:
2256:
2251:
2242:
2233:
2224:
2215:
2206:
2197:
2188:
2179:
2168:
2158:
2148:
2138:
2128:
2118:
2108:
2098:
2088:
2084:(December 1855)
2078:
2068:
2058:
2048:
2038:
2028:
2018:
2008:
1998:
1988:
1978:
1968:
1958:
1948:
1941:Giovanna d'Arco
1938:
1928:
1918:
1908:
1898:
1888:
1878:
1867:
1858:
1853:
1815:Giovanna d'Arco
1802:
1788:Giovanna d'Arco
1778:
1737:Walker, Frank,
1702:Giovanna d'Arco
1596:Gossett, Philip
1404:
1391:
1390:
1386:
1379:
1375:
1371:Budden, p. 223.
1370:
1366:
1361:
1357:
1353:Parker, p. 430.
1352:
1348:
1343:
1339:
1329:
1327:
1317:
1313:
1302:
1300:
1291:
1289:
1285:
1269:
1268:
1261:
1259:
1254:
1252:
1248:
1238:
1236:
1227:
1225:
1221:
1211:
1209:
1199:
1195:
1183:
1179:
1169:
1167:
1166:on 10 June 2015
1158:
1153:in Palermo, on
1149:
1145:
1140:
1136:
1132:Osborne, p. 47.
1131:
1127:
1117:Giovanna d'Arco
1114:
1110:
1098:Giovanna d'Arco
1094:George Martin,
1093:
1084:
1080:Kimbell (1981).
1079:
1075:
1071:Budden, p. 206.
1070:
1066:
1061:
1050:
1045:
1041:
1037:Budden, p. 205.
1036:
1032:
1023:
1017:
1010:
1005:
1003:
1001:
998:Riccardo Frizza
991:
989:
976:
969:
967:
962:
959:Paolo Carignani
954:Plácido Domingo
952:
947:
934:
927:
919:
917:
904:
892:
887:
877:
872:
860:Cat: 7-63226-2
859:
849:
844:
837:
835:Sherrill Milnes
833:
830:Plácido Domingo
828:
815:
807:
803:
801:Rolando Panerai
799:
794:
778:
773:
771:
769:
753:Sherrill Milnes
749:Plácido Domingo
737:Giovanna d'Arco
733:
712:Giovanna d'Arco
708:
707:
699:
697:
696:
695:
694:
687:
680:
677:
668:
662:
657:
640:Giovanna d'Arco
637:
616:
594:
552:
514:
481:
368:
348:
319:as Giacomo and
309:San Diego Opera
278:
269:Giovanna d'Arco
229:
224:
199:Giovanni Pacini
191:
111:Giovanna d'Arco
103:
102:
96:
94:
89:
87:
43:
22:Giovanna d'Arco
12:
11:
5:
3390:
3380:
3379:
3374:
3369:
3364:
3359:
3354:
3349:
3344:
3327:
3326:
3324:
3323:
3318:
3313:
3308:
3305:March to Reims
3301:
3299:
3295:
3294:
3291:
3290:
3288:
3287:
3279:
3271:
3263:
3262:(written 1943)
3255:
3247:
3238:
3236:
3232:
3231:
3229:
3228:
3220:
3211:
3209:
3205:
3204:
3202:
3201:
3193:
3185:
3177:
3169:
3161:
3153:
3145:
3137:
3129:
3121:
3113:
3105:
3097:
3093:Joan the Woman
3089:
3080:
3078:
3074:
3073:
3071:
3070:
3062:
3054:
3046:
3038:
3029:
3027:
3023:
3022:
3020:
3019:
3012:
3007:
3002:
2997:
2992:
2983:
2981:
2977:
2976:
2974:
2973:
2965:
2956:
2954:
2950:
2949:
2947:
2946:
2938:
2929:
2927:
2920:
2914:
2913:
2911:
2910:
2905:
2900:
2895:
2890:
2888:Gilles de Rais
2885:
2880:
2875:
2870:
2864:
2861:Isabelle Romée
2858:
2851:
2849:
2848:contemporaries
2843:
2842:
2840:
2839:
2834:
2829:
2824:
2819:
2814:
2813:
2812:
2807:
2802:
2797:
2790:Loire Campaign
2787:
2782:
2776:
2774:
2770:
2769:
2762:
2761:
2754:
2747:
2739:
2730:
2729:
2717:
2714:
2713:
2711:
2710:
2703:
2693:
2685:
2683:
2679:
2678:
2676:
2675:
2665:
2655:
2645:
2635:
2625:
2615:
2604:
2602:
2598:
2597:
2595:
2594:
2584:
2574:
2564:
2554:
2549:Giuseppe Verdi
2544:
2533:
2531:
2527:
2526:
2524:
2523:
2516:
2509:
2502:
2495:
2488:
2481:
2478:Verdi (crater)
2474:
2467:
2460:
2453:
2432:
2424:
2422:
2418:
2417:
2415:
2414:
2404:
2391:
2383:
2373:
2362:
2360:
2356:
2355:
2353:
2352:
2343:
2334:
2325:
2316:
2307:
2298:
2289:
2280:
2271:
2261:
2259:
2253:
2252:
2250:
2249:
2240:
2231:
2222:
2213:
2209:Di quella pira
2204:
2195:
2186:
2176:
2174:
2173:Opera excerpts
2170:
2169:
2167:
2166:
2156:
2146:
2136:
2126:
2116:
2106:
2096:
2086:
2076:
2066:
2056:
2046:
2036:
2026:
2016:
2006:
1996:
1986:
1976:
1966:
1956:
1946:
1936:
1926:
1916:
1906:
1896:
1886:
1875:
1873:
1869:
1868:
1863:
1860:
1859:
1856:Giuseppe Verdi
1852:
1851:
1844:
1837:
1829:
1823:
1822:
1799:
1794:
1785:
1777:
1776:External links
1774:
1773:
1772:
1750:
1735:
1725:
1698:
1680:
1662:
1644:
1626:
1611:
1593:
1564:
1563:
1540:
1525:
1495:
1485:
1462:
1447:Holden, Amanda
1443:
1428:Budden, Julian
1425:
1403:
1402:
1384:
1373:
1364:
1355:
1346:
1337:
1311:
1283:
1246:
1219:
1207:New York Times
1193:
1177:
1143:
1134:
1125:
1108:
1082:
1073:
1064:
1048:
1039:
1029:
1022:
1019:
1013:
1012:
1007:
995:
983:
979:
978:
970:
956:
949:Francesco Meli
941:
937:
936:
931:
921:
920:Renato Bruson
911:
907:
906:
898:
881:
866:
862:
861:
853:
838:
822:
818:
817:
812:
804:
796:Carlo Bergonzi
791:Renata Tebaldi
788:
784:
783:
780:
775:
766:
732:
729:
698:
688:
678:
671:
670:
669:
660:
659:
658:
656:
653:
636:
633:
615:
612:
593:
590:
551:
548:
513:
510:
509:
508:
493:
480:
477:
474:
473:
467:
466:
463:
460:
453:
452:
449:
444:
434:
433:
431:Filippo Colini
428:
423:
413:
412:
407:
402:
400:King of France
392:
391:
386:
381:
375:
374:
369:(Conductor: –
365:
362:
347:
344:
290:Teresa Stratas
282:Renata Tebaldi
277:
274:
228:
225:
223:
220:
216:sensationalism
190:
187:
184:Giuseppe Verdi
127:Giuseppe Verdi
105:
104:
95:
85:
83:
79:
78:
67:
63:
62:
59:
55:
54:
49:
45:
44:
41:
33:
32:
30:Giuseppe Verdi
25:
24:
9:
6:
4:
3:
2:
3389:
3378:
3375:
3373:
3370:
3368:
3365:
3363:
3360:
3358:
3355:
3353:
3350:
3348:
3345:
3343:
3340:
3339:
3337:
3322:
3319:
3317:
3314:
3312:
3309:
3306:
3303:
3302:
3300:
3296:
3285:
3284:
3280:
3277:
3276:
3272:
3269:
3268:
3264:
3261:
3260:
3256:
3253:
3252:
3248:
3245:
3244:
3240:
3239:
3237:
3233:
3226:
3225:
3221:
3218:
3217:
3213:
3212:
3210:
3206:
3199:
3198:
3194:
3191:
3190:
3186:
3183:
3182:
3178:
3175:
3174:
3170:
3167:
3166:
3165:Joan the Maid
3162:
3159:
3158:
3154:
3151:
3150:
3146:
3143:
3142:
3138:
3135:
3134:
3130:
3127:
3126:
3122:
3119:
3118:
3114:
3111:
3110:
3106:
3103:
3102:
3098:
3095:
3094:
3090:
3087:
3086:
3082:
3081:
3079:
3075:
3068:
3067:
3063:
3060:
3059:
3055:
3052:
3051:
3047:
3044:
3043:
3039:
3036:
3035:
3031:
3030:
3028:
3024:
3018:
3017:
3013:
3011:
3008:
3006:
3003:
3001:
2998:
2996:
2995:New York City
2993:
2991:
2989:
2985:
2984:
2982:
2978:
2971:
2970:
2966:
2963:
2962:
2958:
2957:
2955:
2951:
2944:
2943:
2939:
2936:
2935:
2931:
2930:
2928:
2924:
2921:
2919:
2915:
2909:
2906:
2904:
2901:
2899:
2896:
2894:
2891:
2889:
2886:
2884:
2881:
2879:
2876:
2874:
2871:
2868:
2865:
2862:
2859:
2856:
2855:Jacques d'Arc
2853:
2852:
2850:
2844:
2838:
2835:
2833:
2830:
2828:
2825:
2823:
2820:
2818:
2815:
2811:
2808:
2806:
2803:
2801:
2798:
2796:
2793:
2792:
2791:
2788:
2786:
2783:
2781:
2778:
2777:
2775:
2771:
2767:
2760:
2755:
2753:
2748:
2746:
2741:
2740:
2737:
2727:
2726:
2715:
2708:
2704:
2701:
2699:
2694:
2691:
2687:
2686:
2684:
2680:
2672:
2671:
2666:
2662:
2661:
2656:
2652:
2651:
2646:
2642:
2641:
2636:
2632:
2631:
2626:
2622:
2621:
2616:
2612:
2611:
2606:
2605:
2603:
2599:
2591:
2590:
2589:Risorgimento!
2585:
2581:
2580:
2575:
2571:
2570:
2565:
2561:
2560:
2555:
2551:
2550:
2545:
2541:
2540:
2535:
2534:
2532:
2528:
2521:
2520:Verdi, Nevada
2517:
2514:
2513:Verdi, Kansas
2510:
2507:
2503:
2500:
2496:
2493:
2489:
2486:
2482:
2479:
2475:
2472:
2468:
2465:
2461:
2458:
2454:
2450:
2446:
2442:
2438:
2433:
2430:
2426:
2425:
2423:
2419:
2411:
2410:
2405:
2401:
2396:
2392:
2388:
2384:
2380:
2379:
2374:
2370:
2369:
2364:
2363:
2361:
2357:
2350:
2349:
2344:
2341:
2340:
2335:
2332:
2331:
2326:
2323:
2322:
2317:
2314:
2313:
2308:
2305:
2304:
2299:
2296:
2295:
2290:
2287:
2286:
2281:
2278:
2277:
2272:
2269:
2268:
2263:
2262:
2260:
2254:
2246:
2241:
2237:
2232:
2228:
2223:
2219:
2214:
2210:
2205:
2201:
2196:
2192:
2187:
2183:
2178:
2177:
2175:
2171:
2163:
2162:
2157:
2153:
2152:
2147:
2143:
2142:
2137:
2133:
2132:
2127:
2123:
2122:
2117:
2113:
2112:
2107:
2103:
2102:
2097:
2093:
2092:
2087:
2083:
2082:
2077:
2073:
2072:
2067:
2063:
2062:
2057:
2053:
2052:
2047:
2043:
2042:
2037:
2033:
2032:
2027:
2023:
2022:
2017:
2013:
2012:
2007:
2003:
2002:
1997:
1993:
1992:
1987:
1983:
1982:
1977:
1973:
1972:
1967:
1963:
1962:
1957:
1953:
1952:
1947:
1943:
1942:
1937:
1933:
1932:
1931:I due Foscari
1927:
1923:
1922:
1917:
1913:
1912:
1907:
1903:
1902:
1897:
1893:
1892:
1887:
1883:
1882:
1877:
1876:
1874:
1870:
1866:
1861:
1857:
1850:
1845:
1843:
1838:
1836:
1831:
1830:
1827:
1820:
1816:
1813:
1809:
1805:
1803:"Pronto sono"
1800:
1798:
1797:Aria database
1795:
1793:
1789:
1786:
1783:
1780:
1779:
1770:
1769:0-8443-0088-8
1766:
1762:
1758:
1754:
1753:Werfel, Franz
1751:
1748:
1747:0-226-87132-0
1744:
1740:
1739:The Man Verdi
1736:
1733:
1729:
1728:Toye, Francis
1726:
1723:
1719:
1715:
1714:0-226-85330-6
1711:
1707:
1703:
1699:
1696:
1695:0-19-313204-4
1692:
1688:
1684:
1681:
1678:
1677:0-931340-82-9
1674:
1670:
1666:
1663:
1660:
1656:
1652:
1648:
1647:Parker, Roger
1645:
1642:
1641:0-306-80072-1
1638:
1634:
1630:
1627:
1624:
1623:0-396-08196-7
1620:
1616:
1612:
1609:
1608:0-226-30482-5
1605:
1601:
1597:
1594:
1591:
1590:0-226-14370-8
1587:
1583:
1582:0-226-14369-4
1579:
1575:
1571:
1570:
1569:
1568:
1567:Other sources
1561:
1557:
1553:
1552:0-500-27501-7
1549:
1545:
1541:
1538:
1537:0-19-869164-5
1534:
1530:
1526:
1523:
1522:1-56159-228-5
1519:
1515:
1514:0-333-73432-7
1511:
1507:
1503:
1499:
1498:Parker, Roger
1496:
1493:
1489:
1486:
1483:
1479:
1475:
1474:0-521-31678-2
1471:
1467:
1463:
1460:
1459:0-14-029312-4
1456:
1452:
1448:
1444:
1441:
1440:0-304-31058-1
1437:
1433:
1429:
1426:
1423:
1422:0-521-29712-5
1419:
1415:
1411:
1410:
1409:
1408:
1407:Cited sources
1398:
1394:
1388:
1382:
1377:
1368:
1359:
1350:
1341:
1326:
1322:
1315:
1298:
1294:
1293:"Joan of Arc"
1287:
1279:
1273:
1257:
1250:
1234:
1230:
1223:
1208:
1204:
1197:
1190:
1186:
1181:
1165:
1161:
1156:
1152:
1147:
1138:
1129:
1122:
1118:
1112:
1105:
1101:
1099:
1091:
1089:
1087:
1077:
1068:
1059:
1057:
1055:
1053:
1043:
1034:
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2330:Il trovatore
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2200:Celeste Aida
2182:Anvil Chorus
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2099:
2089:
2079:
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2051:Il trovatore
2049:
2039:
2029:
2021:Luisa Miller
2019:
2009:
1999:
1989:
1981:I masnadieri
1979:
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3307:(initiated)
3224:Joan of Arc
3197:Joan of Arc
3125:Joan of Arc
3117:Joan of Arc
3085:Joan of Arc
2969:Joan of Arc
2942:Joan of Arc
2766:Joan of Arc
2707:Villa Verdi
2630:La Traviata
2582:(1985 play)
2562:(1953 film)
2552:(1938 film)
2492:Verdi Range
2485:Verdi Inlet
2412:(1889–1897)
2339:La traviata
2074:(June 1855)
2061:La traviata
1115:Prag, R., "
935:Cat:721208
933:DVD:C Major
905:Cat: D4043
816:Cat: 27021
364:Voice type
197:(1827) and
154:Joan of Arc
116:Joan of Arc
3336:Categories
3216:Saint Joan
3208:Television
3149:Saint Joan
3042:Saint Joan
2846:Family and
2700:(Finnissy)
2579:After Aida
2499:3975 Verdi
2276:Don Carlos
2134:(1867/84)
2131:Don Carlos
2124:(1862/69)
2001:Il corsaro
1974:(1847/65)
1021:References
993:Julian Kim
972:Audio CD:
869:Susan Dunn
855:Audio CD:
811:and Chorus
777:Conductor,
772:Carlo VII,
770:(Giovanna,
731:Recordings
703:media help
492:Time: 1429
146:I Lombardi
90:1845-02-15
48:Librettist
2990:(Frémiet)
2953:Paintings
2878:Pierronne
2869:(brother)
2810:Beaugency
2321:Rigoletto
2094:(1857/81)
2041:Rigoletto
2031:Stiffelio
1991:JĂ©rusalem
1397:Naxos.com
774:Giacomo)
503:and near
396:Carlo VII
175:contralto
28:Opera by
3050:The Lark
2863:(mother)
2857:(father)
2725:Category
2445:Florence
2437:Brindisi
2285:Falstaff
2161:Falstaff
1330:26 March
1272:cite web
1239:18 March
721:cavatina
674:Overture
512:Prologue
507:, France
479:Synopsis
426:baritone
379:Giovanna
280:In 1951
189:Libretto
131:libretto
120:operatic
118:) is an
82:Premiere
72:'s play
70:Schiller
66:Based on
58:Language
3298:Related
3066:I, Joan
2980:Statues
2832:Retrial
2800:Jargeau
2650:Macbeth
2449:Trieste
2441:Busseto
2397:(1874)
2303:Macbeth
2154:(1887)
2144:(1871)
2114:(1859)
2064:(1853)
2054:(1853)
2044:(1851)
1971:Macbeth
1901:Nabucco
1812:Verdi's
1808:YouTube
1449:(Ed.),
1303:8 April
1212:5 April
1170:19 June
497:Domrémy
495:Place:
456:Delil,
417:Giacomo
384:soprano
296:at the
140:Nabucco
100:, Milan
88: (
61:Italian
3362:Operas
3286:(1976)
3278:(1970)
3270:(1950)
3254:(1881)
3246:(1845)
3235:Operas
3219:(1967)
3200:(2019)
3192:(2017)
3184:(2011)
3176:(1999)
3168:(1994)
3160:(1962)
3152:(1957)
3144:(1954)
3136:(1954)
3128:(1948)
3120:(1935)
3112:(1929)
3104:(1928)
3096:(1916)
3088:(1900)
3069:(2022)
3061:(1952)
3053:(1952)
3045:(1923)
3037:(1801)
2972:(1879)
2964:(1863)
2945:(1796)
2937:(1429)
2926:Poetry
2673:(2005)
2663:(1987)
2653:(1987)
2643:(1986)
2640:Otello
2633:(1983)
2623:(1953)
2613:(1906)
2610:Otello
2542:(1886)
2389:(1873)
2381:(1862)
2371:(1848)
2312:Otello
2164:(1893)
2151:Otello
2104:(1857)
2101:Aroldo
2034:(1850)
2024:(1849)
2014:(1849)
2004:(1848)
1994:(1847)
1984:(1847)
1964:(1846)
1961:Attila
1954:(1845)
1951:Alzira
1944:(1845)
1934:(1844)
1924:(1844)
1921:Ernani
1914:(1843)
1904:(1842)
1894:(1840)
1884:(1839)
1872:Operas
1819:Naples
1767:
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902:Kultur
782:Label
751:, and
693:(8:38)
649:piatti
462:tenor
438:Talbot
334:under
3077:Films
3026:Plays
3000:Paris
2827:Trial
1026:Notes
982:2016
900:DVD:
765:Year
655:Music
645:cassa
614:Act 3
592:Act 2
550:Act 1
505:Rouen
501:Reims
405:tenor
361:Role
346:Roles
2822:Name
2660:Aida
2620:Aida
2267:Aida
2141:Aida
1765:ISBN
1755:and
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1478:ISBN
1470:ISBN
1455:ISBN
1436:ISBN
1418:ISBN
1332:2018
1305:2013
1278:link
1264:2017
1241:2013
1214:2018
1172:2013
940:2013
910:2008
865:1990
821:1972
787:1951
768:Cast
447:bass
143:and
1806:on
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