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Giovanni Stefano Carbonelli

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140:– his only surviving work. First published privately in 1729, they were dedicated to his main benefactor, the 3rd Duke of Rutland. Virtuosic in scope, these sonatas reveal a solid mastery of harmony and counterpoint, and include double-stopped and fugal passages. Their relative neglect until quite recently may be attributable to the somewhat grudging approval of them by the music historian 50:(Livorno) to Pietro Carboneu (alternatively Carboneo or Carbonell) and Teresa Cocchi. His year of birth is uncertain, with dates varying from 1690/1691 to 1699/1700. His father was a Frenchman who had immigrated from 99:
On 27 February 1734 (Old Style), he became a naturalised British subject, registering his name as "John Stephen Carbonell, Son of Peter Carbonell, by Teresia, his wife, born at Leghorn". He had earlier converted to
107:
From the 1740s onwards, Carbonelli increasingly turned his attention from music to the more profitable trade in continental wines. He eventually became a full-time vintner, and was granted a
58:, although there is little documentary evidence to support this. In 1711 and 1712, he was one of the violinists in the local ensemble during the celebrations of the Feast of Santa Croce in 73:. Carbonelli participated in Vivaldi's operatic productions, playing in the accompanying orchestra; Vivaldi in return dedicated one of his violin concertos (RV 366) to Carbonelli. 88:. This marked a turning point in the composer's life - henceforth he was to spend the rest of his days in England. For several years, Carbonelli was conductor of the 111:
as an official purveyor of wines to the King in 1759. His descendants continued to manage the wine business highly successfully for several generations.
96:'s operatic orchestra at the Theatre Royal, Haymarket. Carbonelli was in great demand as a freelance violinist, and played actively until at least 1762. 108: 38:, was an Italian-born British composer and violinist, who later abandoned his musical career to become a vintner under royal patronage. 234: 296: 230: 291: 241: 206:
Journals of the House of Commons From January the 16th, 1732 to December the 8th, 1737, , House of Commons, 1803, p. 394.
54:, while his mother was a local Leghorner. Not much is known of his early musical education; he was reputedly a pupil of 261: 256: 182:
Nomi, cognomi e patria dei virtuosi sì di voci che d’istrumenti che sono intervenuti alle nostre funzioni di S. Croce
81: 85: 286: 271: 266: 89: 77: 301: 93: 276: 281: 161: 8: 62:(13–14 September); on these occasions his name was recorded as "Gio: Stefano Carbonèo". 55: 155: 128: 215: 70: 51: 141: 137: 250: 84:(later the 3rd Duke of Rutland), who was a director of the then newly-formed 31: 101: 144:, as well as the lack of any other surviving works by the composer. 47: 46:
Giovanni Stefano Carbonelli was born in the Italian port city of
23: 133: 115: 66: 27: 59: 92:
orchestra. He was additionally the principal violinist of
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Eintrag im Dizionario-Biografico degli Italiani (1976)
248: 126:Carbonelli is remembered for a single set of 12 231:Free scores by Giovanni Stefano Carbonelli 235:International Music Score Library Project 180:I-Li, Fondo Puccini, Autori diversi, 39, 249: 82:John Manners, the Marquess of Granby 76:In 1719, Carbonelli was invited to 13: 218:Edition HH. Retrieved 18 July 2021 69:, where he became acquainted with 14: 313: 224: 184:(1711–99), 4 voll. (in Italian) 297:Italian expatriates in England 209: 200: 187: 174: 1: 168: 158:a Violino o Violone e Cembalo 292:Italian classical violinists 216:Giovanni Stefano Carbonelli. 7: 197:, «Studi vivaldiani», 2016. 20:Giovanni Stefano Carbonelli 10: 318: 262:British Baroque composers 257:Italian Baroque composers 65:In 1716–1717 he lived in 147: 121: 41: 22:(c. 9 March 1690/1691, 240:Alessandra Ascarelli: 86:Royal Academy of Music 36:John Stephen Carbonell 16:Italo-British composer 104:and married in 1730. 287:Composers for violin 114:Carbonelli died in 272:British violinists 267:Italian violinists 90:Drury Lane Theatre 129:sonatas da camera 56:Arcangelo Corelli 309: 219: 213: 207: 204: 198: 191: 185: 178: 156:Sonate da Camera 317: 316: 312: 311: 310: 308: 307: 306: 247: 246: 227: 222: 214: 210: 205: 201: 192: 188: 179: 175: 171: 150: 124: 71:Antonio Vivaldi 52:Aix-en-Provence 44: 17: 12: 11: 5: 315: 305: 304: 302:Wine merchants 299: 294: 289: 284: 279: 274: 269: 264: 259: 245: 244: 238: 226: 225:External links 223: 221: 220: 208: 199: 186: 172: 170: 167: 166: 165: 149: 146: 142:Charles Burney 138:basso continuo 123: 120: 80:by his patron 43: 40: 30:), after 1734 15: 9: 6: 4: 3: 2: 314: 303: 300: 298: 295: 293: 290: 288: 285: 283: 280: 278: 275: 273: 270: 268: 265: 263: 260: 258: 255: 254: 252: 243: 239: 236: 232: 229: 228: 217: 212: 203: 196: 190: 183: 177: 173: 163: 159: 157: 152: 151: 145: 143: 139: 135: 131: 130: 119: 117: 112: 110: 109:royal warrant 105: 103: 97: 95: 91: 87: 83: 79: 74: 72: 68: 63: 61: 57: 53: 49: 39: 37: 33: 29: 25: 21: 277:1690s births 211: 202: 194: 189: 181: 176: 154: 127: 125: 113: 106: 98: 75: 64: 45: 35: 19: 18: 282:1772 deaths 193:M. Talbot, 102:Anglicanism 251:Categories 195:Miscellany 169:References 162:John Walsh 32:Anglicised 164:, London) 118:in 1772. 26:– 1772, 237:(IMSLP) 233:at the 78:Britain 48:Leghorn 24:Leghorn 134:violin 116:London 94:Handel 67:Venice 28:London 148:Works 122:Music 60:Lucca 136:and 132:for 42:Life 153:12 34:to 253:: 160:(

Index

Leghorn
London
Anglicised
Leghorn
Aix-en-Provence
Arcangelo Corelli
Lucca
Venice
Antonio Vivaldi
Britain
John Manners, the Marquess of Granby
Royal Academy of Music
Drury Lane Theatre
Handel
Anglicanism
royal warrant
London
sonatas da camera
violin
basso continuo
Charles Burney
Sonate da Camera
John Walsh
Giovanni Stefano Carbonelli.
Free scores by Giovanni Stefano Carbonelli
International Music Score Library Project
Eintrag im Dizionario-Biografico degli Italiani (1976)
Categories
Italian Baroque composers
British Baroque composers

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