168:
186:, and Eginia is unhappy. She still longs for the love of Artidoro whom she had left in obedience to her father's wishes. The situation is complicated by the continued presence of Artidoro who is now in love with Casimiro's sister Enrichetta; by the dislike of Rosmondo for his new daughter-in-law; and by the revengeful slander of Valente (rejected by Enrichetta) who spreads false rumours about Eginia and Artidoro. Eginia eventually decides to run away. However this is prevented during a complex act 2 finale set in the garden at night, in which Valente's plot is uncovered and the newly-weds resolve to make a fresh attempt at their marriage.
68:
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314:, p. 45: "It has been said that Anna persuaded the Emperor to offer it to her brother because they were lovers, but there is no evidence of this. The letter quoted above indicates rather the contrary. She may certainly have recommended her brother, and the Emperor would respect her musical judgment."
302:, p. 13: "It was certainly Nancy who influenced Emperor Joseph II into commissioning Stephen to write his first opera, probably out of respect for her professional judgment rather than any purported intimacy between them."
151:
Storace called for a
Viennese classical orchestra including flutes, oboes, clarinets, bassoons, horns, trumpets, timpani and strings. The music includes many ensembles, as well as duets, arias and
279:. At St John's, Smith Square, the orchestra was provided by CHROMA. This production has led to Bampton Classical Opera being selected as a Finalist in the Rediscovered Work category of the
79:
At the première, Nancy's voice failed during the performance, and it took her some weeks to recover. Nevertheless, the opera was a success, with further performances at the
Burgtheater.
229:
The opera, the score of which was unpublished at the time, was subsequently performed in Prague, Leipzig and
Dresden, and some of its music was arranged for wind ensemble by
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in which a series of sections follow one another, and the action and music become increasingly hectic until the end.
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263:, by Opera Viva, 28–29 March 1985, in a new performing edition by Richard Platt and an English translation by
744:
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272:
56:, Vienna, on 1 June 1785. At the time the composer was in Vienna in the company of his younger sister
197:
A score in
Dresden, probably prepared for the performances in Dresden in 1789, is available online.
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327:; Geiringer, Irene (1981). Weaver, Robert L. (ed.). "Stephen and Nancy Storace in Vienna".
267:. A new production conducted by Anthony Kraus and directed by Jeremy Gray was performed by
8:
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greatly admired Nancy which led him to commission this work from the novice composer.
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Essays on the Music of J.S. Bach and Other Divers
Subjects: A Tribute to Gerhard Herz
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61:
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152:
132:
492:
Histoire littéraire, critique et anecdotique du Théâtre du Palais-Royal, 1784–1884
976:
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100:
Eginia (from
Livorno), formerly in love with Artidoro, now married to Casimiro –
42:
675:
Anna...Susanna: Anna
Storace, Mozart's First Susanna: Her Life, Times and Family
486:
324:
275:, London, again using the translation by Brian Trowell but under the new title
156:
124:
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English Opera in Late
Eighteenth-Century London: Stephen Storace at Drury Lane
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who was engaged as a lead soprano in the
Imperial Italian opera company.
53:
37:
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194:
A bilingual
Italian-German libretto was published in Dresden in 1788.
89:
46:
729:
18:
101:
342:
Fiske, Roger (5 January 1960). "The Operas of Stephen Storace".
472:, pp. 136, 156–157, 185–187, 192, 219–220, 246, 248, 250;
112:
Valente, a scholar in love with Enrichetta but rejected – tenor
183:
95:
943:
139:(Rosmondo), who all later went on to create major roles for
119:
Apart from Nancy Storace as Eginia, the original cast was
271:
in summer 2019 in Bampton, at Westonbirt School, and at
52:
The opera, Storace's first, was first performed at the
920:
293:
495:(3rd ed.). Paris: Ollendorff. pp. 32–33.
323:
305:
174:, 2019 performance by Bampton Classical Opera (as
379:Platt, Richard (2002). "Sposi malcontenti, Gli".
115:Bettina, servant to Casimiro and Eginia – soprano
968:
88:Rosmondo, father of Casimiro and Enrichetta –
745:
207:was re-used by Storace in his English operas
345:Proceedings of the Royal Musical Association
135:(Casimiro), Stefano Mandini (Artidoro) and
106:Enrichetta, in love with Artidoro – soprano
865:
752:
738:
644:"International Opera Awards 2020 Nominees"
725:International Music Score Library Project
391:10.1093/gmo/9781561592630.article.O904850
987:Opera world premieres at the Burgtheater
200:The Italian libretto is also available.
166:
94:Casimiro, newly-wed husband of Eginia –
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590:Seymour, Claire (18 September 2019).
536:from the original on 25 November 2019
522:"Bampton Classical Opera – Storace's
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473:
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378:
341:
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224:
189:
182:Casimiro and Eginia are newly-wed in
606:from the original on 20 October 2020
155:. Each act has an energetic 'chain'
759:
592:"Review – Bampton Classical Opera:
71:Title page of score in Dresden for
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650:from the original on 11 April 2020
555:Dunnett, Roderic (6 August 2019).
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352:(86th Sess. (1959–1960)): 29–44.
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331:. Louisville, Kentucky: 235–244.
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571:from the original on 9 May 2021
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520:Rogers, Curtis (19 July 2019).
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109:Artidoro (from Livorno) – tenor
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259:was given at the New Theatre,
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677:. London: Thames Publishing.
255:The first modern revival of
75:by 'Stefano Storace Inglese'
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696:. Oxford: Clarendon Press.
33:The Discontented Newly-weds
22:Stephen Storace (1762-1796)
10:
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596:at St John's Smith Square"
421:"Das unzufriedene Ehepaar"
281:International Opera Awards
982:Operas by Stephen Storace
900:
834:
767:
244:, with a new libretto by
673:Brace, Geoffrey (1991).
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252:in Paris in April 1790.
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1002:Italian-language operas
816:Dido, Queen of Carthage
385:. Oxford Music Online.
273:St John's, Smith Square
269:Bampton Classical Opera
240:. A three-act version,
162:
692:Girdham, Jane (1997).
261:King's College, London
246:Pierre-Ulric Dubuisson
179:
76:
41:in 2 acts composed by
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808:The Siege of Belgrade
776:Gli sposi malcontenti
719:Gli sposi malcontenti
628:Gli sposi malcontenti
524:Gli sposi malcontenti
455:Gli sposi malcontenti
437:Gli sposi malcontenti
257:Gli sposi malcontenti
248:was performed at the
205:Gli sposi malcontenti
172:Gli sposi malcontenti
170:
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28:Gli sposi malcontenti
21:
857:William Thomas Parke
532:. Classical Source.
358:10.1093/jrma/86.1.29
242:Les Epoux mécontents
231:Johann Nepomuk Wendt
221:(posthumous, 1796).
73:Gli sposi malconteni
49:by Gaetano Brunati.
646:. 5 February 2020.
888:John Philip Kemble
800:No Song, No Supper
382:Grove Music Online
250:Théâtre Montansier
225:Production history
190:Music and libretto
180:
121:Caterina Cavalieri
77:
24:
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792:The Haunted Tower
594:Bride & Gloom
528:Bride & Gloom
439:– Mus.4109-F-501"
277:Bride & Gloom
176:Bride & Gloom
137:Francesco Benucci
62:Emperor Joseph II
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457:: Opera comica"
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125:Therese Teyber
123:(Enrichetta),
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997:1785 operas
992:Opera buffa
866:Librettists
824:The Pirates
600:Opera Today
234: [
217:(1794) and
210:The Pirates
203:Music from
131:(Valente),
127:(Bettina),
54:Burgtheater
38:opera buffa
971:Categories
873:James Cobb
474:Brace 1991
408:Brace 1991
312:Brace 1991
721:(Storace)
565:Opera Now
557:"Review:
910:Category
654:23 April
648:Archived
604:Archived
569:Archived
534:Archived
489:(1886).
213:(1792),
90:baritone
47:libretto
35:) is an
923:Portals
667:Sources
459:. 1785.
219:Mahmoud
102:soprano
977:Operas
835:People
827:(1792)
819:(1792)
811:(1791)
803:(1790)
795:(1789)
787:(1786)
779:(1785)
768:Operas
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366:766017
364:
283:2020.
157:finale
141:Mozart
961:Music
949:Opera
610:3 May
575:3 May
540:3 May
362:JSTOR
287:Notes
238:]
184:Genoa
96:tenor
83:Roles
698:ISBN
679:ISBN
656:2020
612:2020
577:2020
542:2020
163:Plot
387:doi
354:doi
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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