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Glossary of Broken Dreams

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everyone coddles like a puppy. Let me say this, as a good old Neo-leftist, I'm having problems with the conservative and deeply bourgeois can of worms that the privacy debate entails. I think it's time to change our thought patterns here. Instead of trying to find ways to defend our privacy come hell or high water, we should ask ourselves why privacy is such a major concern for us? Is what we're trying to achieve here just reformist symptom-control rather than a solution to the underlying problems?
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The film won the Award of Merit for Feature Film at the 2018 Accolade Global Film Competition and for Documentary Feature at the 2018 IndieFest. It won Best Experimental Film at the 2018 Subversive Cinema Awards, won Best Feature Documentary Foreign at the 2018 Indie Gathering Awards, won Best Hacker
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On the basis of , I went on to develop the characters and the plot of the movie and started filming with the actors. At the same time, I was cutting scenes that were finished and started to put the movie timeline together. Everything was happening simultaneously. Compiling, writing, filming, cutting.
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This section delves into the co-evolution of privacy as a social value and the bourgeois economy, and critiques the current emphasis on privacy as failing to address underlying dominations in society. It introduces the idea, explored later in the film ("The Left"), of how computation and information
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writes: "The movie delivered on many more levels than I expected possible. It has the potential to break into echo chambers and filter bubbles; it can empower people by providing them with a deeper understanding of the human condition." "It's really hard to deny the expert way this movie was pieced
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says about the film: "Produced with a micro-budget, this monumental mosaic is taking the audience on a ride through an encyclopedia of overused, misconceived, and corrupted concepts and ideas. The fact that it concerns the favorite vocabulary of current discourses, the golden calves of contemporary
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Grenzfurthner calls his project an "ideotaining cinematic revue" about political ideas he considers important. Grenzfurthner cites frustration about the current level of political debate as a primary influence for making the film. He couldn't tolerate "ignorant and topically abusive comments on the
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says that "sometimes it feels as if the entire content of Knowledge would be rammed into your brain with a USB stick." ScreenCritix (UK) writes: "Grenzfurthner is our guide through a political minefield, giving us his notes like an angry chorus from the ancient Greek and Shakespearean plays ... an
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Looking at the Left's inability to think or move past twentieth-century tactics, affects and campaigns, this section questions, ultimately, whether the correct course of action today might just be to give up on the Left, and try something better, more attuned to the possibilities and needs of the
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does not make use of classic documentary-style interviews and aesthetics. Instead, the film presents different political and philosophical concepts in the form of short films and essayistic chapters featuring fictional characters. These bizarre and exaggerated characters are performed by actors,
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likes the "uncompromising attitude" and "unique taste", but questions the experimental nature of the film and its accessibility: "No real-world interviews were conducted on camera, which surprised me since these are the bread and butter of many documentaries. ... Is it a narrative film? Is it a
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I just thought it was time for something like a political spring cleaning of concepts. Because picking up the broom and taking a chance to get rid of stuff is the only way to prevent us all from becoming social liberal hoarders. One of my examples is the concept of privacy that, at the moment,
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It's a peculiar film for nerds of a peculiar set of interests, but at the same time it's talking about topics that are so goddamn important that more people should know about it. I guess that's why I made it. No idea if there is even a target audience for it, but one can try. There is a lot to
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The film incorporates art and illustrations by Bonni Rambatan, Matt J. Frith, James Brothwell, Clemens Kindermann, Stevyn Prothero and Steve Reeder in a variety of different cinematic styles. The film thus works as a fast-paced collage, utilizing a singer-songwriter duo, puppet shows,
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together. It's a mix and match party of epic proportions. Old school video game graphics. Puppets. Musicians, anime, the kitchen sink. There's no shortage of style but more importantly, somehow these things all co-exist in seemingly perfect harmony." RDTB says: "If
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The Independent Critic's Richard Propes states that "Glossary of Broken Dreams is a nerdgasm of creative consciousness meets good intentions and abundant doses of intellectually informed human compassion. It'll fuck with your mind. Then laugh."
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And sometimes not even in this order. It felt like creating a jigsaw puzzle and trying to solve it at the same time. But in a short time – the production took about 5 months – it was doable without losing track completely.
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if it weren't so tragic — and yet it cleverly plays with both classifications, either juxtaposing or simply interchanging them, thus contributing to the ultimate proof of the non-existence of binaries."
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Due to the fast production process, the different chapters were written while other parts were already being shot and edited. Final decisions about length and content were made in the editing room.
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Austrian and German media personalities such as Stefanie Sargnagel, Gerald Votava, Peter Hörmanseder, Katharina Stemberger and Jolyne Schlien Schürmann make cameo appearances in the film.
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Conference, won the Award of Merit for Feature Documentary at the 2018 Impact Doc Awards, and won the main award (Best Feature Length Film) at the Austrian Film Festival Awards 2018.
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With Martin Auer (as Professor Alain Xavior SchnĂĽrlsamt), Johannes Grenzfurthner (as Harnulf Rohrkrepierer), David Dempsey (as Sven Shitpornson), Anna Behne (as Lady Unsquaredance),
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on March 16, 2018. The festival called it a "popcultural wholesale assault". The North American premiere took place at Vermont International Film Festival on April 11, 2018.
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A story about the ongoing shift in Western societies from a disciplinary society to a society of control and how this affects subversion in art, politics and activism.
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gave a negative review and called the film an "exhausting, maddening experience" while The 405's Ana Leorne states: "Glossary of Broken Dreams would be a proper
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process. And cat meme drunk masses will probably not even scratch the surface. But my idea was: better to challenge the audience than to dumb it down.
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The film's main language is English, but features various musical interludes by Duscher&Gratzer and other music groups, performed in German.
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Sophia Cacciola, Michael J. Epstein, Johannes Grenzfurthner, Thomas Kranabetter, Tanja Mairhofer, Josef P. Wagner, Thomas Weilguny
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A critique of the preponderance of politics today, predicated on identity, in contrast to a universalist approach to politics.
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The film was produced by GĂĽnther Friesinger and Johannes Grenzfurthner, with Michael McEnroe acting as an associate producer.
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Michael Donaldson, Inti-Illimani, wobblersound, Kasson Crooker, Duscher&Gratzer, Bottervogel, Christoph Burstup Weiss
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Principal photography commenced August 4, 2017, and ended November 14, 2017. The film was completed on January 2, 2018.
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The basic script was written by Johannes Grenzfurthner and Ishan Raval, supported by language consultant Chris S. Sims.
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This section demonstrates accumulation of capital in an ironic way by squandering 50 euros in a money exchange office.
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The Independent Critic, "Glossary of Broken Dreams" Gets Set for North American Premiere in Bernieland"; April 1, 2018
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Sophia Cacciola & Michael J. Epstein, "Vienna Round-Up! Our adventures in Austria in November"; January 17, 2018
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The section questions the viability of social democracy in a globalized and financialized post-Fordist economy.
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Indie Shorts Mag, "Glossary of Broken Dreams Is The Sad Reality Of Today’s Internet Generation"; April 11, 2018
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Indie Shorts Mag, "Glossary of Broken Dreams Is The Sad Reality Of Today’s Internet Generation"; April 11, 2018
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With Harald Homolka List (as Hans Platzgaumer) and Bronwynn Mertz-Penzinger (as Platzgaumer's Cerebral Cortex)
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Zebrabutter: "Der Film Glossary of Broken Dreams oder: Im Schlachthaus Zum Goldenen Kalb"; April 25, 2018
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Zebrabutter: "Der Film Glossary of Broken Dreams oder: Im Schlachthaus Zum Goldenen Kalb"; April 25, 2018
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Zebrabutter: "Der Film Glossary of Broken Dreams oder: Im Schlachthaus Zum Goldenen Kalb"; April 25, 2018
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Zebrabutter: "Der Film Glossary of Broken Dreams oder: Im Schlachthaus Zum Goldenen Kalb"; April 25, 2018
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Zebrabutter: "Der Film Glossary of Broken Dreams oder: Im Schlachthaus Zum Goldenen Kalb"; April 25, 2018
667:, Oliver Stangl gives the film a positive review and calls it "a crazy survey of the present situation". 293: 1130: 1078: 927: 901: 853: 215:' in the film's intro, functions as a storyteller and host who guides the viewer through the narrative. 348:
With Johannes Grenzfurthner (as Frau Schlammpeitzinger) and Robert Stachel (as Waiter Walter Peckinpah)
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Michael J. Epstein on set of Johannes Grenzfurthner's film "Glossary of Broken Dreams" (November 2018).
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An analysis of the pros and cons of competitive systems (like capitalism and biological evolution).
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he mentions that he put donation info into the film, anticipating its appearance on torrent sites.
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Daniel Hasibar created the sound design and audioscape underlying Grenzfurthner's narration.
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Roland Gratzer and Hannes Duscher, performing a song in "Glossary of Broken Dreams" (2018).
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An introduction to the basic ruleset of capitalist society and its historical formation.
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With Andrea Nitsche (as Dr. Bulletpoint von Sganarelle) and Michael Smulik (as Politics)
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With Johannes Grenzfurthner (as Doktor Ullmaier) and Alexander E. Fennon (as bank clerk)
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Bonni Rambatan, NaoBun blog: "Our four amazing achievements of 2017"; December 31, 2017
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Skug (Christoph Benkeser), "Ein Abgesang auf die Ignoranzgesellschaft"; March 29, 2018
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controversy, makes for a considerably explosive force." Austrian pop culture magazine
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Museumsquartier/Quartier21 AiR programme, Sophia Cacciola & Michael J. Epstein
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can be considered a loose follow-up of Grenzfurthner's first documentary feature
224:'s Hannes Duscher and Roland Gratzer). The film can be seen in the tradition of 547: 386:
With Achmed Abdel-Salam (as Modern Subject) and Jim Libby (as Information Gaze)
189: 695: 1512: 1131:"At the Golden-Calf Slaughterhouse: an interview with Johannes Grenzfurthner" 1079:"At the Golden-Calf Slaughterhouse: an interview with Johannes Grenzfurthner" 928:"At the Golden-Calf Slaughterhouse: an interview with Johannes Grenzfurthner" 902:"At the Golden-Calf Slaughterhouse: an interview with Johannes Grenzfurthner" 854:"At the Golden-Calf Slaughterhouse: an interview with Johannes Grenzfurthner" 543: 264: 978:
futurezone, "Digitales Politisieren erlebt eine Renaissance"; March 15, 2018
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Movie still from chapter 'The Media' ("Glossary of Broken Dreams", 2018).
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ScreenCritix, Carl Burgess, "Glossary of Broken Dreams"; March 31, 2018
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Press Play, Marco Scheuch, "Glossary of Broken Dreams"; March 14, 2018
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An analysis of the function of media in liberal societies (including
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The Independent Critic, "Glossary of Broken Dreams"; April 1, 2018
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With Stuart Freeman (as Brian Ewok) and Conny Lee (as Madame Juju)
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HOPE Conference 2018, Glossary of Broken Dreams, Best Hacker Film
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FM4, Morningshow, interview about 25 years of art group monochrom
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FM4, Morningshow, interview about 25 years of art group monochrom
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Profil, Wolfgang Paterono, "Die Allesfresser"; March 12, 2018
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calls the film "a swan song to the society of ignorance.".
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The Indie Gathering, Best Feature Documentary Foreign 2018
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is a 2018 Austrian/American documentary film directed by
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Film Threat, "Glossary of Broken Dreams"; March 28, 2018
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Film Threat, "Glossary of Broken Dreams"; March 28, 2018
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With a budget of US$ 15,000, the film can be considered
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This story of a chimpanzee debates social conditioning.
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could be liberatory under different property relations.
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Accolade Global Film Competition, Awards of Merit 2018
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CelebBeat, "Glossary of Broken Dreams"; March 30, 2018
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calls it "a brilliant feat". Gaming and film website
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IndyRed, "Glossary of Broken Dreams"; March 31; 2018
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Glossary of Broken Dreams at Diagonale Film Festival
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Glossary of Broken Dreams at Diagonale Film Festival
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With Jeff Ricketts (as President Ă–dem von Horvath),
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Is it both?" 452: 416:Democracy/Social Democracy 206: 1489:Glossary of Broken Dreams 670: 575:peer-to-peer file sharing 311:Capitalism/Market/Freedom 271:Glossary of Broken Dreams 217:Glossary of Broken Dreams 170:Glossary of Broken Dreams 158: 148: 138: 114: 104: 88: 80: 72: 64: 56: 48: 38: 26: 22:Glossary of Broken Dreams 21: 1539:Austrian satirical films 577:. In his interview with 529: 123:March 16, 2018 1291:MicroFilmmaker Magazine 1110:. monochrom. 9 May 2018 1033:Info on film's homepage 958:MicroFilmmaker Magazine 646:MicroFilmmaker Magazine 495:. In an interview with 1529:2018 independent films 1524:2018 documentary films 539: 482: 367:(as DeForest Schbeibi) 306: 298: 248: 175:Johannes Grenzfurthner 68:Johannes Grenzfurthner 43:Johannes Grenzfurthner 1534:Austrian comedy films 537: 477: 304: 296: 243: 235:In an interview with 1639:2010s American films 642:Kinder Surprise Eggs 493:guerrilla filmmaking 437:Jason Scott Sadofsky 378:and other concepts) 259:animation, Japanese 194:Jason Scott Sadofsky 344:Resistance/Activism 620:Austrian magazine 540: 505:Michael J. Epstein 365:Michael J. Epstein 307: 299: 16:2018 Austrian film 1499:Official homepage 676:Film at the 2018 597:Critical response 562:Film Festival in 470: 469: 405:Politics/Identity 394:Nature Vs Nurture 372:freedom of speech 166: 165: 1656: 1619:Internet culture 1476: 1471: 1465: 1460: 1454: 1449: 1443: 1438: 1432: 1431: 1429: 1428: 1419:. Archived from 1413: 1407: 1402: 1396: 1391: 1385: 1384: 1382: 1380: 1368:Stangl, Oliver. 1365: 1359: 1358: 1356: 1354: 1345:. 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Index


Johannes Grenzfurthner
monochrom
monochrom
Johannes Grenzfurthner
Amber Benson
Max Grodenchik
Jason Scott Sadofsky
monochrom
lumpennerd
FM4
reflexive documentary films
performative documentary films
Film Threat
LucasArts
pixel
anime
stock footage
Traceroute


Amber Benson
Michael J. Epstein
freedom of speech
fake news
Max Grodénchik
Jason Scott Sadofsky
microfilmmaking
guerrilla filmmaking
Sophia Cacciola

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