355:, and, after ensuring that no one is home, enters. The old woman tries the porridge of the big bear, which is too hot for her; then she tries the porridge of the middle bear, which is too cold; finally, she eats the porridge of the smallest bear. Next, she sits down in the chair of the big bear, which is too hard for her, and then in the chair of the middle bear, which is too soft. When she sits in the chair of the small bear, it breaks as a result. Continuing her exploration of the house, she finds the bears' beds. After trying the big bear's bed and the middle bear's bed and finding them unsuitable, she goes to sleep in the smallest bear's bed. When the bears return home, the story reaches its climax. One after another, they discover that someone has eaten their porridge, sat in their chairs, and lain in their beds. The smallest bear finds the old woman in his bed and exclaims, "Someone has lain down in my little bed—and there she is still!" Startled, the old woman jumps out of the window, runs away, and is never seen again.
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312:, sits down on one of their chairs, breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaces the old woman with a young, naive, blonde-haired girl named Goldilocks, and the third and by far best-known version replaces the bachelor trio with a family of three. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
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367:, featuring three chairs, three bowls of porridge, three beds, and the three title characters who live in the house. There are also three sequences of the bears discovering in turn that someone has been eating from their porridge, sitting in their chairs, and finally, lying in their beds, at which point the climax of Goldilocks being discovered occurs. This follows three earlier sequences of Goldilocks trying the bowls of porridge, chairs, and beds successively, each time finding the third "just right". Author
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environment, and dealing with disruptions to that order. Based on his own experiences and observations, Elms suggests that children are more likely to identify with the clean, orderly bear protagonists rather than with the rebellious, unruly human antagonist. He traces the theme of anality in The Story of the Three Bears back to Robert
Southey's meticulous, cleanliness-obsessed aunt, who raised him and passed on her obsession in a milder form.
465:. According to Bettelheim, the story fails to encourage children to truly work through the challenges of growing up, one at a time. It does not end, as a fairy tale should, with the promise of future happiness for those who successfully navigate their Oedipal phase in childhood. He argues that the story prevents the child reader from gaining
586:. Set in a forest jury court, the opera portrays Baby Bear on trial for allegedly attacking Miss Goldilocks. The story flips the traditional narrative, as the defense attorney highlights the trauma inflicted on the bears by the mischievous "naughty little rogue," Goldilocks. In November 1949, Walt Disney published The
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characterises this as the "dialectical three" where "the first is wrong in one way, the second in another or opposite way, and only the third, in the middle, is just right". Booker continues: "This idea that the way forward lies in finding an exact middle path between opposites is of extraordinary
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of pre-Oedipal anality. Elms argues that
Bettelheim may have overlooked the themes in the story, which could be beneficial for a child's personality development. He believes that the story is mainly aimed at preschool children, who are learning about cleanliness, maintaining order in their
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critiques
Bettelheim's interpretation, suggesting that his analysis may overly instrumentalize fairy tales, turning them into vehicles for messages and behavioral models for children. While the story might not resolve Oedipal issues or sibling rivalry in the way Bettelheim believes
98:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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describes
Goldilocks as "poor, beautiful, and charming," noting that the story only portrays her hair in a positive light. Bettelheim primarily discusses the tale through the lens of Goldilocks' struggle to overcome
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343:, his own chair, and his own bed. One day, while their hot porridge is cooling, they wander through the woods. An old woman—described throughout the story as insolent, mean, swearing, ugly, dirty, and a
425:, the story uses repetition to capture a child's attention and reinforce themes of protection and safety. Tatar highlights that while today's interpretations of the story often frame it as a
379:". In planetary astronomy, a planet orbiting its sun at just the right distance for liquid water to exist on its surface, neither too hot nor too cold, is referred to as being in the "
335:'s story, three male bears—a small bear, a medium bear, and a large bear—live together in a house in the woods. Southey describes them as good-natured, trusting, harmless, clean, and
489:, Alan C. Elms offers a different perspective, rejecting Bettelheim's view of the story as a tale of post-Oedipal ego development. Instead, he interprets it through the
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This concept has spread across many other disciplines, particularly developmental psychology, biology, economics, Buddhism, and engineering where it is called the "
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for discovering what's "just right," earlier generations viewed it as a tale about an intruder who lacked self-control and respect for others' property.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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of which three versions exist. The original version of the tale tells of an impudent old woman who enters the forest home of three anthropomorphic
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Content in this edit is translated from the existing German
Knowledge article at ]; see its history for attribution.
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Elms, Alan C. (July–September 1977). ""The Three Bears": Four
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to the source of your translation. A model attribution edit summary is
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1028:. The Encyclopedia of Disney Animated Shorts. Archived from
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to this template: there are already 1,886 articles in the
1299:"Goldilocks and the Three Bears", by Katharine Pyle, 1918
694:"Oncogene-induced autophagy and the Goldilocks principle"
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film featuring real bears and a child in 1958. In 1984,
890:"The Goldilocks Gambit (W WDC 110-02) | I.N.D.U.C.K.S."
1277:"The Story of the Three Bears" by Robert Southey, 1837
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865:"Kurt Schwertsik Roald Dahl's Goldilocks - Opera"
145:{{Translated|de|Goldlöckchen und die drei Bären}}
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790:. New York London: W. W. Norton & Company.
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363:The story makes extensive use of the literary
133:accompanying your translation by providing an
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934:. Continuum International Publishing Group.
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308:while they are away. She eats some of their
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930:The Seven Basic Plots: Why We Tell Stories
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1293:"The Three Bears" by Robert Southey
843:. Oxford: Oxford University press.
818:. Oxford: Oxford University press.
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1241:The Annotated Classic Fairy Tales
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788:The annotated classic fairy tales
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401:The Annotated Classic Fairy Tales
1878:Short stories adapted into plays
1873:Short stories adapted into films
1858:Female characters in fairy tales
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1175:"Roald Dahl's Goldilocks (1997)"
1073:The Journal of American Folklore
1045:Dorson, Richard Mercer (2001) .
949:Briggs, Katherine Mary (2002) .
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339:. Each bear has his own bowl of
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174:"Goldilocks and The Three Bears"
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43:The Three Bears (disambiguation)
1767:Baby Bear and the Big, Bad Wolf
1617:Goldilocks and the Jivin' Bears
1520:Henry Herbert Southey (brother)
993:Curry, Charles Madison (1921).
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1808:Goldilocks and the Three Bears
1692:Goldilocks and the Three Bears
1625:Bugs Bunny and the Three Bears
1582:Goldilocks and the Three Bears
1427:Roderick the Last of the Goths
1189:Schultz, William Todd (2005).
952:British Folk Tales and Legends
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814:Schultz, William Todd (2005).
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415:'s story is often viewed as a
372:importance in storytelling".
295:Goldilocks and the Three Bears
143:You may also add the template
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1649:Goldimouse and the Three Cats
1477:What Are Little Boys Made Of?
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1470:The Story of the Three Bears
1123:The Story of the Three Bears
922:Booker, Christopher (2005).
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552:Puss in Boots: The Last Wish
439:by Von John D. Batten, 1890.
297:" is a 19th-century English
219:The Story of the Three Bears
7:
1213:Encyclopedia of Folk Heroes
1195:. Oxford University Press.
1192:Handbook of Psychobiography
841:Handbook of psychobiography
816:Handbook of psychobiography
692:Martin, S J (August 2011).
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487:Handbook of Psychobiography
461:and the identity crisis of
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27:Not to be confused with
1883:Works by Robert Southey
1525:Samuel Taylor Coleridge
1452:The Fall of Robespierre
1157:Oxford University Press
1151:The Classic Fairy Tales
1048:The British Folklorists
1003:& Company. p.
743:Boulding, K.E. (1981).
682:Booker 2005, pp. 229–32
446:The Uses of Enchantment
154:For more guidance, see
1813:1830s children's books
746:Evolutionary Economics
711:10.4161/auto.7.8.15821
615:Little Red Riding Hood
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543:Treehouse of Horror VI
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1833:Anthropomorphic bears
1462:Children's literature
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1210:Seal, Graham (2001).
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918:The Seven Basic Plots
786:Tatar, Maria (2002).
637:Children's literature
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422:The Three Little Pigs
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156:Knowledge:Translation
127:copyright attribution
1744:Literary adaptations
1535:Walter Savage Landor
1053:Taylor & Francis
773:(London 2011) p. 194
377:Goldilocks principle
1848:English fairy tales
1843:British fairy tales
1838:Bears in literature
1032:on 22 February 2013
924:"The Rule of Three"
528:Faerie Tale Theatre
503:Film and Television
271:Longman, Rees, etc.
213:Original title
202:English Fairy Tales
29:Goldilocks Bakeshop
1818:1837 short stories
1540:William Wordsworth
1365:Cataract of Lodore
1108:on 17 January 2013
563:Theater and Comics
467:emotional maturity
451:child psychologist
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369:Christopher Booker
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135:interlanguage link
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1706:Bart's New Friend
1673:Goldie & Bear
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1358:The Inchcape Rock
850:978-0-19-516827-3
825:978-0-19-516827-3
797:978-0-393-05163-6
673:Elms 1977, p. 257
588:Goldilocks Gambit
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359:Literary elements
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1145:Opie, Peter
1112:12 November
1036:21 February
984:21 February
893:inducks.org
769:S Hawking,
557:antagonists
524:live-action
508:Walt Disney
473:Maria Tatar
463:adolescence
411:notes that
409:Maria Tatar
349:reformatory
245:Publication
200:, 1918, in
180:Short story
1802:Categories
1785:Goldilocks
1699:Goldilocks
1684:Television
1657:Goldilocks
1494:Lake Poets
1398:Epic poems
1141:Opie, Iona
721:2262/73233
656:References
602:Carl Barks
580:Goldilocks
576:Roald Dahl
532:Goldilocks
479:Cinderella
407:professor
337:hospitable
299:fairy tale
276:Media type
254:The Doctor
239:Fairy tale
74:(May 2024)
18:Goldilocks
1593:Animation
1180:3 January
1147:(1992) .
957:Routledge
698:Autophagy
661:Citations
567:In 1997,
518:. Later,
268:Publisher
149:talk page
101:Consider
69:in German
1238:(2002).
1218:ABC-CLIO
730:21552010
608:See also
449:(1976),
403:(2002),
345:vagabond
341:porridge
310:porridge
303:bachelor
235:Genre(s)
125:provide
1788:(album)
1628:(1944)
623:Portals
485:In the
413:Southey
405:Harvard
230:England
227:Country
147:to the
129:in the
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1668:(2008)
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1444:Plays
1420:Madoc
1343:Poems
1090:JSTOR
573:opera
545:" of
427:quest
353:latch
306:bears
279:Print
92:DeepL
1287:text
1250:ISBN
1222:ISBN
1197:ISBN
1182:2009
1161:ISBN
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287:1837
123:must
121:You
85:View
41:and
1584:by
1082:doi
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516:MGM
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399:In
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