748:. The sequence represents Bond as a blunt and cold-blooded assassin due to the pace of the scene. For example, the white dot travels across the screen much faster than in previous gun barrel sequences, Daniel Craig moves swiftly into position, noticeably faster than its predecessors, and the blood comes down in a large quick wash. Like Dalton and Brosnan, Craig shoots one-handed. The design of the gun barrel is also more simplistic, with a grey colour to it as well as fewer and more widely spaced grooves. The white circle also spins into the centre of the Q in the title graphic for
390:(albeit spelling out "and" instead of using the ampersand). The James Bond theme keeps playing though. As the barrel begins to move and when it stops centre-screen, Bond is walking to position for around a second before turning and shooting as the camera tracks with him, resulting in a "treadmill" effect. Lazenby is the only Bond who kneels down to fire; this is also the only version where the descending blood completely erases Bond's image, leaving only the red circle. In this version, the gun barrel is awash with prismatic splashes of light.
774:. The film's opening shot instead harks back to the gun barrel, with Bond emerging into a corridor, pointing his gun directly at the camera, accompanied by the first two notes of the "James Bond Theme". Mendes recalled, "I tried very hard to put the gun barrel at the beginning and my intention was always to do that. If you see the film, the film starts with Bond walking down a corridor towards camera and lifting a gun. And of course the gun barrel is him walking, stopping and lifting a gun. When I put the two together, it looked ridiculous!"
455:. Moore wears a business suit and, unlike Simmons, Connery, and Lazenby, uses both hands instead of one hand to fire his gun, his left hand bracing his gun arm. The gun barrel only moves side-to-side to the left of Bond, without alternating to the right. This is the first gun barrel sequence in which Bond is not wearing a hat. Additional footage of this sequence was shot of Bond shooting with both hands, then walking straight towards the camera with his gun drawn, putting his face into view, as seen in theatrical trailers from
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20:
90:'s interior. From the point of view of an off-screen assassin, the camera follows James Bond as he walks from right to left against a neutral background. Suddenly he becomes aware of being observed and stops at the centre of the screen before he quickly turns to the camera and shoots his gun towards it. A red blood wash, representing the gunman bleeding, runs down the screen.
103:
489:(tuxedo) rather than a business suit and again uses both hands to fire his gun. This rendering would feature in all Moore's subsequent films in the series, for a total of five appearances, the most uses of the same footage to date. In this version of the sequence, unlike previous and later incarnations, the prop gun held by the actor is never actually fired until
251:
851:. After spinning around to the camera, he shoots the gun from his right breastbone, arching slightly to his right. The sequence omits the running blood for the very first time fading to white (possibly foreshadowing Bond's death), and instead zooms into the first scene through the middle. This is also the first gun barrel sequence since
521:, featured an error in the 2006 Ultimate Edition and subsequent DVD releases of the film. The error was a scanning issue which caused the gun barrel to be cropped off largely along with the opening dots going off of the screen, just like the Brosnan gun barrels. The issue was rectified in one of the latest iTunes releases.
694:, Bond stops to pick up his gun from the floor but his victim, Fisher, who is a henchman of rogue MI6 section chief Dryden, recovers and seizes his own weapon. As Fisher brings his pistol up to shoot Bond in the back, the frame shifts instantly to the gun barrel perspective; Bond spins around to outshoot his opponent.
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rather than the traditional eight rifling grooves, and the blood comes down the screen quickly, not in a wave, but in rivulets. As the blood falls, the frames zooms back out, leading to the opening titles. This is also the first gun barrel sequence without some variation of the "James Bond Theme" as,
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A slightly different version of the theme has been used in each film, often reflecting the styles and locations featured. Some composers have not used the familiar opening bars that punctuate the appearance of the white dots. Others, while retaining them, have felt free to noticeably alter the usual
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featured its own gun barrel sequence in which Bond, appearing in shadow, quickly shoots away six times the onscreen text "ON ONE MAN", before shooting his seventh shot on the letter "M" into a "7" to only leave "007". Bond walks into the foreground, revealing
Brosnan's face and proclaiming "You were
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and so the gun barrel sequence had to be reshot, this time with Sean
Connery in the role. It is also the first gun barrel sequence in which the white dot segues to the film's pre-credit sequence, opening up to reveal the entirety of the scene. This is also the gun barrel which moves the least amount
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That was something I did in a hurry, because I had to get to a meeting with the producers in twenty minutes. I just happened to have little white, price tag stickers and I thought I'd use them as gun shots across the screen. We'd have James Bond walk through and fire, at which point blood comes down
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that a Bond film has opened with the gun barrel. The gun barrel design is reminiscent of the 2D-style gun barrels designed by
Maurice Binder pre-1995, although slightly blurrier, it also resembles the Pierce Brosnan era gun barrels. Daniel Craig moves at an average speed (again swinging both of his
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logo where it moves offscreen to the left before reverting to its traditional dot blinking sequence from left to right. This is omitted from the US release as it starts with the traditional dot blinking sequence. The gun barrel uses the glimmer effect for the first time since 1971, with the design
610:. In prior versions of the sequence, the white dot would open up to reveal the gun barrel before it reaches the right edge of the screen; in all four of Brosnan's films, however, the dot continues moving right until it disappears off screen. Then the gun barrel scrolls in leftward from off screen.
601:
shoots one-handed. Unlike the previous Bonds, he remains bolt upright as he fires, with his gun arm extended straight at the camera. The blood in this sequence is noticeably darker and falls faster than in previous incarnations; in keeping with this new pace, the main melody line of the James Bond
303:
present" appears across the dot. The text is wiped and the dot continues the sequence. The sequence is accompanied by a soundtrack of electronic noises and then numerous notes that sound like they are being plinked from a wind-up jack in the box; the latter is cut short by the gunshot. The "James
93:
With a few exemptions, the gun barrel either moves from side-to-side across the screen (towards the end of the blood washing) then dissolves to a white dot, which typically settles in the corner, or simply fades to black. If the gun barrel dissolves to the white dot, it either segues to the title
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This sequence differs considerably from previous versions: it is incorporated into the film's narrative; it begins with Bond standing stationary (although he was walking toward the door before stopping and turning); it is not filmed against a blank white void and it includes the person whom Bond
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sequences). Unlike all previous gun barrel openings, Craig swings both his arms as he walks, resulting in a partial glimpse of his gun before he turns to fire. After the blood runs down the frame, the screen fades to black, before being replaced by a title card with a small gun barrel logo
805:
arms as he walks, but this time resulting in his gun being made much more prominently visible), before spinning, facing the camera and firing, to which the lighting grows darker: it silhouettes Bond's figure and the blood runs down the screen, looking similar but noticeably slower than in
1052:, instead employed a frame filled with 007's, with the camera zooming into the one in the middle of the screen. There is, however, a scene in which James Bond and Maximilian Largo play a video game together. The nuclear missile defense shield used in the game resembles a gun barrel.
1335:, the main antagonist in the series, emulating the gun barrel sequence by walking across the screen in a Bond-like fashion and then turning to face the camera whilst swinging his signature machete, drenching the screen with blood in a similar manner to the original Bond sequences.
254:
253:
258:
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648:, the film's director requested a CG bullet be added into the sequence, which is seen zooming from Bond's gun at the screen and disappearing, suggesting that Bond has fired straight into his opponent's weapon. This was the last gun barrel sequence until
308:
segues directly into the credits, a grid matrix of large-scale, bright and rapidly changing coloured circular dots against a black background. This version, without the electronic noises or the
Saltzman–Broccoli credit line, was also used in
256:
67:. While it has retained the same basic elements, it has noticeably evolved throughout the series. It is one of the most immediately recognizable elements of the franchise and is featured heavily in marketing material for the films and
858:
A scene during the climax of the film pays homage to the sequence when Bond enters a cylindrical corridor from the side and quickly spins 90° anti-clockwise in response to a henchman shooting at him, firing towards the camera.
1727:
495:, as can be determined by the lack of gunsmoke in the freeze-frame. It is also noticeable that the background of this version of the sequence is tinted, rather than the usual white. The tint changes with every Moore film.
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The gun barrel sequence is widely used in advertisements and merchandise. References to its circular motif regularly appear in the films' trailers. A version of the sequence is used at the start of the 2012 documentary
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538:
and was used for both of Dalton's films. Dalton walks swiftly with a slight bounce before sharply spinning and firing. Dalton crouches down slightly when he fires. Unlike Moore, Dalton shoots one-handed.
86:
In virtually every Eon-produced Bond film, the sequence begins with a white dot blinking across the screen, from left to right. Upon reaching the right edge of the frame, the dot opens up to reveal a
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Simmons hops slightly as he pivots to assume the firing position and, following the blood wash, the dot becomes smaller and jumps to the lower right-hand corner of the frame before simply vanishing.
255:
690:. Unlike previous instalments, the gun barrel sequence does not open the film as a standalone segment; it is part of the plot. Having seemingly committed the first kill on his way to becoming a
597:(but still resembles the original images of the barrel itself) emphasising light and shade variations in the rifling spiral as the reflected light shifts with the gun's movement. Like Dalton,
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515:, once the white dot moves in the middle of the screen, it does not open up to reveal the pre-credits scene, but cuts abruptly. The gun barrel sequence for Moore's final film,
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film version) is viewable in the PC port's game files. Instead, the game has gun barrel motifs in its "focus aim" system and briefly in early trailers. Both versions of the
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Connery wobbles slightly while firing his gun as he adjusts his balance from an unstable position and he bends over to fire. Although the sequence was shot in colour for
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2028:
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is the first Bond movie where the white dot opens up to reveal Bond, this gun barrel also shows Bond's final pose as uncentered, possibly due to a scanning error.
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of seconds, for the point of Bond's final stance and the opening shot (the fake coffin of SPECTRE's
Colonel Jacques Bouvar) almost completely overlap each other.
94:
sequence, shrinks and disappears, or fades from white to a circular cutout of the first scene, expanding to reveal the full view of the scene shortly thereafter.
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Bond Theme" then plays very loudly, albeit with the first portion, featuring the theme's plucked electric guitar riff, truncated. The gun barrel sequence in
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78:
suggests that the sequence is a significant part of the James Bond mythos because it "foregrounds the motif of looking, which is central to the spy genre".
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gun, but this caused some problems. Unable to stop down the lens of a standard camera enough to bring the entire gun barrel into focus, Binder created a
1746:
838:, the final Bond film to feature Daniel Craig. In the International release, the gun barrel begins from the center screen after its transition from the
781:, the blood is dark red and runs down the frame in rivulets. However, Bond moves across the screen substantially slower (at a similar speed to the pre-
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shoots. In keeping with the black-and-white theme of the pre-title sequence of the film, it is also the first to be presented in monochrome since
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gun barrel, though the theme starts before the sequence in the last scene of the film when the new M gives 007 the dossier for his next mission.
899:, Daniel Craig's James Bond is the first shown wearing a more casual ensemble and an open-necked shirt; his attire reverts to a business suit in
386:
In this rendering, the white dot stops mid-screen and the credit line "Harry
Saltzman and Albert R. Broccoli Present" appears, much as it did in
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740:. It reverts to a more traditional style, although the sequence was placed at the end of the film to start the closing credits, due to a final
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Because Binder had designed the gun barrel sequence to feature Bond only in silhouette, with a non-widescreen aspect ratio, he used stunt man
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walking, turning, and then shooting directly at the camera, causing blood to run down the screen. The visuals are usually accompanied by the "
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and takeoffs since its first appearance in 1962. The sequence has been spoofed in films, sitcoms, cartoons and in advertisements, including:
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Most Eon-produced Bond films follow this ending, for this is seen in gun barrels featuring all Eon's actors who have played Bond: Connery
1980:
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847:. Craig this time swings his left arm instead of both, with a partial glimpse of his gun, while also walking near the same pace as in
420:, the splashes of light are erased by the descending blood. This was the last time the sequence was rendered in black and white until
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1418:
375:
68:
752:, and in the Q, Bond is shown walking away after firing for the first time in the sequence. The closing credits of the film follow.
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had originally intended to place the gun barrel at the start of the film, he felt that it would be better placed at the end, as in
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celebrating fifty years of Bond films and the text "James Bond Will Return" underneath. Craig shoots one-handed from the chest.
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has the only gun barrel sequence which omits the "James Bond Theme" completely, instead featuring the opening bars of "
451:
883:. For his first two films, Roger Moore's Bond continues this tradition but without the hat. The following films, from
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asking, "Do you have what it takes to be Bond?", and showing people trying to repeat the shot, but spoiling the try.
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1144:(2011), have no gun barrel featured at all save for the box art and a brief reference in the opening titles. 2012's
209:
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Binder described the genesis of the gun barrel sequence in the last interview he recorded before his death in 1991:
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gun barrel alters the gun barrel of the previous film slightly, showing Dalton's walk and pose as more zoomed in.
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2018:
1985:
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respectively. Kamen's orchestration was a symphonic fanfare, while Serra's arrangement is played by synthesiser.
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The media historian James
Chapman observed that the sequence recalls the gun fired at the audience at the end of
75:
45:
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194:
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1084:; he was shot at with a machine-gun before diving off-screen. It was used in a commercial for the video game
559:(1989). This was the last gun barrel sequence to be designed by Maurice Binder before his death in 1991. The
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443:, and the use of a 1.85:1 matted aspect ratio, a fourth sequence was shot. It was used for just two films:
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does not feature the gun barrel sequence in-game, but an unused animation of it (strongly resembling the
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1728:"Sam Mendes Talks About Wanting To Open 'Skyfall' With The Traditional James Bond Gun Barrel Sequence"
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1342:, which has historically distanced itself from the Bond franchise, released the image of its annual
875:, the gun barrel sequences by Bob Simmons, Sean Connery, and George Lazenby feature James Bond in a
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2013:
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416:, the barrel is awash with prismatic splashes of light, which this time ripple through it. Unlike
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are blue but in subsequent releases the dots are white. It is the last gun barrel sequence until
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onscreen. That was about a twenty-minute storyboard I did, and they said, "This looks great!"
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only, wherein it happens directly in the gun barrel without it dissolving to the white dot.)
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featured its own gun barrel sequence in which Bond, in a dinner suit, fires with both hands
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8:
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1322:'s entrance was also similar at one point to that of the James Bond gun barrel sequence.
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uses an original gun barrel design in its marketing, both the teaser image and trailer.
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1901:
1872:"'The name's Christmas ... Father Christmas' – MI6 channels James Bond in festive card"
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opens with the gun barrel as the start screen, with a design somewhat akin to that of
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expecting someone else?", introducing him as the first actor to play Bond since 1989.
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344:
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142:, in 1962. Binder originally planned to employ a camera sighted down the barrel of a
1911:
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412:, the sequence was rendered in black and white, but was given a bluish tint. As in
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A new gun barrel sequence was shot due to the change in actor from Roger Moore to
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499:, for example, features an eggshell tinted background whereas the background in
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The gun barrel sequence is traditionally accompanied by an arrangement of the "
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Because the gun barrel sequence is copyrighted by Eon, the non-Eon Bond film
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426:(2006). It is also the last gun barrel sequence in which Bond wears a hat.
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instead, it is accompanied by the opening bars of the film's theme song, "
1942:
1844:"From MI6 with love, a Bond-style Christmas card with a licence to chill"
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1751:
1619:
The Bond Files: The
Unofficial Guide to the World's Greatest Secret Agent
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1146:
1071:
967:. The "James Bond Theme" returns to accompany the gun barrel sequence in
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against a backdrop reminiscent of the Bond movies' gun barrel sequence.
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1996:
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Like any cultural icon, the gun barrel sequence has inspired numerous
485:, necessitating a fifth version of the sequence. Moore's Bond wears a
63:, the sequence has been featured in every James Bond film produced by
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coverage of a museum exhibition featuring a 'walk through' gun-barrel
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uses the gun barrel sequence in the opening titles. A commercial for
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589:
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trailer, showing Dalton hopping as he fires, similar to Bob
Simmons.
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1606:
The
Incredible World of 007: An Authorized Celebration of James Bond
212:. Statements consisting only of original research should be removed.
1290:
1120:, as the game adapts elements from both films. The 2010 video game
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parodied the gun-barrel by replacing Bond with a man who resembled
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which showed each Bond composited together, turning and shooting.
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Maurice Binder created the opening titles of the first Bond film,
44:. Shot from the point of view of a presumed assassin, it features
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1444:
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became the designer of the Bond opening graphics. Beginning with
111:
19:
1026:" each feature their own variation of the gun barrel sequence.
880:
1771:"Why There's No Blood In No Time To Die's Gun Barrel Sequence"
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Licence to Thrill: A Cultural History of the James Bond Films
1401:
is the first film featuring no blood wash in the gun barrel.
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703:
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theme is omitted in two of Brosnan's gun barrel sequences,
150:
to solve the problem, and the barrel became crystal clear.
971:, where it continues into the credits. The same goes with
132:, may have influenced the James Bond gun barrel sequence.
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Kiss Kiss Bang Bang: The Unofficial James Bond Companion
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White dots that do not settle in the corner are seen in
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each use a version similar to the Pierce Brosnan films.
702:(1971) and the first in which Bond is wearing neither a
102:
1521:
cuts into the full view of scene instead of zooming in)
760:
Yet another redesigned gun barrel is used for the film
1817:
1662:"An Analysis of Bond Title Sequences: Die Another Day"
652:
where Bond wears a dinner suit and the last one until
295:, the white dot stops mid-screen and the credit line "
1941:
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The gun barrel is placed at the immediate opening of
714:. Like Dalton and Brosnan, Craig shoots one-handed.
1600:
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398:When Sean Connery returned to the role of Bond for
379:(1969), a third sequence had to be filmed. As with
1682:"Blast From the Past: Tamahori on DIE ANOTHER DAY"
734:The gun barrel was refilmed and edited for 2008's
340:, the aspect ratio of the films was changed to a
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1593:
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1140:(2010) for the Wii and its PS3/Xbox counterpart
813:. Craig shoots one-handed again from the chest.
717:Furthermore, the computer-generated rifling is
114:, similar to the gun barrel shown in the movies
37:is a signature device featured in nearly every
989:Everything or Nothing: The Untold Story of 007
917:video game tie-in reverts to the dinner suit.
680:The gun barrel sequence was revised again for
383:, the sequence was once again shot in colour.
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1927:
543:orchestrates the music for the gun barrel in
263:The gun barrel sequence as it appears in the
1116:, the gun barrel resembles the one used for
566:An alternate gun barrel sequence appears in
173:
635:Roger Moore at the six-grooved gun barrel.
404:(1971), the gun barrel sequence filmed for
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1934:
1920:
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583:Following Maurice Binder's death in 1991,
321:which fades into the pre-credit sequence.
2724:Considerations for the role of James Bond
1797:
1604:Pfeiffer, Lee & Lisa, Philip (1995).
1582:
1580:
1578:
1568:Barnes, Alan & Hearn, Marcus (2000).
1555:Cork, John & Scivally, Bruce (2002).
1108:uses the Bob Simmons gun barrel from the
832:The gun barrel appears at the opening of
479:The anamorphic format was reinstated for
228:Learn how and when to remove this message
23:The gun barrel sequence as it appears in
1869:
1841:
1028:
820:
663:
463:. The dots that start the gun barrel in
364:
355:, it is rendered in black and white for
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117:
101:
18:
1617:Lane, Andy & Simpson, Paul (1998).
553:composes a different orchestration for
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2304:
1575:
1474:(albeit directly after the blood wash)
393:
2879:Film and television opening sequences
2278:
1915:
1870:Nicholls, Daniel (22 December 2021).
1842:Sandeman, George (22 December 2021).
1800:"Everything Or Nothing hits the mark"
1515:(both variants, though the cutout in
1387:is the first film to not follow this.
895:, wearing a dinner suit (tuxedo). In
855:where Bond is wearing a dinner suit.
1744:
1328:Friday the 13th Part VI: Jason Lives
1175:
177:
1315:My Little Pony: Friendship Is Magic
684:'s first portrayal of Agent 007 in
656:where the sequence opens the film.
13:
2105:Fleming: The Man Who Would Be Bond
1206:by removing the content or adding
1112:. In the video game adaptation of
941:rendition, e.g. Michael Kamen and
843:being simpler, similar to that of
471:where Bond wears a business suit.
14:
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1895:
1060:The sequence is commonly used in
573:
524:
315:with more red-coloured blood and
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2846:
2259:
2258:
1745:Watt, Andrew (30 October 2012).
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373:, in the role of James Bond for
182:
2412:On Her Majesty's Secret Service
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1419:On Her Majesty's Secret Service
1325:In the 1986 horror/comedy film
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418:On Her Majesty's Secret Service
414:On Her Majesty's Secret Service
376:On Her Majesty's Secret Service
324:
2783:White bikini of Ursula Andress
2224:Concept of a "Licence to kill"
1702:"IMDB Trivia: Die Another Day"
1562:
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1437:
1404:
1390:
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1156:. I.O Interactive's new title
1055:
933:", a trademark established in
429:
240:
110:gun barrel with its six-sided
81:
1:
1539:
1523:, Dalton, Brosnan, and Craig
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1285:Monty Python's Flying Circus
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529:
474:
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329:
245:
74:The British media historian
7:
2442:The Man with the Golden Gun
1357:
1346:, which that year featured
1331:, the opening credits show
1165:
921:has Bond in a dinner suit.
627:The theatrical trailer for
465:The Man with the Golden Gun
452:The Man with the Golden Gun
208:the claims made and adding
16:James Bond signature device
10:
2900:
2246:James Bond (ornithologist)
1902:Show spills Bond's secrets
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766:(2012). Although director
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2006:
1973:
1955:
1242:Bons Baisers de Hong Kong
1202:Please help Knowledge to
439:With the introduction of
174:Evolution of the sequence
2241:Ian Fleming Publications
2219:Parodies and spin - offs
1369:
994:The music videos to the
924:
903:, which is retained for
891:(2002), feature Bond in
2542:The World Is Not Enough
1804:James Bond 007 Magazine
1637:The Bond Film Informant
1586:Chapman, James (2000).
1431:The World Is Not Enough
1077:The World Is Not Enough
996:James Bond title themes
816:
800:, the first time since
789:
755:
729:
675:
619:The teaser trailer for
613:The World Is Not Enough
608:The World Is Not Enough
593:(1995), the barrel was
167:The Great Train Robbery
125:The Great Train Robbery
59:Originally designed by
2832:Parodies and spin-offs
2112:007: Road to a Million
1633:"The Spy Who Loved Me"
1557:James Bond: The Legacy
1062:James Bond video games
1039:
829:
672:
505:has a strong shade of
274:
161:
133:
115:
30:
2642:Never Say Never Again
2372:From Russia with Love
1822:IOI - I.O Interactive
1511:(non-Simmons variant)
1492:From Russia with Love
1364:Outline of James Bond
1267:SpongeBob SquarePants
1110:film of the same name
1105:From Russia with Love
1099:Everything or Nothing
1064:and their marketing.
1045:Never Say Never Again
1036:Never Say Never Again
1032:
824:
667:
365:1969 (George Lazenby)
312:From Russia with Love
285:, to film the scene.
262:
156:
121:
105:
22:
2884:Cinematic techniques
2710:Recurring characters
2502:The Living Daylights
2452:The Spy Who Loved Me
2422:Diamonds Are Forever
1759:on 28 November 2012.
1303:Yogi's Treasure Hunt
1297:Garfield and Friends
1204:improve this section
1048:, released by rival
1033:The 007 sequence in
1004:The Living Daylights
885:The Spy Who Loved Me
873:Diamonds Are Forever
700:Diamonds Are Forever
568:The Living Daylights
546:The Living Daylights
497:The Spy Who Loved Me
482:The Spy Who Loved Me
461:The Spy Who Loved Me
401:Diamonds Are Forever
2776:Gun barrel sequence
2532:Tomorrow Never Dies
2402:You Only Live Twice
2235:Shaken, not stirred
2049:Gun barrel sequence
1877:The Daily Telegraph
1216:independent sources
1172:James Bond parodies
1142:GoldenEye: Reloaded
1016:Tomorrow Never Dies
744:scene being cut by
629:Tomorrow Never Dies
604:Tomorrow Never Dies
410:You Only Live Twice
394:1971 (Sean Connery)
358:You Only Live Twice
35:gun barrel sequence
2874:James Bond in film
2472:For Your Eyes Only
1518:For Your Eyes Only
1040:
1024:Another Way to Die
840:Universal Pictures
830:
673:
595:computer-generated
512:For Your Eyes Only
408:was used. As with
369:With a new actor,
301:Albert R. Broccoli
275:
193:possibly contains
134:
116:
31:
2861:
2860:
2572:Quantum of Solace
2272:
2271:
2081:"Casino Royale" (
1779:. 10 October 2021
1532:
1522:
1513:, Lazenby, Moore
1512:
1475:
1233:
1232:
1128:Quantum of Solace
1114:Quantum of Solace
1082:Valentin Zukovsky
969:Quantum of Solace
901:Quantum of Solace
849:Quantum of Solace
845:Quantum of Solace
807:Quantum of Solace
779:Quantum of Solace
772:Quantum of Solace
750:Quantum of Solace
737:Quantum of Solace
710:, but is dressed
469:Quantum of Solace
345:anamorphic format
260:
238:
237:
230:
195:original research
2891:
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2849:
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2806:
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2726:
2719:
2717:Recurring actors
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2536:
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2516:
2506:
2496:
2492:A View to a Kill
2486:
2476:
2466:
2456:
2446:
2436:
2432:Live and Let Die
2426:
2416:
2406:
2396:
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1936:
1929:
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1889:
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1814:
1808:
1807:
1795:
1789:
1788:
1786:
1784:
1767:
1761:
1760:
1755:. Archived from
1747:"Skyfall (2012)"
1742:
1736:
1735:
1730:. Archived from
1724:
1718:
1717:
1715:
1714:
1698:
1692:
1691:
1689:
1688:
1678:
1672:
1671:
1669:
1668:
1658:
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1651:
1649:
1648:
1639:. Archived from
1631:Matthew Newton.
1628:
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1609:
1602:
1591:
1584:
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1566:
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1394:
1388:
1380:
1348:Father Christmas
1228:
1225:
1219:
1184:
1183:
1176:
1087:Agent Under Fire
1000:A View to a Kill
977:
961:You Know My Name
931:James Bond Theme
825:Daniel Craig in
724:You Know My Name
668:Daniel Craig in
518:A View to a Kill
457:Live and Let Die
446:Live and Let Die
261:
233:
226:
222:
219:
213:
210:inline citations
186:
185:
178:
130:Justus D. Barnes
50:James Bond Theme
2899:
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2788:
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2754:
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2722:
2715:
2708:
2702:Cast/characters
2697:
2690:
2683:
2676:
2669:
2662:
2649:
2639:
2629:
2620:
2609:
2599:
2589:
2579:
2569:
2559:
2552:Die Another Day
2549:
2539:
2529:
2519:
2512:Licence to Kill
2509:
2499:
2489:
2479:
2469:
2459:
2449:
2439:
2429:
2419:
2409:
2399:
2389:
2379:
2369:
2359:
2352:Eon Productions
2346:
2337:
2328:
2319:
2311:
2303:
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2268:
2250:
2229:Vesper cocktail
2195:
2174:
2143:
2117:
2069:
2053:
2002:
1986:Title character
1969:
1951:
1940:
1898:
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1798:LUKE WILLIAMS.
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1646:
1644:
1643:on 24 July 2008
1629:
1625:
1616:
1612:
1608:. Boxtree, 200.
1603:
1594:
1590:. Columbia, 61.
1585:
1576:
1572:. Batsford, 18.
1567:
1563:
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1547:
1542:
1537:
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1508:
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1483:
1479:
1461:
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1442:
1438:
1425:Licence to Kill
1409:
1405:
1395:
1391:
1381:
1377:
1372:
1360:
1318:. WWE wrestler
1309:Ozzy & Drix
1255:Teen Titans Go!
1229:
1223:
1220:
1201:
1197:popular culture
1185:
1181:
1174:
1168:
1058:
1020:Die Another Day
1008:Licence to Kill
984:
975:
947:Licence to Kill
927:
889:Die Another Day
887:(1977) through
865:
853:Die Another Day
819:
802:Die Another Day
792:
758:
732:
678:
662:
641:Die Another Day
585:Daniel Kleinman
581:
576:
561:Licence to Kill
556:Licence to Kill
532:
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477:
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396:
367:
332:
327:
250:
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217:
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199:
187:
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176:
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128:, acted out by
100:
84:
69:their spin-offs
65:Eon Productions
17:
12:
11:
5:
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2766:No Time to Die
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2602:No Time to Die
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2136:
2131:
2125:
2123:
2119:
2118:
2116:
2115:
2108:
2101:
2100:
2099:
2091:James Bond Jr.
2087:
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2059:
2055:
2054:
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2051:
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2016:
2010:
2008:
2004:
2003:
2001:
2000:
1993:
1988:
1983:
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1971:
1970:
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1967:
1962:
1956:
1953:
1952:
1939:
1938:
1931:
1924:
1916:
1910:
1909:
1897:
1896:External links
1894:
1891:
1890:
1862:
1834:
1809:
1790:
1762:
1737:
1734:on 2012-11-10.
1719:
1693:
1673:
1653:
1623:
1621:. Virgin, 145.
1610:
1592:
1574:
1561:
1559:. Boxtree, 46.
1544:
1543:
1541:
1538:
1535:
1534:
1528:No Time to Die
1502:
1477:
1455:
1436:
1403:
1398:No Time to Die
1389:
1374:
1373:
1371:
1368:
1367:
1366:
1359:
1356:
1350:posing with a
1344:Christmas Card
1333:Jason Voorhees
1231:
1230:
1195:references to
1188:
1186:
1179:
1170:Main article:
1167:
1164:
1057:
1054:
983:
980:
926:
923:
919:No Time To Die
864:
861:
835:No Time to Die
827:No Time to Die
818:
815:
791:
788:
757:
754:
731:
728:
692:Double-O agent
677:
674:
661:
658:
650:No Time to Die
599:Pierce Brosnan
580:
577:
575:
574:Pierce Brosnan
572:
536:Timothy Dalton
531:
528:
526:
525:Timothy Dalton
523:
476:
473:
436:
433:
431:
428:
395:
392:
371:George Lazenby
366:
363:
331:
328:
326:
323:
297:Harry Saltzman
281:, rather than
247:
244:
242:
239:
236:
235:
190:
188:
181:
175:
172:
155:
148:pinhole camera
122:The 1903 film
99:
96:
83:
80:
61:Maurice Binder
52:", written by
15:
9:
6:
4:
3:
2:
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2638:
2634:
2633:
2632:Casino Royale
2628:
2624:
2623:Casino Royale
2619:
2618:
2616:
2614:Non-Eon films
2612:
2604:
2603:
2598:
2594:
2593:
2588:
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2562:Casino Royale
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2017:
2015:
2012:
2011:
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1899:
1879:
1878:
1873:
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1851:
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1823:
1819:
1818:"Project 007"
1813:
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1470:Casino Royale
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1426:
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1384:Casino Royale
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1279:American Dad!
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1199:
1198:
1194:
1189:This section
1187:
1178:
1177:
1173:
1163:
1161:
1160:
1155:
1154:
1149:
1148:
1143:
1139:
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1137:GoldenEye 007
1133:
1129:
1125:
1124:
1119:
1118:Casino Royale
1115:
1111:
1107:
1106:
1101:
1100:
1095:
1094:
1089:
1088:
1083:
1079:
1078:
1073:
1069:
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1067:GoldenEye 007
1063:
1053:
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1047:
1046:
1038:
1037:
1031:
1027:
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1021:
1017:
1013:
1009:
1005:
1001:
997:
992:
990:
979:
974:
970:
966:
965:Chris Cornell
962:
958:
957:Casino Royale
954:
952:
948:
945:, who scored
944:
938:
936:
932:
922:
920:
916:
915:
910:
906:
902:
898:
897:Casino Royale
894:
890:
886:
882:
878:
877:business suit
874:
870:
860:
856:
854:
850:
846:
841:
837:
836:
828:
823:
814:
812:
808:
803:
799:
798:
787:
784:
783:Casino Royale
780:
775:
773:
769:
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751:
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738:
727:
725:
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715:
713:
709:
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704:business suit
701:
695:
693:
689:
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687:Casino Royale
683:
671:
670:Casino Royale
666:
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551:Michael Kamen
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2179:Accessories
2058:Video games
1943:Ian Fleming
1883:22 December
1855:22 December
1776:Screen Rant
1752:Burton Mail
1413:Thunderball
1159:Project 007
1147:007 Legends
1123:Blood Stone
1072:Nintendo 64
1056:Video games
914:007 Legends
742:cliffhanger
719:microgroove
708:dinner suit
549:(1987) but
487:dinner suit
441:Roger Moore
430:Roger Moore
406:Thunderball
381:Thunderball
353:Thunderball
337:Thunderball
279:Bob Simmons
241:Bob Simmons
144:.38 calibre
108:.38 calibre
82:Description
2868:Categories
2731:Bond girls
2382:Goldfinger
2331:Production
2307:James Bond
2212:Mi6-HQ.com
2155:James Bond
2148:Characters
2074:Television
2029:Characters
2024:Production
1997:Young Bond
1974:Literature
1948:James Bond
1783:6 November
1713:2013-08-14
1687:2013-08-14
1667:2013-08-14
1647:2008-11-02
1540:References
1498:Goldfinger
1352:candy cane
1273:Family Guy
1248:Dave Allen
1193:irrelevant
982:Other uses
943:Éric Serra
777:Like with
768:Sam Mendes
541:John Barry
342:Panavision
318:Goldfinger
202:improve it
88:gun barrel
46:James Bond
40:James Bond
2811:Locations
2749:Accolades
2522:GoldenEye
2482:Octopussy
2462:Moonraker
2340:Portrayal
2034:Locations
2019:Portrayal
1849:The Times
1338:In 2021,
1224:July 2020
1208:citations
1134:remakes,
1132:GoldenEye
1093:Nightfire
1012:GoldenEye
951:GoldenEye
893:black tie
621:GoldenEye
590:GoldenEye
579:1995–2002
530:1987–1989
502:Moonraker
492:Octopussy
475:1977–1985
435:1973–1974
330:1965–1967
246:1962–1964
206:verifying
2852:Category
2818:Vehicles
2625:" (1954)
2264:Category
2191:Vehicles
2170:Villains
2097:episodes
1906:BBC News
1358:See also
1291:Logorama
1250:at Large
1237:parodies
1212:reliable
1166:Parodies
1070:for the
712:casually
644:(2002),
459:through
170:(1903).
2804:Gadgets
2757:Skyfall
2741:Related
2655:History
2592:Spectre
2582:Skyfall
2310:in film
2200:Related
2186:Gadgets
2083:Climax!
1965:Outline
1451:Spectre
1445:Skyfall
1153:Skyfall
1022:" and "
973:Skyfall
909:Spectre
905:Skyfall
863:Costume
811:Skyfall
797:Spectre
763:Skyfall
654:Spectre
265:trailer
200:Please
112:rifling
98:Origins
2790:Motifs
2645:(1983)
2635:(1967)
2605:(2021)
2595:(2015)
2585:(2012)
2575:(2008)
2565:(2006)
2555:(2002)
2545:(1999)
2535:(1997)
2525:(1995)
2515:(1989)
2505:(1987)
2495:(1985)
2485:(1983)
2475:(1981)
2465:(1979)
2455:(1977)
2445:(1974)
2435:(1973)
2425:(1971)
2415:(1969)
2405:(1967)
2395:(1965)
2385:(1964)
2375:(1963)
2365:(1962)
2362:Dr. No
2207:Fandom
2160:Allies
2134:Strips
2122:Comics
2039:Motifs
1486:Dr. No
1464:Dr. No
1428:, and
1320:Cesaro
976:'s
935:Dr. No
911:. The
881:trilby
869:Dr. No
706:nor a
388:Dr. No
306:Dr. No
299:&
293:Dr. No
273:(1962)
270:Dr. No
139:Dr. No
29:(1962)
26:Dr. No
2797:Music
2692:2000s
2685:1990s
2678:1980s
2671:1970s
2664:1960s
2165:Girls
2139:Books
2044:Music
2007:Films
1370:Notes
963:" by
925:Music
867:From
509:. In
2322:List
2129:List
2065:List
2014:List
1981:List
1885:2021
1857:2021
1829:2022
1785:2021
1707:IMDb
1495:and
1467:and
1448:and
1312:and
1214:and
1096:and
1018:", "
1014:", "
1010:", "
1006:", "
1002:", "
949:and
907:and
879:and
817:2021
809:and
790:2015
756:2012
730:2008
676:2006
633:à la
606:and
507:buff
449:and
334:For
267:for
42:film
33:The
1945:'s
1340:MI6
1210:to
871:to
726:".
638:In
291:In
204:by
2870::
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1874:.
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1595:^
1577:^
1548:^
1489:,
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