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200:, developing his printmaking technique. He followed the traditional European method of color relief printing using oil-based inks and printing his blocks on a small press. This contrasted with the trend at the time of many American artists to employ hand rubbed woodblock prints in the Japanese traditional style. By this time he had developed his personal artist's seal: the opened palm of a hand on a heart. His Mill Pond is the largest color woodcut produced at the time. These were shown at the 1915
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609:(2020). text and woodcut illustrations by Gustave Baumann. Printing was limited to 145 copies. Produced by the Press At the Palace of the Governors using Gustave Baumanns original woodblocks.
246:. Baumann married Jane Devereaux Henderson on June 25, 1925. Their daughter, Ann, was born on July 31, 1927. He remained in Santa Fe for more than fifty years until his death there in 1971.
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and learned the techniques of wood block prints. After returning to the United States, he began producing color woodcuts as early as 1908, earning his living as a graphic artist.
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579:(1916), published by Brothers of the Book, text by Kendall Banning and 13 original woodcut illustrations by Gustave Baumann. Printing was limited to 525 copies.
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585:, (1918) Text by Kendall Banning and 13 photoengraved illustrations by Gustave Baumann. This edition was reduced to 2/3 size of the original 1916 printing.
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340:(2019) to see an array of works completed by Gustave Baumann during his lifetime. This book documents over 429 distinct images. Highlights include:
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591:(1919). text and woodcut illustrations by Gustave Baumann. Printing was limited to 50 copies of which only a handful were completed.
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597:(1929), woodcut text and 3 photoengraved illustrations by Gustave Baumann. Printing was limited to 100 copies.
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had opened the previous year and its curator, Paul Water, persuaded
Baumann to stay in Santa Fe.
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677:, Living Treasures Oral History Collection, 1982-, University of New Mexico University Libraries
603:(1939), text and 25 woodcut illustrations by Gustave Baumann. Printing was limited to 480 copies
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219:. Thinking it too crowded and too social, he boarded the train which stopped in Santa Fe. Its
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In a Modern
Rendering: The Color Woodcuts of Gustave Baumann: A Catalogue Raisonné
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Prints With/Out
Pressure: American Relief Prints from the 1940s through the 1960s
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In A Modern
Rendering: The Color Woodcuts of Gustave Baumann: A Catalog Raisonne
977:"A Geographical Treatise Together with Greetings from Jane and Gustave Baumann"
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149:. He is also recognized for his role in the 1930s as area coordinator of the
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In 1918, he headed to the
Southwest to inquire into the artists' colony of
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Pirates! Or, The Cruise of the Black
Revenge: A Melodrama in Thirteen Acts
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and furniture. His work depicted southwestern landscapes, ancient Indian
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Krause, Martin F.; Yurtseven, Madeline Carol; Acton, David (1993).
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785:. Krause, Martin F. Portland, Oregon: Pomegranate. p. 103.
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702:. National Museum of American History, Smithsonian Institution
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Hand of A Craftsman: The
Woodcut Technique of Gustave Baumann
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Hand of A Craftsman: The
Woodcut Technique of Gustave Baumann
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In addition to his popular color woodcuts, Baumann also made
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Baumann's work is held in the permanent collections of the
113:(June 27, 1881 – October 8, 1971) was an American
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Emigrants from the German Empire to the United States
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where
Baumann won the gold medal for color woodcut.
573:), 12 electroplate illustrations by Gustave Baumann
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181:. He returned to Germany in 1904 to attend the
121:, and one of the leading figures of the color
750:"Ann Baumann; Her Life in a Home Full of Art"
583:Pirates! Or, The Cruise of the Black Revenge
129:. His works have been shown at the New York
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177:house while attending night classes at the
1130:Includes twelve color woodcuts by Baumann.
726:. New Mexico Museum of Art. Archived from
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356:, as well as interior scenes. Includes
202:Panama–Pacific International Exposition
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1055:. Rizzoli International Publications.
512:Mid-1920s views of the Pacific coast:
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96:Königliche Kunstgewerbeschule München
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783:The autobiography of Gustave Baumann
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493:Four Southern Arizona views (1924):
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724:"Introduction to "Pulling Strings""
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240:Society of American Graphic Artists
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1235:20th-century American male artists
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211:Gustave Baumann House, Santa Fe NM
104:Printmaking, marionettes, painting
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1215:Artists from Santa Fe, New Mexico
1200:20th-century American printmakers
1160:Works by or about Gustave Baumann
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748:Padilla, Carmella (Spring 2009).
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689:, Smithsonian American Art Museum
352:Twelve prints depicting views of
336:Refer to Gala Chamberlain's book
470:Five views of the Grand Canyon:
439:Night at the Fiesta – Taos
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266:life, and gardens and orchards.
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16:American printmaker and painter
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1104:. Museum of New Mexico Press.
1081:. Museum of New Mexico Press.
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447:Corn Dance – Santa Clara
234:and carved and performed with
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1100:Gustave Baumann Nearer to Art
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155:Works Progress Administration
901:"Objects by Gustave Baumann"
829:"Gustave Baumann Collection"
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165:Gustave Baumann was born in
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1220:Federal Art Project artists
1136:Gustave Baumann's Southwest
601:Frijoles Canyon Pictographs
185:in Munich where he studied
151:Public Works of Art Project
135:The Cleveland Museum of Art
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1051:Chamberlain, Gala (2019).
956:Indianapolis Museum of Art
833:New Mexico Archives Online
827:New Mexico Museum of Art.
632:Indianapolis Museum of Art
607:Indian Pottery Old and New
589:Indian Pottery Old and New
423:Sanctuario – Chimayo
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131:Metropolitan Museum of Art
1169:Gustave Baumann Biography
1134:Traugott, Joseph (2007).
1002:"Strangers from Hopiland"
781:Baumann, Gustave (2015).
665:, New York Public Library
455:San Geronimo – Taos
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238:. He was a member of the
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981:New Mexico Museum of Art
930:Art Institute of Chicago
635:New Mexico Museum of Art
628:Art Institute of Chicago
179:Art Institute of Chicago
147:New Mexico Museum of Art
1230:Taos Society of Artists
881:albuquerque.emuseum.com
546:Point Lobos Rock Garden
459:Beginning of the Fiesta
244:Taos Society of Artists
198:Brown County Art Colony
139:National Gallery of Art
1205:American male painters
1171:at the Annex Galleries
641:, among other venues.
390:Clinching the Argument
324:Rain in the Mountains,
281:wood block print, 1917
212:
1120:Riley, James Whitcomb
1077:Acton, David (1996).
700:"Baumann Color Print"
503:Superstition Mountain
495:Palo Verde and Ocotea
490:(c. 1927–1930).
394:The Suspension Bridge
374:In the Hills o' Brown
366:The Town of Nashville
345:In the Hills o' Brown
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194:Brown County, Indiana
1210:Artists from Indiana
571:James Whitcomb Riley
534:Windswept Eucalyptus
431:The Bishop's Apricot
410:New Mexico Portfolio
1128:. Bobbs Merrill Co.
1027:Stark Museum of Art
639:Stark Museum of Art
484:Cedar, Grand Canyon
480:Pinon, Grand Canyon
476:Pines, Grand Canyon
382:The Courthouse Yard
358:The Blacksmith Shop
326:1926, color woodcut
311:1925, color woodcut
196:as a member of the
1125:All the Year Round
864:Chamberlain (2019)
620:Albuquerque Museum
614:Museum collections
595:Chips an' Shavings
567:All the Year Round
538:Redwood Muir Woods
499:Cholla and Sahuaro
472:Bright Angel Trail
463:San Domingo Pueblo
451:Lost in the Desert
354:Nashville, Indiana
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183:Kunstgewerbeschule
1023:"Gustave Baumann"
952:"Gustave Baumann"
926:"Gustave Baumann"
561:Illustrated books
192:He spent time in
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419:Cliff Dwellings
386:An Evening Chat
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1045:Works cited
866:, p. .
542:Point Lobos
526:Coast Range
260:petroglyphs
236:marionettes
125:revival in
85:Nationality
1179:Categories
1111:0890132518
1088:0890132976
1032:24 October
1007:24 October
986:24 October
961:24 October
936:24 October
910:24 October
886:2023-08-15
839:2022-07-16
767:2013-01-23
757:El Palacio
734:2013-01-23
706:2008-06-25
645:References
417:Comprises
221:art museum
145:, and the
115:printmaker
78:New Mexico
44:1881-06-27
801:899114014
650:Citations
427:My Garden
175:engraving
167:Magdeburg
161:Biography
52:Magdeburg
1122:(1912).
482:(1921),
478:(1921),
474:(1921),
242:and the
228:Santa Fe
74:Santa Fe
1162:at the
763:(1): 51
518:Redwood
250:Artwork
232:Zozobra
171:Germany
153:of the
127:America
123:woodcut
119:painter
56:Germany
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932:. 1881
835:. ms02
817:, 1996
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461:, and
412:(1924)
400:, and
347:(1910)
332:Prints
264:pueblo
137:, the
753:(PDF)
1140:ISBN
1106:ISBN
1083:ISBN
1057:ISBN
1034:2022
1009:2022
988:2022
963:2022
938:2022
912:2022
797:OCLC
787:ISBN
296:1924
117:and
63:Died
38:Born
761:114
226:In
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
