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68:(1686–1764) is credited with popularizing this format of print. They were popular during the second half of the eighteenth century. Surviving examples are rare, and often faded, worn, or stained from exposure to soot and smoke.
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They were originally intended to be hung upon, or pasted onto, wooden pillars inside
Japanese houses. They probably served as cheap alternatives to hanging scrolls (
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82:). The popularity of hashira format prints began to wane around 1800 and they were superseded by vertical diptychs of the larger
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meaning 'picture') the most frequent size for
Japanese woodblock prints at approx. 24.4cm x 38cm (10 by 15 inches). O
102:) offered greater compositional freedom for artists of the nineteenth and the first half of the twentieth century.
78:(1735–1790) designed many hashira-e depicting a wide variety of subjects, particularly gods and beautiful women (
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The Prints of Isoda Koryūsai: Floating World
Culture and Its Consumers in Eighteenth-century Japan
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Hashira-e: Pillar Prints from the Jacob Pins
Collection and the Museum Collection
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usually measuring about 13cm x 73cm (4.5 in. by 28 in.).
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31:(Shōki striding), by originator of this format,
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282:. Tikotin Museum of Japanese Art. 1987.
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64:) which were typically made of silk.
272:The Japanese Pillar Print: Hashira-e
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138:Two Lovers in Snow beneath Umbrella
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223:. University of Washington Press.
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98:(and its landscape orientation
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162:- right: normal version,
55:Japanese woodblock prints
16:Japanese woodblock prints
219:Hockley, Allen (2003).
178:Oshichi and Kichisaburo
551:Region specific themes
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332:List of ukiyo-e terms
239:"What are Hashira-e?"
202:at Wikimedia Commons
24:
90:meaning 'portrait',
678:Related traditions
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713:
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647:Kaigetsudō school
237:Dieter Wanczura.
198:Media related to
164:Katsukawa Shunshō
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40: 1741–1751
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33:Okumura Masanobu
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261:Further reading
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142:Suzuki Harunobu
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120:Lovers' Tryst
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700:Sōsaku-hanga
690:Nikuhitsu-ga
657:Torii school
457:Monogatari-e
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246:. Retrieved
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604:Kappazuri-e
268:Pins, Jacob
100:Oban yoko-e
84:Oban tate-e
695:Shin-hanga
619:Sumizuri-e
609:Kirazuri-e
599:Ishizuri-e
589:Benizuri-e
577:Techniques
568:Yokohama-e
563:Nagasaki-e
558:Kamigata-e
392:Hanshita-e
248:1 November
189:References
160:ishizuri-e
156:General Yu
96:ban tate-e
614:Nishiki-e
537:Yakusha-e
427:Komochi-e
397:Hashira-e
274:. Sawers.
200:Hashira-e
86:format –
47:Hashira-e
720:Category
629:Urushi-e
584:Aizuri-e
542:Yūrei-zu
527:Uchiwa-e
522:Surimono
492:Omocha-e
477:Namazu-e
447:Mitate-e
442:Meisho-e
437:Megane-e
422:Kodomo-e
372:Bijin-ga
270:(1982).
243:Artelino
124:Koryūsai
80:bijin-ga
76:Koryūsai
62:kakemono
49:(柱絵) or
705:Tosa-ha
639:Schools
594:Bokashi
507:Shita-e
502:Shini-e
497:Senso-e
487:Ōkubi-e
472:Muzan-e
467:Musha-e
432:Kuchi-e
417:Kaika-e
407:Kachō-e
387:Fushiga
382:Egoyomi
377:Boshi-e
325:General
318:Ukiyo-e
158:(left:
106:Gallery
74:artist
72:Ukiyo-e
517:Sumo-e
512:Shunga
482:Ogao-e
452:Moji-e
412:Kage-e
402:Jōge-e
367:Beni-e
355:Themes
685:E-hon
624:Tan-e
532:Uki-e
362:Aka-e
88:tate,
27:Shōki
250:2020
53:are
722::
241:.
229:^
209:^
180:,
140:,
122:,
37:c.
35:(
29:zu
310:e
303:t
296:v
252:.
92:e
42:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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