Knowledge

Helen Pearse-Otene

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As an academic, Pearse-Otene has published articles theorizing Theatre Marae and decolonization of political theatre, and is currently employed as Professional Practice Advisor to the Postgraduate Diploma Health Psychology Professional Practice in the School of Health, Victoria University of
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was one of the founders of a theatre company called Te Rākau Hua o te Wao Tapu, which works in prisons, youth residential homes and on marae; Pearse-Otene joined the company in 1999. Te Rākau is New Zealand’s longest-running independent Māori theatre company.
145:, schools, prisons, youth justice residential and community centres, as well as mainstream theatres throughout New Zealand. Through ensemble work, the aim is to craft evocative theatre that honours Māori expressions of 342:
was a youth project for a large cast focussing on themes of abandonment, violence, sexual abuse and addiction through 18 scripted sequences, rap, breakdancing and beat-boxing as well as traditional haka and waiata.
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evolved into public performances at Arohata Prison in Christchurch. The collective memories and testimony of Māori and Pacific Island working-class women focussed on their oppression, especially sexual abuse.
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Pearse-Otene carried out extensive research for the play including settlers’ and Armed Constabulary diaries, newspaper articles, and ngā kupu tuku iho (oral histories) of local
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https://journalindigenouswellbeing.co.nz/journal_articles/hinenui-te-po-is-a-light-in-the-darkness-performing-purakau-in-research-on-incest-and-childhood-sexual-abuse/
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Wellington. She has been a researcher on numerous social justice and decolonization research projects including TIAKI, a project on incarceration and health inequity.
989: 784: 350:, scripted by Pearse-Otene, involves 'suitcase', storytelling theatre with minimal props. Two youth at risk are helping an old man clean up a marae for a 1290: 845: 618: 149:, trauma and social justice. The genre includes traditional and contemporary Māori performing arts, applied theatre and therapeutic encounter. 915: 593: 324:
was devised with young people in care at the Northern Residential Centre, using dialogue scenes interspersed with individual song/rap etc.
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Pearse-Otene, H. (2021). ‘Hinenui Te Pō is a light in the darkness’: Performing pūrākau in research on incest and childhood sexual abuse.
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Pearse-Otene, H. (2021). Decolonising theatre and ensemble training in Aotearoa/New Zealand: Te Rākau Hua o Te Wao Tapu Theatre.
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Burdan, Andrew; Pearse-Otene, Helen; Teepa, Kawata; McNaughton, Talia Oreti Pert; New Zealand; Ministry of Education (2012).
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As a playwright, Pearse-Otene aims to present the past, present and future complexity of collective history in New Zealand.
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https://hrc.govt.nz/resources/research-repository/tiaki-community-wellbeing-whanau-lived-experience-incarceration
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Staging areas : Vietnam veterans from Aotearoa-New Zealand and therapeutic landscapes in black box theatre
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Pearse-Otene, Helen, active 2000s | Items | National Library of New Zealand | National Library of New Zealand
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In 2017, Pearse-Otene was awarded a Whāia Ngā Pae o Te Māramatanga Doctoral Excellence Scholarship.
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with a veteran who becomes mad (pōrangi). His memories are interwoven with the ghost of
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https://www.wgtn.ac.nz/health/schools/school-of-health/about-us/school-of-health-staff
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Burdan, A., Pearse-Otene, H., Teepa, K., & McNaughton, T. O. P. (2012).
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https://www.tandfonline.com/doi/full/10.1080/19443927.2020.1839943
643:. Wellington: Te Rakau Hua o Te Wao Tapu Trust. pp. 282–283. 102:
Pearse-Otene's theatre practice has been influenced by Te Rākau's
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In 2010, Pearse-Otene won "Best Female Actor - Feature Film" at
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reunion as a frame for flashbacks to troubling war experiences.
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at Te Papa: The Museum of New Zealand scripted by Pearse-Otene
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Pearse-Otene, Helen; Burdan, Andrew; Morrison, Scotty (2013).
1028:. Christchurch: Canterbury University Press. pp. 93–115. 945:(Masters thesis). Massey Research Online, Massey University. 419:. vol 9 issue 3: 226–336 .MAI_Jrnl_2020_V9_3_Otene_FINAL.pdf 1212:
https://www.maramatanga.ac.nz/media/4175/download?attachment
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and edited into a four part television series that aired on
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The Journal of Indigenous Wellbeing: Te Mauri – Pimatisiwin
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Pearse-Otene is also a novel writer; she has published two
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involves a 180 year journey through six generations of one
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Although the work of Te Rākau uses marae features such as
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Pearse-Otene, H., Burdan, A., & Morrison, S. (2013).
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https://www.researchgate.net/profile/Helen-Pearse-Otene
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as a quartet in 2017. It was filmed by cinematographer
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Attewell, Waka (2019). "Through the Proscenium Arch".
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MAI: A New Zealand Journal of Indigenous Scholarship
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MAI A New Zealand Journal of Indigenous Scholarship
415:Pearse-Otene, Helen (2020). "Theatre Marae" (PDF). 348:
The Battalion- Ka Whawhai Tonu Matau Ake! Ake! Ake!
1105: 426:Wellington, N.Z: Te Rākau Hua O Te Wao Tapu Trust. 180:. In 1998 she also performed the role of Ellie in 1247: 168:. The following year Pearse-Otene performed in 520:"Mahana star Jim Moriarty: being a better man" 308:1988 – Through structured devising processes, 1210:Ngā Pae o te Māramatanga Annual Report 2017, 269:, and holds a master's degree and a PhD from 245:. The novels are published in English and in 1106:Pearse-Otene, Helen; Burdan, Andrew (2015). 1070: 940: 734: 708: 670: 638: 617:: CS1 maint: multiple names: authors list ( 361:, scripted by Pearse-Otene, is based on the 429:Pearse-Otene, H., & Burdan, A. (2015). 152:As an actor, Pearse-Otene played Faith in 688: 455: 335:, focussing especially on teenage angst. 1291:Victoria University of Wellington alumni 808: 160:, a production directed by Toni Waho at 141:, it is performed in a range of venues: 16:New Zealand playwright, actor and author 1023: 756: 540: 410:Theatre, Dance and Performance Training 1248: 782: 303: 214:was presented at Soundings Theatre at 1019: 1017: 1015: 1013: 1011: 855: 853: 752: 750: 735:Pearse-Otene, Helen (December 2015). 543:"Marae theatre added to funding plan" 517: 195:-based family in a quartet of plays: 704: 702: 700: 666: 664: 662: 660: 634: 632: 630: 628: 487: 485: 237:in a series called Matawehi Fables: 591: 541:Gifford, Adam (19 September 2022). 493:"Pearse-Otene, Helen, active 2000s" 13: 1222: 1008: 850: 747: 176:, which had a fortnight season at 14: 1322: 757:Coleman, Ewen (19 January 2017). 697: 657: 625: 592:Zealand, Massey University, New. 482: 263:Victoria University of Wellington 783:Smythe, John (19 January 2017). 572:Te Rākau Hua o te Wao Tapu Trust 547:Waatea News: Māori Radio Station 518:Jones, Emma (26 February 2016). 252: 1311:People from the Auckland Region 1216: 1204: 1169: 1134: 1099: 1064: 1053: 1042: 982: 957: 934: 908: 883: 839: 828: 817: 802: 776: 395: 172:by Ngarupiki Reid, directed by 106:, founded on the principles of 94:In 1989 Pearse-Otene's partner 1144:Te huakore: te muna o te whatu 759:"Theatre Review: The Undertow" 728: 690:10.20507/MAIJournal.2020.9.3.5 585: 560: 534: 511: 442:Te huakore: Te muna o te whatu 329:Te Ahika O Te Manatu Rangatahi 261:, New Zealand. She studied at 110:and influenced by features of 1: 1109:Meariki: te rapunga i te pono 475: 431:Meariki: Te rapunga i te pono 1071:Pearse-Otene, Helen (2020). 941:Pearse-Otene, Helen (2016). 709:Pearse-Otene, Helen (1997). 671:Pearse-Otene, Helen (2020). 639:Pearse-Otene, Helen (2020). 89: 7: 1276:Ngāti Rongomaiwahine people 568:"Ko wai mātou | Our people" 197:The Ragged, Dog & Bone, 134:, through "Marae Theatre". 10: 1327: 466:Wairoa Māori Film Festival 314:Watea (Good for Something) 1306:New Zealand Māori writers 422:Pearse-Otene, H. (2020). 67: 59: 48: 30: 23: 1301:Massey University alumni 322:Purotu, the Magic Within 257:Pearse-Otene grew up in 124:Theatre of the Oppressed 340:Te Waka Toi o Ngati Toa 1286:Ngāti Kahungunu people 1024:Maunder, Paul (2013). 994:The New Zealand Herald 470:No Petrol, No Diesel!. 456:Awards and recognition 895:www.playmarket.org.nz 965:"Helen Pearse-Otene" 891:"Helen Pearse-Otene" 861:"Helen Pearse-Otene" 275:Ngāti Rongomaiwahine 108:Te Tiriti o Waitangi 86:, actor and author. 1296:Toi Whakaari alumni 1281:Ngāti Ruanui people 522:. Sunday Star Times 433:. Wellington, N.Z: 304:Theatre productions 162:Centrepoint Theatre 1229:www.nzonscreen.com 741:Te Rakau Wordpress 711:"Theatre Aotearoa" 80:Helen Pearse-Otene 25:Helen Pearse-Otene 1271:Ngāti Kurī people 1189:978-1-77550-080-3 1154:978-1-77550-080-3 1119:978-1-77550-189-3 1084:978-0-473-51444-0 1035:978-1-927145-45-6 1026:Rebellious Mirror 920:Massey University 271:Massey University 82:is a New Zealand 77: 76: 60:Years active 53:Massey University 1318: 1266:Te Rarawa people 1240: 1239: 1237: 1235: 1220: 1214: 1208: 1202: 1201: 1173: 1167: 1166: 1138: 1132: 1131: 1103: 1097: 1096: 1068: 1062: 1057: 1051: 1046: 1040: 1039: 1021: 1006: 1005: 1003: 1001: 986: 980: 979: 977: 975: 961: 955: 954: 938: 932: 931: 929: 927: 912: 906: 905: 903: 901: 887: 881: 880: 878: 876: 867:. 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Index

Massey University
Jim Moriarty
playwright
Jim Moriarty
kaupapa Māori
Te Tiriti o Waitangi
Bertolt Brecht
epic theatre
Augusto Boal
Theatre of the Oppressed
waiata
kapa haka
pōwhiri
kāinga
colonisation
John Broughton
Centrepoint Theatre
Palmerston North
Tanea Heke
BATS Theatre
Wellington
iwi
Te Papa
Waka Atewell
Māori Television
graphic novels
te reo Māori
South Auckland
Victoria University of Wellington
Toi Whakaari

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