570:. This theory suggests that Shakespeare believed this orthodoxy and promoted it with his Henriad. The Tudor myth is a theory that suggests that Shakespeare, with his history plays, contributes to the idea that the civil wars of the Henriad were all part of a divine plan that would ultimately lead to the Tudors ā which in turn would support Shakespeare's monarch, Elizabeth. The argument against Tillyard's theory is that when these plays were written Elizabeth was approaching the end of her life and reign, and how her successor would be determined was causing the idea of a civil war to be a source of concern, not glorification. Furthermore, the lack of an heir to Elizabeth tended to outmode the idea that the Tudors were a divine solution. Critics including
317:. These plays cover this history, while going beyond the English chronicle play; they include some of Shakespeare's greatest writing. They are not tragedies, but as history plays they are comparable in terms of dramatic or literary quality and meaning. When considered as a group they contain a narrative pattern: disaster, followed by chaos and a battle of contending forces, followed by the happy endingāthe restitution of order. This pattern is repeated in every play, as Britain leaves the medieval world and moves towards the British Renaissance. These plays further express the "Elizabethan world order", or mankind's striving in a world of unity battling chaos, based on the Elizabethan era's philosophies, sense of history, and religion.
37:
2029:
221:. Politically and socially the Henriad represents a "movement from feudalism and hierarchy to the national state and individualism". Kernan similarly discusses the Henriad in psychological, spatial, temporal, and mythical terms. "In mythical terms," he says, "the passage is from a garden world to a fallen world." This group of plays has recurring characters and settings. However, there is no evidence that these plays were written with the intention that they be considered as a group.
29:
2675:
2685:
332:
of ancient Athens, in which a poet was to compose a tetralogy (ĻĪµĻĻĪ±Ī»ĪæĪ³ĪÆĪ±): three tragedies and one comedic satyr play. Tillyard studied these
Shakespearean history plays as combined in a dramatic serial form, and analyzed how, when combined, the stories, characters, historic chronology, and themes
305:
The two
Shakespearean tetralogies share the name Henriad, but only the "second Henriad" has the epic qualities that Kernan had in mind in his use of the term. In this way the two definitions are somewhat contradictory and overlapping. Which meaning is intended can usually be derived by the context.
585:
Numerous inconsistencies exist between the individual plays of the first tetralogy, which is typical of serialized drama in the early modern playhouses. James Marino suggests, "It is more remarkable that any coherency appears at all in a 'series' cobbled together from elements of three different
449:
The plays that may have influenced, inspired, or provided a tradition for
Shakespeare's Henriad plays would include popular morality plays, which contributed to the evolution of British drama. Notable morality plays that focus on British history include
386:, as "our English Henriade", and says the "ripest fruit of historic or national drama, the consummation and the crown of Shakespeareās labours in that line, must of course be recognised and saluted by all students in the supreme and sovereign trilogy of
578:, challenged the idea of the Tudor myth, and these newer ideas caused the image of Shakespeare to change so much he now seemed to become instead a prophetic voice in the wilderness who saw the existential meaninglessness of this history of warfare.
169:: "large-scale heroic action involving many men and many activities tracing the movement of a nation or people through violent change from one condition to another." In this context Kernan sees the four plays as analogous to
581:
If presented as one very long dramatic event, the plays of the
Henriad do not cohere well together. In performance the plays can seem jumbled and tonally mismatched, and narratives are at times oddly dropped and resumed.
302:. In this sense, the eight Henry plays are known as the Henriad, and when divided in two, the group written earlier may be known as the "first Henriad" with the group that was written later known as the "second Henriad".
2938:
341:, for example, to be performed individually. Tillyard considered each tetralogy linked, and that the characters themselves link the stories together when they tell their own history or explain their titles.
487:
Out of this tradition the
English chronicle play developed to carry on the tradition of the medieval moralities, to provide historic stories and memorials of historic figures, and to teach morality. When
405:, saying "taken together the three plays form a Henriade, a trilogy, whose central figure is the hero of Agincourt, whose subject is his development from the madcap prince to the conqueror of France".
56:
depicting the rise of the
English kings. It is sometimes used to refer to a group of four plays (a tetralogy), but some sources and scholars use the term to refer to eight plays. In the 19th century,
2879:
441:, with Shakespeare listed only as the adaptor. This is not universally accepted, but it is the first time a major critical edition of Shakespeare's works has listed Marlowe as a co-author.
344:
The theories that consider the eight plays as a group dominated scholarship in the mid 20th century, when the idea was introduced, and have since engendered a great deal of discussion.
320:
The eight-play
Henriad is also known as The First Tetralogy and The Second Tetralogy; a terminology that had been in use, but was made popular by the influential Shakespearean scholar
1416:
The
Henriade; with the Battle of Fontenoy: Dissertations on Man, Law of Nature, Destruction of Lisbon, Temple of Taste, And Temple of Friendship, From the French of M. De Voltaire
484:
in the
English language, though it is a chronicle play written in blank verse; it has numerous serious speeches, a unified dramatic action, and its violence is kept off-stage.
618:. The source also indicates that the number of plays she appears in is four ā "one more than is granted to Falstaff". The four plays that Mistress Quickly appears in are
140:
was popularized by Alvin Kernan in his 1969 article, "The
Henriad: Shakespeareās Major History Plays" to suggest that the four plays of the second tetralogy (
651:, is known for making extreme criticisms of Shakespeare that he would then balance with more positive comments. For example, Voltaire called Shakespeare a "
2329:
413:
Shakespeare is well established as the sole author of the plays of the second Henriad, but there has been speculation regarding possible co-authors of the
240:
Falstaff represents the tavern world, a world which Prince Hal will leave behind. (This group of three plays is occasionally dubbed the "Falstaffiad" by
2812:
566:, which considers England's 15th century to be a dark time of lawlessness and warfare, that after many battles eventually led to a golden age of the
562:, E. M. W. Tillyard's mid-20th century theories regarding the eight-play Henriad, have been extremely influential. Tillyard supports the idea of the
2952:
2893:
2432:
1183:
333:
are linked and portrayed. After Tillyard's book, these plays have often been combined in performance, and it would be a very rare occurrence for
256:, following after Kernan, acquired an expanded second meaning, which refers to two groups of Shakespearean plays: The tetralogy mentioned above (
2485:
673:
points out how the two similarly titled works, Shakespeare's and Voltaire's, are dissimilar, in that Shakespeare's "differs from Voltaireās as
394:." They are, according to Swinburne, England's "great national trilogy", and Shakespeare's "perfect triumph in the field of patriotic drama."
1571:
504:
2050:
1987:
1982:
1449:
2387:
550:(1587) contributed greatly to the plays of Shakespeare's Henriad, and also advanced the development of the English chronicle play.
92:, who later becomes Henry V, is the epic hero. (This group may also be referred to as the "second tetralogy" or "second Henriad".)
3005:
2663:
2341:
1233:
The Cambridge History of English and American Literatureā' Cambridge University (1907ā21) Volume III. Renascence and Reformation.
3114:
2820:
2503:
2402:
362:
is not included due to unresolved questions regarding how much of it is coauthored, and what of it is written by Shakespeare.
3288:
2498:
1930:
352:
is not included in the Henriad because it is said to have a style that is of a different order than the other history plays.
1999:
606:
An earlier use of the word "Henriad" to refer to a group of Shakespeare's plays occurs in a book published in 1876 titled
205:. The action of the Henriad follows the dynastic, cultural and psychological journey that England traveled as it left the
2576:
2079:
1938:
309:
The eight plays, when considered together, are said to tell a unified story of a significant arc of British history from
1335:
1276:
1207:
1137:
1104:
1071:
981:
841:
2721:
2688:
2442:
2412:
1564:
1436:
1402:
1369:
1158:
1023:
1002:
961:
941:
921:
901:
881:
829:
776:
743:
3278:
3062:
2480:
2475:
2407:
586:
repertories". The four plays (of the first tetralogy) variously originated from three different theatre companies:
356:
has great qualities of poetry, freedom and imagination, and is appreciated as a new direction taken by the author.
277:), and also four plays that were written earlier and are based on the historic events and civil wars now known as
3160:
2455:
2450:
2370:
2422:
2194:
2009:
1969:
2842:
2323:
462:
421:
has been suggested as a possible contributor. Then in 2016 the editors of the New Oxford Shakespeare, led by
3021:
2946:
2887:
2836:
2678:
2545:
2361:
2014:
1662:
1606:
1557:
710:
2796:
2351:
2312:
2299:
2173:
1705:
498:
in 1608 it was called a "true English Chronicle". Some notable examples of the English chronicle include
3195:
3172:
3027:
2519:
2237:
2065:
2004:
1964:
1655:
1634:
702:
670:
371:
57:
3153:
2538:
2533:
2490:
2366:
2164:
595:
546:
537:
519:
2397:
2346:
2336:
2317:
2304:
2044:
1676:
587:
2120:
1684:
1060:
655:" and his works a "huge dunghill" that contains some pearls. Voltaire wrote an epic poem titled
2550:
2277:
2215:
2135:
2058:
1669:
1648:
1588:
912:
Keyishian, Harry. "The Progress of Revenge in The First Henriad". Pendleton, Thomas A. editor.
314:
95:
In a more inclusive meaning, the Henriad refers to eight plays: the tetralogy mentioned above (
3242:
3215:
3131:
2714:
2642:
2556:
2525:
2427:
2090:
1821:
1731:
1712:
422:
310:
278:
165:, have coherence and characteristics that are the primary qualities associated with literary
104:
53:
1453:
1304:. Vol. 19, No. 2, Elizabethan and Jacobean Drama, pp. 179-196. Rice University Press. (1979)
610:. The author does not define the word, but indicates that the plays in which the character,
3283:
3067:
3035:
2960:
2901:
2465:
2252:
2230:
1810:
1761:
1740:
1720:
1620:
1597:
1170:
Kennedy, H. A. author."Shakespeare Falstaff & Queen Elizabeth." Knowles, James. editor.
103:), plus four plays that were written earlier, and are based on the civil wars now known as
8:
3092:
3013:
2981:
2730:
2699:
2636:
2618:
2417:
2259:
2223:
2156:
2113:
2072:
1641:
1580:
571:
451:
418:
49:
3250:
3207:
3097:
2997:
2930:
2871:
2828:
2630:
2588:
2470:
2208:
2106:
1911:
666:
298:
124:
614:, hostess of the Boar's Head Tavern, appears include "The English Henriad" as well as
2748:
2600:
1918:
1845:
1837:
1432:
1398:
1365:
1331:
1272:
1203:
1154:
1133:
1100:
1067:
1019:
998:
977:
957:
937:
917:
897:
877:
825:
772:
739:
591:
514:
358:
258:
142:
65:
3273:
3234:
3126:
2762:
2755:
2707:
2624:
2612:
2606:
2201:
2128:
2028:
1902:
1895:
1887:
1864:
1857:
1830:
1803:
1789:
1185:
Alberge, Dalya. "Christopher Marlowe credited as one of Shakespeare's co-writers".
611:
532:
348:
291:
287:
283:
266:
262:
150:
146:
117:
113:
109:
73:
69:
3109:
2989:
2922:
2863:
2804:
2380:
1992:
1880:
1796:
1253:
694:
481:
476:
425:, announced that Marlowe and "anonymous" would be listed on their title pages of
321:
675:
3136:
3077:
3057:
2769:
1873:
1613:
1347:
Green, Jesse. "Theater Review: 13 Hours of Shakespeareās Henrys, in Brooklyn".
1291:, volume 38, Cambridge University Press (1985). Wells, Stanley, editor. p. 1-18
1218:
Pollack-Pelzner, Daniel. "The Radical Argument of the New Oxford Shakespeare".
527:
273:
214:
157:
84: – with the implication that these four plays are Shakespeare's
80:
934:
The Third Citizen: Shakespeare's Theater and the Early Modern House of Commons
3267:
3082:
2648:
2594:
2356:
1698:
458:
225:
201:
36:
3072:
2582:
2284:
1948:
567:
499:
434:
241:
1362:
Owning William Shakespeare: The King's Men and Their Intellectual Property
954:
Owning William Shakespeare: The King's Men and Their Intellectual Property
2375:
2187:
1943:
1691:
1384:
Publisher: Daldy, Isbister & Co. 56 Ludgate Hill. (1876). pp. 437-438
218:
197:
166:
85:
1097:
The Lost Garden; a View of Shakespeareās English and Roman History Plays
328:. The word "tetralogy" is derived from the performance tradition of the
28:
3102:
2460:
1747:
563:
210:
89:
1549:
3121:
2392:
2244:
2180:
1768:
1627:
1300:
Merrix, Robert P. "Shakespeareās Histories and the New Bardolators".
1016:
Henry VI; Critical Essays. The Progress of Revenge, the First Henriad
652:
509:
490:
467:
162:
417:
plays of the first Henriad. Since then, the 16th century playwright
60:
used the term to refer to three plays, but that use is not current.
3087:
1082:
Hawkins, Sherman. "Structural Pattern in Shakespeare's Histories".
657:
648:
642:
575:
329:
206:
192:
188:
20:
1418:; With Notes From All the Commentators. Derby & Jackson (1859)
2149:
2142:
1782:
1775:
1243:
Brockett, Oscar G. History of the Theatre. Pearson, 2014., p. 107
1287:
Burden, Dennis. "Shakespeare History Plays : 1952 - 1983".
1754:
495:
183:
179:
1086:. Vol. 88, No. 1 Univ. North Carolina Press. (1991), pp. 16-45
433:
as co-author side-by-side with Shakespeare, and that Marlowe,
174:
170:
715:
2729:
1051:. Vol. 36, No. 3. Oxford Univ. Press. (1985), pp. 282-299
995:
Metadrama in Shakespeare's Henriad: Richard II to Henry V
161:), when considered together as a group, or a dramatic
1174:. (1896) Volume 39. Leonard Scott Publication. p. 319
1200:
The New Oxford Shakespeare: Modern Critical Edition
1047:Crane, Mary Thomas. "The Shakespearean Tetralogy".
1382:Shakespeareās Diversions: A Medley of Motley Wear.
1255:The English History Play In The Age Of Shakespeare
437:and āanonymous" would be listed as the authors of
769:Shakespeare the Actor and the Purposes of Playing
608:Shakespeareās Diversions; A Medley of Motley Wear
3265:
858:The Henriad: Shakespeareās Major History Plays.
789:The Henriad: Shakespeareās Major History Plays.
97:Richard II; Henry IV, Part 1; Henry IV, Part 2;
1099:. Rownan & Littlefield (1978). pp. vi-xi.
2715:
1565:
771:. University of Chicago Press, 1993. p. 131.
754:Zarin, Cynthia. "Nine Hours of Shakespeare."
1302:SEL: Studies in English Literature 1500ā1900
734:Dobson, Michael. Wells, Stanley. "Henriad".
2512:
1038:The University Press (1911) p. 11 & 85.
2722:
2708:
1572:
1558:
1364:. University of Pennsylvania Press, 2011
1202:. Oxford University Press (2016) p. vii.
956:. University of Pennsylvania Press, 2011
661:(1723), which is sometimes translated as
16:Term for some Shakespearean history plays
1172:The Nineteenth Century, a Monthly Review
1119:. Macmillan & Co. Ltd. (1948) P. 185
997:. University of California Press, 1979.
686:
397:H. A. Kennedy writing in 1896 refers to
35:
27:
1579:
1397:. Cambridge University Press (2012).
131:
3266:
1231:Ward, A.W. editor. "Phyllyp Sparoweā.
633:
542:Three Lords and Three Ladies of London
444:
2813:The Life and Death of King Richard II
2703:
2324:Complete Works of William Shakespeare
1553:
876:. Simon and Schuster. (2017) p. 143.
365:
247:
63:In one sense, the Henriad refers to:
736:The Oxford Companion to Shakespeare.
2684:
19:For the epic poem by Voltaire, see
13:
2499:Shakespeare's influence on Tolkien
1475:tetralogies of "expanded Henriad"
916:Psychology Press, 2001. p. 67-77.
647:The French critic and playwright,
378:(1880), he refers to three plays,
44:In Shakespearean scholarship, the
14:
3300:
1117:A Notebook on William Shakespeare
807:Harcourt Brace (1970). pp. 245-75
601:
2683:
2674:
2673:
2027:
1431:. Library of Alexandria (1880).
1153:. Library of Alexandria (1880).
847:Published by Sydney Smith (1834)
3161:The Famous Victories of Henry V
1442:
1421:
1408:
1387:
1374:
1354:
1341:
1320:
1307:
1294:
1281:
1261:
1246:
1237:
1225:
1212:
1192:
1177:
1164:
1143:
1122:
1109:
1089:
1076:
1054:
1041:
1036:Shakespearean and Other Papers.
1028:
1008:
987:
966:
946:
926:
906:
886:
738:Oxford University Press (2015)
480:(1561) is considered the first
2504:Works titled after Shakespeare
866:
850:
835:
810:
797:
781:
761:
748:
728:
399:Henry IV pt. 1, Henry IV pt. 2
380:Henry IV pt. 1, Henry IV pt. 2
1:
2664:Shakespeare and other authors
1427:Swinburne, Algernon Charles.
1395:A Life of William Shakespeare
1330:. Chatto & Windus (1944)
1149:Swinburne, Algernon Charles.
936:. JHU Press, 2007. p. 76-80.
818:Shakespeareās Dramatic Genres
805:Modern Shakespeare Criticism.
721:
463:A Satire of the Three Estates
408:
3289:Wars of the Roses in fiction
2546:Shakespeare Birthplace Trust
1315:Shakespeare Our Contemporary
1269:Shakespeareās History Plays.
1130:Shakespeareās History Plays.
1064:Shakespeareās History Plays.
974:Shakespeareās History Plays.
665:Voltaire's poem is based on
553:
372:Algernon Charles Swinburne's
7:
2352:English Renaissance theatre
2195:The Second Maiden's Tragedy
2174:The Merry Devil of Edmonton
1706:The Two Gentlemen of Verona
1450:"Henriad Ā« Shakescene"
1328:Shakespeareās History Plays
1271:Chatto & Windus (1944)
1132:Chatto & Windus (1944)
1066:Chatto & Windus (1944)
976:Chatto & Windus (1944)
560:Shakespeareās History Plays
326:Shakespeareās History Plays
10:
3305:
3196:The Merry Wives of Windsor
2520:Folger Shakespeare Library
2066:The Phoenix and the Turtle
1656:The Merry Wives of Windsor
914:Henry VI: Critical Essays.
703:BBC Television Shakespeare
671:Algernon Charles Swinburne
640:
620:The Merry Wives of Windsor
616:The Merry Wives of Windsor
58:Algernon Charles Swinburne
18:
3226:
3187:
3145:
3050:
2971:
2939:Henry the Fourth, Part II
2912:
2853:
2786:
2779:
2743:
2658:
2569:
2539:Royal Shakespeare Theatre
2534:Royal Shakespeare Company
2441:
2298:
2269:
2098:
2089:
2036:
2025:
1957:
1929:
1820:
1730:
1663:A Midsummer Night's Dream
1607:All's Well That Ends Well
1596:
1587:
1677:Pericles, Prince of Tyre
1220:The New Yorker Magazine.
894:Letters to a Young Actor
756:The New Yorker Magazine.
3279:Shakespearean histories
2880:Henry the Fouth, Part I
2821:King Richard the Second
1685:The Taming of the Shrew
1252:Ribner, Irving. (1957)
822:Oxford University Press
3154:Holinshed's Chronicles
2367:Lord Chamberlain's Men
2278:The Passionate Pilgrim
2051:comparison to Petrarch
1670:Much Ado About Nothing
1649:The Merchant of Venice
1478:approx. dates written
1429:A Study of Shakespeare
1198:Shakespeare, William.
1151:A Study of Shakespeare
874:Falstaff: Give Me Life
803:Kernan, Alvin, B. ed.
767:Skura, Meredith Anne.
547:Holinshed's Chronicles
376:A Study of Shakespeare
41:
33:
2557:Shakespeare Institute
2526:Shakespeare Quarterly
2045:Shakespeare's sonnets
1713:The Two Noble Kinsmen
1049:Shakespeare Quarterly
1034:Henneman, John Bell.
687:Broadcast productions
279:The Wars of the Roses
236:and he dies early in
105:The Wars of the Roses
48:refers to a group of
39:
31:
2413:Spelling of his name
2253:Vortigern and Rowena
2231:Thomas Lord Cromwell
1811:Troilus and Cressida
1741:Antony and Cleopatra
1635:Love's Labour's Lost
1621:The Comedy of Errors
1084:Studies in Philology
984:pp. 10 - 13, 319-322
845:The Henriad; a Poem.
132:The second tetralogy
3173:Thomas of Woodstock
2731:William Shakespeare
2637:Richard Shakespeare
2619:Gilbert Shakespeare
2551:Shakespeare's Globe
2456:Authorship question
2451:Attribution studies
2418:Stratford-upon-Avon
2260:A Yorkshire Tragedy
2238:Thomas of Woodstock
2224:The Spanish Tragedy
2165:Love's Labour's Won
2157:The London Prodigal
2114:The Birth of Merlin
2073:The Rape of Lucrece
2059:A Lover's Complaint
1939:Quarto publications
1642:Measure for Measure
1581:William Shakespeare
1326:Tillyard, E. M. W.
1317:. Doubleday. (1966)
1267:Tillyard, E. M. W.
1128:Tillyard, E. M. W.
1062:Tillyard, E. M. W.
1018:. Routledge, 2001.
1014:Pendleton, Thomas.
993:Calderwood, James.
972:Tillyard, E. M. W.
622:, the two parts of
572:Paul Murray Kendall
494:was published as a
445:Literary background
419:Christopher Marlowe
50:William Shakespeare
3251:Suite from Henry V
3243:At the Boar's Head
3216:Falstaff's Wedding
3208:Sir John Oldcastle
2998:Chimes at Midnight
2931:Chimes at Midnight
2872:Chimes at Midnight
2829:Richard the Second
2631:Edmund Shakespeare
2589:Hamnet Shakespeare
2486:Screen adaptations
2209:Sir John Oldcastle
2107:Arden of Faversham
1456:on 6 November 2013
1289:Shakespeare Survey
1189:. 23 October 2016.
892:Brustein, Robert.
856:Kernan, Alvin, B.
816:Danson, Lawrence.
787:Kernan, Alvin, B.
667:Henry IV of France
427:Henry VI, Parts 2
366:Three-play Henriad
330:Dionysian Festival
324:in his 1944 book,
248:Eight-play Henriad
107: –
42:
34:
3261:
3260:
3046:
3045:
2697:
2696:
2601:Elizabeth Barnard
2565:
2564:
2294:
2293:
2023:
2022:
1721:The Winter's Tale
1548:
1547:
1535:Henry IV, Parts 1
1521:(Second) Henriad
1360:Marino, James J.
1222:19 February 2017.
952:Marino, James J.
708:2012 & 2016:
596:Chamberlain's Men
228:is introduced in
3296:
3022:The Hollow Crown
2953:Henry IV, Part 2
2947:The Hollow Crown
2914:Henry IV, Part 2
2894:Henry IV, Part 1
2888:The Hollow Crown
2855:Henry IV, Part 1
2837:The Hollow Crown
2784:
2783:
2763:Henry IV, Part 2
2756:Henry IV, Part 1
2724:
2717:
2710:
2701:
2700:
2687:
2686:
2677:
2676:
2625:Joan Shakespeare
2607:John Shakespeare
2510:
2509:
2491:Shakespeare and
2202:Sejanus His Fall
2169:
2129:Double Falsehood
2096:
2095:
2080:Venus and Adonis
2031:
1804:Titus Andronicus
1790:Romeo and Juliet
1594:
1593:
1574:
1567:
1560:
1551:
1550:
1472:
1471:
1466:
1465:
1463:
1461:
1452:. Archived from
1446:
1440:
1425:
1419:
1412:
1406:
1391:
1385:
1380:Jacox, Francis.
1378:
1372:
1358:
1352:
1345:
1339:
1324:
1318:
1311:
1305:
1298:
1292:
1285:
1279:
1265:
1259:
1250:
1244:
1241:
1235:
1229:
1223:
1216:
1210:
1196:
1190:
1181:
1175:
1168:
1162:
1147:
1141:
1126:
1120:
1115:Sitwell, Edith.
1113:
1107:
1093:
1087:
1080:
1074:
1058:
1052:
1045:
1039:
1032:
1026:
1012:
1006:
991:
985:
970:
964:
950:
944:
932:Arnold, Oliver.
930:
924:
910:
904:
890:
884:
870:
864:
854:
848:
839:
833:
814:
808:
801:
795:
785:
779:
765:
759:
752:
746:
732:
711:The Hollow Crown
612:Mistress Quickly
439:Henry VI, Part 1
335:Henry VI, part 2
292:Henry VI, Part 3
288:Henry VI, Part 2
284:Henry VI, Part 1
267:Henry IV, Part 2
263:Henry IV, Part 1
234:Henry IV, pt. 2,
230:Henry IV, pt. 1,
213:and moved on to
151:Henry IV, Part 2
147:Henry IV, Part 1
118:Henry VI, Part 3
114:Henry VI, Part 2
110:Henry VI, Part 1
74:Henry IV, Part 2
70:Henry IV, Part 1
3304:
3303:
3299:
3298:
3297:
3295:
3294:
3293:
3264:
3263:
3262:
3257:
3222:
3183:
3141:
3042:
3006:Henry the Fifth
2990:An Age of Kings
2967:
2923:An Age of Kings
2908:
2864:An Age of Kings
2849:
2805:An Age of Kings
2797:King Richard II
2775:
2739:
2728:
2698:
2693:
2654:
2603:(granddaughter)
2561:
2508:
2437:
2403:Religious views
2381:Curtain Theatre
2302:
2290:
2265:
2216:Sir Thomas More
2162:
2136:Edmund Ironside
2085:
2032:
2019:
1993:Ghost character
1953:
1925:
1816:
1797:Timon of Athens
1726:
1583:
1578:
1470:
1469:
1459:
1457:
1448:
1447:
1443:
1426:
1422:
1413:
1409:
1392:
1388:
1379:
1375:
1359:
1355:
1346:
1342:
1325:
1321:
1312:
1308:
1299:
1295:
1286:
1282:
1266:
1262:
1251:
1247:
1242:
1238:
1230:
1226:
1217:
1213:
1197:
1193:
1182:
1178:
1169:
1165:
1148:
1144:
1127:
1123:
1114:
1110:
1095:Wilders, John.
1094:
1090:
1081:
1077:
1059:
1055:
1046:
1042:
1033:
1029:
1013:
1009:
992:
988:
971:
967:
951:
947:
931:
927:
911:
907:
896:. 2009. p. 22.
891:
887:
872:Bloom, Harold.
871:
867:
861:The Yale Review
855:
851:
840:
836:
815:
811:
802:
798:
792:The Yale Review
786:
782:
766:
762:
753:
749:
733:
729:
724:
695:An Age of Kings
689:
669:(1553 ā 1610).
645:
639:
604:
588:The Queen's Men
556:
524:Orlando Furioso
482:Senecan tragedy
459:David Lyndsay's
447:
411:
368:
322:E.M.W. Tillyard
250:
134:
24:
17:
12:
11:
5:
3302:
3292:
3291:
3286:
3281:
3276:
3259:
3258:
3256:
3255:
3247:
3239:
3230:
3228:
3224:
3223:
3221:
3220:
3212:
3204:
3191:
3189:
3185:
3184:
3182:
3181:
3169:
3157:
3149:
3147:
3143:
3142:
3140:
3139:
3137:Robert Shallow
3134:
3129:
3124:
3119:
3118:
3117:
3115:Owen Glendower
3107:
3106:
3105:
3095:
3090:
3085:
3080:
3078:Doll Tearsheet
3075:
3070:
3065:
3060:
3058:Ancient Pistol
3054:
3052:
3048:
3047:
3044:
3043:
3041:
3040:
3032:
3018:
3010:
3002:
2994:
2986:
2977:
2975:
2969:
2968:
2966:
2965:
2957:
2943:
2935:
2927:
2918:
2916:
2910:
2909:
2907:
2906:
2898:
2884:
2876:
2868:
2859:
2857:
2851:
2850:
2848:
2847:
2833:
2825:
2817:
2809:
2801:
2792:
2790:
2781:
2777:
2776:
2774:
2773:
2766:
2759:
2752:
2744:
2741:
2740:
2727:
2726:
2719:
2712:
2704:
2695:
2694:
2692:
2691:
2681:
2670:
2669:
2666:
2659:
2656:
2655:
2653:
2652:
2646:
2640:
2634:
2628:
2622:
2616:
2610:
2604:
2598:
2592:
2586:
2580:
2573:
2571:
2567:
2566:
2563:
2562:
2560:
2559:
2554:
2548:
2543:
2542:
2541:
2531:
2530:
2529:
2516:
2514:
2507:
2506:
2501:
2496:
2488:
2483:
2478:
2473:
2468:
2463:
2458:
2453:
2447:
2445:
2439:
2438:
2436:
2435:
2430:
2425:
2420:
2415:
2410:
2405:
2400:
2395:
2390:
2385:
2384:
2383:
2378:
2364:
2359:
2354:
2349:
2344:
2342:Collaborations
2339:
2334:
2333:
2332:
2327:
2315:
2309:
2307:
2296:
2295:
2292:
2291:
2289:
2288:
2281:
2273:
2271:
2267:
2266:
2264:
2263:
2256:
2249:
2241:
2234:
2227:
2220:
2212:
2205:
2198:
2191:
2184:
2177:
2170:
2160:
2153:
2146:
2139:
2132:
2125:
2117:
2110:
2102:
2100:
2093:
2087:
2086:
2084:
2083:
2076:
2069:
2062:
2055:
2054:
2053:
2040:
2038:
2034:
2033:
2026:
2024:
2021:
2020:
2018:
2017:
2012:
2007:
2002:
1997:
1996:
1995:
1990:
1985:
1977:
1972:
1967:
1961:
1959:
1955:
1954:
1952:
1951:
1946:
1941:
1935:
1933:
1931:Early editions
1927:
1926:
1924:
1923:
1915:
1908:
1907:
1906:
1899:
1892:
1877:
1870:
1869:
1868:
1861:
1849:
1842:
1834:
1826:
1824:
1818:
1817:
1815:
1814:
1807:
1800:
1793:
1786:
1779:
1772:
1765:
1758:
1751:
1744:
1736:
1734:
1728:
1727:
1725:
1724:
1717:
1709:
1702:
1695:
1688:
1681:
1673:
1666:
1659:
1652:
1645:
1638:
1631:
1624:
1617:
1614:As You Like It
1610:
1602:
1600:
1591:
1585:
1584:
1577:
1576:
1569:
1562:
1554:
1546:
1545:
1528:
1525:
1522:
1518:
1517:
1496:
1493:
1490:
1489:First Henriad
1486:
1485:
1482:
1481:years covered
1479:
1476:
1468:
1467:
1441:
1420:
1407:
1393:Lee, Sidney.
1386:
1373:
1353:
1340:
1336:978-0701111571
1319:
1306:
1293:
1280:
1277:978-0701111571
1260:
1245:
1236:
1224:
1211:
1208:978-0199591152
1191:
1176:
1163:
1142:
1138:978-0701111571
1121:
1108:
1105:978-0333244708
1088:
1075:
1072:978-0701111571
1053:
1040:
1027:
1007:
986:
982:978-0701111571
965:
945:
925:
905:
885:
865:
863:, p. 58 (1969)
849:
834:
809:
796:
794:, p. 55 (1969)
780:
760:
747:
726:
725:
723:
720:
719:
718:
706:
698:
688:
685:
641:Main article:
638:
632:
603:
602:An earlier use
600:
592:Pembroke's Men
555:
552:
528:Thomas Heywood
452:John Skelton's
446:
443:
410:
407:
367:
364:
249:
246:
232:he returns in
224:The character
133:
130:
15:
9:
6:
4:
3:
2:
3301:
3290:
3287:
3285:
3282:
3280:
3277:
3275:
3272:
3271:
3269:
3253:
3252:
3248:
3245:
3244:
3240:
3237:
3236:
3232:
3231:
3229:
3227:Related music
3225:
3218:
3217:
3213:
3210:
3209:
3205:
3202:
3198:
3197:
3193:
3192:
3190:
3188:Related plays
3186:
3179:
3175:
3174:
3170:
3167:
3163:
3162:
3158:
3156:
3155:
3151:
3150:
3148:
3144:
3138:
3135:
3133:
3130:
3128:
3125:
3123:
3120:
3116:
3113:
3112:
3111:
3110:Owain Glyndŵr
3108:
3104:
3101:
3100:
3099:
3096:
3094:
3091:
3089:
3086:
3084:
3081:
3079:
3076:
3074:
3071:
3069:
3066:
3064:
3061:
3059:
3056:
3055:
3053:
3049:
3038:
3037:
3033:
3030:
3029:
3024:
3023:
3019:
3016:
3015:
3011:
3008:
3007:
3003:
3000:
2999:
2995:
2992:
2991:
2987:
2984:
2983:
2979:
2978:
2976:
2974:
2970:
2963:
2962:
2958:
2955:
2954:
2949:
2948:
2944:
2941:
2940:
2936:
2933:
2932:
2928:
2925:
2924:
2920:
2919:
2917:
2915:
2911:
2904:
2903:
2899:
2896:
2895:
2890:
2889:
2885:
2882:
2881:
2877:
2874:
2873:
2869:
2866:
2865:
2861:
2860:
2858:
2856:
2852:
2845:
2844:
2839:
2838:
2834:
2831:
2830:
2826:
2823:
2822:
2818:
2815:
2814:
2810:
2807:
2806:
2802:
2799:
2798:
2794:
2793:
2791:
2789:
2785:
2782:
2778:
2772:
2771:
2767:
2765:
2764:
2760:
2758:
2757:
2753:
2751:
2750:
2746:
2745:
2742:
2738:
2737:
2732:
2725:
2720:
2718:
2713:
2711:
2706:
2705:
2702:
2690:
2682:
2680:
2672:
2671:
2667:
2665:
2661:
2660:
2657:
2650:
2649:Thomas Quiney
2647:
2644:
2641:
2639:(grandfather)
2638:
2635:
2632:
2629:
2626:
2623:
2620:
2617:
2614:
2611:
2608:
2605:
2602:
2599:
2596:
2595:Judith Quiney
2593:
2590:
2587:
2584:
2581:
2578:
2577:Anne Hathaway
2575:
2574:
2572:
2568:
2558:
2555:
2552:
2549:
2547:
2544:
2540:
2537:
2536:
2535:
2532:
2528:
2527:
2523:
2522:
2521:
2518:
2517:
2515:
2511:
2505:
2502:
2500:
2497:
2495:
2494:
2489:
2487:
2484:
2482:
2479:
2477:
2474:
2472:
2469:
2467:
2464:
2462:
2459:
2457:
2454:
2452:
2449:
2448:
2446:
2444:
2440:
2434:
2431:
2429:
2426:
2424:
2421:
2419:
2416:
2414:
2411:
2409:
2406:
2404:
2401:
2399:
2396:
2394:
2391:
2389:
2386:
2382:
2379:
2377:
2374:
2373:
2372:
2368:
2365:
2363:
2360:
2358:
2357:Globe Theatre
2355:
2353:
2350:
2348:
2345:
2343:
2340:
2338:
2335:
2331:
2328:
2326:
2325:
2321:
2320:
2319:
2316:
2314:
2311:
2310:
2308:
2306:
2301:
2297:
2287:
2286:
2282:
2280:
2279:
2275:
2274:
2272:
2268:
2262:
2261:
2257:
2255:
2254:
2250:
2247:
2246:
2242:
2240:
2239:
2235:
2233:
2232:
2228:
2226:
2225:
2221:
2218:
2217:
2213:
2211:
2210:
2206:
2204:
2203:
2199:
2197:
2196:
2192:
2190:
2189:
2185:
2183:
2182:
2178:
2176:
2175:
2171:
2167:
2166:
2161:
2159:
2158:
2154:
2152:
2151:
2147:
2145:
2144:
2140:
2138:
2137:
2133:
2131:
2130:
2126:
2123:
2122:
2118:
2116:
2115:
2111:
2109:
2108:
2104:
2103:
2101:
2097:
2094:
2092:
2088:
2082:
2081:
2077:
2075:
2074:
2070:
2068:
2067:
2063:
2061:
2060:
2056:
2052:
2049:
2048:
2047:
2046:
2042:
2041:
2039:
2035:
2030:
2016:
2013:
2011:
2008:
2006:
2003:
2001:
1998:
1994:
1991:
1989:
1986:
1984:
1981:
1980:
1978:
1976:
1973:
1971:
1970:Late romances
1968:
1966:
1965:Problem plays
1963:
1962:
1960:
1956:
1950:
1947:
1945:
1942:
1940:
1937:
1936:
1934:
1932:
1928:
1921:
1920:
1916:
1914:
1913:
1909:
1905:
1904:
1900:
1898:
1897:
1893:
1890:
1889:
1885:
1884:
1883:
1882:
1878:
1876:
1875:
1871:
1867:
1866:
1862:
1860:
1859:
1855:
1854:
1853:
1850:
1848:
1847:
1843:
1840:
1839:
1835:
1833:
1832:
1828:
1827:
1825:
1823:
1819:
1813:
1812:
1808:
1806:
1805:
1801:
1799:
1798:
1794:
1792:
1791:
1787:
1785:
1784:
1780:
1778:
1777:
1773:
1771:
1770:
1766:
1764:
1763:
1762:Julius Caesar
1759:
1757:
1756:
1752:
1750:
1749:
1745:
1743:
1742:
1738:
1737:
1735:
1733:
1729:
1723:
1722:
1718:
1715:
1714:
1710:
1708:
1707:
1703:
1701:
1700:
1699:Twelfth Night
1696:
1694:
1693:
1689:
1687:
1686:
1682:
1679:
1678:
1674:
1672:
1671:
1667:
1665:
1664:
1660:
1658:
1657:
1653:
1651:
1650:
1646:
1644:
1643:
1639:
1637:
1636:
1632:
1630:
1629:
1625:
1623:
1622:
1618:
1616:
1615:
1611:
1609:
1608:
1604:
1603:
1601:
1599:
1595:
1592:
1590:
1586:
1582:
1575:
1570:
1568:
1563:
1561:
1556:
1555:
1552:
1544:
1540:
1536:
1532:
1529:
1526:
1523:
1520:
1519:
1516:
1512:
1508:
1504:
1500:
1497:
1494:
1491:
1488:
1487:
1483:
1480:
1477:
1474:
1473:
1455:
1451:
1445:
1438:
1437:9781465588272
1434:
1430:
1424:
1417:
1411:
1404:
1403:9781108048194
1400:
1396:
1390:
1383:
1377:
1371:
1370:9780812205770
1367:
1363:
1357:
1351:6 April 2016.
1350:
1344:
1337:
1333:
1329:
1323:
1316:
1310:
1303:
1297:
1290:
1284:
1278:
1274:
1270:
1264:
1257:
1256:
1249:
1240:
1234:
1228:
1221:
1215:
1209:
1205:
1201:
1195:
1188:
1184:
1180:
1173:
1167:
1160:
1159:9781465588272
1156:
1152:
1146:
1139:
1135:
1131:
1125:
1118:
1112:
1106:
1102:
1098:
1092:
1085:
1079:
1073:
1069:
1065:
1061:
1057:
1050:
1044:
1037:
1031:
1025:
1024:9781134828388
1021:
1017:
1011:
1004:
1003:9780520036529
1000:
996:
990:
983:
979:
975:
969:
963:
962:9780812205770
959:
955:
949:
943:
942:9780801885044
939:
935:
929:
923:
922:9780815333012
919:
915:
909:
903:
902:9780786734023
899:
895:
889:
883:
882:9781501164132
879:
875:
869:
862:
859:
853:
846:
842:
838:
831:
830:9780198711728
827:
823:
819:
813:
806:
800:
793:
790:
784:
778:
777:9780226761800
774:
770:
764:
757:
751:
745:
744:9780198708735
741:
737:
731:
727:
717:
713:
712:
707:
705:
704:
699:
697:
696:
691:
690:
684:
682:
679:differs from
678:
677:
672:
668:
664:
660:
659:
654:
650:
644:
637:
631:
629:
625:
621:
617:
613:
609:
599:
597:
593:
589:
583:
579:
577:
573:
569:
565:
561:
558:In his book,
551:
549:
548:
543:
539:
538:Robert Wilson
535:
534:
529:
525:
521:
520:Robert Greene
517:
516:
511:
507:
506:
501:
497:
493:
492:
485:
483:
479:
478:
473:
469:
465:
464:
460:
456:
453:
442:
440:
436:
432:
428:
424:
420:
416:
406:
404:
400:
395:
393:
389:
388:King Henry IV
385:
381:
377:
373:
363:
361:
360:
355:
351:
350:
345:
342:
340:
336:
331:
327:
323:
318:
316:
312:
307:
303:
301:
300:
295:
293:
289:
285:
280:
276:
275:
270:
268:
264:
260:
255:
245:
244:and others.)
243:
239:
235:
231:
227:
222:
220:
216:
212:
208:
204:
203:
202:Paradise Lost
199:
195:
194:
190:
186:
185:
181:
177:
176:
172:
168:
164:
160:
159:
154:
152:
148:
144:
139:
129:
127:
126:
121:
119:
115:
111:
106:
102:
98:
93:
91:
87:
83:
82:
77:
75:
71:
67:
61:
59:
55:
54:history plays
51:
47:
40:King Henry VI
38:
30:
26:
22:
3249:
3241:
3233:
3214:
3206:
3200:
3194:
3177:
3171:
3165:
3159:
3152:
3127:Nell Quickly
3073:Corporal Nym
3034:
3026:
3020:
3012:
3004:
2996:
2988:
2980:
2972:
2959:
2951:
2945:
2937:
2929:
2921:
2913:
2900:
2892:
2886:
2878:
2870:
2862:
2854:
2841:
2835:
2827:
2819:
2811:
2803:
2795:
2787:
2768:
2761:
2754:
2747:
2735:
2734:
2651:(son-in-law)
2645:(son-in-law)
2583:Susanna Hall
2524:
2513:Institutions
2492:
2337:Coat of arms
2330:Translations
2322:
2318:Bibliography
2285:To the Queen
2283:
2276:
2258:
2251:
2243:
2236:
2229:
2222:
2214:
2207:
2200:
2193:
2186:
2179:
2172:
2163:
2155:
2148:
2141:
2134:
2127:
2119:
2112:
2105:
2078:
2071:
2064:
2057:
2043:
2005:Performances
1974:
1949:Second Folio
1917:
1910:
1901:
1894:
1886:
1879:
1872:
1863:
1856:
1851:
1844:
1836:
1829:
1809:
1802:
1795:
1788:
1781:
1774:
1767:
1760:
1753:
1746:
1739:
1719:
1711:
1704:
1697:
1690:
1683:
1675:
1668:
1661:
1654:
1647:
1640:
1633:
1626:
1619:
1612:
1605:
1542:
1538:
1534:
1530:
1514:
1510:
1506:
1502:
1498:
1458:. Retrieved
1454:the original
1444:
1428:
1423:
1415:
1410:
1394:
1389:
1381:
1376:
1361:
1356:
1348:
1343:
1327:
1322:
1314:
1309:
1301:
1296:
1288:
1283:
1268:
1263:
1258:, pp. 30-40.
1254:
1248:
1239:
1232:
1227:
1219:
1214:
1199:
1194:
1187:The Guardian
1186:
1179:
1171:
1166:
1150:
1145:
1129:
1124:
1116:
1111:
1096:
1091:
1083:
1078:
1063:
1056:
1048:
1043:
1035:
1030:
1015:
1010:
994:
989:
973:
968:
953:
948:
933:
928:
913:
908:
893:
888:
873:
868:
860:
857:
852:
844:
837:
821:
817:
812:
804:
799:
791:
788:
783:
768:
763:
755:
750:
735:
730:
709:
701:
693:
680:
674:
662:
656:
646:
635:
627:
623:
619:
615:
607:
605:
584:
580:
568:Tudor Period
559:
557:
545:
541:
531:
523:
513:
503:
500:George Peele
489:
486:
475:
471:
466:(1552), and
461:
455:Magnificence
454:
448:
438:
435:Thomas Nashe
430:
426:
414:
412:
402:
398:
396:
392:King Henry V
391:
387:
383:
379:
375:
369:
357:
353:
347:
346:
343:
338:
334:
325:
319:
308:
304:
297:
282:
272:
257:
253:
251:
242:Harold Bloom
237:
233:
229:
223:
200:
191:
182:
173:
156:
141:
137:
135:
123:
108:
100:
96:
94:
79:
64:
62:
45:
43:
32:King Henry V
25:
3284:Tetralogies
2689:WikiProject
2376:The Theatre
2362:Handwriting
2188:The Puritan
1979:Characters
1944:First Folio
1912:Richard III
1692:The Tempest
1515:Richard III
1313:Kott, Jan.
758:15 May 2016
658:La Henriade
634:Voltaireās
474:(c. 1538).
468:John Bale's
423:Gary Taylor
315:Richard III
299:Richard III
219:Renaissance
209:world with
125:Richard III
88:, and that
3268:Categories
3132:Richard II
3103:Prince Hal
3068:Charles VI
3051:Characters
3009:(1979; TV)
2993:(1960; TV)
2942:(1979; TV)
2926:(1960; TV)
2897:(2012; TV)
2883:(1979; TV)
2867:(1960; TV)
2846:(2012; TV)
2843:Richard II
2824:(1979; TV)
2816:(1960; TV)
2808:(1960; TV)
2800:(1954; TV)
2788:Richard II
2749:Richard II
2613:Mary Arden
2597:(daughter)
2585:(daughter)
2461:Bardolatry
2371:King's Men
2313:Birthplace
2000:Chronology
1919:Henry VIII
1846:Richard II
1838:Edward III
1748:Coriolanus
1531:Richard II
1527:1398ā1415
1524:1595ā1599
1495:1422ā1485
1492:1591ā1594
1460:31 October
1414:Voltaire.
1140:p. 215-233
843:Voltaire.
722:References
564:Tudor myth
409:Authorship
359:Henry VIII
311:Richard II
259:Richard II
211:Richard II
189:Voltaire's
143:Richard II
90:Prince Hal
66:Richard II
2780:On screen
2643:John Hall
2633:(brother)
2621:(brother)
2553:(replica)
2493:Star Trek
2481:Memorials
2476:Influence
2466:Festivals
2408:Sexuality
2398:Portraits
2393:New Place
2245:Ur-Hamlet
2181:Mucedorus
2091:Apocrypha
1831:King John
1822:Histories
1769:King Lear
1732:Tragedies
1628:Cymbeline
663:Henriade.
653:barbarian
554:Criticism
533:Edward IV
510:John Lyly
491:King Lear
472:King John
354:King John
349:King John
252:The term
163:tetralogy
136:The term
3235:Falstaff
3093:Henry IV
3088:Fluellen
3083:Falstaff
3063:Bardolph
3036:The King
2961:The King
2902:The King
2679:Category
2627:(sister)
2615:(mother)
2609:(father)
2121:Cardenio
2010:Settings
1958:See also
1881:Henry VI
1852:Henry IV
1598:Comedies
1499:Henry VI
1349:Vulture.
824:(2000).
649:Voltaire
643:Henriade
636:Henriade
624:Henry IV
576:Jan Kott
544:(1590).
518:(1591),
505:Edward I
477:Gorboduc
457:(1533),
415:Henry VI
238:Henry V.
226:Falstaff
217:and the
207:medieval
198:Milton's
193:Henriade
180:Virgil's
21:Henriade
3274:Henriad
3146:Sources
3098:Henry V
3028:Henry V
3014:Henry V
2982:Henry V
2973:Henry V
2770:Henry V
2736:Henriad
2471:Gardens
2347:Editors
2150:Locrine
2143:Fair Em
1975:Henriad
1874:Henry V
1783:Othello
1776:Macbeth
1543:Henry V
1503:Parts 1
1439:p. 154.
1405:p. 349.
1161:p. 154.
1005:p. 1-12
681:Othello
628:Henry V
403:Henry V
384:Henry V
274:Henry V
254:Henriad
215:Henry V
171:Homer's
158:Henry V
138:Henriad
101:Henry V
81:Henry V
46:Henriad
3254:(1963)
3246:(1925)
3238:(1913)
3219:(1760)
3211:(1599)
3039:(2019)
3031:(2012)
3017:(1989)
3001:(1966)
2985:(1944)
2964:(2019)
2956:(2012)
2934:(1966)
2905:(2019)
2875:(1966)
2832:(2001)
2668:ā Lost
2579:(wife)
2570:Family
2443:Legacy
2015:Scenes
1755:Hamlet
1484:plays
1435:
1401:
1368:
1334:
1275:
1206:
1157:
1136:
1103:
1070:
1022:
1001:
980:
960:
940:
920:
900:
880:
832:p. 149
828:
775:
742:
700:1979:
692:1960:
626:, and
536:, and
496:quarto
401:, and
382:, and
196:, and
184:Aeneid
3203:1597)
3180:1593)
3168:1585)
3122:Poins
2591:(son)
2433:Grave
2423:Style
2388:Music
2305:works
2270:Poems
2099:Plays
2037:Poems
1589:Plays
1338:p. 10
676:ZaĆÆre
515:Midas
470:play
374:book
175:Iliad
2428:Will
2303:and
2300:Life
1462:2013
1433:ISBN
1399:ISBN
1366:ISBN
1332:ISBN
1273:ISBN
1204:ISBN
1155:ISBN
1134:ISBN
1101:ISBN
1068:ISBN
1020:ISBN
999:ISBN
978:ISBN
958:ISBN
938:ISBN
918:ISBN
898:ISBN
878:ISBN
826:ISBN
773:ISBN
740:ISBN
716:BBC2
594:and
574:and
390:and
296:and
271:and
167:epic
155:and
122:and
99:and
86:epic
78:and
2733:'s
1988:LāZ
1983:AāK
683:."
540:'s
530:ās
522:'s
512:ās
502:'s
429:and
370:In
337:or
313:to
52:'s
3270::
3201:c.
3178:c.
3166:c.
3025::
2950::
2891::
2840::
2662:ā»
2124:ā»ā
1541:;
1537:,
1533:;
1513:;
1509:,
1505:,
1501:,
820:.
714:,
630:.
598:.
590:,
526:,
508:,
290:,
286:,
281:;
265:;
261:;
187:,
178:,
149:;
145:;
128:.
116:;
112:;
72:;
68:;
3199:(
3176:(
3164:(
2723:e
2716:t
2709:v
2369:/
2248:ā
2219:ā»
2168:ā
1922:ā»
1903:3
1896:2
1891:ā»
1888:1
1865:2
1858:1
1841:ā»
1716:ā»
1680:ā»
1573:e
1566:t
1559:v
1539:2
1511:3
1507:2
1464:.
431:3
339:3
294:,
269:;
153:;
120:;
76:;
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)