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304:. Austin's son, Fred, joined his father's practice in later years, but the firm did not survive long after Austin's death. Throughout his later years, Austin maintained control of his firm and was famous as he aged for wearing a dark brown wig. He was the chairman of the Board of Commissioners of Public Buildings in New Haven at the time of his death; he also served on the New Haven city council in 1854 and belonged to the Masons for fifty years. For an image of the only photograph that was taken of Austin:
1374:
http://memory.loc.gov/cgi-bin/displayPhoto.pl?path=/pnp/habshaer/ct/ct0000/ct0070/photos&topImages=304798pr.jpg&topLinks=304798pv.jpg,304798pu.tif&title=7.%20%20Historic%20American%20Buildings%20Survey%20Photocopy,%20August%201951%20LATERAL%20VIEW,%20EAST%20FRONT,%20OLD%20PHOTOGRAPH%20c.%201850%20Restricted%3a%20Permission%20for%20use%20must%20be%20obtained%20in%20writing%20from%20Art%20Library,%20Yale%20University,%20New%20Haven,%20Conn.%3cbr%3eHABS%20CONN,5-NEWHA,15-7&displayProfile=0
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468:. This symmetrical, brownstone, Gothic revival building was built as a library for Yale University. The tall central Gothic hall originally contained balconies with book alcoves, as did the side wings of the building. It was probably based on King's College Chapel in Cambridge, although the many tall pointed spires were not constructed as planned. In 1931, the building was adapted for use as a chapel and the interior altered to accommodate worshipers.
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532:. Now owned by Yale University, this house is an irregular Italianate villa inspired by A. J. Downing's designs. The window surrounds, canopies, and styling are typical of Austin, as is the flamboyant Moorish entryway. Although much of the detailing, such as the canopies and balconies, had been lost, the house was restored in 2003 by Yale. The third floor and left wing are additions made to Austin's initial design.
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711:. This is an impressive, irregular Italianate villa, based on Downing's works, which is part of Austin's Chapel Street project. The house is characterized by its strong central tower around which the masses of the house are arranged as well as canopies and balconies characteristic of Austin. The house has been altered by the addition of a third floor and refenestration in the right wing.
843:. This asymmetric brownstone Italian villa has a four-story tower, ornate carvings, deep overhanging eaves and graceful verandas. Considered to be one of Austin's most significant works, it is constructed of Portland brownstone and displays heavy, opulent classical detailing, which is far less eclectic than many of his earlier designs. The interiors were designed by the
284:. This large, elaborate Italianate mansion in brownstone is considered one of Austin's best works and has been called "one of the culminating domestic designs of the antebellum years, and of the Italianate villa in general." One of his last major commissions was for the gothic, brownstone library (Rich Hall, 1866–68), now Patricelli '92 Theater, at
686:. One of Austin's most important commercial commissions, this bank was a three bayed, flamboyant Italianate brownstone structure. The interiors, as evidenced in HABS photographs featured elaborate door surrounds with Austin's typical floral embellishment and frescoes. The bank was demolished in the 1970s.
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Austin supplied
Italianate additions to Ithiel Town's mansion, including two large asymmetrical towers, a new porch, and symmetrical side wings with large bay windows. Although the house was one of Austin's most important works, it was demolished in 1957 by Yale to make way for Dunham Laboratory. For
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In 1841, he moved his practice to New Haven where his first significant commission was the now-demolished, Greek
Revival George Gabriel House (1841). In New Haven, Austin's style diversified; in one ad, Austin claimed he could design buildings "in every variety of architectural style". He worked in
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This was one of the houses in the row on Chapel Street in
Wooster Square Austin designed for Hotchkiss; this house was built for a partner of Hotchkiss', William Lewis. The house displays many Austin design elements including the noticeable candelabra columns; it also includes a particularly notable
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This was the first house Austin designed for Nelso
Hotchkiss with whom he had worked closely. The windows are surrounded by Austin's signature, notched surrounds. The house also features a delicate canopy over the central three part window. This house is part of a series of villas Austin designed on
378:. Austin in concert with Nelson Hotchkiss designed six, mostly Italianate villas for Hotchkiss' development in Trenton. The two architects seem to have collaborated in the designs, but, since the homes have been demolished, it cannot be determined how they reflected Austin's design proclivities.
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with clock tower and tall iron staircase was one of Austin's most important works in New Haven. Many decorative motifs and varieties of stone were employed to give the building a colorful, Venetian effect. The design might have been based on a project for a "metropolitan hotel" published in The
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at Yale (1842–1845), the
Townsend City Savings Bank (demolished, 1852), the Palladium Building (formerly Young Men's Institute, 1855) and the strange Moorish New Haven Railroad Station (demolished, 1848). His most significant non-residential commission in New Haven was the City Hall (1860), a
732:. Another Italianate villa on Chapel Street, the second house built for Austin's collaborator on several projects, Nelson Hotchkiss. The house features bowed bays and a central door with an elaborate double height porch, utilizing Gothic and Indian design elements with candelabra columns.
966:. Austin designed this vaguely second empire house next door to the Davies House for Oliver Winchester. The house employs the same massing, but the detailing is more elaborate, including polychrome mansard roofs, distinctive pediments, and balconies. The house has been demolished.
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in 1859 (demolished), encasing Town's structure in an exuberant
Italianate shell. In New Haven, Austin made the so-called candelabra column (a column inspired by Indian architecture consisting of superimposed vegetal layers) his signature, as well as elaborate Indian/Moorish
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Illustrated London News in 1859. The remains of this building (much of it was demolished in 1976) are now incorporated into the new City Hall, built in 1986, which abstractly extends the façade. Austin's tower was demolished in the 1950s but reconstructed in the 1980s.
223:. In Wooster Square he designed the Italianate James E. English House (1845), the exotic Indian/Moorish Willis Bristol House (1845), the Nelson Hotchkiss House (1850), and the irregular Italianate villa Oliver B. King House (1852). On Hillhouse Avenue he worked on the
443:. Now owned by Yale University. The house is an Italianate villa with detailing influenced by Indian precedents, such as the candelabra columns on the porch. The house also has an elaborately carved belvidere on the roof and drops bordering the heavy cornice.
665:. This house, built in 1832 the Greek revival style by A. J. Davis, was significantly altered by Austin in the 1850s by the addition of second stories to the side wings. Austin's work can also be detected in the characteristic window surrounds and canopies.
557:. This church was designed by Austin in a neo-Federal style. Unfortunately, a great deal of Austin's design work, including the spire was removed and replaced in the early 20th century with colonial revival details and a dramatic porch.
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215:. In some buildings, he employed an eclectic mix of styles, creating varied, exotic formi. His New Haven work left a lasting impression on the domestic architecture of the then-developing real estate projects in the areas of
420:. An Italianate villa; the house has delicate candelabra columns, atypical of other Austin works. The porch displays a delicate, gothic quatrefoil balustrade. The third story is an addition to the original design from 1876.
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balcony with a unique canopy. Although the house cannot be securely attributed to Austin, its proximity in date and location to his known works and the relationship of the client to Austin argue in favor of the ascription.
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This large, symmetrical
Italianate villa included a columned veranda with thick candelabra columns, Austin's typical chamfered window surrounds and vegetal decoration on the belvedere. It was demolished in the 1960s.
360:. (Also known as the Simpson Taber House) Austin designed this Greek revival house early in his career. Although the form is relatively straightforward, some of Austin's styling can be seen in the window surrounds.
775:. This church was built by Austin using the existing frame of the older church in the Italianate style. The original spire and Victorian interior decoration have been replaced by simple colonial revival designs.
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Austin was married twice, first to
Harriet M. Hooker, then to Jane Hempstead, and had four children who survived into adulthood, Willard, Henry, David, and Fred. He died in 1891 in New Haven and is interred in
901:, now Patricelli '92 Theater. This sandstone library follows the earlier library plan Austin developed at Dwight Hall. Although the building has been gutted by the college, Austin's Gothic truss roof remains.
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After the 1860s, Austin's style changed with the times, incorporating structures in the Second Empire and Stick styles. In 1868, he constructed two Second Empire houses on
Prospect Street in New Haven for
984:. This three story Second Empire Building once stood at Church and Crown streets and may have been one of Austin's first significant commercial designs in this style. The building has been demolished.
1032:, one of the very few works that Austin designed in this style. It has a large tower set to the rear and a double height wrap-around porch. The detailing evokes the Swiss cottage style. For an image:
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The paucity of precise information concerned with Austin and a lack of many personal papers (such as diaries or letters) makes a complete biography of his life difficult to write. Austin was born in
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143:. He practiced for more than fifty years and designed many public buildings and homes primarily in the New Haven area. His most significant years of production seem to be the 1840s and 1850s.
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Henry Austin was particularly enamored of the so-called candelabra columns and introduced them into the
American architectural vocabulary. These examples are from the Dana House in New Haven.
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over windows, and thick vegetal anthemia and tendrils over window surrounds. Other significant works in New Haven include the Grove Street Cemetery Gate in Egyptian Revival (1848–49),
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in 1804 and was the son of Daniel and Adah (Dorman) Austin. He first seems to have worked as a carpenter's apprentice and then began his career in architecture in association with
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polychrome, asymmetrical, Gothic Revival structure, which, although significantly altered in the 1980s, still maintains Austin's facade and some interior decorative features.
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Indian architecture made a deep impression on Austin and found its way into much of his detail work. This is the porch from the Willis Bristol House in New Haven.
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David W. Dunlap (July 22, 2001), "POSTINGS: $ 13.5 Million Renovation and Restoration for 133-Year-Old Building; Yale Mansion to House Globalization Center",
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644:. This church was designed by Austin with a mixture of Italianate and carpenter gothic detailing, featuring a tall spire positioned to the side of the nave.
399:. An Italianate villa with striking Moorish/Indian design elements including candelabra columns, Moorish window lambrequins, and uniquely paned windows.
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with Town and Davis (1842, his involvement is uncertain), the demolished gothic-revival Kellogg house (1841), and the long-gone 1842 building for
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757:. An attractive four-bay Anglo-Italianate/Renaissance Revial building, the ascription to Austin has never been proven but seems very likely.
511:. This station incorporated Italianate and Moorish revival styles. It was converted into a market in 1874 and was destroyed by fire in 1894.
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311:, but, other than minor references to civic duties they shared, there seems to be little documentation available to fuel such an inquiry.
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Austin also worked in other regions and states. In Connecticut, he designed churches in Gothic revival and Italianate styles in
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163:, although the nature of his relationship to Town and Davis has not been ascertained. In 1837, he opened his own office in
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300:. The Winchester House has been demolished, but the Davies house remains, having been restored by Yale and renamed the
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948:. The building was extensively restored by Yale in 2000–2002 after neglect and a fire (in 1990) had caused damage.
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style) mansion is on the National Register of Historic Places. Originally the home of John Davies (an associate of
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In recent years, curiosity has been raised about Austin's professional relationship to his New Haven contemporary,
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276:(Trinity Episcopal, 1858). Perhaps his most significant out-of-state commission was the Morse-Libby House (
798:. This small Italianate design uses classical architectural elements and is a National Historic Landmark.
1053:"Henry Austin", International Dictionary of Architects and Architecture (Detroit: St. James Press, 1993).
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1602:"Guide to Stick Style Architecture - Claire T. Carney Library - University of Massachusetts Dartmouth"
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135:(December 4, 1804 – December 17, 1891) was a prominent and prolific American architect based in
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a New Haven real estate developer and designed with him villas along "Park Row" in
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Henry Austin papers (MS 1034). Manuscripts and Archives, Yale University Library.
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Tower of the John Pitkin Norton House, one of Austin's most developed works.
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Meeks, C. L. V. (June 1948), "Henry Austin and the Italian Villa",
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New Haven's Enterprise Hall of Fame, Business New Haven, 1/25/1999
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a range of styles popular in the nineteenth century including
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1549:, vol. 30, no. 7, October 19, 2001, archived from
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http://historicbuildingsct.com/?tag=henry-austin&paged=3
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http://historicbuildingsct.com/?tag=henry-austin&paged=3
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This polychromatic Victorian Gothic structure bordering the
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Yale University Library Digital Collections. Henry Austin.
327:* indicates demolished or significantly altered buildings
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style with elaborate overhangs, window frames and gothic
1337:"First & Summerfield United Methodist Church (1849)"
1495:"New Haven City Hall restoration and new construction"
1164:
Henry Austin: In Every Variety of Architectural Style
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Henry Austin: In every variety of architectural style
1588:"Second Congregational Church, East Hampton (1855)"
1187:
New Haven: A Guide to Architecture and Urban Design
177:
St. John's Episcopal Church (Hartford, Connecticut)
489:Gates, 1848–49. Austin designed the gate in
1166:, Wesleyan University Press: Middletown, CT, 2007
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1372:For a view of the house before the alterations:
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179:; he also became associated at this time with
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1427:"Trinity Episcopal Church, Seymour (1857)"
946:Yale Center for the Study of Globalization
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1543:"Davies Mansion to be renovated, renamed"
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1325:https://www.loc.gov/pictures/item/ct0068/
1244:https://www.loc.gov/pictures/item/ct0063/
1215:https://www.loc.gov/pictures/item/ct0061/
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555:First & Summerfield Methodist Church
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1276:(2), College Art Association: 145–149,
187:, probably his first major commission.
1669:Architects from New Haven, Connecticut
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1664:Architects from Hartford, Connecticut
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264:(St. John's Episcopal Church, 1846),
840:Morse-Libby House (Victoria Mansion)
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1189:. New Haven: Yale University Press.
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319:, whose famous gates he designed.
280:) in Portland, ME, 1857–1860, for
103:Yale College Library (Dwight Hall)
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493:style with papyrus-bud capitals.
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1679:19th-century American architects
1674:Burials at Grove Street Cemetery
1360:"The William Lewis House (1850)"
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813:New Haven CT, Hillhouse Avenue
659:New Haven CT, Hillhouse Avenue
526:New Haven CT, Hillhouse Avenue
435:New Haven CT, Hillhouse Avenue
1242:. See also HABS documentation
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1108:O'Gorman, pp. 14–17,79–82
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940:), it subsequently housed the
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1565:"Web Page Under Construction"
1201:"Samuel Simpson House (1840)"
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942:Culinary Institute of America
726:New Haven CT, Wooster Square
701:New Haven CT, Wooster Square
619:New Haven CT, Wooster Square
597:New Haven CT, Wooster Square
414:New Haven CT, Wooster Square
393:New Haven CT, Wooster Square
268:(First Congregational 1849),
1386:"Aaron Skinner House (1832)"
1323:See also HABS documentation
1213:See also HABS documentation
1078:(Middletown, 2008) pp.xv-xvi
1000:Second Congregational Church
7:
1659:Architects from Connecticut
895:Wesleyan University Library
272:(Congregational 1850), and
106:Grove Street Cemetery Gates
10:
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1547:Yale Bulletin and Calendar
684:Townsend City Savings Bank
509:New Haven Railroad Station
1518:O'Gorman pp. 160–164
1484:O'Gorman pp. 150–159
1255:O'Gorman pp. 124–130
1246:The house is on the NRHP.
795:Lafayette B. Mendel House
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944:. It is now home to the
790:New Haven CT, East Rock
773:Trinity Episcopal Church
530:John Pitkin Norton House
229:John Pitkin Norton House
112:John Pitkin Norton House
1464:O'Gorman pp. 66–74
1441:"Yale's Lost Landmarks"
1416:O'Gorman pp. 146–9
1407:O'Gorman pp. 63–64
1126:O'Gorman pp. 28–30
1028:. This house is in the
964:Oliver Winchester House
462:Yale University Library
440:James Dwight Dana House
282:Sylvester Ruggles Morse
260:(Congregational 1845),
225:James Dwight Dana House
169:Christ Church Cathedral
161:Alexander Jackson Davis
109:James Dwight Dana House
55:Mt. Carmel, Connecticut
847:. It is now a museum.
817:Joseph Sheffield House
601:Nelson Hotchkiss House
551:First Methodist Church
418:James E. English House
253:
195:
73:New Haven, Connecticut
1087:O'Gorman pp. 3–6
751:Young Men's Institute
730:Hotchkiss-Betts House
642:Congregational Church
487:Grove Street Cemetery
342:Name and Information
317:Grove Street Cemetery
251:
193:
1203:. 10 September 2010.
920:John M. Davies House
705:Oliver B. King House
397:Willis Bristol House
358:Samuel Simpson House
1553:on January 15, 2015
1362:. 23 December 2008.
1301:Priscilla Searles,
1162:O'Gorman, James F.
867:New Haven City Hall
709:Jonathan King House
663:Aaron Skinner House
623:William Lewis House
288:in Middletown, CT.
286:Wesleyan University
233:Joseph E. Sheffield
173:Wadsworth Athenaeum
153:Hamden, Connecticut
120:New Haven City Hall
1429:. 11 October 2009.
1339:. 7 December 2008.
1308:2007-09-27 at the
755:Palladium Building
309:Sidney Mason Stone
254:
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16:American architect
1590:. 4 October 2009.
1175:O'Gorman pg.1 n.1
1144:O'Gorman pg.2 n.4
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1026:W. J. Clark House
938:Oliver Winchester
294:Oliver Winchester
147:Life and practice
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65:December 17, 1891
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1388:. 15 April 2008.
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1227:"Henry Austin"
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1135:O'Gorman pg.65
1128:
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1117:O'Gorman pg.14
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323:Selected works
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298:John M. Davies
217:Wooster Square
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69:(aged 87)
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1608:on 2011-05-22
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1501:on 2007-08-14
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1153:O'Gorman pg.1
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1065:O'Gorman pg.2
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1610:. Retrieved
1606:the original
1596:
1582:
1573:
1559:
1551:the original
1546:
1537:
1529:
1523:
1514:
1503:. Retrieved
1499:the original
1489:
1480:
1469:
1460:
1449:. Retrieved
1445:the original
1435:
1421:
1412:
1403:
1394:
1380:
1368:
1354:
1345:
1331:
1316:
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1022:Branford CT
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197:
171:(1838), the
150:
133:Henry Austin
132:
131:
67:(1891-12-17)
23:Henry Austin
1654:1891 deaths
1649:1804 births
1030:Stick style
975:1871–1872*
925:Betts House
769:Seymour CT
502:1848–1849*
466:Dwight Hall
372:Trenton NJ
302:Betts House
242:Dwight Hall
238:lambrequins
185:Trenton, NJ
157:Ithiel Town
141:Connecticut
80:Nationality
1643:Categories
1612:2011-09-16
1505:2007-06-17
1451:2011-09-15
1039:References
1019:1879–1880
887:1866–1868
832:1858–1860
480:1848–1849
455:1842–1845
432:1845–1848
270:Plainville
205:Italianate
88:Occupation
47:1804-12-04
1074:O'Gorman
899:Rich Hall
339:Location
262:Waterbury
258:Northford
137:New Haven
100:Buildings
91:Architect
1306:Archived
1008:millwork
753:now the
376:Park Row
209:Egyptian
165:Hartford
83:American
1290:3047173
820:Image:
274:Seymour
1288:
957:1868*
810:1859*
677:1852*
656:1850s
569:1850*
544:1849*
369:1840*
333:Image
201:Gothic
1286:JSTOR
993:1877
913:1868
859:1860
787:1858
766:1857
744:1855
723:1854
698:1852
635:1850
616:1850
594:1850
579:House
523:1849
411:1845
390:1845
351:1840
336:Date
922:now
893:Old
707:aka
553:now
464:now
296:and
266:Kent
219:and
211:and
159:and
62:Died
41:Born
1278:doi
1645::
1545:,
1284:,
1274:30
1272:,
1260:^
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1010:.
897:/
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1454:.
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49:)
45:(
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