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Il dio vagabondo

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521: 395: 33: 798: 517:, leading to a name that roughly means "someone good". The characters of the professor and the ghost were created to give the story a human perspective. The professor is a human and the ghost has been one. At the same time, the professor sees things in a different way from most humans, suggested by his poor eyesight and his revelatory dream. Dori says it is significant that the professor does not wear glasses during the dream and that they fall off when he dies. 378:. Eustis is greeted by Aline, a prostitute who had consulted him for a divination before and now works at the park. The Sphinx is one of the attractions: a small object that always answers truthfully when asked a question, although the answer may not match the question. The professor perishes from one of the park's temptations: a library with every book that exists or will exist. Eustis lends him his vision for a moment before he dies. 306:, making him excited to meet a divinity again. Hecate tells him the gods are still around but Artemis cursed him so he cannot see them. Because he helped one of Hecate's subjects, she breaks the curse until the next full moon, promising it will be permanent if Eustis, within that time, can do a favour for 318:
for a few hours, allowing Pan and his lover Selene to give each other a proper farewell. Eustis explains his situation to an elderly professor who demands to come along, and the party is soon joined by the ghost from before. The ghost is named Leandros and had been an ancient nobleman whose toothache
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on 29 September 2023. It revolves around how Eustis has to educate the son of Pan and Selene, and how the professor's daughter, who works at a large company, finds her father's diary and looks for traces of him. Dori describes the books as standalone works that together form a cycle, where the first
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Bidding farewell to Aline, Eustis realises it is full moon and hurries to the entrance to the underworld, where Hades greets him and receives the Sphinx. Pan comes out and explains a god cannot die but can lose his place. Pan gives Eustis his satyr appearance back. The moon, who is Selene, comes
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Drawing and painting were done digitally. Dori worked like a painter and began by creating fields of colour which he gave more defined form and eventually outlines. The style shifts between the cartoon-like, grotesque and realistic. There are many nods to artists and art history in
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As they continue, the professor nags about wanting to see the world through Eustis' eyes. Eustis is reluctant, because he once lent his divine vision to a painter named Vincent whose nerves could not handle it. Eustis and the professor arrive at an amusement park which belongs to
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and Christianity, and that a major difference is that in the Greek view, the gods are immortal, whereas in Christianity, man is immortal. Dori thought the larger implications of the Greek view of death as a limitation are relevant for the current age, and made it a subject in
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an expression of love for storytelling which manages to be educational but not didactic. He highlighted the interplay between past and present, and between the grand and the ordinary, which exists in both narrative and visuals, calling the result delicate and immediate.
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s Benjamin Roure called the book funny, playful and dreamlike. He wrote that it impresses the most with its images, where visual quotations do not feel like stiff homages, but like the participation in a heritage of wondrous pictures. Benoît Cassel wrote for
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as a one-volume work, but his fascination with Greek mythology and investment in the world he had created made him make another comic book about Eustis. Éditions Sarbacane published the sequel in French as
291:, and the goddess shot him. When Eustis woke up, his horns and pointed ears were gone and the gods were missing. Unable to find his friends and continue his lifestyle, he wandered the world alone as a 998: 1443: 162:
which is quoted in it. Dori has a background in painting and the art style spans from cartoon-like to realistic. There are visual references to ancient vase painting and to modern art, including
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down, takes Pan with her and breaks Eustis' curse. On his way back, Eustis meets the professor's ghost and the two say farewell. Eustis goes to search for Dionysus and is reunited with the
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as poetic, dreamlike and colourful, emphasising its humour, mix of styles and disparate references. He called it masterfully made and a beautiful surprise. Anne Douhaire-Kerdoncuff of
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wrote that the book's theme of the search for a lost paradise recurs in "all great myths" and called the book "funny, smart, rhythmic, and very original... A big favourite".
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worked as a painter for around 10 years before he switched to making comics in his 30s. He lost interest in painting because he wanted to focus more on storytelling.
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for current socio-political issues. He called the book both crazy and very successful, due to its colourfulness, attention to detail and stylistic flexibility.
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is worth reading and looking at multiple times, but a weakness may be that it does not explore the truly dark side of its Dionysian subject. Federico Beghin of
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leads him to a revelation about the Sphinx' location. Ares returns and is furious, but Leandros is able to hold up in combat against
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s visuals, and stressed how the book uses art history and combines ancient mythology with modern content. The book received the Prix
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Eustis who teams up with an elderly professor and a ghost as he goes on a quest for redemption after the gods have disappeared.
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to add more irrationality and unruliness. The book frequently juxtaposes burlesque, dramatic and horrific elements.
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live on the margins of society. The environments were inspired by the area around Dori's home at the outer edge of
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in 2019. Dori was one of six nominees for best Italian single author at the 2019 Treviso Comic Book Festival.
859:"Fabrizio Dori, auteur du 'Fils de Pan' : 'Nous vivons grâce Ă  des histoires que l'on nous a racontĂ©es'" 1465: 1259: 1621: 1528: 944: 562: 261:
inspired by this image and then developed the script over a year. Drawing and painting took another year.
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Dori decided after his previous book that his next project should avoid melancholy. He used humour in
394: 1498: 546: 861:[Fabrizio Dori, author of 'Son of Pan': 'We live thanks to the stories we have been told']. 491:. Dori draws parallels between the margins of society, the outskirts of a city and how the story of 330:, where they learn Hades is looking for an object called the Sphinx. They are guided to the well of 1374:...tous les grands mythes..." "C'est drôle, futé, rythmé, et très original... Un gros coup de cœur. 1090: 422: 1165: 612: 557:. References to Van Gogh paintings appear most prominently in a flashback sequence about him. The 1289: 1229: 421:. Dori associates the satyr protagonist, and his connection to Dionysus, with theories about the 991:[BD: Fabrizio Dori takes on a modern mythological adventure with 'The Wandering God']. 681: 621:
on 2 January 2019. Other translations include Dutch (2019), Spanish (2019) and Turkish (2020).
1356:[Comics – "The Wandering Godd" by Fabrizio Dori, a pop and mythic fable] (in French). 1021: 403: 159: 1646: 1603: 147:
ways of viewing mortality and limitations have become marginal. The book was influenced by "
1057:[Fabrizio Dori: 'If we abandon ourselves to colour, it devours form'] (in French). 661: 431: 8: 989:"BD : Fabrizio Dori campe une aventure mythologique moderne avec 'Le Dieu vagabond'" 426: 327: 606:
was published in Italian by Oblomov Edizioni on 15 November 2018. It is 154 pages long.
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for many centuries, hearing claims that the gods were replaced by a single god and that
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In the outskirts of a modern city, the satyr Eustis lives in a tent, drinks wine, sells
1468:[The winners of the 2019 Premio Boscarato at the Treviso Comic Book Festival]. 784: 591:. The ghosts who wear skull masks and walk in processions were inspired by the Mexican 198: 542: 273:
that are stories he tells when inebriated, and talks about how he used to be part of
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and switches between burlesque humour and dramatic content. It follows the
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draws visual inspiration from Van Gogh and Art Nouveau similarly to how
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field where Eustis has set up camp at the start of the story references
1571: 1136: 707: 367: 270: 1466:"I vincitori del Premio Boscarato 2019 al Treviso Comic Book Festival" 899:[The visual spectacle of the Wandering God by Fabrizio Dori]. 1354:"BD – 'Le dieu vagabond' de Fabrizio Dori, une fable pop et mythique" 537:. Dori compares the way he uses and reworks his references to making 524:
The sequence with the furious Ares contains visual references to the
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running through nature that is full of life. He quickly made three
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Friedrich Hölderlin's poem "Bread and Wine" is quoted in the book.
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that the story is unpredictable and unusual in the way it adapts
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The main character's name, Eustis, is constructed from the
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makes films. There are frequent images that were inspired
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takes place at the fringes of the mind and rationality.
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An aim for Dori was to make a comic that is both about
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games, resulting in a comic that recalls the works of
1562:"Le fils de Pan - Par Fabrizio Dori - Ed. Sarbacane" 463:, were inspirations for Aphrodite's amusement park. 1351: 569:. The design of the amusement park was inspired by 326:They pass through an old bunker and the kingdom of 302:Eustis helps a ghost to find the way and is led to 1127:"Le Dieu vagabond – Par Fabrizio Dori – Sarbacane" 1529:"'Il figlio di Pan', il ritorno di Fabrizio Dori" 1323:[Comic of the month: a god of thunder!]. 1321:"La BD du mois : un dieu du tonnerre !" 1613: 1022:"Interview bande dessinĂ©e : Fabrizio Dori" 143:live on the margins of society, reflecting how 1352:Douhaire-Kerdoncuff, Anne (22 February 2019). 1093:[The wandering god: odyssey in myth]. 1049: 1047: 835:ends with death and the second with rebirth. 666:. He also praised the book as reminiscent of 181:The reviews were positive, especially about 1044: 1024:[Comics interview: Fabrizio Dori]. 815: 208: 109: 1120: 1118: 1116: 852: 850: 848: 417:" as an influence and it is quoted inside 249:According to Dori, the starting point for 31: 1193: 1191: 982: 980: 978: 976: 974: 972: 970: 890: 888: 886: 1124: 1084: 1082: 1080: 796: 519: 393: 389: 283:. One time in the past, Eustis chased a 1637:Cultural depictions of Vincent van Gogh 1113: 986: 938: 936: 934: 932: 930: 928: 926: 924: 894: 845: 1614: 1496: 1319:Levent, Christophe (31 January 2019). 1318: 1197: 1188: 1088: 1019: 967: 883: 1560:Lebas, Philippe (11 September 2023). 1559: 1385: 1077: 987:Le Saux, Laurence (9 February 2019). 947:[Wander with Fabrizio Dori]. 942: 871:from the original on 29 February 2024 856: 549:. Influences from modern art include 1497:Cassel, BenoĂ®t (15 September 2023). 1091:"Il dio vagabondo: odissea nel mito" 1089:Beghin, Federico (5 December 2018). 921: 334:, which is connected to the well of 1386:Roure, Benjamin (14 January 2019). 895:Troiani, Tonio (27 February 2019). 857:Jarno, StĂ©phane (3 December 2023). 13: 1604:Presentation from Oblomov Edizioni 1581:from the original on 22 March 2024 1478:from the original on 10 March 2024 1407:from the original on 12 March 2024 1364:from the original on 12 March 2024 1333:from the original on 12 March 2024 1300:from the original on 22 March 2024 1270:from the original on 22 March 2024 1240:from the original on 22 March 2024 1125:Lamarche, Lise (8 February 2019). 1020:Cassel, BenoĂ®t (31 January 2020). 955:from the original on 10 March 2024 14: 1663: 1597: 1541:from the original on 4 March 2024 1537:(in Italian). 29 September 2023. 1509:from the original on 4 March 2024 1474:(in Italian). 29 September 2019. 1446:from the original on 4 March 2024 1210:from the original on 4 March 2024 1176:from the original on 5 March 2024 1101:from the original on 4 March 2024 1065:from the original on 4 March 2024 1032:from the original on 4 March 2024 1001:from the original on 4 March 2024 909:from the original on 4 March 2024 1146:from the original on 10 May 2021 617:published the book in French as 470:and contemporary times. He says 238:was his third comic book, after 1553: 1521: 1490: 1458: 1419: 1379: 1345: 1312: 1282: 1252: 1222: 1198:Cassel, BenoĂ®t (2 April 2019). 945:"Vagabonder avec Fabrizio Dori" 253:was an image he conceived of a 1442:(in French). 28 October 2019. 1158: 1013: 734:s Christophe Levent described 598: 563:Van Gogh's sunflower paintings 1: 1627:Classical mythology in comics 838: 338:, situated near the house of 226: 943:Venet, Elise (8 July 2020). 624: 7: 629:Tonio Troiani, writing for 547:ancient Greek vase painting 456:The Adventures of Pinocchio 277:' ecstatic procession, the 18:Comic book by Fabrizio Dori 10: 1668: 1501:[The Son of Pan]. 577:. There are references to 323:when the chance appeared. 792: 223:) was published in 2023. 89: 81: 76: 68: 60: 52: 42: 30: 23: 1642:Fauns in popular culture 719:Gauguin: The Other World 641:Gauguin: The Other World 314:to release Pan from the 287:under the protection of 244:Gauguin: The Other World 203:. The standalone sequel 778:at the comics festival 358:, and his knowledge of 264: 1652:Italian graphic novels 802: 770:The French edition of 682:Only a God Can Save Us 529: 399: 800: 774:was awarded the Prix 573:, especially that of 523: 397: 390:Techniques and themes 639:an improvement from 528:imagery of Otto Dix. 432:The Birth of Tragedy 366:, the spirit of the 77:Original publication 1622:2018 graphic novels 1260:"El dios vagabundo" 427:Friedrich Nietzsche 404:Friedrich Hölderlin 319:prevented him from 160:Friedrich Hölderlin 1632:Comics about death 1388:"Le Dieu vagabond" 1200:"Le Dieu vagabond" 1166:"Il dio vagabondo" 803: 608:Éditions Sarbacane 530: 400: 139:The characters in 700:Lise Lamarche of 543:Quentin Tarantino 541:music and to how 474:has two origins, 119:The wandering god 101: 100: 95:978-88-85621-64-0 37:Cover of the book 1659: 1608: 1591: 1590: 1588: 1586: 1575: 1557: 1551: 1550: 1548: 1546: 1525: 1519: 1518: 1516: 1514: 1499:"Le Fils de pan" 1494: 1488: 1487: 1485: 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vagabondo 481:Il dio vagabondo 423:Dionysian spirit 419:Il dio vagabondo 416: 251:Il dio vagabondo 236:Il dio vagabondo 222: 219: 216: 213: 210: 205:Il figlio di Pan 202: 187: 183:Il dio vagabondo 168:Vincent van Gogh 157: 141:Il dio vagabondo 123: 120: 117: 114: 111: 105:Il dio vagabondo 97: 72:Oblomov Edizioni 56:15 November 2018 35: 25:Il dio vagabondo 21: 20: 1667: 1666: 1662: 1661: 1660: 1658: 1657: 1656: 1612: 1611: 1606: 1600: 1595: 1594: 1584: 1582: 1569: 1558: 1554: 1544: 1542: 1527: 1526: 1522: 1512: 1510: 1495: 1491: 1481: 1479: 1464: 1463: 1459: 1449: 1447: 1434: 1425: 1424: 1420: 1410: 1408: 1395: 1384: 1380: 1367: 1365: 1350: 1346: 1336: 1334: 1317: 1313: 1303: 1301: 1288: 1287: 1283: 1273: 1271: 1258: 1257: 1253: 1243: 1241: 1228: 1227: 1223: 1213: 1211: 1196: 1189: 1179: 1177: 1164: 1163: 1159: 1149: 1147: 1134: 1123: 1114: 1104: 1102: 1087: 1078: 1068: 1066: 1061:. 17 May 2019. 1053: 1052: 1045: 1035: 1033: 1018: 1014: 1004: 1002: 985: 968: 958: 956: 949:Podcast 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Index

The cover image with the author's name and the title against red background at the top. Below is a colourful picture of trees, bushes and a field, with whirling patterns in the starlit sky. Prominent in the picture is the profile of a running man with horns and pointed ears, nude except for a leopard skin worn over the shoulders.
Fabrizio Dori
978-88-85621-64-0
Fabrizio Dori
Greek mythology
satyr
ancient Greek
Bread and Wine
de
Friedrich Hölderlin
Art Nouveau
Vincent van Gogh
Otto Dix
pop art
Quai des Bulles
fr
Fabrizio Dori
satyr
panels
divinations
Dionysus
thiasus
nymph
Artemis
vagrant
Pan
Hecate
Selene
Hades
underworld

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