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first set by Hasse in 1744. This opera (and all the rest of
Mysliveček's operas) belong to the serious type in Italian language referred to as
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112:, a close friend and professional associate of the composer who contributed greatly to the success of Mysliveček's break-through opera,
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was the first dramatic work that he succeeded in getting produced there. Later there would be two other operas (
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on 17 March 1769. Florence had been a frequent stopping-place for
Mysliveček after he arrived in Italy from
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Act II, scene 10 - Accompanied recitative for
Ipermestra and Linceo, "Ferma, oimè"
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in 1776). The production was graced with the presence of the great German tenor
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Act II, scene 10 - Duet of
Ipermestra and Linceo, "Ah, se di te mi privi"
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413:
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Act II, scene 3 - Aria of
Ipermestra, "Se il mio duol, se i mali miei"
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Act II, scene 6 - Aria of
Plistene, "Vuoi ch'io lasci, o mio tesoro"
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More information concerning the
Florence performance of Mysliveček's
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was first revived in modern times in a concert version performed in
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Act III, scene 2 - Aria of
Ipermestra, "Và, più non dirmi infida"
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in 1970, then a staged version in the same city performed in 1986.
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Act III, scene 7 - Aria of Danao, "Ah, di calma un sol momento"
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Act I, scene 9 - Aria of
Ipermestra, "Se pietà da voi non trovo"
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283:
Act III, scene 4 - Aria of Linceo, "Nel pensar che l'idol mio"
262:
Act II, scene 1 - Aria of
Adrasto, "Pria di lasciar la sponda"
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Act II, scene 2 - Aria of Danao, "Non hai cor per un'impresa"
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Act I, scene 10 - Aria of Linceo, "Io non pretendo, o stelle"
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Act I, scene 3 - Aria of Ipermestra, "Ah, non parlar d'amore"
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Premiere cast, 17 March 1769, Teatro della Pergola, Florence
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Act II, scene 7 - Aria of Elpinice, "Mai l'amor mio verace"
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Act II, scene 5 - Aria of Linceo, "Gonfio tu vedi il fiume"
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Act II, scene 9 - Aria of Danao, "Or del tuo ben la sorte"
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Act I, scene 6 - Aria of Plistene, "Ma rendi pur contento"
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Act I, scene 1 - Aria of Elpinice, "Abbiam penato, è ver"
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Act I, scene 2 - Aria of Danao, "Pensa che figlia sei"
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prince of Thessaly, lover of Elpinice, friend of Linceo
313:(Sterling Heights, Mich.: Harmonie Park Press, 2009).
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Act I, scene 4 - Aria of Linceo, "Di pena sì forte"
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68:The opera was first performed at the
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184:prince of Egypt, lover of Ipermestra
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168:daughter of Danao, lover of Linceo
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201:niece of Danao, lover of Plistene
660:L'impresario delle Isole Canarie
40:in 3 acts by the Czech composer
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96:in 1776) and three oratorios (
1:
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311:Josef Mysliveček, "Il Boemo"
7:
106:Isacco figura del redentore
36:is an 18th-century Italian
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863:
832:Operas by Josef Mysliveček
700:La passione di Gesù Cristo
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576:
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44:composed to the libretto
16:Opera by Josef Mysliveček
129:
827:Italian-language operas
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692:Alessandro nell’Indie
644:Siface, re di Numidia
24:
804:Il trionfo di Clelia
390:Il trionfo di Clelia
236:Filippo Bertocchini
70:Teatro della Pergola
50:by the Italian poet
756:La clemenza di Tito
462:La clemenza di Tito
222:Giuseppe Cicognani
64:Performance history
668:Siroe re di Persia
652:Didone abbandonata
229:confidant of Danao
177:Elisabetta Teuber
29:
814:
813:
780:Ciro riconosciuto
764:Gioas re di Giuda
636:Gli orti esperidi
624:Pietro Metastasio
586:
585:
446:Romolo ed Ersilia
430:Il gran Tamerlano
307:Daniel E. Freeman
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233:soprano castrato
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772:Achille in Sciro
748:Betulia liberata
732:Adriano in Siria
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502:Adriano in Siria
351:Josef Mysliveček
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243:Vocal set pieces
208:Daniella Mienci
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93:Adriano in Siria
42:Josef Mysliveček
26:Josef Mysliveček
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676:Catone in Utica
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374:Il Bellerofonte
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115:Il Bellerofonte
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219:alto castrato
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796:Il re pastore
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150:king of Argos
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104:in 1773, and
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80:in 1763, but
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305:is found in
303:L'Ipermestra
302:
297:
280:
261:
246:
228:
214:
200:
194:Adamo Solzi
183:
167:
166:Ipermestra,
149:
120:L'Ipermestra
119:
113:
105:
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98:Adamo ed Eva
97:
91:
90:in 1771 and
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82:L'Ipermestra
81:
67:
55:
45:
33:L'Ipermestra
32:
31:
30:
18:
842:Opera seria
837:1769 operas
740:L'Olimpiade
526:L'Olimpiade
518:La Calliroe
160:Anton Raaff
140:Voice type
110:Anton Raaff
102:La passione
57:opera seria
821:Categories
788:Ipermestra
486:Demofoonte
414:La Nitteti
406:Ipermestra
398:Demofoonte
366:Semiramide
289:References
213:Plestene,
199:Elpinice,
52:Metastasio
47:Ipermestra
724:Demofonte
708:Artaserse
478:Artaserse
227:Adrasto,
118:of 1767.
100:in 1771,
716:Demetrio
620:Libretti
566:Antigono
542:Demetrio
534:La Circe
454:Antigona
438:Demetrio
422:Motezuma
205:soprano
190:castrato
188:soprano
182:Linceo,
87:Motezuma
74:Florence
558:Medonte
382:Farnace
173:soprano
148:Danao,
847:Operas
807:(1762)
799:(1751)
791:(1744)
783:(1736)
775:(1736)
767:(1735)
759:(1734)
751:(1734)
743:(1733)
735:(1732)
727:(1731)
719:(1731)
711:(1730)
703:(1730)
695:(1729)
687:(1728)
679:(1728)
671:(1726)
663:(1724)
655:(1724)
647:(1723)
639:(1721)
580:Operas
578:List:
569:(1780)
561:(1780)
553:(1780)
550:Armida
545:(1779)
537:(1779)
529:(1778)
521:(1778)
513:(1777)
505:(1776)
497:(1775)
489:(1775)
481:(1774)
473:(1774)
465:(1774)
457:(1774)
449:(1773)
441:(1773)
433:(1772)
425:(1771)
417:(1770)
409:(1769)
401:(1769)
393:(1768)
385:(1767)
377:(1767)
369:(1766)
358:Operas
78:Prague
470:Atide
155:tenor
137:Role
130:Roles
38:opera
684:Ezio
510:Ezio
494:Ezio
124:Brno
622:by
72:in
823::
309:,
60:.
612:e
605:t
598:v
343:e
336:t
329:v
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