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on 23 January 1771. It was the second of the composer's three operas produced in
Florence, in this case at a time of intense activity as a composer in the city. The chronological setting of the opera in the early sixteenth century was unusually late for its day, when serious operas in Italian were
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Motezuma's aria "Cara che torna in pace" is available in an anthology recorded by the Czech soprano Zdena
Kloubová. The recording is Panton 81 1044-2231 (1992) with the Benda Chamber Orchestra, Miroslav Hrdlička, conductor.
91:. It is unlikely that the Florence production was equally sumptuous, and the cast was not particularly distinguished, although it was an interesting one for the dominance of male singers (it was generally only in
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The only complete video recording was made in 2011 in Znojmo. The video is officially available in the full length and HD quality with the Czech subtitles for free:
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is included in a collection of symphonies and overtures by the composer recorded by the L'Orfeo
Barockorchester, Michi Gaigg, conductor, CPO 777-050 (2004).
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52:. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as
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Act I, scene 2 - Accompanied recitative for
Motezuma, "Dove son? Che m'avvene?," with cavatina, "Ah, numi tiranni"
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in 1931). It was likely the exotic setting and the availability of a score of the opera in
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was the first of the composer's operas to be revived in modern times (for a performance in
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typically set in ancient times, and rarely in a time period later than the
European
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Act III, scene 11 - Accompanied recitative for
Guacozinga, "Eccomi sola al fine"
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Act II, scene 14 - Duet for
Guacozinga and Motezuma, "Ah, se mi sei fedele"
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Act III, scene 10 - Aria of
Motezuma, "Vorrebbe il core sperar la calma"
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Act II, scene 13 - Aria of Cortes, "Perche ogn'ombra ti parta dal core"
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that is based on
Spanish histories and chronicles about the Aztec ruler
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Act II, scene 8 - Aria of
Guacozinga, "Frena l'insano orgoglio"
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Act I, scene 4 - Aria of Guacozinga, "Nel mar di tanti affanni"
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Act III, scene 9 - Aria of Cortes, "Basta il mio brando solo"
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Act I, scene 11 - Aria of Guacozinga, "Ah no, arresta, o caro"
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Premiere cast, 23 January 1771, Teatro della Pergola, Florence
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Act II, scene 7 - Aria of Motezuma, "Cara che torna in pace"
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Act I, scene 3 - Aria of Motezuma, "Cara fiamma del mio seno"
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Act II, scene 5 - Aria of Pilpatoe, "Pensa che dell'impero"
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Act I, scene 12 - Aria of Motezuma, "A morir se mi condanna"
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Act I, scene 2 - Aria of Lisinga, "So che non cangio stato"
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Act III, scene 4 - Aria of Lisinga, "M'ingombra d'orrore"
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Act III, scene 3 - Aria of Teutile, "Non lasci le sponde"
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Act II, scene 10 - Aria of Teutile, "Scherza il nocchier"
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Act I, scene 9 - Aria of Teutile, "Di fieri sdegni armato"
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Act I, scene 6 - Aria of Cortes, "Rammenta al tuo sovrano"
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Act II, scene 4 - Aria of Lisinga, "Mi scordo lo scempio"
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Act III, scene 11 - Aria of Guacozinga, "Ombre dolenti"
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Act II, scene 2 - Aria of Cortes, "A mio danno in vano"
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Sterling Heights, Mich.: Harmonie Park Press, 2009.
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66:The opera was first performed at the
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274:Josef Mysliveček - Motezuma - HD
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300:Josef Mysliveček, "Il Boemo."
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283:The overture to Mysliveček's
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115:took place in summer 2011.
46:Vittorio Amedeo Cigna-Santi
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590:Operas by Josef Mysliveček
198:Maddalena Mori della Casa
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16:Opera by Josef Mysliveček
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585:Italian-language operas
109:George Frideric Handel
89:Gian Francesco de Majo
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44:set to a libretto by
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610:Operas set in Mexico
376:Il trionfo di Clelia
161:Giovanna Carmignani
68:Teatro della Pergola
448:La clemenza di Tito
62:Performance history
297:Freeman, Daniel E.
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615:Aztecs in fiction
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432:Romolo ed Ersilia
416:Il gran Tamerlano
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206:soprano castrato
187:Marcello Pompili
184:soprano castrato
176:Salvator Casetti
167:Ferdinando Cortes
40:in three acts by
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488:Adriano in Siria
337:Josef Mysliveček
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216:Vocal set pieces
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600:Opera seria
595:1771 operas
512:L'Olimpiade
504:La Calliroe
155:Guacozinga
129:Voice type
77:Middle Ages
55:opera seria
579:Categories
472:Demofoonte
400:La Nitteti
392:Ipermestra
384:Demofoonte
352:Semiramide
291:References
268:Recordings
464:Artaserse
203:Pilpatoe
552:Antigono
528:Demetrio
520:La Circe
440:Antigona
424:Demetrio
408:Motezuma
285:Motezuma
195:soprano
192:Lisinga
181:Teutile
158:soprano
146:castrato
138:Motezuma
97:Motezuma
72:Florence
33:Motezuma
544:Medonte
368:Farnace
143:soprano
605:Operas
566:Operas
564:List:
555:(1780)
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539:(1780)
536:Armida
531:(1779)
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344:Operas
113:Znojmo
105:Vienna
101:Prague
36:is an
456:Atide
172:tenor
126:Role
119:Roles
85:Turin
38:opera
496:Ezio
480:Ezio
93:Rome
83:in
70:in
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329:e
322:t
315:v
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