Knowledge

Motezuma (Mysliveček)

Source 📝

22: 74:
on 23 January 1771. It was the second of the composer's three operas produced in Florence, in this case at a time of intense activity as a composer in the city. The chronological setting of the opera in the early sixteenth century was unusually late for its day, when serious operas in Italian were
279:
Motezuma's aria "Cara che torna in pace" is available in an anthology recorded by the Czech soprano Zdena Kloubová. The recording is Panton 81 1044-2231 (1992) with the Benda Chamber Orchestra, Miroslav Hrdlička, conductor.
91:. It is unlikely that the Florence production was equally sumptuous, and the cast was not particularly distinguished, although it was an interesting one for the dominance of male singers (it was generally only in 107:, that made it so attractive for revival at that time, perhaps as a response to a trend in German-speaking lands in the 1920s to revive works by pre-Romantic German composers such as 272:
The only complete video recording was made in 2011 in Znojmo. The video is officially available in the full length and HD quality with the Czech subtitles for free:
287:
is included in a collection of symphonies and overtures by the composer recorded by the L'Orfeo Barockorchester, Michi Gaigg, conductor, CPO 777-050 (2004).
327: 589: 565: 375: 447: 52:. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as 320: 584: 220:
Act I, scene 2 - Accompanied recitative for Motezuma, "Dove son? Che m'avvene?," with cavatina, "Ah, numi tiranni"
471: 383: 45: 511: 609: 313: 614: 495: 479: 391: 351: 463: 415: 551: 519: 439: 95:, where women were forbidden to appear on stage, that casts would feature so many male singers). 543: 367: 108: 88: 80: 535: 455: 103:
in 1931). It was likely the exotic setting and the availability of a score of the opera in
599: 594: 99:
was the first of the composer's operas to be revived in modern times (for a performance in
67: 21: 8: 336: 41: 25: 431: 296: 75:
typically set in ancient times, and rarely in a time period later than the European
487: 262:
Act III, scene 11 - Accompanied recitative for Guacozinga, "Eccomi sola al fine"
604: 527: 423: 359: 273: 578: 166: 251:
Act II, scene 14 - Duet for Guacozinga and Motezuma, "Ah, se mi sei fedele"
137: 49: 260:
Act III, scene 10 - Aria of Motezuma, "Vorrebbe il core sperar la calma"
503: 249:
Act II, scene 13 - Aria of Cortes, "Perche ogn'ombra ti parta dal core"
76: 54: 48:
that is based on Spanish histories and chronicles about the Aztec ruler
399: 79:. The libretto was first set for a lavish production in 1765 at the 305: 145: 71: 245:
Act II, scene 8 - Aria of Guacozinga, "Frena l'insano orgoglio"
142: 226:
Act I, scene 4 - Aria of Guacozinga, "Nel mar di tanti affanni"
258:
Act III, scene 9 - Aria of Cortes, "Basta il mio brando solo"
232:
Act I, scene 11 - Aria of Guacozinga, "Ah no, arresta, o caro"
132:
Premiere cast, 23 January 1771, Teatro della Pergola, Florence
112: 104: 100: 243:
Act II, scene 7 - Aria of Motezuma, "Cara che torna in pace"
224:
Act I, scene 3 - Aria of Motezuma, "Cara fiamma del mio seno"
241:
Act II, scene 5 - Aria of Pilpatoe, "Pensa che dell'impero"
234:
Act I, scene 12 - Aria of Motezuma, "A morir se mi condanna"
171: 84: 37: 222:
Act I, scene 2 - Aria of Lisinga, "So che non cangio stato"
256:
Act III, scene 4 - Aria of Lisinga, "M'ingombra d'orrore"
254:
Act III, scene 3 - Aria of Teutile, "Non lasci le sponde"
247:
Act II, scene 10 - Aria of Teutile, "Scherza il nocchier"
230:
Act I, scene 9 - Aria of Teutile, "Di fieri sdegni armato"
228:
Act I, scene 6 - Aria of Cortes, "Rammenta al tuo sovrano"
92: 239:
Act II, scene 4 - Aria of Lisinga, "Mi scordo lo scempio"
264:
Act III, scene 11 - Aria of Guacozinga, "Ombre dolenti"
237:
Act II, scene 2 - Aria of Cortes, "A mio danno in vano"
302:
Sterling Heights, Mich.: Harmonie Park Press, 2009.
576: 321: 328: 314: 20: 577: 61: 309: 66:The opera was first performed at the 335: 215: 13: 14: 626: 274:Josef Mysliveček - Motezuma - HD 1: 300:Josef Mysliveček, "Il Boemo." 290: 283:The overture to Mysliveček's 267: 7: 115:took place in summer 2011. 46:Vittorio Amedeo Cigna-Santi 10: 631: 590:Operas by Josef Mysliveček 198:Maddalena Mori della Casa 562: 343: 16:Opera by Josef Mysliveček 118: 585:Italian-language operas 109:George Frideric Handel 89:Gian Francesco de Majo 28: 44:set to a libretto by 24: 610:Operas set in Mexico 376:Il trionfo di Clelia 161:Giovanna Carmignani 68:Teatro della Pergola 448:La clemenza di Tito 62:Performance history 297:Freeman, Daniel E. 29: 615:Aztecs in fiction 572: 571: 432:Romolo ed Ersilia 416:Il gran Tamerlano 213: 212: 206:soprano castrato 187:Marcello Pompili 184:soprano castrato 176:Salvator Casetti 167:Ferdinando Cortes 40:in three acts by 622: 488:Adriano in Siria 337:Josef Mysliveček 330: 323: 316: 307: 306: 216:Vocal set pieces 123: 122: 42:Josef Mysliveček 26:Josef Mysliveček 630: 629: 625: 624: 623: 621: 620: 619: 575: 574: 573: 568: 558: 360:Il Bellerofonte 339: 334: 293: 270: 263: 261: 259: 257: 255: 250: 248: 246: 244: 242: 240: 238: 233: 231: 229: 227: 225: 223: 221: 218: 209:Francesco Papi 150:Carlo Nicolini 121: 111:. A revival in 64: 17: 12: 11: 5: 628: 618: 617: 612: 607: 602: 597: 592: 587: 570: 569: 563: 560: 559: 557: 556: 548: 540: 532: 524: 516: 508: 500: 492: 484: 476: 468: 460: 452: 444: 436: 428: 420: 412: 404: 396: 388: 380: 372: 364: 356: 347: 345: 341: 340: 333: 332: 325: 318: 310: 304: 303: 292: 289: 269: 266: 217: 214: 211: 210: 207: 204: 200: 199: 196: 193: 189: 188: 185: 182: 178: 177: 174: 169: 163: 162: 159: 156: 152: 151: 148: 140: 134: 133: 130: 127: 120: 117: 87:with music by 63: 60: 15: 9: 6: 4: 3: 2: 627: 616: 613: 611: 608: 606: 603: 601: 598: 596: 593: 591: 588: 586: 583: 582: 580: 567: 561: 554: 553: 549: 546: 545: 541: 538: 537: 533: 530: 529: 525: 522: 521: 517: 514: 513: 509: 506: 505: 501: 498: 497: 493: 490: 489: 485: 482: 481: 477: 474: 473: 469: 466: 465: 461: 458: 457: 453: 450: 449: 445: 442: 441: 437: 434: 433: 429: 426: 425: 421: 418: 417: 413: 410: 409: 405: 402: 401: 397: 394: 393: 389: 386: 385: 381: 378: 377: 373: 370: 369: 365: 362: 361: 357: 354: 353: 349: 348: 346: 342: 338: 331: 326: 324: 319: 317: 312: 311: 308: 301: 298: 295: 294: 288: 286: 281: 277: 275: 265: 252: 235: 208: 205: 202: 201: 197: 194: 191: 190: 186: 183: 180: 179: 175: 173: 170: 168: 165: 164: 160: 157: 154: 153: 149: 147: 144: 141: 139: 136: 135: 131: 128: 125: 124: 116: 114: 110: 106: 102: 98: 94: 90: 86: 82: 78: 73: 69: 59: 57: 56: 51: 47: 43: 39: 35: 34: 27: 23: 19: 550: 542: 534: 526: 518: 510: 502: 494: 486: 478: 470: 462: 454: 446: 438: 430: 422: 414: 407: 406: 398: 390: 382: 374: 366: 358: 350: 299: 284: 282: 278: 271: 253: 236: 219: 96: 81:Teatro Regio 65: 53: 50:Moctezuma II 32: 31: 30: 18: 600:Opera seria 595:1771 operas 512:L'Olimpiade 504:La Calliroe 155:Guacozinga 129:Voice type 77:Middle Ages 55:opera seria 579:Categories 472:Demofoonte 400:La Nitteti 392:Ipermestra 384:Demofoonte 352:Semiramide 291:References 268:Recordings 464:Artaserse 203:Pilpatoe 552:Antigono 528:Demetrio 520:La Circe 440:Antigona 424:Demetrio 408:Motezuma 285:Motezuma 195:soprano 192:Lisinga 181:Teutile 158:soprano 146:castrato 138:Motezuma 97:Motezuma 72:Florence 33:Motezuma 544:Medonte 368:Farnace 143:soprano 605:Operas 566:Operas 564:List: 555:(1780) 547:(1780) 539:(1780) 536:Armida 531:(1779) 523:(1779) 515:(1778) 507:(1778) 499:(1777) 491:(1776) 483:(1775) 475:(1775) 467:(1774) 459:(1774) 451:(1774) 443:(1774) 435:(1773) 427:(1773) 419:(1772) 411:(1771) 403:(1770) 395:(1769) 387:(1769) 379:(1768) 371:(1767) 363:(1767) 355:(1766) 344:Operas 113:Znojmo 105:Vienna 101:Prague 36:is an 456:Atide 172:tenor 126:Role 119:Roles 85:Turin 38:opera 496:Ezio 480:Ezio 93:Rome 83:in 70:in 581:: 276:. 58:. 329:e 322:t 315:v

Index


Josef Mysliveček
opera
Josef Mysliveček
Vittorio Amedeo Cigna-Santi
Moctezuma II
opera seria
Teatro della Pergola
Florence
Middle Ages
Teatro Regio
Turin
Gian Francesco de Majo
Rome
Prague
Vienna
George Frideric Handel
Znojmo
Motezuma
soprano
castrato
Ferdinando Cortes
tenor
Josef Mysliveček - Motezuma - HD
Freeman, Daniel E.
v
t
e
Josef Mysliveček
Semiramide

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.