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79:'s Frans Hals catalogue of the 1989 international Frans Hals exhibition, though these portraits were only shown in Haarlem and in London and did not travel to Washington D.C. That exhibition was the first time the portraits were seen hanging side-by-side since they were split up, and they haven't been seen together since. The couple lived after their marriage at Koningstraat 18 in Haarlem, which still exists as a protected
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Frans Hals painted an unusual pair of wedding portraits for them, showing
Isabella in an active state of presenting her husband with a rose, with only half of the rose showing in the painting. She is standing, and her husband is seated with his hand outstretched in a passive state of expectation.
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have since been split up, this particular pair of portraits, that have been split up since 1886, receive the most commentary about this fact in the documentation. Hals certainly never gave any other woman so much action in a portrait painting. Her hair is also loose on her shoulders, and she is
162:, by Seymour Slive (editor), with contributions by Pieter Biesboer, Martin Bijl, Karin Groen and Ella Hendriks, Michael Hoyle, Frances S. Jowell, Koos Levy-van Halm and Liesbeth Abraham, Bianca M. Du Mortier, Irene van Thiel-Stroman, Prestel-Verlag, Munich & Mercatorfonds, Antwerp, 1989,
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Dorothea Berck. She chose as her husband Stephanus Geraerdts, who was a member of the Haarlem regency, and married him in 1644.
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Frans Hals: Exhibition on the
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Cover of
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Frans Hals Museum has
Stephan on loan, but where is Isabella?
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35:Biography
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