20:
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91:, and, inspired by the painting, he used it as the basis for his symphonic poem, on the suggestion of his friend Nikolai Struve. He composed the piece from January to March of 1909, with the work's manuscript dated to 17 April, the day before it received its premiere in Moscow, under the composer's baton. Rachmaninoff was disappointed by the original painting when he later saw it, saying, "If I had seen first the original, I, probably, would have not written my
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The music begins by suggesting the sound of the oars as they meet the waters on the way to the Isle of the Dead. The slowly heaving and sinking music could also be interpreted as waves. Rachmaninoff uses a recurring figure in 5/8 time to depict what may be the rowing of the oarsman or the movement of
102:
after writing the piece. He made several alterations to the score before its printing in June 1909, writing to
Morozov that "I have made a great many corrections" and that "it does seem to me that now this composition is improved and will sound better". Before recording the piece in April 1929,
103:
Rachmaninoff made significant cuts to the work, removing 62 bars in total, and in
January 1930 wrote to the publishing director Gavriil Paichadze that he wanted to implement several further cuts and revisions in a new revision of the work.
76:
For two years, Rachmaninoff looked for inspiration for a symphonic poem, and in
November 1906, he wrote to his friend Nikita Morozov, seeking ideas for a subject for such a work, but was uninspired by his suggestions. Then, in
111:
It is scored for 3 flutes (3rd doubling piccolo), 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 6 horns, 3 trumpets, 3 trombones, tuba, timpani, cymbals, bass drum, harp, and strings.
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Toteninsel.net: an encyclopedia in progress dedicated to A.Bocklin's Isle of the Dead: copies, parodies, inspirations...
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134:) time also depicts breathing, creating a holistic reflection on how life and death are intertwined.
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in
Philadelphia, using one microphone, and was later reissued on LP and CD by RCA Victor.
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Semiotics of
Classical Music: How Mozart, Brahms and Wagner Talk to Us
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58:. The piece was inspired by a black and white reproduction of
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the water, and as in several other of his works, quotes the
338:(Paperback ed.). New York: New York University Press.
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380:. Berlin/Boston: Walter de Gruyter GmbH & Co., KG.
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in May 1907, he saw a black and white reproduction of
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425:Norris, Geoffrey (2001). "Rachmaninoff, Serge". In
461:"Mellon Grand Classics: Sublime & Spectacular"
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98:Rachmaninoff made numerous later revisions to the
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480:: CS1 maint: bot: original URL status unknown (
436:The New Grove Dictionary of Music and Musicians
401:A Catalogue of the Compositions of Rachmaninoff
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1130:Music written in all major and/or minor keys
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463:. Archived from the original on 2005-12-19
356:Rachmaninoff: Composer, Pianist, Conductor
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500:International Music Score Library Project
334:Sergei Rachmaninoff – A Lifetime in Music
18:
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330:Bertensson, Sergei; Leyda, Jay (2001).
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1218:Symphonic poems by Sergei Rachmaninoff
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16:Symphonic poem by Sergei Rachmaninoff
153:in a recording of the music for the
149:In 1929, Rachmaninoff conducted the
161:that same year and became known as
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33:was the inspiration for the piece.
23:A black and white reproduction of
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165:. This recording was made in the
95:. I like it in black and white."
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926:Variations on a Theme of Corelli
137:
979:Morceau de Fantaisie in G minor
889:Variations on a Theme of Chopin
730:Rhapsody on a Theme of Paganini
631:Piano Concerto No. 4 in G minor
626:Piano Concerto No. 3 in D minor
621:Piano Concerto No. 2 in C minor
496:Isle of the Dead (Rachmaninoff)
1125:Sergei Rachmaninoff recordings
761:Liturgy of St. John Chrysostom
155:Victor Talking Machine Company
1:
894:Piano Sonata No. 1 in D minor
172:
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7:
359:. Aldershot: Scolar Press.
310:Bertensson & Leyda 2001
286:Threlfall & Norris 1982
246:Bertensson & Leyda 2001
215:Bertensson & Leyda 2001
42:(Russian: Остров мёртвых),
10:
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1104:Conservatoire Rachmaninoff
838:Suite No. 2 for two pianos
833:Suite No. 1 for two pianos
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860:
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678:Symphony No. 3 in A minor
666:Symphony No. 2 in E minor
661:Symphony No. 1 in D minor
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610:Piano Concerto No. 1 in F
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157:, which was purchased by
966:Piece (Canon) in D minor
439:(2nd ed.). London:
403:. London: Scolar Press.
54:, written in the key of
907:Piano Sonata No. 2 in B
828:Cello Sonata in G minor
353:Martyn, Barrie (1990).
374:Tarasti, Eero (2012).
151:Philadelphia Orchestra
34:
1109:Rachmaninoff (crater)
869:Morceaux de fantaisie
22:
883:Six moments musicaux
550:List of compositions
441:Macmillan Publishers
985:Fughetta in F major
972:Four Improvisations
782:Three Russian Songs
579:Francesca da Rimini
541:Sergei Rachmaninoff
395:Threlfall, Robert;
52:Sergei Rachmaninoff
1228:Music based on art
1084:Prelude in F major
691:Scherzo in D minor
572:The Miserly Knight
459:Rodda, Richard E.
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1223:1908 compositions
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876:Morceaux de salon
806:Morceaux de salon
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450:978-1-56159-239-5
410:978-0-859-67617-5
366:978-0-859-67809-4
345:978-0-253-21421-8
300:, pp. 206–7.
193:, pp. 203–4.
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1022:Preludes, Op. 23
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950:Lento in D minor
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844:Russian Rhapsody
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716:Caprice bohémien
702:Prince Rostislav
696:Suite in D minor
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990:Three Pieces
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85:'s painting
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62:'s painting
50:composed by
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24:
1145:Romanticism
1140:Villa Senar
956:Four Pieces
593:Monna Vanna
298:Martyn 1990
274:Martyn 1990
234:Martyn 1990
217:, pp.
203:Martyn 1990
191:Martyn 1990
1212:Categories
938:Étude in F
861:Solo piano
647:Symphonies
640:Orchestral
467:2007-07-07
312:, p.
248:, p.
173:References
163:RCA Victor
128:plainchant
775:The Bells
672:The Bells
178:Citations
145:Recording
132:quintuple
124:Dies Irae
116:Structure
46:29, is a
1163:Category
1014:♯
1004:Preludes
941:♯
921:, Op. 39
910:♭
902:, Op. 33
789:Vocalise
709:The Rock
613:♯
603:Concerto
586:Salammbô
476:cite web
433:(eds.).
399:(1982).
1118:Related
798:Chamber
324:Sources
72:History
56:A minor
1186:Portal
768:Spring
447:
407:
384:
363:
342:
1173:Audio
1017:minor
944:major
913:minor
823:No. 2
815:No. 1
747:Vocal
616:minor
565:Aleko
557:Opera
219:154–5
79:Paris
482:link
445:ISBN
405:ISBN
382:ISBN
361:ISBN
340:ISBN
250:413
159:RCA
44:Op.
29:by
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.