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analyzes that Ieyasu's intention was to adopt
Hideyoshi's achievements as his own. On the left side of the artwork, there is a scene of people in the city dancing enthusiastically in extravagant costumes against the backdrop of the Hōkō-ji Great Buddha Hall. On the right, there is a scene depicting
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is one of the works created by dividing a pair of folding screens, each with six panels that originally depicting twelve different subjects into twelve parts, each of which was transformed into an individual hanging scroll. This particular work of art has been designated as an
Important Cultural
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have been designated as
National Treasures. Matabei's work depicts the Kyoto landscape around 1615 and is known as the "Funaki version" because it was owned by the Funaki family. It shows the
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149:, but rather an independent painter of the Tosa school, because his patrons were from high social classes. According to this theory, he is misunderstood as the source of
831:
Paine, Robert Treat, in: Paine, R. T. & Soper A, "The Art and
Architecture of Japan", Pelican History of Art, 3rd ed 1981, Penguin (now Yale History of Art),
70:, who specialized in genre scenes of historical events and illustrations of classical Japanese and Chinese literature, as well as portraits. He was the son of
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Matabei's work was noted for its distinctive figures, with large heads and delicately drawn features, and he was effective both in colour and monochrome
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851:, a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Iwasa Matabei (see index)
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427:. These three works are considered masterpieces, with the first two being designated as Important Cultural Properties.
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His son
Katsushige (d. 1673) was also a painter, known for dancing figures in a style like that of his father.
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who had been made to commit suicide, leaving
Matabei to be raised with his mother's family name, Iwasa.
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Self-portrait, unusually early for
Japanese art, said to have been painted as he was dying in 1650.
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66:; original name Araki Katsumochi 1578 – July 20, 1650) was a Japanese artist of the early
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91:, using an individual brush technique combining Tosa and Kanō elements. Although trained by
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tells the story of Horie Saburo's child who seeks revenge for the death of his parents.
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332:. Although the preparations for this festival were carried out under the direction of
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themselves or not. In Japan, it is common to regard
Matabei as the originator of
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Reading Asian Art and
Artifacts: Windows to Asia on American College Campuses
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143:. On the other hand, there is a theory that Matabei is not the source of
100:
707:(in Japanese). National Institutes for Cultural Heritage. Archived from
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225:
depicting the scenery and customs of the urban and suburban areas of
131:, but there is a disagreement among scholars as to whether they are
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Bridge of dreams: the Mary Griggs Burke collection of
Japanese art
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The works of Matabei have an affinity with the early paintings of
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Matabei established a workshop and painted magnificent and long
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for a temple as "the artist Matabei of the later current from
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Personal history of Iwasa Matabei - Jyuluck-Do Corporation
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The Last Tosa: Iwasa Katsumochi Matabei, Bridge to Ukiyo-e
176:
The only work by Iwasa Matabei that has been designated a
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painter of the same name (Ōtsu no Matabei) who appears in
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17th century. Hanging scroll, ink and colour on paper.
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320:in 1604 to commemorate the seventh anniversary of
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447:depicts a romantic story involving Ushiwaka.
460:"Court Lady Enjoying Wayside Chrysanthemums"
237:, and only two works by Iwasa Matabei and
437:'s revenge for the murder of his mother,
341:the dedication of the traditional dances
316:is a work depicting the festival held at
183:Rakuchu Rakugai Zu Byōbu (Funaki Version)
828:Encyclopædia Britannica, "Iwasa Matabei"
532:Encyclopædia Britannica, "Iwasa Matabei"
514:Encyclopædia Britannica, "Iwasa Matabei"
505:Encyclopædia Britannica, "Iwasa Matabei"
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629:(in Japanese). Kotobank. Archived from
324:'s death. It has been designated as an
229:. Numerous works were created from the
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376:(traditional Japanese narrative music)
155:only because he is confused with the
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297:(Funaki Version). National Treasure.
253:Great Buddha Hall, symbolizing the
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764:伝説の絵師 岩佐又兵衛 三大絵巻 －山中・浄瑠璃・堀江一挙公開－
385:Yamanaka Tokiwa Monogatari Emaki
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22:Important Cultural Property
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568:University of Hawaii Press
430:Yamanaka Tokiwa Monogatari
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353:at the Toyokuni Shrine.
294:Rakuchu Rakugai Zu Byōbu
272:Rakuchu Rakugai Zu Byōbu
400:Jōruri Monogatari Emaki
195:, which is held by the
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415:Horie Monogatari Emaki
304:Hōkoku Sairei Zu Byōbu
25:
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367:based on the text of
328:and is housed in the
197:Tokyo National Museum
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591:Kita, Sandy (2011).
560:Kita, Sandy (1999).
249:on the left and the
775:on 23 November 2022
743:on 4 September 2021
737:Tokugawa Art Museum
433:tells the story of
330:Tokugawa Art Museum
291:Right panel of the
665:on 9 February 2023
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322:Toyotomi Hideyoshi
275:(Funaki Version).
269:Left panel of the
202:Rakuchu Rakugai Zu
26:
769:MOA Museum of Art
610:978-1-61146-070-4
593:"Japanese Prints"
577:978-0-8248-1826-5
444:Jōruri Monogatari
380:MOA Museum of Art
336:, the missionary
277:National Treasure
223:(folding screens)
178:National Treasure
89:ink-wash painting
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190:洛中洛外図屏風 (舟木本)
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172:Notable works
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30:Japanese name
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809:. Retrieved
805:the original
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777:. Retrieved
773:the original
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741:the original
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709:the original
704:洛中洛外図屏風（舟木本）
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439:Tokiwa Gozen
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338:Jean Crasset
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63:Iwasa Matabē
43:
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37:
875:1650 deaths
870:1578 births
732:豊国祭礼図屏風（左隻）
243:Nijō Castle
239:Kanō Eitoku
199:. The term
101:Tosa school
97:Kanō school
93:Kanō Naizen
864:Categories
837:0140561080
823:References
692:Paine, 250
550:Paine, 250
541:Paine, 250
490:Property.
235:Edo period
214:refers to
165:'s plays.
163:Chikamatsu
360:emakimono
57:romanized
435:Ushiwaka
392:山中常盤物語絵巻
48:Japanese
28:In this
669:12 June
637:12 June
485:in the
407:浄瑠璃物語絵巻
350:dengaku
311:豊国祭礼図屏風
251:Hōkō-ji
245:of the
233:to the
158:ukiyo-e
152:ukiyo-e
146:ukiyo-e
140:ukiyo-e
134:ukiyo-e
127:ukiyo-e
95:of the
80:of the
59::
34:surname
835:
811:25 May
779:25 May
747:25 May
715:25 May
607:
574:
422:堀江物語絵巻
412:, and
378:. The
371:jōruri
110:shōgun
77:daimyō
52:岩佐 又兵衛
32:, the
626:岩佐又兵衛
494:Notes
480:官女観菊図
227:Kyoto
218:byōbu
209:洛中洛外図
38:Iwasa
833:ISBN
813:2023
796:作品紹介
781:2023
749:2023
717:2023
671:2023
639:2023
605:ISBN
572:ISBN
347:and
344:noh
180:is
120:".
36:is
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