237:, for orchestra, and finally in 1941, for his First Piano Sonata. His Second String Quartet was awarded a Coolidge Prize of $ 500 in 1937, at the Festival de Música de Cámara Panamericana in Mexico City, and his Third Symphony won first prize of the National Culture Committee in Buenos Aires in 1940. In 1969 Ficher was elected to the National Fine Arts Academy of Argentina.
86:
was followed by deteriorating conditions in Odessa and so, in order to escape famine and persecution, the family—including his father with his second wife, his youngest brother
Rachmiel (who was a cellist) and a sister-in-law—fled the city, traveling at first to Poland. In 1923 they moved to
87:
Argentina, arriving on 10 February, and eventually became citizens of that country. Jacobo and Ana had two children: a son, Miguel, born on 24 June 1923, shortly after their arrival in Buenos Aires, and a daughter, Myra, born 7 February 1928. Ana
Aronberg Ficher died on 27 July 1976.
51:, to Alexander Ficher, a trombonist in the Odessa Philharmonic Orchestra, and his wife Iente Mirl (Elena) Gotz. He began to study the violin at the age of five, but his lessons were interrupted when his mother died. In 1903 he was able to resume his violin studies with
1093:, cello; Nicolas Slonimsky, piano. 78 RPM recording, 4 sound discs: analog, 78 rpm, 12 in. Columbia Masterworks M 437 (70714-D; 70715-D; 70716-D; 70717-D) : Columbia, 1941. Reissued with additional material, as
229:, op. 7, won first prize in a 1928 contest sponsored by the Leningrad Philharmonic Orchestra. More recent research, however, reveals that no first prize was awarded, but his work shared the second prize with
24:
97:
As an educator, his career began with an appointment in 1943 as professor of
Harmony at the Asociación General de Músicos de la Argentina. In 1956 he gained a position teaching composition at the
161:, without ever restricting himself to a single methodology. His Jewish heritage is reflected especially in his early works, though the Second Symphony, written in 1933, also uses emotional and
1644:
1141:. Buenos Aires Philharmonic Orchestra. Documentae Historicae Argentinae. Serie Histórica: Archive Performances. Serie de Bicentenario 1810–2010. (Includes Ficher's Suite from
1089:, for voice and piano, and works by Fernandez, Broqua, Mignone, Pedrell, Santa Cruz, Sas, Uribe-Holguin, and Villa-Lobos). Olga Averino, soprano; Alfredo St. Malo, violin;
165:
Hebrew thematic material, in reaction to news of the Nazi campaign against the Jews in Europe. This aspect also appears in some later works, especially the cantata
105:. In 1966 he was appointed Professor of Composition at Buenos Aires Conservatorio Municipal Manuel de Falla, and 1968 he became Professor of Instrumentation at the
1477:
1634:
1594:
783:
op. 89: Quartet, for soprano, alto, tenor, and baritone saxophones (1957, also transcribed for flute, oboe, clarinet, and bassoon, or for string quartet)
101:, where he eventually became professor, and in 1958 he became Professor of Composition at Buenos Aires National Conservatory and Musical Advisor to the
181:
are present in the music from the 1920s and 30s, and as late as the slow movement of the Piano Sonata No. 1 of 1941, which is also reminiscent of
1121:, op. 3, and works by Giacobbe, Camps, Graetzer, Abras, Roel, and Bruno-Videla.) Alejandro Drago, violin. CD recording, 1 sound disc: digital, 4
587:
and "Pulvis eris et pulvis reverteris" (text: Leónidas
Barletta), for tenor, female choir, and piano, or organ, or chamber orchestra (1944)
1649:
1614:
1609:
1209:". Gift of Miguel Ficher, 1998, processed 1999; document first published 2005. Washington, D.C.: Music Division, Library of Congress.
1589:
1639:
1654:
1629:
233:. He won the Municipality of Buenos Aires Prize three times, first in 1929 for his First String Quartet, then in 1931 for
1604:
1599:
1436:
35:; 15 January 1896 – 9 September 1978) was a Ukrainian-born Argentine composer, violinist, conductor, and music educator.
1474:
98:
82:
On 3 June (Gregorian 16 June) 1920 he married Ana
Aronberg, then a piano student at the Odessa Conservatory. The
1206:
1619:
1145:, op. 51, and works by Alberto Ginastera, Washington Castro, and others.) 2-CD set, 2 sound discs: digital, 4
271:
1957 (September) Second Prize at the
Festival Interamericano de Música, Montevideo, for his Saxophone Quartet
137:
Over the course of a long and prolific career, Ficher employed a variety of styles and techniques, including
56:
900:, cantata (text: Arminda Ralesky), for soprano, alto, tenor, and bass soloists, chorus, and orchestra (1969)
1197:
102:
258:
1936 second prize in a contest sponsored by the
Idelssohn Association of Johannesburg, South Africa for
1562:
1551:
1540:
1529:
1518:
1507:
76:
1183:
2:58–69. Washington DC: Union
Panamerica, Secretaria General, Organización de los Estados Americanos.
281:
1961 (November) Argentinean
Mozarteum Prize (Academia Nacional de Bellas Artes) for his Piano Quintet
768:(The Proposal, chamber opera, 1 act, text after Anton Chekhov, in Spanish and Russian) (1955–56)
1459:
138:
1166:
William S. Newman. 1950. "Sonata Opus 44 by Jacobo Ficher; Sonata by Luis
Gianneo" (review).
437:(The Guests, scenario from B. Romanoff, ballet in 1 act), for orchestra and two pianos (1933)
150:
142:
1584:
1579:
68:
202:
8:
1624:
346:
230:
174:
268:
1952 the Asociación Wagneriana Carlos López-Buchardo Prize for his Fourth String Quartet
91:
797:(Manuel Felipe Rugeles), cantata for soprano, alto, tenor, and chamber orchestra (1958)
198:
94:. Later, in 1947, he was also among the founders of the Argentinian Composers' League.
83:
72:
430:(Today's Columbian, ballet in 1 act, scenario from N. Evreinov), for two pianos (1933)
122:
1214:
1010:
274:
1960 Grand Prize "Sesquicentenario de la Revolución de Mayo" for his Symphony No. 7,
190:
126:
1484:" Scottsdale, Arizona: Musicanova's Blog (16 December). (Accessed 9 December 2012).
915:
523:(ballet in 3 acts, scenario from César Tiempo), for chorus and 14 strings (1938–39)
441:
182:
162:
52:
28:
1481:
110:
64:
1447:
106:
90:
Ficher settled in Buenos Aires, where he was one of the founders in 1929 of the
1411:. Serie Argentinos en las Artes. Buenos Aires: Ediciones Culturales Argentinas.
214:
186:
178:
48:
1556:
1545:
1534:
1523:
1512:
1501:
680:, cantata (text: Rafael Alberti), for solo voices, choir, and orchestra (1949)
1573:
1193:
718:
673:
op. 68, no. 3: Sonata a cuatro, for flute, oboe, clarinet, and bassoon (1950)
318:
op. 5: Suite No. 1, on popular Jewish themes, for orchestra (1924, rev. 1966)
170:
1029:
450:
146:
60:
1257:
564:(ballet in 3 acts, scenario from Leónidas Barletta), for orchestra (1942)
335:, tone poem (inspired by the novel of Alejandro Kuprin) (1927, rev. 1960)
291:
118:
114:
1181:
Composers of the Americas: Biographical Data and Catalogs of Their Works
620:, second series, for piano (1946, arr. chamber orchestra, op. 59b, 1951)
1107:
rpm, stereo, 12 in. Orion ORS 7150; ORD 7150. Los Angeles: Orion, 1972.
1090:
265:
1942 the E.A. Fleisher Collection Prize for his Violin Concerto, op. 46
55:, and later with M. T. Hait. From 1912 to 1917 he was enrolled at the
158:
154:
1177:
Compositores de América: Datos biográficos y catálogos de sus obras
613:
op. 58: Sonetos (3) (Leónidas Barletta), for voice and piano (1946)
213:, and historical themes in the Seventh Symphony, commemorating the
761:(text: Francisco L. Bernardez, Nalé Roxlo), for mixed choir (1955)
169:, op. 112 (1969), while the Russian tradition is plain in the two
59:, where he continued his violin studies with Sergei Korguyev and
972:(text: Cordoba Iturburu), for soprano or tenor and piano (1973)
44:
1072:, for voice and piano (text: Alfonso Ferrari-Amores) (undated)
391:, for flute, oboe, clarinet, bassoon, horn, and trumpet (1930)
1394:
Mead, Rita H. 1982. "Latin American Accents in 'New Music'".
1273:
1085:. (Includes Ficher's "Palabras a mamá", op. 33, no. 2, from
810:(text trans.: Manuel Mujica-Lainez), for voice and orchestra
800:
op. 92: Symphony no. 7 "Epopeya de mayo" (May Epic, 1958–59)
646:
op. 65: Pieces (3), for violin and piano or orchestra (1948)
384:
op. 15: Sonata no. 1, for violin and piano (1929, rev. 1960)
381:(text: Rafael Alberti), for four-voice mixed choir (1928–54)
942:, for flute, oboe, bassoon, piano, violin, and viola (1971)
410:
op. 21: Sonatina, for saxophone, trumpet, and piano (1932)
305:
op. 2: Two-part Inventions (4), for piano (1922, rev. 1949)
189:. Later, he turned to Argentine nationalism, stimulated by
1245:
670:
op. 68, no. 2: Sonata, for flute, oboe, and bassoon (1950)
1498:. MusicaNova Orchestra (Scottsdale), Warren Cohen, cond.
1359:
1139:
Orchestral Music from the Argentine Foreign Office (1955)
869:
op. 107: Concerto, for flute and chamber orchestra (1968)
850:(text: Manuel Felipe Rugeles), for voice and piano (1964)
580:, suite from the film score, for chamber orchestra (1944)
109:'s Conservatorio e Instituto. His notable pupils include
790:(text: José Isaacson), for narrator and orchestra (1957)
780:
op. 88: Rhapsody, for choir and saxophone quartet (1956)
251:
1932 the Asociación del Profesorado Orquestal Prize for
244:
1929 the Asociación del Profesorado Orquestal Prize for
853:
op. 103: Concerto no. 3, for piano and orchestra (1964)
771:
op. 85: Concerto, for harp and chamber orchestra (1955)
1371:
1349:
1347:
1332:
1308:
747:
op. 81: Concerto no. 2, for piano and orchestra (1954)
741:(4) (texe: Rafael Alberti), for voice and piano (1953)
590:
op. 53: Concerto no. 1, for piano and orchestra (1945)
1645:
Academic staff of the National University of La Plata
1298:
1296:
1294:
1292:
860:(text: Manuel Felipe Rugeles), for mixed choir (1964)
710:(text: Manuel F. Rugeles), for voice and piano (1952)
530:(Leónidas Barletta), for bass and orchestra (1940–50)
1320:
1013:), for 2 solo voices, choir, and orchestra (1976–77)
820:
op. 96: Quintet, for piano and string quartet (1961)
667:
op. 68, no. 1: Sonata, for flute and clarinet (1949)
469:
op. 32, no. 2: Sonata, for clarinet and piano (1937)
1344:
1233:
475:
op. 32, no. 4: Sonata, for bassoon and piano (1970)
47:, in Ukraine, at that time under the occupation of
1289:
1263:
1174:
401:op. 18: Sonata, for flute, viola, and piano (1931)
1111:Obras para Violin Solo de Compositores Argentinos
996:op. 128: Concerto, for cello and orchestra (1974)
803:op. 93: Sonata no. 3, for violin and piano (1959)
734:op. 78: Suite no. 3, for chamber orchestra (1953)
603:op. 56: Sonata no. 2, for violin and piano (1945)
557:op. 46: Concerto, for violin and orchestra (1942)
489:(The Dead Rose), for mixed choir and piano (1936)
466:op. 32, no. 1: Sonata, for flute and piano (1935)
460:op. 30: Trio, for violin, cello, and piano (1935)
1571:
1131: in. Tradition TR070427. : Tradition, 2007.
731:(6) (Rafael Alberti), for voice and piano (1953)
636:op. 63: Symphony no. 5 "Asi habló Isaías" (1947)
482:(text: César Tiempo), for voice and piano (1935)
472:op. 32, no. 3: Sonata, for oboe and piano (1940)
407:op. 20: Symphony no. 1 (Chamber Symphony) (1932)
315:op. 4: Preludes (5), for piano (1924, rev. 1951)
1190:The New Grove Dictionary of Music and Musicians
1135:Musica Orquestal desde la Cancilleria Argentina
993:, for flute, oboe, clarinet, and bassoon (1974)
664:, four symphonic movements for orchestra (1948)
396:Tres bocetos sinfónicos inspirados en el Talmud
253:Tres bocetos sinfónicos inspirados en el Talmud
1635:Emigrants from the Russian Empire to Argentina
1175:Pan American Union. 1956. "Jacobo Ficher". In
724:op. 76: Pieces (3), for viola and piano (1953)
626:op. 61: Serenata, for string orchestra (1947)
444:), for soprano or tenor and piano (rev. 1969)
338:op. 9: String Quartet no. 1 (1927, rev. 1947)
260:La rosa muerta, poema para coro mixto y piano
1595:Argentine people of Ukrainian-Jewish descent
1115:Works for Solo Violin by Argentine Composers
717:(The Bear, chamber opera, 1 act, text after
597:, for piano or for chamber orchestra (1945)
463:op. 31: Prelude and Fugue, for piano (1935)
744:op. 80: Sonata, for viola and piano (1953)
567:op. 48: Sonata, for cello and piano (1943)
1475:Jacobo Ficher: A Neglected Original Voice
1365:
1338:
1314:
1213:
1188:Salgado, Susana. 2001. "Ficher, Jacobo".
1170:, second series 7, no. 2 (March): 311–12.
815:Variations and Fugue on a Theme of Mozart
209:for piano (1948–59), rural folk music in
321:op. 6: Suite No. 2, for orchestra (1926)
1377:
1353:
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1283:
1279:
1267:
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1187:
1155: in. Tradition. : Tradition, 2010.
1097:. LP recording 1 sound disc: analog, 33
962:op. 122: Sonata no. 9, for piano (1972)
945:op. 119: Preludes (4), for piano (1971)
935:, for soprano or tenor and piano (1971)
921:op. 115: Sonata no. 8, for piano (1971)
886:, for soprano or tenor and piano (1969)
879:, for soprano or tenor and piano (1969)
843:op. 101: Sonata no. 7, for piano (1964)
542:Tres danzas en estilo popular argentino
343:Dos poemas de El jardinero de R. Tagore
1572:
1406:
1326:
1221:. New York: Thomas Y. Crowell Company.
1165:
823:op. 97: Sonata no. 6, for piano (1961)
777:op. 87: Sonata no. 5, for piano (1956)
700:op. 72: Sonata no. 4, for piano (1950)
697:op. 71: Sonata no. 3, for piano (1950)
653:(6), for piano (1948, revised 1959 as
570:op. 49: Sonata no. 2, for piano (1943)
547:op. 44: Sonata no. 1, for piano (1941)
420:op. 23: Preludes (3), for piano (1932)
1020:, for (text: Arminda Ralesky) (1977)
999:op. 129: Pieces (3), for piano (1975)
866:op. 106: Poema, for two pianos (1966)
1393:
457:op. 29: Pieces (4), for piano (1934)
415:Variations on a Jewish Popular Theme
404:op. 19: Pieces (3), for piano (1932)
1437:Music Division, Library of Congress
703:op. 73: String Quartet no. 4 (1952)
683:op. 69b: Overture, for the cantata
573:op. 50: String Quartet no. 3 (1943)
552:Las siete canciones de Amado Villar
509:, first series, for piano (1938–40)
492:op. 35: String Quartet no. 2 (1936)
312:, for violin solo (1923, rev. 1951)
13:
1650:Argentine male classical composers
1387:
1066:, documentary film score (undated)
1060:, documentary film score (undated)
991:Cuatro piezas para cuatro solistas
631:Introducción y movimiento perpetuo
225:According to one source, Ficher's
14:
1666:
1416:
1402:3, no. 2 (Autumn–Winter): 207–28.
1400:Revista de Música Latinoamericana
928:, for brass and percussion (1971)
833:op. 99: Toccata, for piano (1963)
608:Tres sonetos de Leónidas Barletta
537:, second series, for piano (1941)
328:, for orchestra (1927, rev. 1934)
215:Argentine Independence Revolution
16:Ukrainian-born Argentine composer
1615:Twelve-tone and serial composers
1610:20th-century classical composers
1547:Third movement: Scherzo: Allegro
1205:Salgado, Susana (arch.). 2010. "
1009:op. 131: Symphony no. 10 (text:
721:, in Spanish and Russian) (1952)
502:, first series, for piano (1938)
495:op. 36: Symphony no. 3 (1938–40)
302:(5), for piano (1917, rev. 1949)
132:
1503:First movement: Allegro, part 1
1200:. London: Macmillan Publishers.
1054:, documentary film score (1953)
754:, overture for orchestra (1954)
600:op. 55: Sonata, for harp (1945)
454:(7), for voice and piano (1934)
349:), for chamber orchestra (1928)
285:
99:National University of La Plata
1525:Second movement: Lento, part 1
1494:Jacobo Ficher Symphony No. 7,
1076:
986:, for soprano and piano (1973)
965:op. 123: Symphony no. 9 (1973)
863:op. 105: Symphony no. 8 (1965)
63:. His other teachers included
1:
1590:Argentine classical composers
1159:
891:Prelude, Siciliana, and Fugue
774:op. 86: Symphony no. 6 (1956)
633:, for violin and piano (1947)
623:op. 60: Symphony no. 4 (1946)
440:op. 27: Dos canciones (text:
423:op. 24: Symphony no. 2 (1933)
367:, for violin and piano (1928)
57:Saint Petersburg Conservatory
1640:Jews from the Russian Empire
1460:How to use archival material
1226:
1192:, second edition, edited by
1117:Vol. II. (Includes Ficher's
1083:South American Chamber Music
872:op. 108: Wind Quintet (1969)
840:, for voice and piano (1963)
808:Cinco sonetos de Shakespeare
694:, for voice and piano (1949)
554:, for voice and piano (1941)
374:, for cello and piano (1928)
7:
1655:20th-century male musicians
1630:Composers from Buenos Aires
1396:Latin American Music Review
1087:Ocho poemas de César Tiempo
1052:Cría de caballos de carrera
1024:Works without opus number:
103:Fondo Nacional de las Artes
10:
1671:
1605:Jewish classical composers
1600:Jewish Argentine musicians
345:(text: poems 16 and 42 by
220:
205:), popular urban music in
1442:
1432:
918:), for mixed choir (1970)
610:, for low voice and piano
32:
1558:Fourth movement: Allegro
1488:
1467:
1448:Jacobo Ficher Collection
1207:Jacobo Ficher Collection
1095:History Making Premieres
979:, for mixed choir (1973)
952:, for mixed choir (1971)
1536:Second movement, part 2
1264:Pan American Union 1956
1048:Polka, for piano (1948)
940:Introduzione ed allegro
893:, for two pianos (1969)
692:Two Poems of Longfellow
643:, for two pianos (1947)
514:Cinco piezas infantiles
389:Suite en estilo antiguo
235:Sulamita, poema de amor
38:
1514:First movement, part 2
1473:Cohen, Warren. 2009. "
1219:Music of Latin America
1006:, for orchestra (1975)
977:Cuatro coros a capella
959:, for orchestra (1972)
858:Cuatro sonetos de amor
830:, for orchestra (1962)
817:, for orchestra (1961)
687:, for orchestra (1948)
655:Seis tangos y milongas
595:Preludio, coral y fuga
240:Other prizes include:
1407:Zipman, Boris. 1966.
950:Tres coros a cappella
912:Tres coros a cappella
848:Cinco sonetos de amor
211:Tres danzas populares
177:and the influence of
151:twelve-tone technique
1620:Musicians from Odesa
1254:, pp. 3–4, 6–7.
729:Canciones del Paraná
379:Tres coros a capella
191:gauchesco literature
69:Maximilian Steinberg
1064:Primavera sin nieve
1045:, film score (1942)
1039:, film score (1942)
1033:, film score (1941)
957:Capriccio Argentina
759:Dos coros a capella
641:Tres danzas hebreas
347:Rabindranath Tagore
300:Songs without Words
231:Dmitri Shostakovich
43:Ficher was born in
33:Яков (Хакобо) Фишер
1480:2016-08-19 at the
1215:Slonimsky, Nicolas
1004:Obertura dramática
907:, for piano (1970)
752:Don Segundo Sombra
739:Baladas del Paraná
544:, for piano (1941)
516:, for piano (1940)
449:Cantos de amor de
365:Dos piezas hebreas
195:Don Segundo Sombra
84:Revolution of 1917
73:Nikolai Tcherepnin
1465:
1464:
1454:
1453:
1011:Jorge Luis Borges
788:Oda a la libertad
651:Danzas americanas
354:Obertura patética
246:Obertura patética
207:Tangos y milongas
203:Ricardo Güiraldes
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916:Alfonsina Storni
828:Obertura festiva
685:Salmo de alegría
678:Salmo de alegría
442:Gabriela Mistral
428:Colombina de hoy
193:in the overture
183:Charles Koechlin
92:Grupo renovación
53:Pyotr Stolyarsky
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1496:Epopeya de mayo
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1482:Wayback Machine
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1388:Further reading
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1384:
1380:, pp. 4–5.
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356:(1928, rev. as
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276:Epopeya de mayo
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173:operas. French
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123:Alejandro Viñao
111:Emilio Kauderer
77:Nikolay Sokolov
65:Vasily Kalafati
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1366:Slonimsky 1945
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953:
946:
943:
936:
933:Tres canciones
929:
922:
919:
908:
905:Cinco retratos
901:
894:
887:
884:Tres canciones
880:
873:
870:
867:
864:
861:
854:
851:
844:
841:
834:
831:
824:
821:
818:
811:
804:
801:
798:
791:
784:
781:
778:
775:
772:
769:
766:Pedido de mano
762:
755:
748:
745:
742:
735:
732:
725:
722:
711:
704:
701:
698:
695:
688:
681:
674:
671:
668:
665:
658:
647:
644:
637:
634:
627:
624:
621:
614:
611:
604:
601:
598:
591:
588:
581:
574:
571:
568:
565:
558:
555:
548:
545:
538:
531:
528:El organillero
524:
517:
510:
503:
496:
493:
490:
487:La rosa muerta
483:
476:
473:
470:
467:
464:
461:
458:
455:
451:Jehuda Ha-Levy
445:
438:
431:
424:
421:
418:
411:
408:
405:
402:
399:
392:
385:
382:
375:
372:Canto elegíaco
368:
361:
350:
339:
336:
329:
322:
319:
316:
313:
310:Grave e presto
306:
303:
287:
284:
283:
282:
279:
272:
269:
266:
263:
256:
249:
222:
219:
197:(1954) (after
187:Darius Milhaud
179:Paul Hindemith
139:neoromanticism
134:
131:
127:Ezequiel Viñao
49:Russian Empire
40:
37:
15:
9:
6:
4:
3:
2:
1667:
1656:
1653:
1651:
1648:
1646:
1643:
1641:
1638:
1636:
1633:
1631:
1628:
1626:
1623:
1621:
1618:
1616:
1613:
1611:
1608:
1606:
1603:
1601:
1598:
1596:
1593:
1591:
1588:
1586:
1583:
1581:
1578:
1577:
1575:
1564:
1560:
1555:
1553:
1549:
1544:
1542:
1538:
1533:
1531:
1527:
1522:
1520:
1516:
1511:
1509:
1505:
1500:
1499:
1497:
1493:
1492:
1483:
1479:
1476:
1472:
1471:
1461:
1458:
1457:
1449:
1445:
1441:
1438:
1435:
1431:
1428:
1427:
1423:
1422:
1410:
1409:Jacobo Ficher
1405:
1401:
1397:
1392:
1391:
1379:
1374:
1367:
1362:
1355:
1350:
1348:
1341:, p. 88.
1340:
1335:
1328:
1323:
1317:, p. 89.
1316:
1311:
1304:
1299:
1297:
1295:
1293:
1285:
1281:
1276:
1269:
1265:
1260:
1253:
1248:
1241:
1236:
1232:
1220:
1216:
1212:
1208:
1203:
1199:
1195:
1194:Stanley Sadie
1191:
1186:
1182:
1178:
1173:
1169:
1164:
1163:
1144:
1140:
1136:
1133:
1120:
1116:
1112:
1109:
1096:
1092:
1088:
1084:
1081:
1080:
1071:
1070:El murciélago
1068:
1065:
1062:
1059:
1056:
1053:
1050:
1047:
1044:
1041:
1038:
1035:
1032:
1031:
1027:
1026:
1025:
1019:
1018:Cuatro poemas
1015:
1012:
1008:
1005:
1001:
998:
995:
992:
988:
985:
981:
978:
974:
971:
970:Cinco sonetos
967:
964:
961:
958:
954:
951:
947:
944:
941:
937:
934:
930:
927:
923:
920:
917:
913:
909:
906:
902:
899:
895:
892:
888:
885:
881:
878:
874:
871:
868:
865:
862:
859:
855:
852:
849:
845:
842:
839:
835:
832:
829:
825:
822:
819:
816:
812:
809:
805:
802:
799:
796:
792:
789:
785:
782:
779:
776:
773:
770:
767:
763:
760:
756:
753:
749:
746:
743:
740:
736:
733:
730:
726:
723:
720:
719:Anton Chekhov
716:
712:
709:
705:
702:
699:
696:
693:
689:
686:
682:
679:
675:
672:
669:
666:
663:
659:
656:
652:
648:
645:
642:
638:
635:
632:
628:
625:
622:
619:
615:
612:
609:
605:
602:
599:
596:
592:
589:
586:
582:
579:
575:
572:
569:
566:
563:
559:
556:
553:
549:
546:
543:
539:
536:
535:Tres estampas
532:
529:
525:
522:
518:
515:
511:
508:
504:
501:
500:Tres estampas
497:
494:
491:
488:
484:
481:
477:
474:
471:
468:
465:
462:
459:
456:
453:
452:
446:
443:
439:
436:
435:Los invitados
432:
429:
425:
422:
419:
416:
412:
409:
406:
403:
400:
397:
393:
390:
386:
383:
380:
376:
373:
369:
366:
362:
359:
355:
351:
348:
344:
340:
337:
334:
330:
327:
326:Poema heroico
323:
320:
317:
314:
311:
307:
304:
301:
297:
296:
295:
293:
280:
277:
273:
270:
267:
264:
261:
257:
254:
250:
247:
243:
242:
241:
238:
236:
232:
228:
218:
216:
212:
208:
204:
200:
196:
192:
188:
184:
180:
176:
175:Impressionism
172:
171:Anton Chekhov
168:
164:
160:
156:
152:
148:
144:
143:neoclassicism
140:
133:Musical style
130:
128:
124:
120:
116:
112:
108:
104:
100:
95:
93:
88:
85:
80:
78:
74:
70:
66:
62:
58:
54:
50:
46:
36:
30:
26:
21:
20:Jacobo Ficher
1495:
1408:
1399:
1395:
1378:Salgado 2010
1373:
1361:
1356:, p. 4.
1354:Salgado 2010
1334:
1322:
1310:
1303:Salgado 2001
1284:Salgado 2010
1280:Salgado 2001
1275:
1268:Salgado 2001
1259:
1252:Salgado 2010
1247:
1242:, p. 3.
1240:Salgado 2010
1235:
1218:
1198:John Tyrrell
1189:
1180:
1176:
1167:
1142:
1138:
1134:
1118:
1114:
1110:
1094:
1086:
1082:
1069:
1063:
1057:
1051:
1042:
1036:
1030:Los afincaos
1028:
1023:
1017:
1003:
990:
983:
976:
969:
956:
949:
939:
932:
925:
911:
904:
897:
890:
883:
876:
857:
847:
838:Cinco poemas
837:
827:
814:
807:
794:
787:
765:
758:
751:
738:
728:
714:
708:Tres décimas
707:
691:
684:
677:
661:
654:
650:
640:
630:
618:Seis fábulas
617:
607:
594:
584:
577:
561:
551:
541:
534:
527:
520:
513:
507:Seis fábulas
506:
499:
486:
479:
448:
434:
427:
414:
395:
388:
378:
371:
364:
357:
353:
342:
332:
325:
309:
299:
289:
286:Compositions
275:
259:
252:
245:
239:
234:
226:
224:
210:
206:
194:
166:
147:polytonality
136:
107:Teatro Colón
96:
89:
81:
61:Leopold Auer
42:
19:
18:
1585:1978 deaths
1580:1896 births
1424:Archives at
1327:Newman 1950
1077:Discography
877:Tres poemas
480:Ocho poemas
292:opus number
227:Heroic Poem
157:, and free
119:Ana Rugeles
115:Marcelo Koc
1625:Odesa Jews
1574:Categories
1160:References
1091:Fritz Magg
585:Psalm CXIX
562:Golondrina
290:Listed by
1227:Footnotes
1143:El Gaucho
1016:op. 132:
1002:op. 130:
989:op. 127:
982:op. 126:
975:op. 125:
968:op. 124:
955:op. 121:
948:op. 120:
938:op. 118:
931:op. 117:
926:Tre pezzi
924:op. 116:
910:op. 114:
903:op. 113:
896:op. 112:
889:op. 111:
882:op. 110:
875:op. 109:
856:op. 104:
846:op. 102:
836:op. 100:
616:op. 59a:
199:the novel
163:rhapsodic
159:atonality
155:serialism
25:‹See Tfd›
1478:Archived
1433:Location
1217:. 1945.
1037:¡Gaucho!
826:op. 98:
813:op. 95:
806:op. 94:
795:Mi Aldea
793:op. 91:
786:op. 90:
764:op. 84:
757:op. 83:
750:op. 82:
737:op. 79:
727:op. 77:
713:op. 75:
706:op. 74:
690:op. 70:
676:op. 69:
660:op. 67:
649:op. 66:
639:op. 64:
629:op. 62:
606:op. 57:
593:op. 54:
583:op. 52:
576:op. 51:
560:op. 47:
550:op. 45:
540:op. 43:
533:op. 42:
526:op. 41:
519:op. 40:
512:op. 39:
505:op. 38:
498:op. 37:
485:op. 34:
478:op. 33:
447:op. 28:
433:op. 26:
426:op. 25:
413:op. 22:
394:op. 17:
387:op. 16:
377:op. 14:
363:op. 12:
352:op. 11:
341:op. 10:
333:Sulamita
278:, op. 92
262:, op. 34
255:, op. 17
248:, op. 11
1563:YouTube
1552:YouTube
1541:YouTube
1530:YouTube
1519:YouTube
1508:YouTube
1150:⁄
1126:⁄
1102:⁄
1058:Algodón
914:(text:
521:Melchor
360:, 1960)
331:op. 8:
324:op. 7:
308:op. 3:
298:op. 1:
221:Honours
29:Russian
1443:Source
898:Kadish
715:El oso
662:Hamlet
578:Gaucho
417:(1932)
398:(1930)
358:Exodus
167:Kadish
125:, and
75:, and
45:Odessa
1489:Media
1468:Texts
1168:Notes
1196:and
185:and
39:Life
1561:on
1550:on
1539:on
1528:on
1517:on
1506:on
201:by
1576::
1398:/
1346:^
1291:^
1282:;
1137:/
294:.
217:.
153:,
149:,
145:,
141:,
129:.
121:,
117:,
113:,
79:.
71:,
67:,
31::
1305:.
1286:.
1270:.
1179:/
1152:4
1148:3
1128:4
1124:3
1113:/
1104:3
1100:1
657:)
22:(
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