1599:
1587:
1611:
409:
1886:, New York, Alfred A. Knopf, 1993, Chapter XX. "Arthur Miller and Dylan Thomas, whom Kimon had brought to see the play, stumbled out, making remarks I'd have preferred not to hear and dragging after them the audience's attention, along with poor Kimon himself. ('What could I do?' he said next day on the phone. 'Dylan wanted a drink.' Years later I learned what Mr. Miller, with uncanny insight, had whispered in Dylan's ear shortly after the curtain rose: 'You know, this guy's got a secret, and he's gonna keep it.')" Reprinted in
42:
2008:, New York: Alfred A. Knopf, 1993, Chapter I. "As it happened, my father had taken a much earlier step to ensure his children's independence, by creating an unbreakable trust in each of our names. Thus at five years old I was rich, and would hold my own pursestrings when I came of age, whether I liked it or not. I wasn't sure I did like it. The best-intentioned people, knowing whose son I was and powerless against their own snobbery, could set me writhing under attentions I had done nothing to merit." Reprinted in
2305:, which appeared in 2001, six years after Merrill's death and shortly before Jackson's. It describes their Ouija board experience as a game that got badly out of control, until they couldn't tell what was real and what was not. According to her, the board became a form of self-induced demonic possession, to which Merrill, driven by his ambition to make poetry out of spirit messages, was especially susceptible, and in which Jackson was enlisted against his will. For evidence, she quotes passages from
2698:
464:
456:, sponsored by the Stonington Village Improvement Association in Stonington Borough). For most of two decades, the couple spent winters in Athens at their home at 44 Athinaion Efivon. Greek themes, locales, and characters occupy a prominent position in Merrill's writing. In 1979, Merrill and Jackson largely abandoned Greece and began spending part of each year at Jackson's home in
541:
his life. Despite great personal wealth derived from an unbreakable trust made early in his childhood, Merrill lived modestly. (Before his father's death, Merrill and his two siblings renounced any further inheritance from their father's estate in exchange for $ 100 "as full quittance"; as a result, most of
Charles Merrill's estate was donated to charity, including "The Orchard.")
296:. The gardeners had their hands in the earth. The cook was dredging things with flour, making pies. My father was merely making money, while my mother wrote names on place-cards, planned menus, and did her needlepoint." Merrill's parents separated when he was eleven, then divorced when he was thirteen. As a teenager, Merrill boarded at the
2309:, as if the trilogy were a factual record of their seances rather than a poetic fiction based on them. "As I read through the last two-thirds of the book," she writes, "I sometimes had the feeling that my friend's mind" -Merrill's mind- "was intermittently being taken over by a stupid and possibly even evil intelligence."
721:
called his work). The divorce of
Merrill's parents — the sense of disruption, followed by a sense of seeing the world "doubled" or in two ways at once — figures prominently in the poet's verse. Merrill did not hesitate to alter small autobiographical details to improve a poem's logic, or
540:
A prodigious correspondent and the keeper of many confidences, Merrill's "chief pleasure was friendship". Answering to "Jim" in his youth and to "James" in published adulthood (and to "JM" in letters from readers), he was called "Jimmy", a childhood nickname, by friends and family until the end of
291:
in the way my parents lived. They seemed so utterly taken up with engagements, obligations, ceremonies," Merrill would tell an interviewer in 1982. "The excitement, the emotional quickening I felt in those years came usually through animals or nature, or through the servants in the house ... whose
2221:
charts this long evolution: "he mere act of reading aloud—something I was doing for virtually the first time —quickly disabused me ... y poems remained verbal artifacts, metered and rhymed to be sure, shaped and polished and begemmed, but set on the page with never a thought of their
1994:
said: "His genius for friendship is, if possible, his single greatest genius. He has, almost secretly, created a foundation dedicated to encouraging gifted young painters and writers. The foundation makes raids of vigilante kindness. It had helped those young artists who are healthy and those who
274:. (The property was developed in 1980 with 29 luxury condominiums flanking the central gardens, while the home's vast ballroom and first-floor public reception areas were preserved.) Merrill's childhood governess taught him French and German, an experience Merrill wrote about in his 1974 poem
548:
in the 1950s, the name of which united his divorced parents. The private foundation operated throughout the poet's lifetime and subsidized literature, the arts, and public television, with grants directed particularly to writers and artists showing early promise. Merrill met filmmaker
1932:, 28 January 2001. "n the 1950s he established the Ingram Merrill Foundation, which until it ceased to exist in 1996, gave grants to writers, artists and other foundations. By the mid-90s, Merrill was donating around $ 300,000 a year through the foundation." Retrieved 24 April 2013.
904:
725:
As
Merrill matured, the polished and taut brilliance of his early work yielded to a more informal, relaxed, and conversational tone. Already established in the 1970s among the finest poets of his generation, Merrill made a surprising detour when he began incorporating extensive
487:
in Rome). "Freedom to be oneself is all very well," he would write. "The greater freedom is not to be oneself." Merrill painted a candid portrait in his memoir of gay life in the early 1950s, describing friendships and relationships with several men including Dutch poet
2042:, Knopf, 1993, Chapter II. Mustered out of the army in early 1945, Merrill returned to Amherst and civilian life, and soon began attending Kimon Friar's weekly lectures and workshops at the New York YMHA. Friar introduced Merrill to city friends including
848:
windbreaker — "DuPont contributed the seeming-frail, / Unrippable stuff first used for
Priority Mail" — is "white with a world map." "A zipper's hiss, and the Atlantic Ocean closes / Over my blood-red T-shirt from the Gap."
304:, began writing poetry, and undertook early literary collaborations. When Merrill was 16 years old, his father collected his short stories and poems and published them as a surprise under the name
572:. His ashes and the remains of David Jackson are buried side by side at Evergreen Cemetery, Stonington. Jackson's former wife and Merrill's friend, Doris Sewell Jackson is buried behind them.
217:
His poetry falls into two distinct bodies of work: the polished and formalist lyric poetry of his early career, and the epic narrative of occult communication with spirits and angels, titled
378:
heralded his literary talent, and his
English professor upon reading it declared to the Amherst graduating class that Jim (as he was known there) was "destined for some sort of greatness."
2521:
2284:
1769:
1245:
2798:
223:(published in three volumes from 1976 to 1980), which dominated his later career. Although most of his published work was poetry, he also wrote essays, fiction, and plays.
254:
Merrill's parents married in 1925, the year before he was born; he would grow up with two older half siblings from his father's first marriage, Doris
Merrill Magowan and
493:
1598:
1610:
1835:, February 7, 1995. Accessed October 31, 2007. "He went to Lawrenceville School, where one of his close friends and classmates was the novelist Frederick Buechner."
2514:
813:, to which Merrill, driven by his ambition to make poetry out of spirit messages, was especially susceptible, and in which Jackson was enlisted against his will.
711:
to get a mass audience. I'd rather have one perfect reader. Why dynamite the pond in order to catch that single silver carp?") Though not generally considered a
308:
Initially pleased, Merrill would later regard the precocious book as an embarrassment. Today, it is considered a literary treasure worth thousands of dollars.
1270:
2783:
2736:
2729:
2722:
2715:
2507:
1925:
386:
published privately in Athens, Greece, in 1946, was printed in just one hundred copies when
Merrill was 20 years old. Merrill's first mature work,
1990:
Madison: The
University of Wisconsin Press, 2001, p. 282. Introducing Merrill at a December 13, 1993 New York poetry reading at the YMHA, novelist
2468:
836:, Merrill returned to writing shorter poetry which could be both whimsical and nostalgic: "Self-Portrait in TYVEK Windbreaker" (for example) is a
2873:
1586:
1224:
2420:
2858:
2828:
2863:
2838:
823:"I sometimes had the feeling that my friend's mind was intermittently being taken over by a stupid and possibly even evil intelligence"
248:
557:
a few years later, giving critical financial assistance to both and providing funds to hundreds of other writers, often anonymously.
2778:
844:
Merrill purchased from "one of those vaguely imbecile / Emporia catering to the collective unconscious / Of our time and place." The
1733:
2351:
809:
a game that got badly out of control ... couldn't tell what was real and what was not ... the board became a form of self-induced
2773:
1966:
under a blossoming tree—but what was an ointment without flies? In memory the party shimmers and resounds like a FĂŞte by
715:
poet, James
Merrill made frequent use of personal relationships to fuel his "chronicles of love & loss" (as the speaker in
660:
244:
2843:
2833:
2818:
2768:
2709:
258:
As a boy, Merrill enjoyed a highly privileged upbringing in educational and economic terms. His father's 30-acre estate in
2793:
778:. Channeling voices through a Ouija board "made me think twice about the imagination," Merrill later explained. "If the
2322:
2294:
1280:
1255:
1234:
2427:
1809:
2848:
2376:
2108:
1826:
1689:
1568:
634:
2813:
2788:
2187:
1706:
913:, a 560-page epic poem published in 1982, shows the ballroom of "The Orchard," James Merrill's childhood home in
2332:
1020:
909:
743:
646:
621:
219:
125:
2823:
2808:
2132:(With acceptance speech by Merrill and essay by Megan Snyder-Camp from the Awards 60-year anniversary blog.)
2853:
616:
595:
when he was an undergraduate, Merrill would go on to receive every major poetry award in the United States,
2438:
2236:
2614:
2082:
731:
41:
2444:
2465:
2141:
2123:
996:
360:
and served for eight months. His studies interrupted by war and military service, Merrill returned to
276:
1301:
COROT 1796-1875, An
Exhibition of His Paintings and Graphic Works, October 6 through November 13, 1960
436:, a writer and artist. Merrill and Jackson met in New York City after a performance of Merrill's play
2530:
2060:
1394:
1006:
717:
691:
A writer of elegance and wit, highly adept at wordplay and puns, Merrill was a master of traditional
655:
561:
545:
452:
in 1955, purchasing a property at 107 Water Street (now the site of writer-in-residency program, the
1970:. Freedom to be oneself is all very well; the greater freedom is not to be oneself." James Merrill,
239:
investment firm, and Hellen Ingram Merrill (1898–2000), a society reporter and publisher from
2803:
2127:
712:
707:. (Asked once if he would prefer a more popular readership, Merrill replied "Think what one has to
2073:
483:
early in his career and sought psychiatric help to overcome its effects (undergoing analysis with
2868:
2493:
2487:
2481:
1558:
1093:
449:
281:
255:
189:
2154:
1787:
1681:
696:
664:
24:
1846:
2674:
271:
263:
259:
240:
1899:
2763:
2758:
2656:
2179:
297:
1942:
8:
2638:
638:
453:
433:
413:
164:
150:
2499:
1730:
2878:
2560:
2348:
1929:
1831:
1674:
1504:
1487:
Selinger, Eric Murphy (Spring 1994). "James Merrill's masks of Eros, masques of love".
810:
390:
is among Merrill's scarcest titles. Merrill's first commercially published volume was
357:
301:
232:
178:
771:
2328:
2290:
2104:
1685:
1564:
1457:
Rhetoric and Sexuality: The Poetry of Hart Crane, Elizabeth Bishop, and James Merrill
1276:
1251:
1230:
775:
497:
480:
457:
408:
2441:. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
2403:
1962:(a student none of us knew, invited for his looks) pistol-whipping our poor drunken
747:(1982), documents two decades of messages dictated from otherworldly spirits during
2650:
1963:
1959:
1496:
554:
206:(March 3, 1926 – February 6, 1995) was an American poet. He was awarded the
103:
20:
2447:
Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
790:
said of his voices that they were like his own mental powers multiplied by five."
2602:
2472:
2355:
2256:, New Revision Series, vol. 10 (Detroit: Gale Research Company, 1983). Quoted in
1737:
1650:
1266:
991:
609:
604:
501:
395:
366:
361:
212:
154:
131:
114:
99:
80:
2644:
2412:
596:
2686:
2620:
2584:
2572:
2566:
2554:
2381:
1991:
1967:
1654:
1546:
1445:
1435:
1373:
692:
599:
588:
468:
425:
371:
267:
207:
146:
2752:
2668:
2632:
2626:
2596:
1515:
1462:
1051:
817:
Lurie's response after reading Merrill and Jackson's collaborative effort in
489:
467:
James Merrill with actor Peter Hooten, his partner from 1983 to 1995 (photo:
445:
375:
236:
194:
23:. For the American Congregational minister and university administrator, see
1334:
The composite voice : the role of W. B. Yeats in James Merrill's poetry
2662:
2578:
2542:
2372:
1411:
1390:
1340:
1299:(1960) - Essay in an exhibition catalog from the Art Institute of Chicago:
914:
798:
626:
579:
republished his 1962 poem, "The Mad Scene", in its March 19, 1995 edition.
505:
484:
441:
168:
2697:
2482:
James I. Merrill (AC 1947) and William S. Burford (AC 1949) Correspondence
2043:
921:
Since his death, Merrill's work has been anthologized in three divisions:
463:
2680:
2590:
2047:
841:
787:
763:
759:
748:
738:
704:
630:
383:
2459:
1616:
Jackson and Merrill graves, Evergreen Cemetery, Stonington, Connecticut
1508:
1406:
Nothing to Admire: The Politics of Poetic Satire from Dryden to Merrill
868:
767:
735:
700:
550:
448:
walked out of the performance.) Together, Jackson and Merrill moved to
2103:. New York: Newspaper Enterprise Association, Inc. 1985. p. 415.
1359:
Everyday and Prophetic: The Poetry of Lowell, Ammons, Merrill and Rich
829:, before his death Merrill warned against the use of the Ouija board.
2608:
1926:
The View From/Stonington; If the Walls Could Talk, It Would Be Poetry
2476:
2450:
1901:
1676:
Memories of a Lost War: American Poetic Responses to the Vietnam War
1500:
1467:
A Reader's Guide to James Merrill's "The Changing Light at Sandover"
751:
2059:
An (incomplete) list of writers and artists known to have received
762:
in any language, and features the voices of recently deceased poet
569:
568:, he died on February 6, 1995, from a heart attack related to
2455:
2200:
Merrill, James. "On 'Yánnina': An Interview with David Kalstone",
1900:
Stonington Village Improvement Association in Stonington Borough.
2494:
Jack W.C. Hagstrom (AC 1955) James I. Merrill Bibliography Papers
903:
837:
565:
1430:
The Obligation Toward the Difficult Whole: Postmodern Long Poems
1352:
James Merrill and W.H. Auden: Homosexuality and Poetic Influence
933:. Accordingly, his work below is divided upon those same lines.
382:, a collection of poems Merrill's Amherst professor (and lover)
243:. He was born at a residence which would become the site of the
1520:
Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill
727:
421:
417:
2421:
The James Merrill Papers at Washington University in St. Louis
2180:"Golden Plate Awardees of the American Academy of Achievement"
2303:
Familiar Spirits: A Memoir of James Merrill and David Jackson
2025:. New York: Alfred A. Knopf, 1993, Chapter XVI; reprinted in
1450:
Unlikely Friends - James Merrill and Judith Moffett: A Memoir
1416:
Familiar Spirits: A Memoir of James Merrill and David Jackson
845:
803:
Familiar Spirits: A Memoir of James Merrill and David Jackson
2451:
James Merrill House Museum & Writer-in-Residence Program
2377:"Out of this world : James Merrill's supernatural muse"
1827:"James Merrill Is Dead at 68; Elegant Poet of Love and Loss"
663:
in 1978. In 1991, he received the Golden Plate Award of the
2456:
Stuart A. Rose Manuscript, Archives, and Rare Book Library
722:
to serve an environmental, aesthetic, or spiritual theme.
2529:
2496:
at the Amherst College Archives & Special Collections
2490:
at the Amherst College Archives & Special Collections
2484:
at the Amherst College Archives & Special Collections
1810:
The Art of Poetry No. 31: An Interview with James Merrill
1649:
1213:(with the stage adaptation "Voices from Sandover") (2006)
730:
messages into his work (although a poem from the 1950s, "
504:, David Jackson, and his partner from 1983 onward, actor
1604:
James Merrill and David Jackson House, Key West, Florida
2404:'James Merrill House and Its Disembodied Transmissions'
544:
A philanthropist in his own right, Merrill created the
2063:
support can be found on its separate Knowledge entry.
1486:
801:'s writing of her experience with the Ouija board in
734:," foreshadows the practice). The result, a 560-page
374:
in 1947. Merrill's senior thesis on French novelist
2799:
Fellows of the American Academy of Arts and Sciences
1661:. New York: Alfred A. Knopf, 2008. pp. 289–294.
1556:
1084:
Two Poems: "From the Cupola" and "The Summer People"
231:James Ingram Merrill was born in New York City, to
2327:. New York: Harper Perennial Library. p. 47.
2252:Bornhauser, Fred. Interview with James Merrill in
2080:, March 19, 1995. The poem originally appeared in
1673:
1527:The Music of What Happens: Poems, Critics, Writers
2413:The James Merrill Digital Archive: Materials for
2144:. National Book Foundation. Retrieved 2012-03-03.
1560:James Merrill, Postmodern Magus: Myth and Poetics
1534:Part of Nature, Part of Us: Modern American Poets
1182:(1989; videotaped for commercial release in 1990)
754:hosted by Merrill and his partner David Jackson.
2750:
2445:Stephen Yenser Papers Relating to James Merrill.
2086:in October/November 1962, and in the collection
1758:. London: Thames & Hudson. pp. 238–249.
1753:
535:
1995:discover they are dying just as they've begun."
1920:
1918:
1782:
1780:
1778:
564:from 1979 until his death. While wintering in
235:(1885–1956), the founding partner of the
2425:
2237:The Magician: Collected Poems by James Merrill
337:That calls the child with white ideas of swans
292:lives seemed by contrast to make such perfect
2515:
1988:Loss Within Loss: Artists in the Age of AIDS.
1804:
1802:
1800:
1551:The Consuming Myth: The Work of James Merrill
1264:
1243:
1222:
1043:(1980), with an added coda, "The Higher Keys"
680:As who was not, in laughter, pain, and love.
608:. Merrill was honored in mid-career with the
2784:United States Army personnel of World War II
2222:being uttered by a living voice." Quoted in
1949:, Summer/Fall 2012. Retrieved 23 April 2013.
1915:
1847:"James Jaffe Rarebooks: Winter 2007 Catalog"
1775:
1680:. Oxford: Oxford University Press. pp.
1592:James Merrill House, Stonington, Connecticut
1440:James Merrill: An Introduction to the Poetry
1244:James Merrill (2018). Stephen Yenser (ed.).
1223:James Merrill (2017). Langdon Hammer (ed.).
2477:Special Collections, University of Delaware
1982:
1980:
1935:
1704:
881:Look at each other closely, as friends will
774:, as well as heavenly beings including the
335:Assuming, like a fourth dimension, splendor
2522:
2508:
2464:Materials related to James Merrill in the
2460:James Ingram Merrill collection, 1923-2000
2385:. Vol. 91, no. 8. pp. 70–74
2273:(audio cassette), J. D. McClatchy, editor.
2246:
1797:
1099:From the First Nine: Poems 1946–1976
876:We take long walks among the flying leaves
678:But you were everywhere beside me, masked,
327:Black on flat water past the jonquil lawns
247:, which Merrill would lament in the poem "
40:
2428:"James Merrill, The Art of Poetry No. 31"
1671:
1272:A Whole World: Letters From James Merrill
284:, a prestigious New York grammar school.
2371:
2349:James Merrill in Iowa City, October 1992
2229:
2194:
2101:The World Almanac and Book of Facts 1985
2066:
1977:
1952:
955:The Country of a Thousand Years of Peace
902:
462:
407:
2243:, 4 March 2001. Retrieved 14 June 2013.
2160:. American Academy of Arts and Sciences
2155:"Book of Members, 1780-2010: Chapter M"
2135:
2117:
1744:, 6 April 2001. Retrieved 16 June 2013.
1731:Philanthropist Doris Magowan dies at 87
1645:
1643:
1641:
1639:
1637:
1635:
1633:
1631:
1331:
878:And ponder turnings taken by our lives.
432:Merrill's partner of three decades was
280:. From 1936 to 1938, Merrill attended
19:For the South Carolina politician, see
2751:
2282:
2032:
2015:
1325:
1186:
825:. According to Stoker Hunt, author of
560:Merrill served as a Chancellor of the
300:, where he befriended future novelist
2874:Military personnel from New York City
2503:
1998:
1756:The Houses of McKim, Mead & White
936:
873:The days grow shorter. Summer's over.
782:aren't external, how astonishing the
661:American Academy of Arts and Sciences
401:
356:Merrill was drafted in 1944 into the
333:A private chaos warbling in its wake,
245:Greenwich Village townhouse explosion
2341:
2320:
2147:
1747:
1724:
1628:
1319:The Voice of the Poet: James Merrill
1071:
888:End-of-season light remains unsaid.
686:—James Merrill, "Days of 1964"
479:, Merrill revealed that he suffered
1762:
1086:(London: Chatto & Windus, 1972)
1080:(London: Chatto & Windus, 1961)
852:
629:messages received via the use of a
394:, issued in 990 numbered copies by
13:
2859:20th-century American male writers
2829:LGBTQ people from New York (state)
2365:
2283:Hammer, Langdon (April 14, 2015).
1772:, Hill St., Southampton, New York.
1399:James Merrill: Essays in Criticism
633:). In 1990, he received the first
617:National Book Critics Circle Award
440:at the Comedy Club in 1953. (Poet
14:
2890:
2864:American male non-fiction writers
2839:Pulitzer Prize for Poetry winners
2397:
1844:
886:Not now. Yet something in the sad
883:On parting. This is not farewell,
871:departs for city, cat, and lover.
659:. He was elected a Fellow of the
635:Bobbitt National Prize for Poetry
344:Where every paradox means wonder.
311:
2779:20th-century American memoirists
2696:
1609:
1597:
1585:
1481:James Merrill: Knowing Innocence
1474:Critical Essays on James Merrill
1315:(cassette audio recording, 1986)
1290:
2314:
2301:She made that view explicit in
2276:
2263:
2211:
2208:, New York: Knopf, 2004, p. 83.
2188:American Academy of Achievement
2172:
2093:
2053:
1893:
1876:
1863:
1838:
1770:3D aerial view of "The Orchard"
1707:"The House On West 11th Street"
896:The Changing Light at Sandover'
665:American Academy of Achievement
625:(composed partly of supposedly
587:Beginning with the prestigious
2774:AIDS-related deaths in Arizona
2426:J.D. McClatchy (Summer 1982).
2324:Ouija: The Most Dangerous Game
2307:The Changing Light at Sandover
2204:, December 1972; reprinted in
1943:Days of 1973: A Week in Athens
1819:
1808:J. D. McClatchy, interviewer.
1698:
1665:
1211:The Changing Light at Sandover
1105:Selected Poems 1946–1985
1021:The Changing Light at Sandover
910:The Changing Light at Sandover
834:The Changing Light at Sandover
827:Ouija: The Most Dangerous Game
819:The Changing Light at Sandover
756:The Changing Light at Sandover
744:The Changing Light at Sandover
699:who also wrote a good deal of
647:National Book Award for Poetry
622:The Changing Light at Sandover
220:The Changing Light at Sandover
126:The Changing Light at Sandover
1:
2488:Merrill-Magowan Family Papers
2142:"National Book Awards – 1979"
2124:"National Book Awards – 1967"
1705:Gussow, Mel (March 5, 2000).
1659:James Merrill: Selected Poems
1621:
1557:Smith, Evans Lansing (2008).
1306:
832:Following the publication of
536:The Ingram Merrill Foundation
226:
2023:A Different Person: A Memoir
2006:A Different Person: A Memoir
1884:A Different Person: A Memoir
1871:James Merrill: Life and Art,
1657:(eds.). "Short Chronology".
1563:. University of Iowa Press.
330:Riding, the black swan draws
7:
2844:United States Army soldiers
2834:National Book Award winners
2819:Lawrenceville School alumni
2769:20th-century American poets
2466:Robert A. Wilson collection
2286:James Merrill: Life and Art
2260:, Knopf, 2004, pp. 135-136.
2029:, Knopf, 2004, pp. 619-620.
1958:"It ended badly—with
1672:Chattarji, Subarno (2001).
1366:James Merrill: Life and Art
1321:(cassette audio book, 1999)
795:James Merrill: Life and Art
732:Voices from the Other World
530:—James Merrill (1965)
522:For Time to tame, or me to,
351:—James Merrill (1946)
10:
2895:
2794:Bollingen Prize recipients
2358:. Retrieved 19 March 2013.
1578:
1423:James Merrill's Apocalypse
1199:Collected Novels and Plays
931:Collected Novels and Plays
619:in 1983 for his epic poem
18:
2705:
2694:
2538:
2531:Pulitzer Prize for Poetry
2061:Ingram Merrill Foundation
1754:White, Samuel G. (1998).
1130:
1037:Mirabell: Books of Number
1007:Mirabell: Books of Number
766:, Merrill's late friends
656:Mirabell: Books of Number
582:
562:Academy of American Poets
546:Ingram Merrill Foundation
340:Nearer to that green lake
287:"I found it difficult to
262:, for example, known as "
185:
174:
160:
142:
120:
110:
95:
87:
70:
51:
39:
32:
2849:Poets from New York City
2347:Marshall, Kathe Bonann.
2130:. Retrieved 2012-03-03.
2128:National Book Foundation
1541:Soul Says: Recent Poetry
1149:
1111:
1094:Sylvester & Orphanos
670:
524:Hand in glove with him.
266:," had been designed by
1986:White, Edmund, editor.
1489:Contemporary Literature
1176:(Sea Cliff Press, 1986)
1041:Scripts for the Pageant
1014:Scripts for the Pageant
575:In tribute to Merrill,
450:Stonington, Connecticut
424:, October 1973 (photo:
256:Charles E. Merrill, Jr.
210:for poetry in 1977 for
190:Charles E. Merrill, Jr.
2814:Glascock Prize winners
2789:Amherst College alumni
2379:. The Critics. Books.
2217:Merrill's 1993 memoir
2012:, Knopf, 2004, p. 461.
1890:, Knopf, 2004, p. 670.
1873:Alfred A. Knopf, 2015.
1742:San Francisco Examiner
1265:James Merrill (2021).
1229:. Everyman's Library.
918:
894:—James Merrill,
891:
815:
758:is one of the longest
683:
527:
472:
429:
364:in 1945 and graduated
348:
25:James Griswold Merrill
2408:Cordite Poetry Review
2321:Hunt, Stoker (1992).
2271:The Voice of the Poet
1974:, Knopf 1993, p. 129.
1902:"James Merrill House"
1143:The (Diblos) Notebook
1092:(1980), published by
1065:A Scattering of Salts
906:
857:
807:
675:
615:Merrill received the
553:in 1945 and the poet
511:
492:, Italian journalist
466:
411:
318:
272:Frederick Law Olmsted
260:Southampton, New York
241:Jacksonville, Florida
2824:American LGBTQ poets
2809:American gay writers
2458:, Emory University:
2439:James Merrill Papers
2254:Contemporary Authors
2226:, 2004, pp. 461-462.
1788:Braving the Elements
1180:Voices from Sandover
1168:The Immortal Husband
1164:(1953; revised 1988)
979:Braving the Elements
864:The Book of Ephraim:
793:In Langdon Hammer's
770:and Greek socialite
520:You are one wild boy
298:Lawrenceville School
270:with landscaping by
204:James Ingram Merrill
55:James Ingram Merrill
2854:American male poets
2434:. Summer 1982 (84).
2415:The Book of Ephraim
2289:. New York: Knopf.
2184:www.achievement.org
1326:Works about Merrill
1247:The Book of Ephraim
1187:Posthumous editions
1033:The Book of Ephraim
1001:The Book of Ephraim
997:Lost in Translation
649:twice, in 1967 for
639:Library of Congress
598:including the 1977
475:In his 1993 memoir
454:James Merrill House
277:Lost in Translation
249:18 West 11th Street
151:National Book Award
2561:Robert Penn Warren
2471:2022-03-19 at the
2375:(April 13, 2015).
2354:2006-09-15 at the
2235:Fraser, Caroline.
2219:A Different Person
2040:A Different Person
1972:A Different Person
1930:The New York Times
1869:Hammer, Langdon.
1832:The New York Times
1736:2013-12-20 at the
1711:The New York Times
1124:A Different Person
937:Poetry collections
919:
842:windbreaker jacket
811:demonic possession
645:. He garnered the
477:A Different Person
473:
430:
412:James Merrill and
403:A Different Person
358:United States Army
302:Frederick Buechner
233:Charles E. Merrill
179:Charles E. Merrill
2746:
2745:
2241:Los Angeles Times
1947:Notre Dame Review
1941:Moffett, Judith.
1924:Swansburg, John.
1786:J. D. McClatchy.
1472:Guy Rotella, ed.
1455:Peter Nickowitz,
1378:Five Temperaments
1370:
1072:Poetry selections
776:Archangel Michael
498:Claude Fredericks
458:Key West, Florida
201:
200:
66:New York City, US
2886:
2700:
2651:Yusef Komunyakaa
2615:William Meredith
2524:
2517:
2510:
2501:
2500:
2435:
2432:The Paris Review
2393:
2391:
2390:
2359:
2345:
2339:
2338:
2318:
2312:
2311:
2280:
2274:
2267:
2261:
2250:
2244:
2233:
2227:
2215:
2209:
2198:
2192:
2191:
2176:
2170:
2169:
2167:
2165:
2159:
2151:
2145:
2139:
2133:
2121:
2115:
2114:
2097:
2091:
2070:
2064:
2057:
2051:
2038:Merrill, James.
2036:
2030:
2021:Merrill, James.
2019:
2013:
2004:Merrill, James.
2002:
1996:
1984:
1975:
1964:Somerset Maugham
1956:
1950:
1939:
1933:
1922:
1913:
1912:
1910:
1908:
1897:
1891:
1882:Merrill, James.
1880:
1874:
1867:
1861:
1860:
1858:
1856:
1851:
1842:
1836:
1823:
1817:
1806:
1795:
1794:, 27 March 1995.
1784:
1773:
1766:
1760:
1759:
1751:
1745:
1728:
1722:
1721:
1719:
1717:
1702:
1696:
1695:
1679:
1669:
1663:
1662:
1647:
1613:
1601:
1589:
1574:
1512:
1404:Christopher Lu,
1369:
1364:Langdon Hammer,
1337:
1313:Reflected Houses
1286:
1261:
1240:
985:The Yellow Pages
899:
853:Works by Merrill
797:, Hammer quoted
687:
653:and in 1979 for
555:Elizabeth Bishop
531:
518:
352:
345:
341:
331:
325:
77:
74:February 6, 1995
63:
61:
44:
30:
29:
21:James H. Merrill
2894:
2893:
2889:
2888:
2887:
2885:
2884:
2883:
2804:Formalist poets
2749:
2748:
2747:
2742:
2701:
2692:
2603:Henry S. Taylor
2534:
2528:
2473:Wayback Machine
2400:
2388:
2386:
2368:
2366:Further reading
2363:
2362:
2356:Wayback Machine
2346:
2342:
2335:
2319:
2315:
2297:
2281:
2277:
2268:
2264:
2258:Collected Prose
2251:
2247:
2234:
2230:
2224:Collected Prose
2216:
2212:
2206:Collected Prose
2202:Saturday Review
2199:
2195:
2178:
2177:
2173:
2163:
2161:
2157:
2153:
2152:
2148:
2140:
2136:
2131:
2122:
2118:
2111:
2099:
2098:
2094:
2083:Poetry Magazine
2074:“The Mad Scene”
2072:James Merrill,
2071:
2067:
2058:
2054:
2037:
2033:
2027:Collected Prose
2020:
2016:
2010:Collected Prose
2003:
1999:
1985:
1978:
1957:
1953:
1940:
1936:
1923:
1916:
1906:
1904:
1898:
1894:
1888:Collected Prose
1881:
1877:
1868:
1864:
1854:
1852:
1849:
1843:
1839:
1824:
1820:
1807:
1798:
1785:
1776:
1767:
1763:
1752:
1748:
1738:Wayback Machine
1729:
1725:
1715:
1713:
1703:
1699:
1692:
1670:
1666:
1651:J. D. McClatchy
1648:
1629:
1624:
1617:
1614:
1605:
1602:
1593:
1590:
1581:
1571:
1539:Helen Vendler,
1532:Helen Vendler,
1525:Helen Vendler,
1501:10.2307/1208735
1350:Piotr Gwiazda,
1328:
1309:
1293:
1283:
1267:J. D. McClatchy
1258:
1237:
1205:Collected Prose
1193:Collected Poems
1189:
1174:The Image Maker
1152:
1133:
1126:(1993) - memoir
1120:(1986) - essays
1114:
1074:
992:Divine Comedies
973:The Fire Screen
967:Nights and Days
939:
927:Collected Prose
923:Collected Poems
901:
893:
890:
887:
885:
884:
882:
880:
879:
877:
875:
874:
872:
867:
866:
855:
772:Maria Mitsotáki
713:Confessionalist
689:
685:
682:
679:
673:
651:Nights and Days
637:awarded by the
610:Bollingen Prize
605:Divine Comedies
602:for Poetry for
585:
538:
533:
529:
526:
523:
521:
519:
514:
502:Robert Isaacson
444:and playwright
406:
396:Alfred A. Knopf
367:summa cum laude
362:Amherst College
354:
350:
347:
343:
342:
339:
338:
336:
334:
332:
329:
328:
326:
321:
316:
229:
213:Divine Comedies
193:
167:
155:Bollingen Prize
137:Nights and Days
132:Divine Comedies
115:American poetry
100:Amherst College
81:Tucson, Arizona
79:
75:
65:
59:
57:
56:
47:
46:Merrill in 1973
35:
28:
17:
12:
11:
5:
2892:
2882:
2881:
2876:
2871:
2869:Merrill family
2866:
2861:
2856:
2851:
2846:
2841:
2836:
2831:
2826:
2821:
2816:
2811:
2806:
2801:
2796:
2791:
2786:
2781:
2776:
2771:
2766:
2761:
2744:
2743:
2741:
2740:
2733:
2726:
2719:
2712:
2706:
2703:
2702:
2695:
2693:
2691:
2690:
2687:C. K. Williams
2684:
2678:
2675:Charles Wright
2672:
2666:
2660:
2654:
2648:
2642:
2636:
2630:
2624:
2621:Richard Wilbur
2618:
2612:
2606:
2600:
2594:
2588:
2585:Galway Kinnell
2582:
2576:
2573:James Schuyler
2570:
2567:Donald Justice
2564:
2558:
2555:Howard Nemerov
2552:
2546:
2539:
2536:
2535:
2527:
2526:
2519:
2512:
2504:
2498:
2497:
2491:
2485:
2479:
2462:
2453:
2448:
2442:
2436:
2423:
2418:
2410:
2399:
2398:External links
2396:
2395:
2394:
2382:The New Yorker
2367:
2364:
2361:
2360:
2340:
2333:
2313:
2296:978-0375413339
2295:
2275:
2262:
2245:
2228:
2210:
2193:
2171:
2146:
2134:
2116:
2109:
2092:
2078:The New Yorker
2065:
2052:
2031:
2014:
1997:
1992:Allan Gurganus
1976:
1951:
1934:
1914:
1892:
1875:
1862:
1845:Jaffe, James.
1837:
1818:
1816:, Summer 1982.
1796:
1792:The New Yorker
1774:
1761:
1746:
1723:
1697:
1690:
1664:
1655:Stephen Yenser
1626:
1625:
1623:
1620:
1619:
1618:
1615:
1608:
1606:
1603:
1596:
1594:
1591:
1584:
1580:
1577:
1576:
1575:
1569:
1554:
1547:Stephen Yenser
1544:
1537:
1530:
1523:
1513:
1484:
1479:Reena Sastri,
1477:
1470:
1460:
1453:
1446:Judith Moffett
1443:
1436:Judith Moffett
1433:
1428:Brian McHale,
1426:
1419:
1409:
1402:
1395:Charles Berger
1388:
1381:
1374:David Kalstone
1371:
1362:
1357:Nick Halpern,
1355:
1348:
1338:
1327:
1324:
1323:
1322:
1316:
1308:
1305:
1304:
1303:
1297:Notes on Corot
1292:
1289:
1288:
1287:
1282:978-1101875506
1281:
1262:
1257:978-1524711344
1256:
1241:
1236:978-1101907856
1235:
1226:Merrill: Poems
1220:
1217:Selected Poems
1214:
1208:
1202:
1196:
1188:
1185:
1184:
1183:
1177:
1171:
1165:
1159:
1151:
1148:
1147:
1146:
1140:
1132:
1129:
1128:
1127:
1121:
1113:
1110:
1109:
1108:
1102:
1096:
1087:
1081:
1078:Selected Poems
1073:
1070:
1069:
1068:
1062:
1059:The Inner Room
1056:
1047:
1046:
1045:
1044:
1026:
1025:
1017:
1011:
1003:
995:(1976), with "
988:
982:
976:
970:
964:
958:
952:
946:
943:The Black Swan
938:
935:
858:
856:
854:
851:
840:inspired by a
676:
674:
672:
669:
643:The Inner Room
600:Pulitzer Prize
593:The Black Swan
591:, awarded for
589:Glascock Prize
584:
581:
577:The New Yorker
537:
534:
512:
510:
496:, U.S. writer
481:writer's block
469:Judith Moffett
426:Judith Moffett
405:
400:
388:The Black Swan
380:The Black Swan
372:Phi Beta Kappa
323:The Black Swan
319:
317:
315:
313:The Black Swan
310:
268:Stanford White
228:
225:
208:Pulitzer Prize
199:
198:
187:
183:
182:
176:
172:
171:
162:
158:
157:
147:Pulitzer Prize
144:
143:Notable awards
140:
139:
122:
118:
117:
112:
108:
107:
97:
93:
92:
89:
85:
84:
78:(aged 68)
72:
68:
67:
53:
49:
48:
45:
37:
36:
33:
15:
9:
6:
4:
3:
2:
2891:
2880:
2877:
2875:
2872:
2870:
2867:
2865:
2862:
2860:
2857:
2855:
2852:
2850:
2847:
2845:
2842:
2840:
2837:
2835:
2832:
2830:
2827:
2825:
2822:
2820:
2817:
2815:
2812:
2810:
2807:
2805:
2802:
2800:
2797:
2795:
2792:
2790:
2787:
2785:
2782:
2780:
2777:
2775:
2772:
2770:
2767:
2765:
2762:
2760:
2757:
2756:
2754:
2738:
2734:
2731:
2727:
2724:
2720:
2717:
2713:
2711:
2710:Complete list
2708:
2707:
2704:
2699:
2688:
2685:
2682:
2679:
2676:
2673:
2670:
2669:Lisel Mueller
2667:
2664:
2661:
2658:
2657:Philip Levine
2655:
2652:
2649:
2646:
2643:
2640:
2637:
2634:
2633:Mona Van Duyn
2631:
2628:
2627:Charles Simic
2625:
2622:
2619:
2616:
2613:
2610:
2607:
2604:
2601:
2598:
2597:Carolyn Kizer
2595:
2592:
2589:
2586:
2583:
2580:
2577:
2574:
2571:
2568:
2565:
2562:
2559:
2556:
2553:
2550:
2549:James Merrill
2547:
2544:
2541:
2540:
2537:
2532:
2525:
2520:
2518:
2513:
2511:
2506:
2505:
2502:
2495:
2492:
2489:
2486:
2483:
2480:
2478:
2474:
2470:
2467:
2463:
2461:
2457:
2454:
2452:
2449:
2446:
2443:
2440:
2437:
2433:
2429:
2424:
2422:
2419:
2417:
2416:
2411:
2409:
2405:
2402:
2401:
2384:
2383:
2378:
2374:
2373:Chiasson, Dan
2370:
2369:
2357:
2353:
2350:
2344:
2336:
2330:
2326:
2325:
2317:
2310:
2308:
2304:
2298:
2292:
2288:
2287:
2279:
2272:
2266:
2259:
2255:
2249:
2242:
2238:
2232:
2225:
2220:
2214:
2207:
2203:
2197:
2189:
2185:
2181:
2175:
2156:
2150:
2143:
2138:
2129:
2125:
2120:
2112:
2110:0-911818-71-5
2106:
2102:
2096:
2089:
2085:
2084:
2079:
2075:
2069:
2062:
2056:
2049:
2045:
2041:
2035:
2028:
2024:
2018:
2011:
2007:
2001:
1993:
1989:
1983:
1981:
1973:
1969:
1965:
1961:
1955:
1948:
1944:
1938:
1931:
1927:
1921:
1919:
1903:
1896:
1889:
1885:
1879:
1872:
1866:
1848:
1841:
1834:
1833:
1828:
1825:Gussow, Mel.
1822:
1815:
1811:
1805:
1803:
1801:
1793:
1789:
1783:
1781:
1779:
1771:
1765:
1757:
1750:
1743:
1739:
1735:
1732:
1727:
1712:
1708:
1701:
1693:
1691:0-19-924711-0
1687:
1683:
1678:
1677:
1668:
1660:
1656:
1652:
1646:
1644:
1642:
1640:
1638:
1636:
1634:
1632:
1627:
1612:
1607:
1600:
1595:
1588:
1583:
1582:
1572:
1570:9781587297649
1566:
1562:
1561:
1555:
1552:
1548:
1545:
1542:
1538:
1535:
1531:
1528:
1524:
1521:
1517:
1516:Helen Vendler
1514:
1510:
1506:
1502:
1498:
1494:
1490:
1485:
1482:
1478:
1475:
1471:
1468:
1464:
1463:Robert Polito
1461:
1458:
1454:
1451:
1447:
1444:
1441:
1437:
1434:
1431:
1427:
1424:
1421:Tim Materer,
1420:
1417:
1413:
1410:
1407:
1403:
1400:
1396:
1392:
1389:
1386:
1385:James Merrill
1383:Ross Labrie,
1382:
1379:
1375:
1372:
1367:
1363:
1360:
1356:
1353:
1349:
1346:
1345:James Merrill
1342:
1339:
1335:
1332:Bauer, Mark.
1330:
1329:
1320:
1317:
1314:
1311:
1310:
1302:
1298:
1295:
1294:
1291:Contributions
1284:
1278:
1274:
1273:
1268:
1263:
1259:
1253:
1249:
1248:
1242:
1238:
1232:
1228:
1227:
1221:
1218:
1215:
1212:
1209:
1206:
1203:
1200:
1197:
1194:
1191:
1190:
1181:
1178:
1175:
1172:
1169:
1166:
1163:
1160:
1157:
1154:
1153:
1144:
1141:
1138:
1135:
1134:
1125:
1122:
1119:
1116:
1115:
1106:
1103:
1100:
1097:
1095:
1091:
1088:
1085:
1082:
1079:
1076:
1075:
1066:
1063:
1060:
1057:
1054:
1053:
1052:Late Settings
1049:
1048:
1042:
1038:
1034:
1030:
1029:
1028:
1027:
1023:
1022:
1018:
1015:
1012:
1009:
1008:
1004:
1002:
998:
994:
993:
989:
986:
983:
980:
977:
974:
971:
968:
965:
962:
959:
956:
953:
950:
947:
944:
941:
940:
934:
932:
928:
924:
917:in the 1930s.
916:
912:
911:
907:The cover of
905:
900:
897:
889:
870:
865:
862:
850:
847:
843:
839:
835:
830:
828:
824:
820:
814:
812:
806:
804:
800:
796:
791:
789:
785:
781:
777:
773:
769:
765:
761:
757:
753:
750:
746:
745:
741:published as
740:
737:
733:
729:
723:
720:
719:
714:
710:
706:
702:
698:
694:
688:
681:
668:
666:
662:
658:
657:
652:
648:
644:
640:
636:
632:
628:
624:
623:
618:
613:
611:
607:
606:
601:
597:
594:
590:
580:
578:
573:
571:
567:
563:
558:
556:
552:
547:
542:
532:
525:
517:
509:
507:
503:
500:, art dealer
499:
495:
494:Umberto Morra
491:
490:Hans Lodeizen
486:
482:
478:
470:
465:
461:
459:
455:
451:
447:
446:Arthur Miller
443:
439:
435:
434:David Jackson
427:
423:
419:
415:
414:David Jackson
410:
404:
399:
397:
393:
389:
385:
381:
377:
376:Marcel Proust
373:
369:
368:
363:
359:
353:
346:
324:
314:
309:
307:
303:
299:
295:
290:
285:
283:
282:St. Bernard's
279:
278:
273:
269:
265:
261:
257:
252:
250:
246:
242:
238:
237:Merrill Lynch
234:
224:
222:
221:
216:
214:
209:
205:
196:
195:Peter Magowan
191:
188:
184:
180:
177:
173:
170:
166:
165:David Jackson
163:
159:
156:
152:
148:
145:
141:
138:
134:
133:
129:
127:
123:
121:Notable works
119:
116:
113:
109:
105:
101:
98:
94:
90:
86:
82:
73:
69:
64:March 3, 1926
54:
50:
43:
38:
34:James Merrill
31:
26:
22:
16:American poet
2663:Jorie Graham
2645:Louise GlĂĽck
2579:Sylvia Plath
2548:
2543:John Ashbery
2431:
2414:
2407:
2387:. Retrieved
2380:
2343:
2323:
2316:
2306:
2302:
2300:
2285:
2278:
2270:
2265:
2257:
2253:
2248:
2240:
2231:
2223:
2218:
2213:
2205:
2201:
2196:
2183:
2174:
2162:. Retrieved
2149:
2137:
2119:
2100:
2095:
2088:Water Street
2087:
2081:
2077:
2068:
2055:
2050:, and Deren.
2039:
2034:
2026:
2022:
2017:
2009:
2005:
2000:
1987:
1971:
1954:
1946:
1937:
1905:. Retrieved
1895:
1887:
1883:
1878:
1870:
1865:
1853:. Retrieved
1840:
1830:
1821:
1814:Paris Review
1813:
1791:
1764:
1755:
1749:
1741:
1726:
1714:. Retrieved
1710:
1700:
1675:
1667:
1658:
1559:
1550:
1540:
1533:
1526:
1519:
1495:(1): 30–65.
1492:
1488:
1480:
1473:
1466:
1456:
1449:
1439:
1429:
1422:
1415:
1412:Alison Lurie
1405:
1398:
1391:David Lehman
1384:
1377:
1365:
1358:
1351:
1344:
1341:Harold Bloom
1333:
1318:
1312:
1300:
1296:
1271:
1246:
1225:
1216:
1210:
1204:
1198:
1192:
1179:
1173:
1167:
1161:
1156:The Birthday
1155:
1142:
1137:The Seraglio
1136:
1123:
1117:
1104:
1098:
1089:
1083:
1077:
1064:
1058:
1050:
1040:
1039:(1978), and
1036:
1032:
1031:composed of
1019:
1013:
1005:
1000:
990:
984:
978:
972:
966:
961:Water Street
960:
954:
948:
942:
930:
926:
922:
920:
915:The Hamptons
908:
895:
892:
863:
860:
859:
833:
831:
826:
822:
818:
816:
808:
802:
799:Alison Lurie
794:
792:
783:
779:
755:
742:
724:
716:
708:
693:poetic meter
690:
684:
677:
654:
650:
642:
627:supernatural
620:
614:
603:
592:
586:
576:
574:
559:
543:
539:
528:
515:
513:
506:Peter Hooten
485:Thomas Detre
476:
474:
442:Dylan Thomas
437:
431:
402:
391:
387:
379:
365:
355:
349:
322:
320:
312:
305:
293:
288:
286:
275:
253:
230:
218:
211:
203:
202:
169:Peter Hooten
149:for Poetry,
136:
130:
124:
76:(1995-02-06)
2764:1995 deaths
2759:1926 births
2681:Mark Strand
2591:Mary Oliver
2533:(1976–2000)
2090:(Atheneum).
2048:W. H. Auden
949:First Poems
788:Victor Hugo
764:W. H. Auden
736:apocalyptic
705:blank verse
631:Ouija board
392:First Poems
384:Kimon Friar
306:Jim's Book.
264:The Orchard
2753:Categories
2639:James Tate
2389:2015-06-22
2334:0060923504
2269:Quoted in
1768:Bing.com.
1622:References
1307:Recordings
1118:Recitative
768:Maya Deren
551:Maya Deren
251:" (1972).
227:Early life
88:Occupation
60:1926-03-03
2879:Gay poets
2737:2001–2025
2730:1976–2000
2723:1951–1975
2716:1922–1950
2609:Rita Dove
2044:AnaĂŻs Nin
1960:Hemingway
1275:. Knopf.
1250:. Knopf.
612:in 1973.
398:in 1951.
192:(brother)
186:Relatives
96:Education
2475:held by
2469:Archived
2352:Archived
2164:15 April
1907:18 March
1855:18 March
1734:Archived
1716:April 4,
1162:The Bait
1035:(1976),
786:become!
718:Mirabell
570:HIV/AIDS
438:The Bait
197:(nephew)
181:(father)
1968:Debussy
1579:Gallery
1509:1208735
1368:(2015)
1336:. 2003.
1269:(ed.).
838:conceit
784:mediums
780:spirits
752:séances
566:Arizona
289:believe
175:Parents
161:Partner
2689:(2000)
2683:(1999)
2677:(1998)
2671:(1997)
2665:(1996)
2659:(1995)
2653:(1994)
2647:(1993)
2641:(1992)
2635:(1991)
2629:(1990)
2623:(1989)
2617:(1988)
2611:(1987)
2605:(1986)
2599:(1985)
2593:(1984)
2587:(1983)
2581:(1982)
2575:(1981)
2569:(1980)
2563:(1979)
2557:(1978)
2551:(1977)
2545:(1976)
2331:
2293:
2107:
1688:
1567:
1553:(1987)
1543:(1995)
1536:(1980)
1529:(1988)
1522:(2010)
1507:
1483:(2007)
1476:(1996)
1469:(1984)
1459:(2006)
1452:(2019)
1442:(1984)
1432:(2004)
1425:(2000)
1418:(2000)
1408:(2003)
1401:(1983)
1387:(1982)
1380:(1977)
1361:(2003)
1354:(2007)
1347:(1985)
1343:, ed.
1279:
1254:
1233:
1219:(2008)
1207:(2004)
1201:(2002)
1195:(2001)
1170:(1955)
1158:(1947)
1145:(1965)
1139:(1957)
1131:Novels
1107:(1992)
1101:(1982)
1067:(1995)
1061:(1988)
1055:(1985)
1024:(1982)
1016:(1980)
1010:(1978)
999:" and
987:(1974)
981:(1972)
975:(1969)
969:(1966)
963:(1962)
957:(1959)
951:(1951)
945:(1946)
929:, and
898:(1982)
728:occult
583:Awards
422:Greece
418:Athens
2158:(PDF)
1850:(PDF)
1505:JSTOR
1150:Drama
1112:Prose
1090:Samos
846:Tyvek
760:epics
749:Ouija
671:Style
516:Cupid
294:sense
111:Genre
2329:ISBN
2291:ISBN
2166:2011
2105:ISBN
1909:2013
1857:2013
1718:2008
1686:ISBN
1565:ISBN
1393:and
1277:ISBN
1252:ISBN
1231:ISBN
869:Maya
861:from
805:as:
739:epic
703:and
701:free
697:form
695:and
641:for
370:and
91:Poet
83:, US
71:Died
52:Born
2406:in
1497:doi
508:.
416:in
2755::
2430:.
2299:.
2239:,
2186:.
2182:.
2126:.
2076:,
2046:,
1979:^
1945:,
1928:,
1917:^
1829:,
1812:.
1799:^
1790:,
1777:^
1740:,
1709:.
1684:.
1682:50
1653:;
1630:^
1549:,
1518:,
1503:.
1493:35
1491:.
1465:,
1448:,
1438:,
1414:,
1397:,
1376:,
925:,
821::
709:do
667:.
460:.
420:,
153:,
135:,
104:BA
2739:)
2735:(
2732:)
2728:(
2725:)
2721:(
2718:)
2714:(
2523:e
2516:t
2509:v
2392:.
2337:.
2190:.
2168:.
2113:.
1911:.
1859:.
1720:.
1694:.
1573:.
1511:.
1499::
1285:.
1260:.
1239:.
471:)
428:)
215:.
128:,
106:)
102:(
62:)
58:(
27:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_(cropped).jpg)