29:
830:
ordre, combien de personnes ont le droit de lui en prescrire, et quel'âge doit avoir une comédie pour être assimilée à l'ancien répertoire qu'on ne corrige plus". ("I therefore declare that I will not think of staging this piece again until I know how many drafts an author must submit to the censor, how many times he must make corrections to order, how many persons have the right to require them of him, and how old a comedy must be to be adopted into the existing repertoire which is no longer corrected".)
877:, a 1-act comic opera with music by Solié and André Grétry and a libretto by Jean-Claude Dejaure, was first performed by the Opéra-Comique in the Salle Feydeau on 6 August 1803 with further performances up to 1810. The libretto and vocal score were published. The libretto was adapted from a play of the same name by Dejaure's father which was given by the Comédiens Italiens on 5 June 1790. The text of the play was published in 1790, and there is a prompter's manuscript as well.
703:: Thb. 3210) was published, but the score has not been found. The following is noted on the libretto: "Sifflée, pour la premiere et dernière fois, sur le Théâtre Favart, le 29 brumaire an 7. Dédiée aux siffleurs et enrichie de notes, à l'usage des jeunes auteurs". ("Booed, for the first and last time, at the Théâtre Favart, 29 Brumaire, year 7. Dedicated to the booers and with added notes for the use of young writers".)
307:, from Letailleur as noted. Printed works were published in Paris. Library and shelf marks provided by Wild and Charlton are shown in parentheses. Listings of works for which libretto and score have not been found are based on company registers or other sources. Abbreviations: AN, Archives Nationales, Paris; BMO, Bibliothèque-Musée de l'Opéra, Paris; BMR, Bibliothèque municipale de Rouen; BNF,
945:
with a libretto by André-Joseph Grétry, which was a lyric adaptation of a comedy by
Nicholas-Julien Forgeot that was first performed by the Comédiens Italiens on 29 September 1780. The opera, which was first performed by the Opéra-Comique in the Salle Favart on 3 January 1805, was given a total of 10
829:
The production was closed by order of the authorities. The author included the following statement with the libretto: "Je déclare donc que je ne songerai à remettre cette pièce au théâtre, que quand je saurai combien de censures un autour doit subir, combien de fois il doit faire des corrections par
893:
which was a lyric adaption of a play by Jean-Claude
Dejaure, which was first performed by the Comédiens Italiens on 15 February 1790. There is an indication on the manuscript of the libretto: "Remise en opéra-comique par Grétry neveu". The opera was first performed by the Opéra-Comique in the Salle
870:
with a libretto by P. Guillet and Eugéne Hus, was first performed by the Opéra-Comique in the Salle
Feydeau on 30 July 1803. It was performed a total of 5 times. The libretto was published, and the score has not been found. Eugéne Hus is only mentioned in the libretto for providing the words for
1022:, a 1-act comic opera with a libretto by Emmanuel Dupaty, was performed for the first and last time by the Opéra-Comique in the Salle Feydeau on 10 December 1808. The libretto was published, and the score has not been found. The manuscript of the libretto gives the alternate title:
1002:, a 1-act comédie mêlée d'ariettes with a libretto by Charles Augustin de Bassompierre Sewrin, was first performed by the Opéra-Comique in the Salle Feydeau on 20 February 1808. It was performed a total of 9 times. The vocal score and libretto were published (no date).
900:, a 1-act comic opera with a libretto by François-Benoît Hoffman, was first performed by the Opéra-Comique in the Salle Feydeau on 16 April 1804 and was given a total of 7 times. The libretto has not been found, but the vocal score was published.
745:, an VI (1), pp. 555–556) with a libretto by Jean-Baptiste Pujoulx, was first performed by the Opéra-Comique in the Salle Favart on 22 May 1800. It was presented a total of 4 times. The libretto and score have not been located.
602:
with a libretto by François-Benoît
Hoffman, was first performed by the Opéra-Comique in the Salle Favart on 20 April 1796. It was revived in the Salle Feydeau on 21 September 1801, with further performances up to 1824. The libretto
579:
with a libretto by François-Benoît
Hoffman, was first performed by the Opéra-Comique in the Salle Favart on 6 January 1796, and was revived at the Salle Feydeau on 7 October 1801, with further performances up to 1807. The libretto
71:
in the cathedral. As he got older he began traveling to nearby towns in southern France, where he played cello in local theatre orchestras and supplemented his income by giving lessons in guitar and singing. In 1778 in
713:) by Emmanuel Dupaty, was first performed by the Opéra-Comique in the Salle Favart on 17 June 1799. It was revived at the Salle Feydeau on 8 August 1803, with further performances up to 1810. The libretto (
565:
with a libretto by François-Benoît
Hoffman, was first performed by the Opéra-Comique in the Salle Favart on 3 December 1795, with further performances in 1796. The libretto and score have not been found.
510:
with a libretto by
Charles Augustin de Bassompierre Sewrin, was first performed by the Opéra-Comique at the Salle Favart on 19 January 1794 and was performed a total of 19 times. The libretto (
492:
with a libretto by
Charles Augustin de Bassompierre Sewrin, was first performed by the Opéra-Comique in the Salle Favart on 5 September 1793, with further performances up to 1794. The composer
1127:
A third had music by
Bernardo Porto which was performed in the first Salle Favart on 14 February 1790 with further performances up to 1793. The libretto and vocal score have not been found.
1008:, a 3-act comic opera with a libretto by Emmanuel Dupaty, was first performed by the Opéra-Comique in the Salle Feydeau on 17 March 1808 with further performances up to 1811. The libretto (
434:, was first performed by the Opéra-Comique at the Salle Favart on 3 December 1792 with a revival at the Salle Feydeau on 12 October 1801, and further performances up to 1822. The libretto (
978:, a 1-act divertissement with a libretto by Charles Augustin de Bassompierre Sewrin, was first performed by the Opéra-Comique in the Salle Feydeau on 30 July 1807 and published (no date).
1348:
340:
on 5 August 1788. It included four pieces of music: Aria No. 1 (Solié), No. 2 (Berton), No. 3 (Martini), No. 4 (unknown). It was probably performed again up to about 1793. The text (
67:
His father was a cellist with the orchestra at the theatre in Nîmes, and Solié likewise learned to play the cello. But he also learned to sing and play the guitar, and became a
239:
Paulette
Letailleur has written: "Although pleasant and facile, Solié’s compositional style was not assertive enough to achieve lasting success. He is, however, remembered for
367:
with a libretto by Louis Dancourt. The music includes parodies of pieces by Berton and Gluck. The opera was performed for the first and last time by the Opéra-Comique at the
403:
with a libretto by Jean-Élie Dejaure, was first performed by the Opéra-Comique at the Salle Favart on 3 November 1792 with further performances up to 1801. The full score (
826:. It was performed for the first and last time by the Opéra-Comique in the Salle Feydeau on 15 January 1802. The libretto was published, but the score has not been found.
992:, was first performed by the Opéra-Comique in the Salle Feydeau on 10 August 1807. The title is taken from the register; on the manuscript of the libretto it is given as
482:
was published, but the score has not been found. The work was first performed by the Opéra-Comique at the Salle Favart on 10 May 1793 and was given a total of two times.
223:) and was hurriedly put together in just two days. The work combined music written by Solié and 11 other composers and was first performed by the Opéra-Comique at the
699:
with a libretto by François-Benoît Hoffman, was performed for the first and last time by the Opéra-Comique in the Salle Favart on 19 November 1798. The libretto (
960:
in the Salle Feydeau on 26 October 1805. It was performed into 1806. The libretto was published (no date), and the score has not been found. It was described in
1103:
118:
776:, a 1-act comic opera with a libretto by P.-J.-R. Bins de Saint-Victor, was first performed by the Opéra-Comique in the Salle Favart on 3 October 1800.
1147:, a 3-act comic opera with a libretto by J. M. de Reveroni Saint-Cyr, was first performed by the Opéra-Comique in the Salle Feydeau on 27 April 1811.
799:
686:
634:
1628:
1074:
on 19 August 1756 and later performed at the Hôtel de Bourgogne on 30 January 1764 with further performances up to 1776. The libretto (
659:, was first performed by the Opéra-Comique in the Salle Favart on 5 December 1796, with further performances up to 1799. The libretto (
883:, a 1-act comic opera with a libretto by A.-J. Grétry, was first performed at the Théâtre des Variétés-Montansier on 26 November 1803.
541:
in the Salle Favart on 26 February 1794 . The full score and the libretto have not been found. A manuscript vocal score with music by
1583:
1048:: Thb. 2891, 1809 edition), and the full score (BMO: F. 1667 (2); 1809 edition, indicated by a handwritten note) was also printed.
770:, a 1-act opéra with a libretto by J.F.-T. Goulard, was first performed by the Opéra-Comique in the Salle Favart on 29 August 1800.
86:
and made such a good impression, he was hired to sing tenor roles. Later he was asked to go to Paris to perform two roles with the
1408:
782:, a 1-act vaudeville with a libretto by Dupaty, was first performed by the Opéra-Comique in the Salle Favart on 17 November 1800.
303:
This list of works for the stage was compiled from Wild and Charlton with additional works, primarily those not performed at the
1044:
on 15 October 1853 in an orchestration by Adolphe Adam. The libretto exists both in manuscript (AN: AJ 1090) and printed form (
1458:
1443:
1417:
1400:
201:. The opera was revived several times, receiving its final performance in 1822. Solié also participated in the collaborative
1623:
1107:
1520:
L'Opéra-Comique pendant la Révolution de 1788 à 1801: d'après des documents inédits et les sources les plus authentiques
1376:
L'Opéra-Comique pendant la Révolution de 1788 à 1801: d'après des documents inédits et les sources les plus authentiques
1141:
with a libretto by L.-M. d'Estournel. was first performed by the Opéra-Comique in the Salle Feydeau on 27 February 1811.
1079:
1075:
1045:
1013:
1009:
722:
718:
714:
700:
668:
667:: 4º Y. 317 (1)) were published. The work was later reduced to 2 acts (date unknown), and the libretto of that version (
664:
660:
612:
604:
585:
581:
546:
533:
511:
497:
475:
439:
435:
415:
404:
341:
308:
151:(17 February 1807). Grétry also had a high regard for Solié, in particular as an actor: "l'excellent acteur, le citoyen
1608:
839:
894:
Feydeau on 7 February 1804. Additional performances were given into 1805. The libretto and vocal score were published.
1120:
for Vienna, altering music by the other composers and adding music of his own. This version was first performed in
803:
789:
1618:
1613:
1579:
537:
with music by Solié and 11 other composers and a libretto by Antoine-François Èvre, was first performed by the
1347:(reprint of the 1st edition, 1789; revised and expanded with two additional volumes, an V ). Paris: Verdière.
171:
on 4 November 1783. His career as a composer, however, really began in 1790 with an adaptation he prepared of
1431:
1391:
1633:
1466:„…imitée d’Aristophane". Die Lisistrata von Hoffman und Solié (1802) als Bindeglied zu den Verschwornen von
1117:
28:
1040:, was first performed by the Opéra-Comique in the Salle Feydeau on 30 November 1809. It was revived by the
248:
1037:
989:
1308:
Walsh (1981), pp. 303–304. Wild and Charlton (2005), p. 221, report that this revival was given by the
727:
672:
220:
1113:
1087:
375:
172:
91:
624:
113:
By 1787 he was back in Paris performing minor roles, but on 26 March 1789 he replaced Jean-Baptiste
1071:
996:. It was performed a total of 5 times. The libretto was printed; the full score has not been found.
1208:
857:
380:
227:
on 26 February 1794. It was poorly received and was soon banned by the Revolutionary authorities.
177:
82:
333:
418:: series X. 1282, t. 27, 1791 edition and ms) was published and also exists in manuscript form.
1523:
1234:
527:
207:
913:, first performed by the Opéra-Comique in the Salle Favart on 3 May 1792, which was based on
1493:
1379:
555:, a 1-act comic opera, was first performed by the Opéra-Comique in the Salle Favart in 1795.
431:
1603:
1598:
1467:
1099:
1041:
638:
348:
280:
1063:. There were several prior comic opera versions of Sedaine's libretto, all with the title
656:
351:
and libretto by Armand de Bouchard, which was first performed by the Opéra-Comique at the
344:: 8º Yth. 1277; 1788 edition), and the full score (BMR: Fonds 08, Th. 42) were published.
8:
1138:
1070:
The first had music by diverse composers which was premiered by the Opéra-Comique at the
1033:
542:
329:
186:
20:
1508:
1095:
910:
905:
387:
A prior version of the libretto had been published by Dancourt in 1776 under the title
141:
130:
129:. Baritones were somewhat unusual at that time at the Opéra-Comique, but the composer
1541:
1454:
1439:
1421:
1413:
1396:
1364:
1356:
471:
462:
400:
202:
190:
77:
843:
102:. His success was limited, and he returned to the provinces, working and singing in
1512:
1352:
1212:
930:
846:, was first performed by the Opéra-Comique in the Salle Feydeau on 20 January 1802.
493:
467:
414:, which had been performed by the Comédiens Italiens on 9 February 1791. The text (
276:
185:, and for which he composed several original pieces including parodies of music by
1309:
957:
538:
304:
87:
56:
52:
43:– 6 August 1812 in Paris) was a French cellist and operatic singer. He began as a
1563:
518:
236:
946:
times. The libretto exists in manuscript form, and the score has not been found.
336:
and text by Armand de Bouchard, was first performed by the Opéra-Comique at the
1471:
1083:
1060:
969:
953:
788:, a 1-act comic opera with a libretto by Alexandre, was first performed by the
761:
147:
764:, was first performed by the Opéra-Comique in the Salle Favart on 7 June 1800.
1592:
1490:
Les comédiens du roi de la troupe italienne pendant les deux derniers siècles
352:
319:
168:
103:
1567:
1527:
1497:
1383:
1238:
1052:
823:
816:
with a libretto by François-Benoît Hoffman. The story is based on the play
521:," canon shots, "La Générale," and the sounding of the tocsin (alarm bell).
368:
337:
224:
1549:
1425:
1360:
615:: D. 14020; 1796 edition) were published. The libretto gives the genre as
1091:
926:
197:, but his first important totally independent work came in November with
1545:
1368:
259:(1807), written for the emperor's return and the signing of the peace."
818:
135:
752:
by Pujoulx, first performed by the Comédiens Italiens on 31 July 1791.
347:
The work was later transformed into a 1-act comic opera with music by
133:
began creating leading baritone roles for Solié, including Alibour in
1121:
1082:: L. 2850) were published. The composers of various parodied musical
721:: D. 14007) were published. A libretto with handwritten corrections (
318:, a 5-act comedy with text by G.-F. Bièvre, was first performed at
267:
Solié's second son, Emile Solié (9 April 1801, Paris – after 1867,
126:
114:
68:
48:
40:
1137:, a 2-act comic opera composed in collaboration with Isouard and
295:
was well received when it was performed in Nice on 5 April 1879.
268:
73:
55:. He also became a prolific composer, writing primarily one-act
1026:– libretto after "un trait mis dans les journaux l'été dernier".
689:
was accepted by the Théâtre Feydeau in 1797 but never performed.
1474:
mit einem Ausblick auf die Rezeption des Sujets im Musiktheater
918:
856:
with a libretto by C. de Longchamp, was first performed at the
479:
371:
on 1 May 1790. The libretto and the score have not been found.
284:
189:
and Gluck. In May 1792 he participated in a collaboration with
1476:(Teil 1). In: Schubert:Perspektiven. 9, 2010, p. 216–228.
514:: Thb. 4143) was published, but the score has not been found.
410:
The opera is a lyric adaptation of a comedy by Dejaure called
311:(Départements des Imprimés, des Manuscrits et de la Musique).
1312:
at the new Salle Favart on the same date (possibly an error).
275:). Emile's son Charles (died after 1912) was a conductor and
44:
1263:
Letailleur, Paulette. "Solié , Jean-Pierre" in Sadie (2001).
1181:
Letailleur, Paulette. "Solié , Jean-Pierre" in Sadie (1992)
496:
has been identified as one of those parodied. The libretto (
442:: L. 2207) were published. The libretto gives the genre as
588:: L. 1902) were published. The libretto gives the genre as
288:
107:
1505:
Musique des fetes et céremonies de la Révolution française
1321:
Brown, Bruce Allan. "Diable à quatre, Le" in Sadie (1992)
1436:
Second Empire Opera: The Théâtre Lyrique Paris 1851–1870
287:. Subsequently he conducted at the Théâtre-Français in
1451:
Théâtre de l'Opéra-Comique Paris: répertoire 1762–1972
125:. By this time his voice was becoming more that of a
1406:
Sadie, Stanley, ed.; John Tyrell; exec. ed. (2001).
735:
Une matinée de Voltaire, ou La famille Calas à Paris
255:(95 performances) and for occasional pieces such as
163:Solié apparently composed some music for a comedy,
814:comédie mêlée de vaudevilles imitée d'Aristophane
651:with a libretto by François-Benoît Hoffman after
76:he was called upon to replace an ailing tenor in
1590:
1259:
1257:
1255:
1253:
1251:
1249:
1247:
1177:
1175:
1173:
1171:
1169:
1167:
1165:
1163:
1161:
875:L'incertitude maternelle, ou Le choix impossible
780:La pluie et le beau temps, ou L'été de l'an VIII
758:Une nuit d'été, ou Un peu d'aide fait grand bien
671:: series X. 1282, t. 28) was also published in "
663:: Th. 376) and the score of one musical number (
271:?), became an author who wrote about music (see
1409:The new Grove dictionary of music and musicians
903:The libretto is adapted from the same author's
399:, a 1-act opera composed in collaboration with
456:with 10 pieces attributed to Solié, including
1244:
1158:
1065:Le diable à quatre, ou La double métamorphose
384:, which had been performed in Vienna in 1764.
355:on 9 June 1807 for a total of 6 performances.
243:(103 performances between 1801 and 1814) and
230:
1535:Histoire du théâtre royal de l'Opéra-Comique
1224:Wild and Charlton (2005), pp. 262, 263, 289.
1194:Wild and Charlton (2005), pp. 243, 294, 413.
1057:The Devil to Pay, or The Wives Metamorphosed
887:L'époux généroux, ou Le pouvoir des procédés
361:Les fous de Médine, ou La rencontre imprévue
1272:Wild and Charlton (2005), pp. 132–439, 546.
438:: Thb 4146; 1810 edition) and full score (
291:. He was also a composer: his comic opera
247:, works which owe much to the librettist
47:, but switched and became well known as a
1584:International Music Score Library Project
1032:, a 3-act comic opera with a libretto by
1030:Le diable à quatre, ou La femme acariâtre
860:on 25 January 1803 and published in 1803.
838:, a 1-act comic opera with a libretto by
760:, a 1-act comic opera with a libretto by
412:Le Franc Breton ou le Négociant de Nantes
1102:). Other pieces have been attributed to
98:on 31 August 1782 and later in Grétry's
27:
1453:. Sprimont, Belgium: Editions Mardaga.
806:(in the rue de Bondy) on 27 April 1801.
798:a 1-act comic opera with a libretto by
792:(in the rue de Bondy) on 27 April 1801.
709:, a 1-act comic opera with a libretto (
158:
39:(also Soulier, Solier, Sollié; 1755 in
1591:
1449:Wild, Nicole; Charlton, David (2005).
1281:Wild and Charlton (2005), pp. 56, 200.
1024:Le Hussard noir ou le Sergent de Neiss
328:, a 1-act comedy with music by Solié,
298:
117:with great success in the premiere of
1051:The libretto is based on an English
517:This patriotic piece concludes with "
432:Edmond-Guillaume-François de Favières
215:, which was composed by order of the
62:
800:René Charles Guilbert de Pixérécourt
687:René Charles Guilbert de Pixérécourt
635:René Charles Guilbert de Pixérécourt
1233:Pougin (1891), pp. 108–109 (note).
1100:Pietro Alessandro Gaspare Scarlatti
952:, a 1-act opera with a libretto by
748:The libretto was based on the play
466:. Among the composers parodied are
293:Schein Baba, ou L'intrigue au harem
167:, in 1783, and it was presented at
139:(4 September 1790), Erasistrate in
13:
675:" according to a handwritten note.
508:scéne patriotiques mêlée de chants
272:
51:. He sang most often at the Paris
14:
1645:
1629:French Classical-period composers
1574:
1392:The new Grove dictionary of opera
1345:Mémoires ou essais sur la musique
1299:Wild and Charlton (2005), p. 413.
1290:Wild and Charlton (2005), p. 306.
374:Solié's opera was an adaption of
1580:Free scores by Jean-Pierre Solié
1395:(4 volumes). London: Macmillan.
1078:: Thb. 1826 A) and vocal score (
559:La soubrette, ou L'étui de harpe
309:Bibliothèque nationale de France
1507:. Paris: Imprimerie nationale.
1315:
1302:
1293:
1108:François-André Danican Philidor
1284:
1275:
1266:
1227:
1218:
1197:
1188:
898:Louise, ou La malade par amour
810:Lisistrata, ou Les athéniennes
262:
19:For the French physician, see
1:
1412:, 2nd ed. London: Macmillan.
1151:
1012:: Thb. 1665) and full score (
956:, was first performed by the
840:François-Pierre-Auguste Léger
802:, was first performed by the
768:Oui, ou Le double rendez-vous
717:: Thb. 2538) and full score (
693:La femme de quarante-cinq ans
611:edition) and the full score (
584:: Thb. 4150) and full score (
549:: Ms. 3649) has been located.
444:opéra-comique mêlé d'ariettes
1438:. New York: Riverrun Press.
1389:Sadie, Stanley, ed. (1992).
1000:Anna, ou Les deux chaumières
641:in 1797 but never performed.
619:. It is based on the comedy
7:
1624:French male opera composers
1557:Notice sur l'Opéra-National
1016:: D. 14037) were published.
968:, a pretty little piece by
804:Théâtre des Jeunes-Artistes
790:Théâtre des Jeunes-Artistes
500:: Thb. 3793) was published.
490:opéra comique en vaudeville
454:opéra comique en vaudeville
145:(3 May 1792), and Jacob in
10:
1650:
1492:. Paris: Berger-Levrault.
1332:
407:: D. 3078) was published.
231:Significance as a composer
221:Committee of Public Safety
18:
1609:French operatic baritones
1503:Pierre, Constant (1899).
1488:Campardon, Emile (1880).
1114:Christoph Willibald Gluck
725:: series X. 1282, t. 28,
173:Christoph Willibald Gluck
92:Pierre-Alexandre Monsigny
90:, where he first sang in
1522:. Paris: Albert Savine.
1378:. Paris: Albert Savine.
1038:Auguste Creuzé de Lesser
990:Auguste Creuzé de Lesser
986:comédie mêlée d'ariettes
711:comédie mêlée d'ariettes
697:comédie mêlée de musique
649:comédie mêlée de musique
617:comédie mêlée de musique
590:comédie mêlée d'ariettes
534:comédie mêlée d'ariettes
213:comédie mêlée d'ariettes
1518:Pougin, Arthur (1891).
1374:Pougin, Arthur (1891).
982:L'amante sans le savoir
504:Le plaisir et la gloire
428:comédie mise en musique
334:Jean-Paul-Egide Martini
1619:French opera composers
1614:French operatic tenors
1343:Grétry, André (1812).
868:comédie mêlée de chant
750:La Veuve Calas à Paris
743:Magasin encyclopédique
625:François-Antoine Jolly
217:Comité du Salut public
33:
1555:Solié, Emile (1847).
1533:Solié, Emile (1847).
1006:Mademoiselle de Guise
864:Henriette et Verseuil
850:Le séducteur amoureux
774:La rivale d'elle-même
731:edition) also exists.
389:La rencontre imprévue
381:La rencontre imprévue
181:, which Solié called
178:La rencontre imprévue
83:La Rosière de Salency
31:
1098:, and G. Scarlatti (
962:Décade philosophique
796:Quatre maris pour un
653:Les Ruses innocentes
637:was accepted by the
349:Louis-Emmanuel Jadin
326:Les arts et l'amitié
279:in the 1860s at the
159:Career as a composer
1139:Henri Montan Berton
1135:La victime des arts
1104:Jean-Louis Laruette
1072:Foire Saint-Laurent
1034:Michel-Jean Sedaine
988:with a libretto by
964:as: "A bad copy of
871:three of the songs.
685:with a libretto by
633:with a libretto by
543:Henri Montan Berton
528:Le congrès des rois
430:with a libretto by
330:Henri-Montan Berton
322:on 4 November 1783.
299:List of stage works
208:Le congrès des rois
187:Henri Montan Berton
21:Jean Pierre Soulier
16:French opera singer
1559:. Paris: J. Frey.
1537:. Paris: J. Frey.
1464:Waidelich, T. G.;
1086:are identified as
976:L'opéra au village
966:Rivaux d'eux-mêmes
881:L'oncle etle neveu
707:Le chapitre second
553:L'entreprise folle
450:L'école de village
257:L’opéra au village
253:Le diable à quatre
183:Les fous de Médine
123:La fausse paysanne
63:Career as a singer
34:
1634:People from Nîmes
1459:978-2-87009-898-1
1444:978-0-7145-3659-0
1418:978-1-56159-239-5
1401:978-1-56159-228-9
657:Barthélemy Imbert
424:Jean et Geneviève
401:Rodolphe Kreutzer
199:Jean et Geneviève
191:Rodolphe Kreutzer
119:Girard de Propiac
37:Jean-Pierre Solié
32:Jean-Pierre Solié
1641:
1562:
1540:
1513:Internet Archive
1353:Internet Archive
1326:
1319:
1313:
1306:
1300:
1297:
1291:
1288:
1282:
1279:
1273:
1270:
1264:
1261:
1242:
1231:
1225:
1222:
1216:
1213:Internet Archive
1201:
1195:
1192:
1186:
1179:
994:La leçon de père
931:Thomas Corneille
858:Théâtre-Français
786:Le petit Jacquot
655:by the Count of
631:Les trois tantes
621:La femme jalouse
494:Nicolas Dalayrac
478:: Thb. 2975) by
474:. The libretto (
468:Nicolas Dalayrac
1649:
1648:
1644:
1643:
1642:
1640:
1639:
1638:
1589:
1588:
1577:
1560:
1538:
1371:(1797 edition).
1335:
1330:
1329:
1320:
1316:
1307:
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1285:
1280:
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1245:
1232:
1228:
1223:
1219:
1202:
1198:
1193:
1189:
1180:
1159:
1154:
1124:on 28 May 1759.
1118:his own version
1042:Théâtre Lyrique
1020:Le hussard noir
950:Chacun son tour
939:Les deux oncles
639:Théâtre Feydeau
519:La Marseillaise
397:Le franc Breton
301:
281:Théâtre Graslin
265:
237:music historian
233:
195:Le franc Breton
161:
65:
24:
17:
12:
11:
5:
1647:
1637:
1636:
1631:
1626:
1621:
1616:
1611:
1606:
1601:
1576:
1575:External links
1573:
1572:
1571:
1553:
1531:
1516:
1501:
1485:
1484:
1478:
1477:
1462:
1447:
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1387:
1372:
1349:Search results
1340:
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1203:Grétry (1812)
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1145:Les ménestrels
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970:Pigault-Lebrun
954:Justin Gensoul
947:
936:
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934:
917:attributed to
909:with music by
895:
884:
878:
872:
861:
847:
844:René de Chazet
833:
832:
831:
807:
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783:
777:
771:
765:
762:Nicolas Gersin
755:
754:
753:
741:(according to
732:
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628:
593:
571:(also written
566:
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100:L'amant jaloux
64:
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1483:Other sources
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1338:Cited sources
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1311:
1310:Opéra-Comique
1305:
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963:
959:
958:Opéra-Comique
955:
951:
948:
944:
940:
937:
932:
928:
924:
920:
916:
915:De Dea Syria
912:
911:Étienne Méhul
908:
907:
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899:
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747:
746:
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740:
739:drame lyrique
736:
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724:
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716:
712:
708:
705:
702:
698:
694:
691:
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684:
683:drame lyrique
680:
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658:
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629:
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607:: Thb. 4152;
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539:Opéra-Comique
536:
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458:airs parodiés
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377:
373:
372:
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366:
365:opéra bouffon
362:
359:
354:
353:Salle Feydeau
350:
346:
345:
343:
339:
335:
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327:
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320:Fontainebleau
317:
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305:Opéra-Comique
296:
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273:Other sources
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203:Revolutionary
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169:Fontainebleau
166:
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131:Étienne Méhul
128:
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93:
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88:Opéra-Comique
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53:Opéra-Comique
50:
46:
42:
38:
30:
26:
22:
1578:
1568:Google Books
1556:
1534:
1528:Google Books
1519:
1504:
1498:Google Books
1489:
1479:
1465:
1450:
1435:
1432:Walsh, T. J.
1407:
1390:
1384:Google Books
1375:
1344:
1322:
1317:
1304:
1295:
1286:
1277:
1268:
1239:Google Books
1229:
1220:
1204:
1199:
1190:
1182:
1144:
1134:
1064:
1056:
1053:ballad opera
1029:
1023:
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965:
961:
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824:Aristophanes
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507:
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489:
485:
472:André Grétry
461:
457:
453:
452:was a 1-act
449:
443:
427:
423:
411:
396:
388:
379:
369:Salle Favart
364:
360:
338:Salle Favart
325:
316:Le séducteur
315:
302:
292:
266:
256:
252:
244:
240:
234:
225:Salle Favart
216:
212:
206:
198:
194:
182:
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165:Le séducteur
164:
162:
152:
146:
140:
134:
122:
112:
99:
95:
81:
78:André Grétry
66:
57:comic operas
36:
35:
25:
1604:1812 deaths
1599:1755 births
1561:(in French)
1539:(in French)
1036:revised by
941:is a 1-act
927:tragicomedy
575:), a 1-act
463:vaudevilles
263:Descendants
1593:Categories
1152:References
984:, a 1-act
906:Stratonice
889:, a 1-act
866:, a 1-act
852:, a 3-act
819:Lysistrata
812:. a 1-act
737:, a 1-act
695:, a 1-act
647:, a 3-act
598:, a 1-act
561:, a 1-act
531:, a 3-act
506:, a 1-act
488:, a 2-act
486:La moisson
426:, a 1-act
363:, a 3-act
211:, a 3-act
142:Stratonice
136:Euphrosine
1550:458931773
1426:419285866
1361:318075705
1122:Laxenburg
1116:prepared
923:Antiochus
836:Plutarque
596:Le secret
573:Le jockey
569:Le jockei
378:'s opera
245:Le jockey
241:Le secret
1586:(IMSLP)
1472:Schubert
1468:Castelli
1434:(1981).
1428:(eBook).
277:director
127:baritone
115:Clairval
69:choirboy
49:baritone
1582:at the
1564:Listing
1546:4458775
1511:at the
1369:2278913
1351:at the
1333:Sources
1325:: 1153.
1211:at the
1207:: 146.
1096:Galuppi
1084:numbers
943:comédie
891:comédie
854:comédie
645:Azeline
563:comédie
269:Ancenis
249:Hoffman
193:called
74:Avignon
1544:
1457:
1442:
1424:
1416:
1399:
1367:
1359:
1185:: 446.
1088:Ciampi
919:Lucian
679:Victor
480:Sewrin
332:, and
285:Nantes
205:opera
153:Solier
148:Joseph
1059:, by
609:an IV
600:opéra
577:opéra
376:Gluck
104:Nancy
96:Félix
45:tenor
41:Nîmes
1542:OCLC
1524:View
1509:View
1494:View
1470:und
1455:ISBN
1440:ISBN
1422:OCLC
1414:ISBN
1397:ISBN
1380:View
1365:OCLC
1357:OCLC
1235:View
1209:View
1106:and
1092:Duni
925:, a
921:and
842:and
728:an V
681:, a
673:an V
470:and
460:and
289:Nice
235:The
108:Lyon
106:and
1566:at
1526:at
1496:at
1382:at
1237:at
1080:BNF
1076:BNF
1046:BNF
1014:BNF
1010:BNF
929:by
822:by
723:BNF
719:BNF
715:BNF
701:BNF
669:BNF
665:BNF
661:BNF
623:by
613:BNF
605:BNF
586:BNF
582:BNF
547:BNF
512:BNF
498:BNF
476:BNF
440:BNF
436:BNF
416:BNF
405:BNF
342:BNF
283:in
175:'s
155:".
121:'s
94:'s
80:'s
1595::
1548:,
1363:.
1355:.
1246:^
1160:^
1094:,
1090:,
1067::
1055:,
972:".
251:,
110:.
59:.
1570:.
1552:.
1530:.
1515:.
1500:.
1461:.
1446:.
1403:.
1386:.
1323:1
1241:.
1215:.
1205:3
1183:4
1110:.
933:.
627:.
603:(
592:.
580:(
545:(
446:.
391:.
219:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
