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places it later, in 1355. It was probably commissioned by the
Consistori to be a compendium of grammatical knowledge for a wide audience and to "unveil" the secret art of poetry. Its author—who goes unnamed, but is usually identified with Joan today—also seeks to restrain lovers from
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grammatical treatise written with intention of preserving the literary form of the language. It is highly systematic and highly prescriptive. Its double title indicates the close relationship in the medieval lyrical tradition between the science of poetry
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235:"Il "Doctrinal de trobar" di Raimon de Cornet e il "Glosari" di Johan de Castellnou"
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Joan's text is the prose text at the top. Raimon's text is the verse on the bottom.
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The Origin and
Meaning of Courtly Love: A Critical Study of European Scholarship
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Martí, Sadurní. "Joan de
Castellnou revisité: notes biographiques".
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is less certain, Boase puts it between 1328 and 1337, while
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Instituto
Estatal de Relaciones Internacionales de Moscú.
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dishonest love. A parallel has been noticed between the
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Las flors del gay saber, estier dichas las Leys d'amors
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33:[dʒuˈandekasˌtelˈnɔw]
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233:Cura Curà, Giulio (2005).
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127:Peter, Count of Ribagorza
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159:and the prologue of the
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317:Musicians from Toulouse
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142:) and the art of love (
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161:Libro de Buen Amor
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140:gay saber
123:Doctrinal
108:Doctrinal
106:) on the
94:) called
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259:(1934).
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209:Sources
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119:Glosari
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88:grammar
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